Walter Hampden Movies
Brooklyn-born actor Walter Hampden launched his acting career in England, starting with the Frank Benson Stock Company. In 1907, Hampden returned to the US, where his classical training and orotund voice enabled him to tour with the famed Russian actress Nazimova. Hampden's greatest American triumph was as Cyrano de Bergerac in the Edmond Rostand play of the same name; the actor first interpreted Cyrano in 1923, reviving the play periodically throughout his career. In 1925, Hampden established his own acting company at New York City's Colonial Theatre, where he acted and directed until 1930. Later on, Hampden was on hand for the opening of the American Repertory Theatre, playing Cardinal Wolsey in Shakespeare's Henry VIII. Hollywood, in its typical pigeonholing fashion, regarded Hampden as a caricature of the string-tied declamatory "grrreat ac-tor" usually treated contemptuously by more "realistic" performers. Such was not truly the case, but Hampden found himself often as not cast in films as distinguished old blowhards, notably in the opening scenes of All About Eve (1950), wherein Hampden's on-screen pomposity is the target of George Sanders' first insulting remark. The actor was better treated in The Hunchback of Notre Dame (1939) as the kindly archbishop who offers Maureen O'Hara sanctuary, and in Five Fingers (1952) as the unwitting British ambassador whose valet (James Mason) is a spy for the Nazis. For reasons that defy comprehension, Cecil B. DeMille cast both Hampden and Boris Karloff as American Indians in Unconquered (1947)! While his movie roles weren't terribly compelling, Walter Hampden rounded out his stage career with distinction in Arthur Miller's The Crucible. ~ Hal Erickson, All Movie Guide
Few will argue with the contention that RKO Radio's 1939 adaptation of Victor Hugo's The Hunchback of Notre Dame was the best of the many screen versions of the Hugo classic. We say this even allowing for certain liberties taken with the source material-liberties calculated by scenarists Sonya Levien and Bruno Frank to draw parallels between 15th century Paris and 20th century Europe. Thus, Claude Frollo (Cedric Hardwicke), the villain of the piece, is no longer merely a religious hypocrite unable to control his own carnal desires. Instead, Frollo is a bush-league Hitler, warning that the invention of the printing press is dangerous in that it will encourage the rabble to think for themselves, and plotting the persecution and destruction of the "undesirable" gypsies. In the same vein, Gringoire the Poet (Edmond O'Brien in his film debut) has been transformed into an agit-prop "Group Theatre" activist, bent on bringing the unvarnished truth to the ignorant Parisians. Many of Hugo's subplots have been dispensed with, the better to concentrate on the grotesquely deformed Quasimodo (Charles Laughton), bell-ringer of Notre Dame Cathedral, and his puppylike loyalty towards imperiled gypsy dancer Esmerelda (Maureen O'Hara, in her first American film appearance). The schism between the haves and have-nots in the walled city of Paris is illustrated in broad, visually dynamic strokes by director William Dieterle. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Laughton, Cedric Hardwicke, (more)
- 1940
An incredibly long but never dull adaptation of the Rachel Field best-seller, All This and Heaven Too was based on a once-notorious European scandal. Star Bette Davis, playing Henriette Deluzy-Desportes, is first seen as a French schoolteacher in a 19th century American seminary. When her supervisor, Reverend Henry Mortyn Field (Jeffrey Lynn), has questions to ask about her tainted past, Henriette relates her story in flashback. She had been hired by French duke De Praslin (Charles Boyer) to be the governess for his children. De Praslin's wife (Barbara O'Neil) was insanely jealous, so much so she inadvertently threw De Praslin and Henriette together. Henriette was willing to leave rather than cause more discord, but the influential wife vengefully refused to write a letter of recommendation (a bravura scene). Later, the impoverished Henriette was arrested as an accomplice in the murder of De Praslin's wife. The latter's position in French society stirred up volatile political ramifications, with Henriette innocently in the center of the storm. De Praslin committed suicide, exonerating Henriette on his deathbed, but she had already been condemned in the court of public opinion. Disgraced, she left for America to start life anew, which brings the story back to the present. Unable to continue running away from herself, Henriette confesses her past indiscretions to her students -- who promptly forgive her. Casey Robinson had a hell of a job adapting Rachel Field's cumbersome novel, but, by golly, he pulled it off. The performances in All This and Heaven Too are enhanced immeasurably by the lush Max Steiner musical score. ~ Hal Erickson, All Movie Guide
