Paul Hampton Movies

An alcoholic, world-weary has-been Jewish reporter heads out for revenge against the white-supremacists who murdered his father in this grim political thriller. As the detective assigned to the case isn't very effective, the reporter begins his own investigation with the help of his lover, the enigmatic radio correspondent Rita. Their digging unearths evidence that the killing was really part of a conspiracy to kill another Jewish fellow who is running for the Senate on an anti-military platform. ~ Sandra Brennan, All Movie Guide

This two-part pilot episode for Babylon 5 was originally telecast as a single two-hour TV movie on February 22, 1993 (the "official" release date of March 8 refers to the film's Chicago TV premiere). Like the subsequent series, "The Gathering" takes place in the 23rd century, and was set on Babylon 5, a space station hovering in neutral territory which is used as a center of trade and diplomacy for a wide variety of friendly and hostile planets. As the space station becomes fully operational, the crew must deal with the attempting poisoning of Vorlan ambassador Kosh Naranek, for which B5 commander Jeffrey Sinclair is being held responsible. Complicating matters is the refusal of the Vorlans to allow any medical treatment for their ambassador. Written by series producer-creator J. Michael Straczynski, "The Gathering" features several actors who were supposed to have played recurring characters, but for various reasons were written out of the weekly version: Tamlyn Tomita as Lt. Cmdr. Laurel Takamisha, Blaire Baron as Caroline Sykes, Johnny Sekka as Dr. Benjamin Kyle and Patricia Tallman as Lyta Alexander. The pilot won an Emmy Award for special effects, and a Hugo nomation for "Best Dramatic Presentation" -- this in spite of almost universal damnation from mainstream TV critics. On January 4, 1998, the TNT cable network offered a re-edited version of "The Gathering", with a new musical score by Christopher Frake (replacing the one composed by Stewart Copeland), a handful of new computer-generated special effects, a number of judicious cuts, and several previously excised sequences, including a lengthy hostage-crisis subplot. ~ Hal Erickson, All Movie Guide

In this fact-based made-for-cable docudrama, Leonard Nimoy stars as Mel Mermelstein, a Nazi death camp survivor who wages a court battle against the revisionist Institute for Historical Review over their claims that the Holocaust never occurred. ~ Jason Ankeny, All Movie Guide

Stretching out its thin storyline to a full 89 minutes of striptease performances, this erotic film features Kitten Natividad as Betty Bigwuns who is longing for an open spot on a TV series, but whose measurements are not going to fit comfortably onto a TV screen. In desperation, Betty goes to Dr. Buzz Raunchy to see about the latest diet fads, to a psychiatrist named Lucifer Chaser to handle the trauma involved, and to Fosdick's Fat Farm. While Betty is working on her measurements, strippers continue on with the show at the Little Playhouse -- run by a Ms. Little. Nudity, striptease acts, and bawdy jokes fill the screen as Betty and her bustline provide the central focus. ~ Eleanor Mannikka, All Movie Guide

A London newspaper correspondent travels to the colorful town of Dimboola, Australia to write a story, and has many delightful experiences with the locals in this charming, exceptionally well-filmed comedy. For him, the fun begins when he sees that a major wedding is about to occur. For a lark, he dresses up as a woman and crashes the bride's shower. Next he goes to the bawdy stag party and learns all sorts of interesting secrets about the bride and groom. ~ Sandra Brennan, All Movie Guide

Someone has been bootlegging the songs performed by a popular musical quartet. Investigating the situation, Ed (Don Galloway) and Fran (Elizabeth Baur) are "treated" to the spectacle of the death-by-electrocution of the group's lead singer Joey (Kip Niven). Clearly, the man has been murdered--but when the two detectives and their boss Ironside (Raymond Burr) launch their investigation, they learn to their surprise that none of the suspects had any reason on earth to hate the dead man. In a curious chain of casting choices, the character of Manning is played by former Laugh-In regular Judy Carne; Mo is played by Geoffrey Deuel, the brother of the late Pete Deuel), who'd costarred with Carne on the 1966 sitcom Love on a Rooftop; and Willie is played by Roger Davis, who'd appeared on the popular TV western Alias Smith and Jones... as as last-minute replacement for star Pete Deuel! ~ Hal Erickson, All Movie Guide

