Maggie Han Movies

This episode takes place in Osaka, Japan, where a wealthy motor-company executive has promised his daughter in marriage to the son of a business associate. An American race-car driver (Rick Walsh) dares to defy tradition by romancing the girl himself--and when the girl's husand-to-be is killed, the driver not only faces murder charges, but also the likelihood of his own murder. Having arrived in Osaka to deliver a computer disk to the luckless driver, Jessica (Angela Lansbury) ends up playing detective for the 252nd time. ~ Hal Erickson, All Movie Guide

Ultimate manly man Arnold Schwarzenegger learns what it's like to be an expectant mother in director Ivan Reitman's high-concept comedy. Schwarzenegger plays Dr. Hess, a medical researcher working on a revolutionary drug to help mothers carry endangered infants to term. When government regulations prevent Dr. Hess from testing the drug through normal channels, his partner Dr. Arbogast (Danny DeVito) develops an unorthodox solution: they will steal a female egg and implant it in Hess, who will carry the child himself. Predictably, much of the subsequent humor centers on the incongruous sight of the muscular Schwarzenegger undergoing the trials and tribulations of pregnancy, from morning sickness to labor pains. Emma Thompson returns to her comic roots and provides romantic interest as an incorrigibly clumsy but intelligent scientist who catches on to Hess' deception. Reitman, Schwarzenegger, and DeVito had previously had a hit with Twins (1988), which revolved around a similarly ludicrous medical premise, but they failed to repeat that film's success here, as audiences largely ignored the film and reviewers criticized the humor as disappointingly obvious. ~ Judd Blaise, All Movie Guide

In this drama, a highly moral judge becomes a secret avenger in the war against crime after his face is disfigured during an assassination attempt. ~ Sandra Brennan, All Movie Guide

The Last Emperor is the true story of Aisin-Gioro Pu Yi, the last ruler of the Chinese Ching Dynasty. Told in flashback, the film covers the years 1908 to 1967. We first see the three-year-old Pu Yi being installed in the Forbidden City by ruthless, dying dowager Empress Tzu-Hsui (Lisa Lu). Though he'd prefer to lark about like other boys, the infant emperor is cossetted and cajoled into accepting the responsibilities and privileges of his office. In 1912, the young emperor (Tijer Tsou) forced to abdicate when China is declared a republic, is a prisoner in his own palace, "protected" from the outside world. Fascinated by the worldliness of his Scottish tutor (Peter O'Toole), Pu Yi plots an escape from his cocoon by means of marriage. He selects Manchu descendant Wan Jung (Joan Chen), who likewise is anxious to experience the 20th century rather than be locked into the past by tradition. Played as an adult by John Lone, Pu Yi puts into effect several social reforms, and also clears the palace of the corrupt eunuchs who've been shielding him from life. In 1924, an invading warlord expels the denizens of the Forbidden City, allowing Pu Yi to "westernize" himself by embracing popular music and the latest dances as a guest of the Japanese Concession in Tientsin. Six years later, his power all but gone, Pu Yi escapes to Manchuria, where he unwittingly becomes a political pawn for the now-militant Japanese government. Humiliating his faithful wife, Pu Yi falls into bad romantic company, carrying on affairs with a variety of parasitic females. During World War II, the Japanese force Pu Yi to sign a series of documents which endorse their despotic military activities. At war's end, the emperor is taken prisoner by the Russians; while incarcerated, he is forced to fend for himself without servants at his beck and call for the first time. He is finally released in 1959 and displayed publicly as proof of the efficacy of Communist re-education. We last see him in 1967, the year of his death; now employed by the State as a gardener, Pu Yi makes one last visit to the Forbidden City...as a tourist. Bernardo Bertolucci's first film after a six-year self-imposed exile, The Last Emperor was released in two separate versions: the 160-minute theatrical release, and a 4-hour TV miniseries. Lensed on location, the film won nine Academy Awards, including Best Picture and Best Director. ~ Hal Erickson, All Movie Guide