Harry Hamlin Movies

This spoof of a "typical" double-feature bill of the 1930s is introduced by George Burns, who explains that we're about to see two classic films produced by the legendary Warren Brothers. The first, "Dynamite Fists," is a black-and-white takeoff of such boxing dramas as Golden Boy. Harry Hamlin plays a John Garfield-like pugilist who is brought along by a tough-but-lovable fight promoter George C. Scott. Nasty gangster Eli Wallach attempts to compromise Hamlin by offering him the delectable Trish VanDevere, but Hamlin proves loyal to Scott. When Scott is killed by Wallach, Hamlin vows to become an attorney and bring the murderer to justice -- which he does in the space of one year. Along the way, Hamlin's gangster brother-in-law secures an eye operation for his nearly blind sister Kathleen Beller (whose bump-in-the-wall myopia is good for several laughs). After "Dynamite Fists," we are treated to a coming-attractions trailer for a Dawn Patrol-style aviation epic, again starring George C. Scott. The last segment, "Blansky's Beauties of 1933," is an all-stops-out Technicolor lampoon of Busby Berkeley musicals. Told by doctor Art Carney that he is dying, Broadway impresario Blansky (George C. Scott again) determines to produce one last spectacular show before the curtain goes down for good. The highlights in "Blansky's Beauties" are too numerous to mention here: memorable bits include composer Barry Bostwick's rooftop number, and the opening dialogue exchange between Carney and Scott (told that he has a month to live, Scott philosophically replies that at least he has 30 days left -- whereupon Carney dolefully reminds his patient that it's February). An additional sequence, parodying the Republic serials of the era, was filmed for Movie, Movie but cut from the final release print. Michael Kidd, who plays "Pop Popchick" in "Dynamite Fists," handled the choreography in "Blansky's Beauties." On the videocassette version of Movie, Movie, "Dynamite Fists" has been reprocessed in color. ~ Hal Erickson, All Movie Guide

The eschewing of modern optical effects techniques in favor of the classic stop-motion animation work of special effects legend Ray Harryhausen was a delightful highlight of this action adventure that attempted to give Greek mythology the Star Wars (1977) treatment. Harry Hamlin stars as Perseus, a mortal who, due to the interference of the mighty god Zeus (Laurence Olivier), finds himself in the city of Joppa, far away from his island home. There, he falls in love with Andromeda (Judi Bowker), an imprisoned princess. To free her, win her hand, and thus half of the kingdom, Perseus solves a riddle, but Joppa's enraged ruler orders Andromeda fed to the Kraken, a towering sea monster that's the last of the powerful Titans. In his quest to save Andromeda, Perseus must endure a series of trials with the help of the winged horse Pegasus and a friendly playwright, Ammon (Burgess Meredith). His ultimate goal is to secure the head of the grotesque Gorgon named Medusa and use it to turn the Kraken into stone, but dangers await, including the hideously deformed Calibos (Neil McCarthy). ~ Karl Williams, All Movie Guide

Arthur Hiller directed this drama exploring the disintegration of an ideal marriage after the husband discovers he is gay. Kate Jackson is Claire, a successful television producer, and Michael Ontkean is her husband Zack, an equally successful doctor. They enjoy eight years of married bliss until homosexual writer Bart McGuire (Harry Hamlin) appears at Zack's office. As Zack gets to know Bart, he discovers he is attracted to him. He asks Bart out to dinner, one thing leads to another, and soon Zack announces to Claire that he wants to explore his new-found sexuality with Bart. ~ Paul Brenner, All Movie Guide

This is a baseball comedy with a twist. This time, the young player striving to make it big in the major leagues is a plucky, talented young woman who attends spring training camp. The team's wealthy owner is a male-chauvinist bachelor who finds himself attracted to the young second baseperson's personal manager and finds he must re-evaluate his gender bias. ~ Sandra Brennan, All Movie Guide

In this comedy, an ordinary woman finds herself sharing both her home and her body with a ghost who has a pronounced wild streak. Jan (Glenn Close) and Nick (Mandy Patinkin) are a couple moving into an apartment in an old Victorian house in San Francisco. Jan is a straight-laced secretary working for a Catholic bishop, while Nick deals in used books. While stripping some old wallpaper in their new home, they discover a message written on the wall, which their flaky landlady Mrs. Lavin (Ruth Gordon) informs them was written by Maxie, a high-spirited flapper who had a career in silent films before dying in a car wreck on her way to audition for D.W. Griffith. Out of curiosity, Jan and Nick rent a video of one of Maxie's films to see her in action, but it just so happens that Maxie's ghost still lives in the house -- and is looking for a human host. Maxie's spirit enters Jan's body and makes her presence known at the most inconvenient times; suddenly mild mannered Jan is kicking up her heels, swilling gin, starting arguements, and acting like a flaming youth straight out of the 1920s. Nick finds Maxie a good bit more exciting than Jan and even tries to launch Maxie back into a movie career by having her audition for a remake of Cleopatra opposite Harry Hamlin; Jan, however, just wants to have her body to herself again. Maxie proved to be one of the last screen appearances for veteran actress Ruth Gordon, who died several weeks before the film was released. ~ Mark Deming, All Movie Guide