- Starring:
- Bette Davis, Charles Boyer, (more)
- 1940
Cecil B. De Mille directed this lavish all-star spectacular paying tribute to America's neighbors to the North. In 1885, as Louis Riel (Francis J. McDonald) tries to organize Indians and French settlers into a fighting force that will battle against the ruling British, Texas Ranger Dusty Rivers (Gary Cooper) arrives in Canada to arrest Jacques Corbeau (George Bancroft), one of Riel's associates who is wanted for murder in the U.S. Rivers promptly falls for nurse April Logan (Madeleine Carroll), which triggers jealously in the straightlaced Mountie sergeant Jim Brett (Preston S. Foster), who is also in love with April. Meanwhile, April's brother, Ronnie Logan (Robert Preston), also a member of the North West Mounted Police, is in love with Louvette (Paulette Goddard), Corbeau's sister and a fiery "half-breed" who lives among the Indians. When Dusty arrives in Canada, he joins forces with the mounties, who are looking for Corbeau on another murder charge, and soon joins the fight against Riel's rebel factions. De Mille imported 300 pine trees for his "forest" set, believing that a woods created on the controlled environment of a soundstage would look more "real" onscreen than location shooting in Canada. ~ Mark Deming, All Movie Guide
- Starring:
- Gary Cooper, Madeleine Carroll, (more)
Though history is distorted almost beyond recognition in Warner Bros.' They Died With Their Boots On, audiences in 1941 ate it up like cotton candy. In the gospel according to Warners, General George Armstrong Custer (Errol Flynn) is neither an arrogant fool nor a rabid Indian hater. Instead, he is a flamboyant but brilliant cavalry officer, who during the Civil War defies his superiors' orders and becomes a hero as a result. After a period of forced retirement in the postwar years, Custer is put in charge of the 7th Cavalry in the Dakota Territory. Here he whips this ragtag group into spit-and-polish shape, and also does his best to extend a neighborly hand to the local Indian tribes. Custer even goes so far as to promise Chief Crazy Horse (Anthony Quinn) that the white man will never set foot in the sacred Black Hills. Alas, Custer is betrayed by greedy gold prospectors, whipped into a frenzy by scheming (and fictional) land speculator Ned Sharp (Arthur Kennedy). Forced by circumstances to do battle against Crazy Horse to prevent tribal retaliation, Custer and his command ride towards a rendezvous with destiny at the Little Big Horn on June 25, 1876. Though some of the historical inaccuracies in the film are real howlers, blame cannot be laid solely at the feet of Warner Bros.; the Custer legend had previously been perpetrated by the general's loyal widow Elizabeth Bacon (played herein by Olivia de Havilland), then eagerly elaborated upon by Eastern news journalists and dime novels. This film represented the final screen pairing of Errol Flynn and Olivia de Havilland, a fact that lends poignancy to their classic parting scene. Though an extremely long film, They Died With Their Boots On is never dull, especially during the spectacular Custer's Last Stand finale. ~ Hal Erickson, All Movie Guide
- Starring:
- Errol Flynn, Olivia de Havilland, (more)
Cecil B. DeMille's Technicolor historical spectacle Reap the Wild Wind was to have starred Gary Cooper, but Cooper's prior commitment to Goldwyn's Pride of the Yankees compelled DeMille to recast the leading role with John Wayne. The film, set in the mid-19th century, centers around Key West, Florida, where piracy reigns unchecked. Wayne plays the captain of a salvage business, working on behalf of Raymond Massey to rescue valuables from the merchant ships wrecked by pirates. During one expedition, Wayne is rescued from drowning by Paulette Goddard, the hoydenish manager of a rival salvage firm. Goddard arranges for Wayne to go to work for her boss, Ray Milland, and a romantic rivalry ensues. Later on, Goddard's cousin Susan Hayward is lost