John Hammil Movies

Waiting for Dr. MacGuffin director David Ondaatje takes his love for the "Master of Suspense" to the next logical step with this updating of the 1926 Alfred Hitchcock classic which shifts the action from turn-of-the-century London to contemporary Los Angeles. Adapted from the same Marie Belloc Lowndes novel that inspired the early Hitchcock effort, Ondaatje's thriller follows a mysterious lodger suspected of being a vicious copycat killer. ~ Jason Buchanan, Rovi

Wallace Shawn returns as Stuart Best, the original anchorman for "FYI". As obnoxious as he was behind the news desk, Best is even more so now that he is a Republican congressman--especially when he goes out of his way to humiliate Murphy (Candice Bergen) in public. Thirsting for revenge, Murphy arranges to "grill" Stuart on her TV show--but the results are surprising for both parties! ~ Hal Erickson, Rovi

Only three of the original five "young guns" -- Billy the Kid (Emilio Estevez), Jose Chavez y Chavez (Lou Diamond Phillips), and Doc Scurlock (Kiefer Sutherland) -- return in Young Guns II, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett (William Petersen). Along the way, Billy's crew gains three new recruits: Arkansas Dave Rudabaugh (Christian Slater), Tom O'Folliard (Balthazar Getty), and Hendry French (Alan Ruck). Though the film suffers from an uneven script, many performances -- particularly Slater's -- are surprisingly strong, and the movie looks great. The theme song, "Blaze of Glory," is performed by Jon Bon Jovi in his first solo appearance; the rocker also has a cameo in the film. ~ Stephen Thomas Erlewine, Rovi

Ivan Reitman's sequel to the phenomenally successful Ghostbusters is looser and more self-assured than the original. The film opens with a title reading "Five Years Later" and finds the ghostbusters living in hard times. A restraining order has forbidden the boys to partake in paranormal warfare, and as a result they have had to seek other lines of work. Ray (Dan Aykroyd) and Winston (Ernie Hudson) spend their time performing at children's' birthday parties, and Egon (Harold Ramis) is busy conducting experiments investigating the effect of human emotions on the environment, leaving ghostbusting behind. Venkman (Bill Murray) and Dana (Sigourney Weaver) have split up. Venkman now hosts a local cable show called "The World of the Psychic." Dana, now divorced and the mother of a little baby named Oscar, works as an art restorer in a museum -- and this is where the plot kicks in. While Dana is restoring a portrait of a 16th-century tyrant by the name of Vigo the Carpathian, the portrait becomes hexed. The evil Vigo wants to return to life by taking over the body of Dana's little child. Vigo has enlisted Dana's boss, Janosz Poha (Peter MacNicol), to compel Dana to cooperate. Soon dirty sludge and slime flow through the streets of Manhattan, and the ghostbusters have to reunite to save the city from a funky paranormal evil. ~ Paul Brenner, Rovi

A government worker (Tom Bosley) informs several diner patrons of a $4 million treasure he stole from a group of Libyans and then hid, but dies before uttering more than a few clues. What follows is a mad dash for the cash. As part of the film's promotion, the sponsors offered $1 million to the first person to correctly guess the location of the loot. (The winner, Alesia Jones, was selected from over 300,00 entries.) ~ John Bush, Rovi

Broadway's celebratory musical about rejection makes it to the screen in a fizzless adaptation by Richard Attenborough that misses the whole point of the Broadway show -- i.e. the dancing and the dancers. Instead, the dancers become a limp Greek chorus for the dead love affair between a choreographer, Zach (a pre-Gordon Gekko Michael Douglas) and his old flame, Cassie (Alyson Reed) the star dancer. Zach is holding try-outs for a new Broadway musical and, as armies of dancers are brought on stage to audition for Zach, he sits in the darkened recesses of the theater, puffing on a cigarette, as he winnows out hopeful dancers who want to become part of the chorus line for Zach's new show. Finally, Zach has reduced the dancers to 16 men and women, and he asks each of them to step to the footlights and tell him about their lives and their dreams. But backstage, while the dancers are confessing their pasts to Zach, Zach's past walks through the stage door. Cassie, Zach's ex-lover, whom Zach met, courted and broke up with in the theatrical environs, has returned. Once a big star, Cassie has returned to the theater -- not to see Zach but to audition for Zach's musical. She needs the work. ~ Paul Brenner, Rovi