Kay Hammond Movies

Evelyn Nesbit Thaw, the real-life personality so brilliantly (albeit briefly) portrayed by Elizabeth McGovern in Ragtime (1981), is given the full biopic treatment in 20th Century Fox's The Girl in the Red Velvet Swing. Since the real Mrs. Thaw served as technical advisor for the film, it isn't surprising that the controversial Evelyn comes across as being more sinned against that sinning. Joan Collins stars as Evelyn, the gorgeous chorine and original "Gibson Girl" who becomes the romantic bone of contention between ageing architect Stanford White (Ray Milland) and slightly unbalanced young millionaire Harry K. Thaw. Setting up Evelyn in a plush apartment, the lecherous White insists that she "perform" for him on the red velvet swing of the title (allegedly, Evelyn swung naked above the slavering White, though she's fully clothed in the film). Eventually, Thaw marries Evelyn, but cannot prevent White from continuing his romantic overtures. Things come to a head in 1906, on the roof of Madison Square Garden. As Evelyn sings and dances in a stage musical, the insanely jealous Thaw walks up to White, pulls out a pistol, and, in full view of the audience, pumps several bullets into the older man. Though Thaw manages to avoid the gallows by pleading insanity (he was eventually released), Evelyn's reputation is permanently besmirched, leaving her little choice but to capitalize upon her notoriety on the vaudeville stage (actually, Evelyn pursued a moderately successful film career before losing all her money to bad investments in the 1920s). By purifying the character of Evelyn Nesbit and thoroughly vilifying Stanford White, The Girl in the Red Velvet Swing is hardly 100 percent accurate; still, the film is immensely entertaining, thanks to the enthusiastic performances of the three stars. ~ Hal Erickson, All Movie Guide

The Noel Coward/David Lean combination which turned out such dramas as Brief Encounter and This Happy Breed sets its sights on the viewer's funny bone with Blithe Spirit. Rex Harrison plays a novelist, newly married to straight-laced Constance Cummings. Via a seance, Harrison accidentally summons the spirit of his first wife, Kay Hammond. Believing that Hammond wants to ruin his marriage, Harrison enlists the services of local medium Madame Arcati (Margaret Rutherford) to exorcise Hammond's spirit. She fails, and in time, Harrison's second wife is killed; now he has two playful spirits on his hands! Technicolor is used throughout Blithe Spirit, with the ghosts' shimmering paleness providing contrast to the plain, everyday colors of Harrison's conservative country home. Blithe Spirit was later transformed into the Broadway musical High Spirits, with the original script bent out of shape to turn the character of Madame Arcati (played by Beatrice Lillie) into the leading role. ~ Hal Erickson, All Movie Guide

Joan Colby (Ann Harding) is the unmarried older daughter in a once-wealthy family. She's always been the mature, level-headed one among the two sisters, but she is feeling the pressure to find a husband especially strongly these days, as her much more flighty and impetuous younger sister Valerie (Lucille Brown) is about to marry. Joan has been lately seen in the company of John Fletcher (William Powell), the wastral heir to a once-great shipping company -- he doesn't care a bit about the family business, but still has enough money to live an upper-class lifestyle without worry, and is a well-known playboy, and enjoys Joan's company. With her sister's help and the unwitting participation of her well-meaning father (Henry Stephenson), Joan manages to set up a situation in which John is forced to do what they used to call "the decent thing" and marry her. Joan is secretly torn by guilt about how she got his name, however, and tries to be a truly good wife for John over the months that follow -- she gets him to clean up his life a bit, and to take himself more seriously and look past the next game of polo, and even starts to convince him to take more of a role in his family's moribund shipping line, which is about to pass into outside control as a result of his neglect. But when Valerie, in a fit of anger, blurts out the truth about how their marriage came about, John loses all interest in Joan, returning to the company of his ex-girlfriend (Lillian Bond) and turning the matter over to his lawyers. Now Joan has to fight on two fronts, to help save her husband's business, and also to save their marriage before it's too late. Given this plot, it may seem odd that Double Harness was presented as a comedy, but it is, and a good one, too. The humor lies in the way the upper-class are shown "coping" with the Great Depression, and the witty presentation of the romantic flirtations in the lives of Joan, Valerie, and John (and their friends), as well as the tone of John and Joan's marriage -- Joan, in particular, has a wryly detached side that comes out even at her most unhappy moments. It's all very sophisticated, a comedy by adults, about adults, for adults, and it holds up amazingly well as a piece of entertainment across 75 years. In some ways, Double Harness is also a bit reminiscent of the 1930 version of Holiday, which is perhaps not entirely accidental or surprising, as the latter also starred Ann Harding, although Cromwell's 1933 film is a far more skillful and accomplished cinematic work by modern standards. ~ Bruce Eder, All Movie Guide

The first of two film versions of Noel Coward's operetta, 1933's Bitter Sweet stars British favorite Anna Neagle and continental star Fernand Graavey (who spelled his name "Gravet" in Hollywood). The wisp of a plot finds Victorian Neagle persuading Graavey to march her to the altar. A brilliant musician, Graavey is unfortunately also a chronic gambler. He is killed in a duel of honor, but his legacy lives on in his music. The already obscure 1933 Bitter Sweet was all but confined to oblivion by Hollywood's 1940 Nelson Eddy/Jeanette MacDonald version. The earlier film was produced and directed by Herbert Wilcox, whose long professional association with his star Anna Neagle culminated in marriage in 1943. ~ Hal Erickson, All Movie Guide

In this drama, Joe Tomasso, a slightly corrupt gambler, goes completely straight after he catches an orphan hanging around the racing stables and decides to take the lad under his wing. He then helps the kid become a jockey. Later the boys real mother appears and begs her son not to race; she also falls in love with Joe. Later Joe decides to help the mother reunite with her boy. ~ Sandra Brennan, All Movie Guide

In this farce, a playboy falls for a nightclub dancer who is being blackmailed by the club owner over a necklace she borrowed. The playboy and an Irish cop ensure that everything turns out OK. ~ Steve Huey, All Movie Guide

In this romance, a typist is the secret mistress of a wealthy man. After three years of illicit romance, he suddenly dumps her for the love of a wealthy heiress. The broken-hearted girl goes on with her life and falls in love with another, but when her original lover returns to beg forgiveness, they are happily reunited. ~ Sandra Brennan, All Movie Guide

In this drama, a restaurant owner moonlights as a blackmailer to beef up his earnings. The trouble begins when he is found stabbed to death and an innocent man is charged with the crime. Fortunately, the accused's aged father is a former detective who begins working to clear his name. ~ Sandra Brennan, All Movie Guide

The marriage between Larry and Vera Maitland (Carl Harbourd and Dorothy Bartlam) may be over before it begins when Larry falls for glamorous actress Gwenda Farrell (Madeleine Carroll). Rather than storm out of the house in high dudgeon, Vera opts for a more civilized approach. She visits Gwenda in her dressing room, whereupon the two ladies talk over their mutual attraction for Larry. Vera and Gwenda become close buddies, obliging the sheepish Larry to return to his wife. The "money scene" in Fascination shows the two heroines kissing and making up, which tended to make audiences in 1931 a tad uncomfortable. ~ Hal Erickson, All Movie Guide