at sea when her ship is attacked by pirates. Wayne is accused of engineering the wreck, thanks to the duplicity of Massey, the real brains of the pirate operation. Wayne and Milland both don deep-sea diving gear and swim to the bottom in search of evidence. When Milland is attacked by an octopus, Wayne saves his rival's life at the expense of his own. Massey is exposed, and Milland wins Goddard. Essentially a standard maritime meller, Reap the Wild Wind takes on the veneer of importance thanks to DeMille's epic treatment of the material. Though competition is fierce, Ray Milland steals the show with a truly offbeat characterization (he even gets to indulge in a little ventriloquism!) ~ Hal Erickson, All Movie Guide
- Starring:
- Ray Milland, John Wayne, (more)
- 1944
Dismissed by critics as corny and obvious in 1944, this overlong but sincere biopic looks pretty good when seen today, cliches notwithstanding. Fredric March, 47 at the time, convincingly plays American author Sam Clemens, aka Mark Twain, from his early 20s to his death at 75. In typical movie-biography fashion, every single incident that happens in Twain's life is an INSPIRATION: he hears the depth-indication call "Mark Twain" while working on a riverboat and his face lights up; he engages in a jumping-frog contest against Bret Harte (John Carradine) and comes up with his first popular published story; and so on. Alexis Smith is better than usual in the role of Twain's wife Olivia Langdon, even keeping a straight face while Twain courts her in Fluent Quotation ("Everybody talks about the weather but nobody ever does anything about it", he says during a Hollywood-romance cloudburst). Though the script barely touches upon the dark side of Twain's nature, we are not spared his financial reverses (brought about by bad investments and his struggle to publish Ulysses S. Grant's memoirs. The closing sequence, with Tom Sawyer and Huck Finn beckoning the spirit of Mark Twain to heaven as Halley's Comet fills the skies, may seem laughable on paper, but works quite well on film; even director Irving Rapper expressed amazement at the effectiveness of this scene! ~ Hal Erickson, All Movie Guide
- Starring:
- Fredric March, Alexis Smith, (more)
Based on the story The Wisdom of Eve by Mary Orr, All About Eve is an elegantly bitchy backstage story revolving around aspiring actress Eve Harrington (Anne Baxter). Tattered and forlorn, Eve shows up in the dressing room of Broadway mega-star Margo Channing (Bette Davis), weaving a melancholy life story to Margo and her friends. Taking pity on the girl, Margo takes Eve as her personal assistant. Before long, it becomes apparent that naïve Eve is a Machiavellian conniver who cold-bloodedly uses Margo, her director Bill Sampson (Gary Merill), Lloyd's wife Karen (Celeste Holm), and waspish critic Addison De Witt (George Sanders) to rise to the top of the theatrical heap. Also appearing in All About Eve is Marilyn Monroe, introduced by Addison De Witt as "a graduate of the Copacabana school of dramatic art." This is but one of the hundreds of unforgettable lines penned by writer/director Joseph L. Mankiewicz, the most famous of which is Margo Channing's lip-sneering admonition, "Fasten your seat belts. It's going to be a bumpy night." All About Eve received 6 Academy Awards, including Best Picture. ~ Hal Erickson, All Movie Guide
- Starring:
- Bette Davis, Anne Baxter, (more)
- 1951
Since its lapse into public domain in 1978, First Legion has joined Love Affair and Algiers as the most readily available of Charles Boyer's films. Boyer plays Fr. Marc Arnoux, the head of St. Gregory's seminary, who can never quite shake the feeling that he shouldn't have given up his career as an attorney. His fellow Jesuit priests likewise occasionally question their calling, especially crotchety Msgr. Michael Carey (William Demarest). One by one, however, the priests are won over by various "miracles" visited upon them. Barbara Rush co-stars as a crippled girl who indirectly benefits from the priests' renewed faith. The First Legion was produced and directed with surprising restraint by Douglas Sirk. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Boyer, William Demarest, (more)
- 1952