Diana Ross plays the magnificent, tragic song stylist Billie Holiday, who while writhing in a strait jacket in a prison cell, awaiting sentencing on drug charges, reflects on her turbulent life. Raped in her youth by a drunk (Adolph Caesar), then compelled to work as a domestic in a Harlem whorehouse, Holliday is encouraged to try for a singing career by the bordello's pianist (Richard Pryor). She rises as high as it is possible to go in the white-dominated show business world of the 1930s, but can't handle the pressure and turns to narcotics. The film takes several liberties with the 44-year existence of "Lady Day." Among the Billie Holiday standards performed by Ross are "My Man," "I Cried for You," "Lover Man," "Them There Eyes," and the title song. ~ Hal Erickson, All Movie Guide

In the first half of a two-part story (originally telecast as a single two-hour episode), Ironside (Raymond Burr) begins to question his judgment in a manslaughter case which occurred seven years ago. At the time, the Chief rammed through the conviction of chief suspect Walter Booth (William Campbell). Now armed with new evidence, Ironside works hand and glove with Booth's attorney Ken Klaven (Cameron Mitchell) to secure the man's release--despite the formidable opposition of the DA's office, which is determined to keep Booth behind bars. ~ Hal Erickson, All Movie Guide

Banyon is an A-number-one detective yarn set (very accurately) in the 1930s. Robert Forster, emulating John Garfield in virtually every scene, plays private eye Miles C. Banyon. Right now he's in dutch because a beautiful young woman has been found murdered--and Banyon's gun was the murder weapon. This state of affairs plunges the detective into a maelstrom of deceit and double-cross involving (among many elements) a Winchell-style radio commentator (Jose Ferrer), a paroled big-time gangster, a scar-faced assassin, and a Nazi Bund camp. Once he solves the main mystery, Banyon is faced with the unhappy Maltese Falcon task of exposing a close friend as a murderer. First telecast March 15, 1971, Banyon spawned a brief TV series one year later, with Robert Forster still in the lead. ~ Hal Erickson, All Movie Guide

Cain (Clint Walker), better known throughout the West as "Killer Cain," is released from prison in 1891, after serving 18 years for killing a man, one of over a dozen lives that he'd taken from the age of 16. But he finds that his penalty is hardly paid and his punishment hardly over, even though he's truly reformed and wants no trouble. He's unable to get away from his past, even though the Old West is fading fast in the face of civilization -- in fact, the fading of the West is making matters worse, as ordinary folks are mostly scared of and curious about him. Additionally, he still has enemies all around, who will give him no peace; and to top it off, the only man willing to give him any kind of a job is Dan Ruffalo (Vincent Price), operator of a Wild West show, as a sharpshooter. It turns out that Cain isn't even that perfect a shot anymore, but Cain still becomes the show's biggest attraction, because people will pay to see -- or say they saw -- a killer, and that upsets young Billy (Paul Hampton), Ruffalo's other sharpshooter, who never misses but has also never killed a man either. Billy is a lot more frightening to Cain than Cain could ever be to Billy, because Billy turns out to be a psychopath. Adding to his troubles is the presence of Luke Santee (Mike Henry), a killer with his own score to settle with Cain, as well as Karma (Craig Littler), a mysterious lawyer who's been looking for him. Cain and Billy seem headed for a collision sooner or later, even as Cain tries to find peace in the company of Monica Alton (Anne Francis), an artist from the East who loves him, and who has come out West to make a new life for herself. ~ Bruce Eder, All Movie Guide

Acting as squad leader in Saunders' absence, Caje (Pierre Jalbert) is faced with an unexpected problem from within his own ranks. For some reason, Private Thomas (Dee Pollock) lives in mortal terror of Private Jackson (Mike Kellin), a cynical wisecracker from another squad. What is the power that Jackson holds over Thomas--and what will this mean to Caje, who is now himself the target of Jackson's vitriol? ~ Hal Erickson, All Movie Guide

Senior Prom is another of those musical salads of the 1950s, heavy on the guest stars but very light on plot. The story concerns the romance between pretty high-schooler Gay Sherridan (Jill Corey) and wealthy BMOC Carter Breed III (portrayed by future "Billy Jack" star-auteur Tom Laughlin). Actually, the right boy for Gay is poor-but-likeable Tom Harper (Paul Hampton), so guess who winds up taking Gay to the senior prom? Well, nobody really cares, not with such topnotch musical talents on hand as Louis Prima & Keely Smith, Sam Butera & The Witnesses, Connee Boswell, Bob Crosby, Toni Arden, Jose Melis, Freddy Martin & His Orchestra, Les Elgart, and even Mitch Miller. And, oh yes, Ed Sullivan shows up too. Senior Prom was produced by Harry Romm and directed by David Lowell Rich, the same team responsible for the Three Stooges' comeback feature Have Rocket Will Travel; in fact, this musical's associate producer was Moe Howard! ~ Hal Erickson, All Movie Guide