Eric Kopeloff Movies

Oscar-winning director Oliver Stone adapts author Don Winslow's best-selling novel into this all-star ensemble crime drama about a pair of peaceful, Laguna Beach marijuana dealers who are targeted for extortion by the ruthless Mexican Baja cartel. Ben (Aaron Johnson) is a devout Buddhist and dedicated philanthropist, and his best friend Chon (Taylor Kitsch) is a former mercenary who trained as a Navy SEAL. They may not seem like major drug dealers, but together they make a comfortable living selling top-quality marijuana. And they share more than just a profitable business; their mutual girlfriend O (Blake Lively) is more than enough woman for the two ambitious young entrepreneurs to handle. But just as Ben and Chun are feeling like they're on top of the world, their blissful life of lawless hedonism threatens to yield dire repercussions. The Mexican Baja cartel wants a piece of the action, and their cruel leader Elena (Salma Hayek) has dispatched her top hatchet man Lado (Benicio Del Toro) to ensure that she gets it. When the cartel kidnaps Ophelia and threatens to kill her unless Ben and Chun comply, the desperate pot dealers enlist the aid of a shady DEA agent (John Travolta) to try and avert a tragedy. Emile Hirsch and Uma Thurman also star. ~ Jason Buchanan, Rovi

Ambitious young investment banker Jacob Moore (Shia LaBeouf) discovers that greed is still the name of the game when he forges a fragile alliance with onetime Wall Street hotshot Gordon Gekko (Michael Douglas) shortly after Gekko is released from prison. Having served eight years for securities fraud, money laundering, and racketeering, Gekko emerges from prison to find that his daughter, Winnie (Carey Mulligan), prefers to remain estranged, and that his former Wall Street cohorts are still raking in the cash. Flash-forward to 2008, and Winnie is dating a proprietary trader named Jake Moore (LaBeouf), who expresses a passion for green energy while working for his mentor Louis Zabel (Frank Langella), of Keller Zabel Investments. Despite heading up one of the most prominent investment firms in the country, Louis Zabel is forced to personally fight for the future of Keller Zabel before the Federal Reserve after the company's stock takes a hit due to persistent rumors that it's being dragged down by debt. Denied a bailout from the government, Keller Zabel soon falls victim to a hostile takeover lead by powerful investment bank partner Bretton James (Josh Brolin), of Churchill Schwartz. His job on the line and his mentor out of the picture, Jake discovers that Gordon Gekko is out promoting his new book "Is Greed Good?" and decides to attend a lecture being given by the author at Fordham University. According to Gekko, greed is now sanctioned by the government, and the U.S. economy is on the verge of collapse as a direct result of leveraged debt and wild conjecture. When Jake goes behind Winnie's back to try and repair her relationship with her father, Gekko reveals his compelling theories on the likely reasons for Zabel's downfall. Later, as Jake begins plotting to avenge his mentor, Gekko starts to reveal his true colors. ~ Jason Buchanan, Rovi

Patrick Wilson, Chloë Sevigny, Judy Greer, and Cybill Shepherd headline first-time writer/director Chris D'Arienzo's dark comedy concerning a die-hard womanizer who finds himself named as the defendant in a paternity suit after losing his testicles in a violent street attack. Adapted from author Frank Turner Hollan's novel of the same name, Barry Munday stars Wilson as the titular character -- a man known for having a special way with the ladies. One day, after waking up in a hospital room to discover that the family jewels have suddenly gone missing, Munday is shocked to find himself slapped with a paternity suit by a woman (Greer) he can't even remember sleeping with. ~ Jason Buchanan, Rovi

A socially isolated IRS agent whose every move is documented by a disembodied female voice discovers that his life is the subject of a book currently being written by a best-selling author, whose creative block has stunted her repeated efforts to kill him off, in a quirky fantasy comedy written by Hollywood hot property Zach Helm and directed by Finding Neverland's Marc Forester. Harold Crick (Will Ferrell) lives a life of solitude. Kay Eiffel (Emma Thompson) can't seem to find a way to finish her latest book. Though Harold and Kay have never actually met, their fates are about to become intertwined in a most unusual manner. With her publishers growing increasingly impatient with her apparent inability to put the finishing touches on her latest novel, Kay is assigned a new assistant whose task it is to help provide the creative push needed to get her book finished and into the hands of her many eager fans. The subject of Kay's novel is a lonely and despairing IRS agent named Harold Crick, who believes that his life has lost any real meaning. As Kay continues to weave Harold's woeful tale without realizing that her protagonist is actually a living human being unable to concentrate on his life and career due to the constant interference of the narrator who inexplicably seems to anticipate his every move and read his every thought, her continued efforts to kill her perplexed subject finally provide him with the incentive needed to fully experience life by seeking out the source of the voice that plagues him. Penned by the screenwriter named by Variety magazine as one of the "Top Ten Writers to Watch" and who was also included in Esquire magazine's "Best and Brightest" list of 2004, Stranger Than Fiction features supporting performances by Maggie Gyllenhaal, Dustin Hoffman, and Queen Latifah. ~ Jason Buchanan, Rovi