Based on a true story, 5 Fingers stars James Mason as a man known to his superiors only as Cicero. Ostensibly the valet of the British ambassador to Ankara during World War II, Cicero is actually a Nazi agent. He holds no particular political viewpoint: the Nazis offered the best price, so for the time being he is loyal to them. Falling in love with the beautiful Danielle Darrieux, Cicero uses her home as a contact point to meet his German associates. At great personal risk, Cicero secures secret British war files and smuggles them to the Germans; they find the information in the files too far-fetched to be taken seriously--and thus are caught unawares on the morning of the D-Day invasion. An ironic coda finds Cicero, setting himself up in luxury in Rio de Janeiro, double-crossed by both Darrieux and the Germans. What else can he do but laugh uproariously? 5 Fingers, based on the memoirs of the real-life "Cicero" L. C. Moyzisch, was adapted into a 1959 TV series, wherein the antihero was converted into a 100% good guy. ~ Hal Erickson, All Movie Guide
- Starring:
- James Mason, Danielle Darrieux, (more)
- 1953
Treasure of the Golden Condor is a Technicolor remake of 1942's Son of Fury; both films were based on the same novel by Edison Marshall. Cornel Wilde stars in the old Tyrone Power role as Jean-Paul, a Frenchman cheated of his birthright by his duplicitous uncle (George Macready). Retreating to South America with lovable reprobate MacDougal (Finlay Currie), Jean-Paul searches for buried treasure in the jungles of Guatemala. He also romances MacDougal's comely daughter Clara (Constance Smith). Eventually, Jean-Paul must bid Clara goodbye and return to France, there to settle accounts with his uncle. Clara prays for the day that Jean-Paul will come back for her and as the closing music swells . . . . ~ Hal Erickson, All Movie Guide
- Starring:
- Cornel Wilde, Constance Smith, (more)
- 1953
This tuneful romantic melodrama is set in a tiny Mexican village and is comprised of three storylines. One tale concerns a pair of young lovers from rival villages who will not be able to marry until a long time feud is ended. In another tale, an heir to a large fortune falls in love with an impoverished girl. His family is dead set against the match. When he is diagnosed with a fatal tumor, the man begs the girl to marry him, but she refuses and instead arranges for him to marry another. In the third story, a matador's comely sister falls in love with a street vendor. Unfortunately, the matador hates her beloved and to break them up permanently, slyly convinces the peddler to enter the dangerous bullring. Fortunately for the sister, her brother's scheme fails spectacularly. She then marries the peddler and makes an ironic discovery. ~ Sandra Brennan, All Movie Guide
- Starring:
- Anna Maria Pier Angeli, Ricardo Montalban, (more)
Billy Wilder directs the lighthearted romantic comedy Sabrina, based on the play by Samuel A. Taylor. Sabrina Fairchild (Audrey Hepburn) is the simple, naïve daughter of a chauffeur, Thomas Fairchild (John Williams). They live on an estate with the wealthy Oliver Larrabee (Walter Hampden) and his two sons: workaholic older brother Linus (Humphrey Bogart) and fun-loving younger brother David (William Holden). Sabrina adores the charming David, but he thinks of her as just a kid. Her father sends her away to Paris for chef school, where she meets Baron St. Fontanel (Marcel Dalio), and she returns a worldly, sophisticated woman. David immediately falls for her, but he is already engaged to marry heiress Elizabeth Tyson (Martha Hyer). Sabrina wants to break up the wedding in order to finally catch the man of her dreams, while Linus fights to keep the marriage on in the interest of family business and Mr. Tyson's (Francis X. Bushman) fortune. In order to keep Sabrina away from David, Linus pretends to court her himself. In doing so, they eventually realize their true feelings for each another. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Humphrey Bogart, Audrey Hepburn, (more)
