Neil Hamilton Movies

Brendan (Jerry Lewis) is an eccentric multimillionaire who is rejected for military service in this misfired comedy. Eager to help the Allies, he gathers a quartet of offbeat irregulars and sails to Italy to join the conflict. Brendan captures a Nazi general and masquerades as the enemy. When Allies arrive, he is mistaken for the real general. Jan Murray, Dack Rambo, John Wood and Steve Franklin help the inept but patriotic Brendan. Also appearing are Kaye Ballard, Neil Hamilton, and George Takei, all allumni of successful television programs from the late 1960s. ~ Dan Pavlides, Rovi

Tongue-in-cheek humor prevails in Batman, a witty homage to the Dynamic Duo's exaggerated exploits. The Caped Crusaders (Adam West and Burt Ward) are called in as a last resort when the criminal masterminds of the millennium team up to conquer Gotham City by turning the U.N. Security Council into dehydrated dust; among the villains are the Joker (Cesar Romero), Catwoman (Lee Meriwether), the Riddler (Frank Gorshin), and the Penguin (Burgess Meredith). The entire cast is excellent, particularly West and Ward, who distinguish themselves among a standout list with hilariously straight-faced performances. The film includes some truly memorable scenes, highlighted by a particularly tenacious shark with a vertical leap that would put Spud Webb to shame and a bomb on the waterfront with no place to explode (nuns, infants and lovebirds beware!). ~ Jeremy Beday, Rovi

Lana Turner takes the lead in the seventh film version of Alexandre Bisson's glossy soap opera. Holly Parker (Turner) is married to respected diplomat Clay Anderson (John Forsythe), but his busy schedule prevents them from seeing each other very often. Distracted and lonely, Holly allows her head to be turned by carefree playboy Phil Benton (Ricardo Montalban), who dies in a freak accident during an assignation. In a panic, Holly contacts her mother-in-law, Estelle Anderson (Constance Bennett) and asks what she should do. Estelle, a joyless woman who has never cared for her daughter-in-law, tells Holly that unless she wants to destroy her husband's life and career, she should flee the country and never return. Tearfully, Holly follows Estelle's advice, leaving behind her young son. Many years later, Holly has fallen on hard times; addicted to drugs, she scrapes out a meager living as a prostitute in a cheap hotel in Mexico. Devious criminal Dan Sullivan (Burgess Meredith) tries to involve Holly in a blackmail scheme; at the last minute, she finds out that Clay is the target, and she kills Sullivan. She cannot afford to hire a lawyer to defend her, so she is assigned a dedicated young public defender, whom she soon recognizes as her son, Clay Anderson, Jr. (Keir Dullea). Not wanting Clay, Jr. to know her true identity, Holly is tried as "Madame X," but she has trouble keeping her composure given the trial and her mixed joy and shame at seeing her son. Madame X was Constance Bennett's first film in 12 years and the last she would ever make; she died of a cerebral hemorrhage shortly after completing her work on the picture, nine months before it was released. ~ Mark Deming, Rovi

Middle-aged Nellie Dubois (Jeanette Nolan) became a widow when her husband died during their vacation in Europe. Upon her return to the States, Nellie's family is shocked to find her in the company of a new spouse--a much younger Frenchman named Pierre (Michael Forrest). Convinced that Pierre is only after Nellie's money, the family hires sexy French maid Marie Claudel (Anne Farge) to seduce Pierre and prove to Nellie that he is unfaithful. By an astonishing coincidence, Marie happens to be Pierre's jilted first wife--and when he turns up dead, she is charged with murder. Can Perry Mason (Raymond Burr) solve this one without causing any further domestic strife? ~ Hal Erickson, Rovi

Disgusted by the smarminess of his 1963 vehicle Under the Yum Yum Tree, Jack Lemmon vowed that his next effort would be a wholesome family picture. Good Neighbor Sam is suitable for all ages, to be sure, but that doesn't stop producer-writer-director David Swift from injecting plenty of double-entendre dialogue and harmlessly risque situations. Lemmon plays ad executive Sam Bissell, happily married to all-American blonde Minerva (Dorothy Provine). Anxious to land the Nurdlinger's milk account, Sam is carefully scrutinized by the prudish Simon Nurdlinger (Edward G. Robinson), a staunch advocate of old-fashioned family values.