One of the "popular girls" decides to put her mean streak to work in this black comedy. Kimberly Joyce (Evan Rachel Wood) is an outwardly friendly but inwardly cold and manipulative teenager who attends an exclusive private school in Beverly Hills when she's not making fun of her twentysomething stepmother (Jaime King) or listening to her business mogul father (James Woods) rant about the many people he hates. Kimberly's best friend is Brittany (Elisabeth Harnois), who doesn't seem to notice that Kimberly holds a bit of a grudge over the fact Brittany is now dating Troy (Stark Sands), Kimberly's former boyfriend. When Randa (Adi Schnall), an exchange student from the Middle East, arrives at school, Kimberly is asked to show her around, and soon she's giving her the inside scoop on the school's social hierarchy. Kimberly, Brittany, and Randa, like most of the girls at school, don't much care for Mr. Anderson (Ron Livingston), a teacher who doesn't make much of a secret of his lust for the female student body, though he doesn't do much besides look. Kimberly decides to do something about Mr. Anderson by fabricating a story that he has had inappropriate contact with her, Brittany, and Randa, and it doesn't take long for the matter to become a local scandal, though it does end up backfiring on Kimberly in time. Pretty Persuasion also features supporting performances from Selma Blair, Jane Krakowski, and Michael Hitchcock. ~ Mark Deming, Rovi

Paul (Greg Kinnear) and Jessie Duncan (Rebecca Romijn-Stamos) have barely begun the grieving process when Dr. Richard Wells (Robert De Niro) attends the funeral of the Duncans' eight-year-old son, Adam (Cameron Bright), with a pressing question in tow. Head of the Godsend Fertility Clinic, Dr. Wells claims he can use Adam's rapidly dying cells to clone a replica of the boy, though the necessary DNA will only be viable for another 24 hours. The process in itself is completely illegal; not only must Jessie and Paul be forced to relocate, but they will also be forced to sever all ties with friends and family in order to ensure the secret remains so. Within the space of a day, the Duncans consider the legal and ethical implications of such a procedure, ultimately deciding that their love for Adam is enough to trump the law and any high-minded philosophical questions. After resettling in an idyllic town near Dr. Wells' clinic, Jessie is impregnated with the late Adam's living cells, while Paul is given a beautiful home and a more than suitable job. Shortly afterward, the new Adam -- seemingly identical to the original Adam in every way -- is born and lives a life quite similar to his predecessor until the morning of his eighth birthday. A series of night terrors is the first thing to disturb the Duncans' otherwise serene lifestyle. Adam's violent visions eventually mutate to ill temper, and an aura of menace permeates the aura of a boy who had otherwise been sweetness incarnate from the day of his birth. Eventually, Paul discovers that Dr. Wells is not a pediatrician, but a geneticist, and that their playing God may have been a Faustian bargain of epic proportions. ~ Tracie Cooper, Rovi

Director Marc Forster, winner of Best Feature at Slamdance for his debut film Loungers (1996) and the "Someone to Watch" Independent Spirit Award for his indie drama Everything Put Together (2000), follows up those acclaimed projects with this intense, racially charged romance. Billy Bob Thornton stars as Georgia prison guard Hank Grotowski, a hard-drinking racist ex-cop whose father, Buck (Peter Boyle), is dying of emphysema and whose son, Sonny (Heath Ledger), works the execution detail at the prison's death row. When Sonny commits suicide, Hank is devastated and quits his job, spiraling into a deep depression until, one night, he comes to the aid of Leticia (Halle Berry), a beautiful African-American woman whose son, Tyrell (Coronji Calhoun), has been hit by a car. When Tyrell dies, Leticia and Hank find themselves to be unexpected soul mates linked together by tragic grief. It's not long before Hank discovers that Leticia is the widow of Lawrence Musgrove (Sean Combs), the man whose execution by electric chair he and his late son helped to orchestrate. Monster's Ball (2001) is based on a screenplay by actors Milo Addica and Will Rokos, who spent five years developing their script into a feature. Their title refers to the name of an English tradition requiring jailers to throw a party for a condemned man on the night before his death. ~ Karl Williams, Rovi