Paul Newman made his screen debut in the gloriously nonsensical costume epic The Silver Chalice. Freely adapted from a novel by Thomas B. Costain, the film casts Newman as Basil, a first century Greek sculptor who is sold into slavery by his wicked uncle. Transported to Rome, Basil manages to enjoy a measure of freedom when his captors discover his sculpting talents; he also marries another slave, the demure Deborra (Pier Angeli) and dallies with the sensuous Helena (Virginia Mayo), the mercenary partner of court magician Simon (Jack Palance). The plot congeals when Basil is commissioned to create a silver receptacle for the chalice from which Jesus Christ drank at the Last Supper. Lorne Greene, likewise making his screen bow, is all portentous speeches and prophetic observations as the apostle Peter. Of the many silly highlights, the silliest -- and most memorable -- occurs when the unhinged Simon is possessed with the notion that he can fly with the gods (Palance's performance in this episode must be seen to be believed). When The Silver Chalice was first released, poor Paul Newman was roundly panned as a third-rate Brando; one reviewer noted that he "delivers his lines with the emotional fervor of a Putnam Division conductor announcing local stops." No one has been more vocal in the drubbing of Newman's performance than Newman himself. When the film was first aired on TV in Los Angeles in 1961, the actor took out a full-page apology in the trade papers. In recent years, however, Paul Newman has pointed to The Silver Chalice with pride, observing that he was able to overcome a bad beginning and endure as a screen favorite for over four decades. ~ Hal Erickson, All Movie Guide
- Starring:
- Virginia Mayo, Anna Maria Pier Angeli, (more)
One critic has noted that The Prodigal was aptly titled, inasmuch as it was all too prodigal with the funds of the then-flagging MGM studios. In its retelling of the 22-verse Biblical story of the Prodigal Son, the film helpfully fills in the story details inconsiderately left out of the Old Testament. Edmond Purdon plays Micah, the wastrel son of Eli (Walter Hampden) who takes his share of his father's fortune and blows it all in wicked old Damascus. Micah's one redeeming feature is his unserving faithful in the Lord God Jehovah. Pagan princess Samarra (Lana Turner at her most giddily exotic) intends to seduce Micah into renouncing his faith, only to get stoned to death for her troubles. Nearly two hours pass before Micah returns home and the fatted calf is killed in his honor. If for nothing else, The Prodigal would be memorable for Lana Turner's pagan-ritual costume, which is little more than a glorified bikini. ~ Hal Erickson, All Movie Guide
- Starring:
- Lana Turner, Edmund Purdom, (more)
- 1955
Greer Garson's first non-MGM starring vehicle was the stylish western Strange Lady in Town. That lady is Julia (Garson), who arrives in 1880 New Mexico to set up practice as a doctor. The townsfolk are not only resistant to the notion of a lady sawbones, but they become downright hostile when Julia turns out to be a tireless advocate of the Women's Suffrage movement. Rival doctor O'Brien (Dana Andrews) doesn't feel that there's any room in the medical profession for ladies; his personal feelings for the lovely Julia are another matter. Faced with such roadblocks as prejudice, ignorance and downright stupidity, Julia nonetheless perseveres with O'Brien eventually seeing things her way. When Julia's hotheaded younger brother David (Cameron Mitchell) turns outlaw, the townspeople are prepared to ride her out of town on a rail, but she is rescued by the intervention of the local Mexicans and Indians, who have accepted her presence and her ministrations without reservation. Hmmmm . . . could Strange Lady in Town be the direct ancestor of TV's Dr. Quinn, Medicine Woman? ~ Hal Erickson, All Movie Guide
- Starring:
- Greer Garson, Dana Andrews, (more)
- 1956
The Rudolf Friml operetta The Vagabond King was first filmed in 1930, with Dennis King in the lead. On both sides of this adaptation, audiences were treated to non-singing versions of the story, bearing titles like The Beloved Rogue and If I Were King. In all instances, the plot remained the same: in 15th-century France, irreverent beggar poet Francois Villon, crowned "king for a day" by capricious Louis XVI, patriotically rallies his fellow beggars to pick up their weapons when Paris is invaded by the Burgundians. In the 1956 remake of Vagabond King, new "singing sensation" Oreste (of whom little was heard afterwards) stars as Villon, with Cedric Hardwicke as the droll, doddering King Louis, Kathryn Grayson as the high-born heroine, and Rita Moreno as the lusty low-born wench whose love for Villon eventually costs her the use of her life. Vincent Price narrates the film, which if nothing else is elaborately mounted and colorfully photographed. Sharp-eyed viewers will be able to spot Phyllis Newman, whose meaty supporting role was pared down to a one-line bit in the release prints. ~ Hal Erickson, All Movie Guide
- Starring:
- Kathryn Grayson, Oreste, (more)
