Terri Hanauer Movies

A pair of naïve young girls learn that even the most insignificant actions can have lasting consequences in this music-driven take on teen culture starring Anne Hathaway and Bijou Phillips and directed by two-time Oscar-winning filmmaker Barbara Kopple. Influenced by the hip-hop thug lifestyle and seeking to explore life outside of their insulated, culturally homogenized suburb, pretty young teenagers Allison (Hathaway) and Emily (Phillips) set their sights on East L.A. to experience the "gangsta" lifestyle firsthand. By the time the pair meet some true-life Latino gang-bangers and realize just how far out of their element they really are, it may already be too late to turn back. ~ Jason Buchanan, Rovi

The hospital's future funding is jeopardized when Ross (George Clooney) bucks procedure, giving a sample of a new pain medication to young ALD patient Ricky Abbott (Kyle Chambers), the subject of government-backed "double blind" study. Elsewhere, Greene (Anthony Edwards) weighs an opportunity to go to work for NASA. Doyle (Jorja Fox) levels a charge of harassment against Romano (Paul McCrane). And Benton (Eriq La Salle) and Lucy's (Kellie Martin) patient Charley Barnes (Bill Henderson) claims that he is 140 years old -- and immortal. ~ Hal Erickson, Rovi

This episode is a delightfully calculated slam at Murder, She Wrote's Thursday-night competition Friends. Visiting the set of the popular twentysomething sitcom "Buds", Jessica (Angela Lansbury) quickly realizes that there is plenty of disharmony amongst the young and attractive cast members. Making matters worse, the series' avaricious producer is planning to hype the ratings by killing off one of the characters--in the script, that is. Before long, however, life imitates art, and Jessica sets her mind to exposing a murderer. The real fun in this episode derives from guessing which of the "Buds" characters is supposed to be Rachel, Ross, Phoebe, Chandler etc. ~ Hal Erickson, Rovi

This 1993 remake of the 1950 film Born Yesterday (based on the 1946 Garson Kanin stage play) was retooled as a star vehicle for then-marrieds Melanie Griffith and Don Johnson. Roughneck self-made millionaire Harry Brock (John Goodman) wants to become a powerful Washington lobbyist. Brock's efforts to hobnob with DC uppercrust are compromised by his brash, embarrassingly vulgar mistress Billie Dawn (Melanie Griffith). He'd like to unload the ex-chorus girl, but he thinks he's in love: besides, she knows too much about his crooked dealings to be running around loose. Thus, Brock hires bookish Paul Verrall (Don Johnson) to educate Billie. Verrall does his job amazingly well, awakening Billie to her responsibilities as a loyal, honest American: along the way, the two fall in love. Featured in the cast are Washington Post editor Ben Bradlee and his star reporter (and wife) Sally Quinn, cast as DC power brokers. Also appearing in a small role is 1960s starlet Celeste Yarnell. ~ Hal Erickson, Rovi

An audacious film about faith, The Rapture is a contemporary fantasy that keeps its feet unnervingly planted in reality even as reality starts to collapse. Mimi Rogers, in a strikingly accomplished performance, stars as Sharon, a telephone operator who spends her off-hours engaging in casual group sex to blot out her boredom. By chance, she becomes aware of a small Christian sect whose members believe that they have found a child with the gift of prophecy who has seen the upcoming end times. Slowly but steadily, Sharon finds herself drawn to this group, and one night she abruptly turns a corner, renounces her old life, and embraces fundamentalism with passion. She marries one of her former lovers, Randy (David Duchovny), who takes up Sharon's evangelical fervor to atone for his past as a hired killer, and they have a daughter. All seems peaceful until Randy is unexpectedly murdered, and Sharon takes her child to the desert to await the rapture that will bring the chosen to heaven. The film neither supports nor scoffs at Sharon's views, and the superb performances add immeasurably to a film that presents the unbelievable (and unthinkable) at face value, making it seem oddly plausible in the process. Michael Tolkin has also written and/or directed such films as The Player (1992), directed by Robert Altman, and The New Age (1994), both of which also skewer contemporary American society as shallow, materialistic, and desperate for something authentic to believe in. ~ Mark Deming, Rovi