This mammoth five-part, 13-hour CBS miniseries was based on the best-selling novel by James A. Michener. Covering the U.S.-Soviet "space race" from the end of WWII to the landing on the moon, the program stars James Garner as Norman Grant, a former war hero turned senator who tirelessly promotes the American space program despite almost insurmountable opposition. Other principal players include John Pope (Harry Hamlin), who matriculates from shavetail West Pointer to pioneering astronaut in the company of fellow space-traveler Randy Claggett (Beau Bridges); Leopold Strabismus (David Dukes), a hedonistic wheeler-dealer who hopes to capitalize on the 1947 UFO scare; German rocket scientist Dieter Kolff (Michael York), whose ideals (or lack thereof) are put to the test when he shifts his allegiance from the Nazis to the Americans; and Stanley Mott (Bruce Dern), an aeronautical engineer whose secret assignment is to make certain that men like Kolff aren't snatched up by the Soviets after the fall of Germany. The winner of three Emmy awards, James A. Michener's Space originally aired from April 14 through 18, 1985; in subsequent showings, the miniseries was cut from 13 to nine hours. ~ Hal Erickson, All Movie Guide

Target: Favorite Son is the 115-minute abridgement of the three-part TV miniseries Favorite Son. Adapted by Steve Sohmer from his own novel, the film stars Harry Hamlin as a freshman senator from Texas who has "greatness thrust upon him" when he is accidentally shot during the assassination of a visiting Nicaraguan contra leader. Almost as if rehearsed, Hamlin delivers an impassioned pro-contra speech--all of which is seen on live TV. Upon recovering, Hamlin is selected by his party to run for the Vice President's post. Meanwhile, FBI agent Robert Loggia investigates the assassination, and what he discovers could--to reuse the cliché--blow Washington DC wide open. Featured in the cast is James Whitmore as the President, whose political enemies do their best to hound out of office so that the supposedly honest-and-aboveboard Hamlin can assume the Presidency. At the time of its first telecast, Favorite Son received a great deal of press play due to a scene wherein Linda Koslowski, playing the ambitious, oversexed mistress of Hamlin's press aide, strips to bra and panties and asks one of her boss' assistants (Lance Guest) to tie her up. Nothing further is shown, of course, but this tiny, almost missable scene ended up as the focal point of the entire series, so long as the clean-up-TV brigades were concerned. Favorite Son originally aired October 30 and 31, and November 1, 1988. ~ Hal Erickson, All Movie Guide

Dinner at Eight is a TV remake of the 1933 MGM film of the same name; both films were adapted from the play by George S. Kaufman and Edna Ferber. While the basic plot point of a social-climbing woman (Marsha Mason) throwing a "best people" dinner party has not dated all that much, other elements prevalent in the 1933 version were due for an overhaul 56 years later. The aging, near-impoverished stage actress played con brio by Marie Dressler in the original becomes a jet-setting "literary raconteur" (read: "trash novelist") in the form of Lauren Bacall. And the alcoholic matinee idol portrayed by John Barrymore in 1933 is transformed into a Pacino type (Harry Hamlin) with a drug and attitude problem for the 1989 version. While not exactly improvements, these alterations do not stand out like sore thumbs, as do many past attempts at updating old material. Only Ellen Greene, in Jean Harlow's role as the floozielike wife of a corrupt businessman, falls short of the original. Produced by actress Shelley Duvall, the 1989 Dinner at Eight was first shown on December 11, 1989 over the TNT Cable network. ~ Hal Erickson, All Movie Guide

Deceptions, a made-for-cable below-average erotic thriller, tells the familiar story of a homicide cop who falls for a beautiful suspect. When wealthy socialite Adrienne (Nicollette Sheridan) kills her husband Douglas (Marshall Colt), she claims self-defense. Nick Gentry (Harry Hamlin), the cop assigned to the case is suspicious but becomes obsessed with the sensual young woman. There is little new here and director Ruben Preuss spends little time with plot or character development, depending on the audience's interest in the extremely attractive cast, including Hamlin and Sheridan who were married at the time. Both Hamlin and Sheridan give stilted, wooden performances and surprisingly generate very little heat in their love scenes. Deceptions is a remarkably predictable, non-erotic thriller with little to recommend it. ~ Linda Rasmussen, All Movie Guide

This made-for-TV film was based on a real-life, nail-biting hostage situation. The incident began when a deranged gunman, disgruntled for a variety of reasons, burst into the maternity ward at the Alta View Hospital in Sandy, Utah. Holding mothers, babies and nurses captive, the gunman clearly intended to kill as many people as possible before he himself was subdued by the police. Harry Hamlin, light-years away from LA Law, plays the psychotic intruder, while Terri Garr co-stars as the maternity nurse who struggles to act as the voice of reason. Filmed on location in Salt Lake City, Deliver Them From Evil premiered April 28, 1992. ~ Hal Erickson, All Movie Guide

Three stalwarts of made-for-TV productions -- Harry Hamlin, Michael Ironside, and Steve Railsback -- team up for this erotic thriller. Hamlin plays a mild-mannered accountant who takes up with an intriguing stranger (Lysette Anthony), who happens to harbor multiple personalities: seductress, prude, and saint. ~ Michael Hastings, All Movie Guide

The full title of this made-for-TV film was In the Best of Families: Pride and Madness. Based on a true story, the film details the bitter divorce between overly idealistic Keith Carradine and emotionally disturbed Kelly McGillis. Caught in the middle are the couple's sons, played by Erik Von Detten and Ira David Wood Jr. The crisis erupts into violence, resulting in a triple homicide. Roundly criticized for its lurid and sensationalistic aspects, In the Best of Families was originally telecast in two parts on January 16 and 18, 1994. ~ Hal Erickson, All Movie Guide

Another Tom Clancy political thriller is put to film with this made-for-television movie. Harry Hamlin stars as Paul Hood, the new director of an obsolete government crisis management center. Hood is assigned to downsize the center, but during first day on the job some nuclear warheads are hijacked by terrorists. Hood has to rise to the occasion and prove himself as a leader in unfamiliar territory. ~ Bernadette McCallion, All Movie Guide