Adapted by Whitley Strieber from his book about his alleged contacts with aliens, Communion dramatizes a story all the more compelling for the author's insistence that it is true, complemented by Christopher Walken's enigmatic performance as Strieber. The film begins in October 1985, as Strieber is living in New York City with his wife Anne (Lindsay Crouse) and son Andrew (Joel Carlson). He is hunting for new book ideas without making much headway. He spends his days pacing around his apartment, thinking out loud or videotaping himself as he improvises bits of dialogue. It is soon decided that a vacation is in order, so, with their friends Alex (Andreas Katsulas) and Sara (Terri Hanauer), the Striebers head for their cabin in Upstate New York. In the middle of the night, an illumination descends on the cabin and surrounding forest, causing Strieber to wake up abruptly. In the semi-darkness of the cabin, he is able to make out a long face with narrow, tear-shaped eyes quietly observing him from a corner of the room. The next morning, he has forgotten -- or been made to forget -- the whole experience. He even shrugs off Alex's and Sarah's concern about "seeing lights" outside their bedroom window, claiming to have slept through the event. Back in New York, it becomes evident to Strieber and his family that something unusual did happen. He begins to have powerful hallucinations, and, after an inconclusive medical examination, he is encouraged by his wife to seek professional help from psychiatrist Janet Duffy (Frances Sternhagen). During hypnotic regression therapy, Strieber's lifelong contact with the "visitors" is brought to light, as well as the details of his more recent encounters. Still unable to accept these revelations, he returns to the cabin alone and finally communicates with the visitors, discovering that, although they are unable to reveal their true identity, their purpose may be to act as agents of personal transformation for himself and for others. An interesting and uneven film, Communion is bolstered considerably by Christopher Walken, whose role in the film, though appropriate for the subject matter, quickly transforms into a thesis on his own eccentricities as an actor. ~ Anthony Reed, Rovi

Made for television, Winnie is adapted from the fact-based book Winnie: My Life in the Institution by Jamie Paster Bolnick. Meredith Baxter-Birney plays Winnie Sprockett, who at age 6 is adjudged moderately retarded and confined to an Iowa mental institution. After being locked away for 30 years, Winnie campaigns for her release, attempting to write a book of her experiences. At one point she escapes with a fellow patient (David Morse). Through the intervention of a compassionate administrator (Barbara Barrie), Winnie is at last allowed to re-enter the outside world. ~ Hal Erickson, Rovi

A charity auction held at Cheers puts eligible bachelors Sam (Ted Danson) and Woody (Woody Harrelson) up for bid. Alas, the winners of the auction are not entirely to the boys' liking. Sam ends up being "purchased" by Frasier's amour Lilith (Bebe Neuwirth) and Woody is saddled with a terrifyingly libidinous female. ~ Hal Erickson, Rovi

A timid aerobics instructor learns that her new best friend is also her husband's mistress in this domestic drama starring Mary Tyler Moore. Suffering from a bit of empty-nest syndrome as her children pass through adolescence, indecisive homemaker Holly Davis (Moore) reluctantly accepts a part-time gig teaching exercise classes for frazzled gym owner Helga (Salome Jens). There, she meets struggling, independent-minded broadcast journalist Sandy Dunlap (Christine Lahti), and they quickly become thick as thieves. As it turns out, though, Sandy is actually an adulteress -- she's engaged in a clandestine affair with Chip (Ted Danson), Holly's seismologist husband. Chip loves both women and wants to continue seeing Sandy, but she breaks things off with him now that she knows his wife. When Chip dies suddenly, Sandy helps Holly cope and finances phase two of her life as the new owner of Helga's aerobics center. Unfortunately, though, evidence of Chip's infidelity lies around just waiting to be discovered. In the end, it's up to Chip's friend Harry Crandall (Sam Waterston) -- who's been nursing a crush on Holly for years -- to help a pregnant Sandy and a heartbroken Holly come to terms with their complicated friendship. Just Between Friends marked the directorial debut of screenwriter Allan Burns. ~ Brian J. Dillard, Rovi