Meanwhile, Minerva welcomes her old school friend, sexy Janet Langerlof (Romy Schneider) into her home. Janet is in line to inherit a fortune, but only if she's married. Unfortunately, Janet is currently separated from her insanely jealous spouse Howard Ebbets (Michael Connors), so big-hearted Minerva volunteers Sam to pose as Janet's husband. The ensuing comic complications come to a head when Nurdlinger elects Sam and Janet as the nation's ideal "married" couple, and posts their pictures on billboards all over town! Some of the smaller pleasures in this film are provided by Louis Nye as a high-tech private eye, Joyce Jameson as a squeaky-voiced call girl, Robert Q. Lewis as Sam's lascivious neighbor, and an uncredited Gil Lamb as a genial wino. An amusing running gag involved the Hertz "man in the driver's seat" commercials of the 1960s has sometimes been cut from TV prints of Good Neighbor Sam. ~ Hal Erickson, Rovi

Richard Bellero (Martin Landau) is a brilliant but frustrated scientist, forever failing to find approval from his wealthy, pacifist-oriented father Richard Sr. (Neil Hamilton), even when he develops a practical high-energy laser. Much to the displeasure of his ambitious wife Judith (Sally Kellerman), he has been told by his father that he is being passed over for chairmanship of the family-founded corporation. By accident, however, Richard's laser device draws in an alien being (John Hoyt) who, among other attributes, possesses an invisible force-shield. Judith sees this shield as something that would earn her husband the respect of his father and the world, and the chairmanship of his father's corporation, if he could claim it as his discovery. With help from her servant Mrs. Dame (Chita Rivera), she shoots the alien and takes the control device, a button attached by a vein to the being's body, and activates the shield for her father-in-law; the shield is, indeed, impenetrable, but Judith finds she is unable to deactivate it. With her air running out, it becomes apparent that nothing, including her husband's laser, can get her free. Her father-in-law finds the alien's body, but is killed by Mrs. Dame, an act that stirs the alien -- who is barely alive -- just long enough to rescue Judith. Now freed, she starts to move across the room but is blocked by a barrier that only she sees -- she has gone insane. ~ Bruce Eder, Rovi

Hoping to snare a bride, Grandpa (Al Lewis) places a classified ad in a lonely-hearts magazine. Soon thereafter, who should come knocking at the Munsters' door than a sweet, matimony-minded old lady named Lydia Gardner (Linda Watkin). Unbeknownst to Grandpa, Lydia is actually "The Black Widow", who has kept herself in clover by murdering her husbands and cashing in their insurance policies! Future Batman costar Neil Hamilton appears in this episode, which was written, appropriately enough, by two former Alfred Hitchcock Presents stalwarts, James Allardice and Tom Adair. (And keep an eye out for the uncredited--and unintentional--appearance by a member of the TV tech crew!) ~ Hal Erickson, Rovi

A mystery woman leads an ordinary man down an evil path in this intriguing horror story. Rick Turner (Robert Alda) is a man haunted by a recurring dream in which a beautiful woman in a flowing white gown dances for him. The dream is robbing Rick of his sleep and driving a wedge between him and his fiancée Donna (Ariadna Welter), so he's startled when one day he passes a shop window and sees a doll that looks just like the woman in his dreams. The owner of the shop, Frank Lamont (Neil Hamilton), informs Rick that the doll was custom-made for a client, and Rick arranges to deliver it to her himself. Rick arrives at the luxurious apartment of Bianca (Linda Christian) to discover she is the very image of the woman in his dream, and she appears to know him already. Rick learns that both Bianca and Frank are members of a mysterious satanic cult that uses the dolls as part of their ceremonies; Rick becomes a regular visitor to their meetings and becomes deeply involved with Bianca after Donna is suddenly bedridden. But does Bianca have a plan for Rick that he doesn't yet suspect? The Devil's Hand was also released under the title Live To Love. ~ Mark Deming, Rovi

Constuction engineer Pete Mallory (Jeff York) is surprised when work on a new road is suddenly halted by a restraining order. It seems that Mallory's crew has unwittingly set up shop on private property, and that blame for this "error" falls upon the shoulders of dishonest developer Stuart Benton (Jason Evers), who plans to build a vacation resort where the road should be. Not long after confronting Benton, Mallory is charged with the man's murder--and it is up to Perry Mason (Raymond Burr) to burrow to the bottom of the situation and dig up the real killer. ~ Hal Erickson, Rovi

In another of scriptwriter Marion Hargrove's "westernizations" of classic literary material, this episode is based on 18th century British playwright Richard Brinsley Sheridan's drawing-room comedy "The Rivals". In the original 1775 play, two young men, Jack Absolute and Ensign Beverly, exchange identities so that the wealthier Jack can win the heart of heroine Lydia Languish, who would otherwise reject him because of his wealth. In the Maverick version, Bret Maverick (James Garner is the "Beverly" counterpart, trading places with British playboy Jack Vandergelt (played by future Maverick costar Roger Moore), who pines for the beautiful Lydia Linley (Pat Crowley). The supporting cast includes Neil Hamilton (Batman's "Commissioner Gordon") as Jack's irascible father, who shows up at precisely the wrong time; Barbara Jo Allen (aka "Vera Vague" of radio fame) as language-mangling Mrs. Mallaver, the Maverick equivalent of the original play's imperishable Mrs. Malaprop; and Dan Tobin as Mrs. Mallaver's would-be suitor Lucius Benson ("Lucius O'Trigger" in the Sheridan play). ~ Hal Erickson, Rovi

Perry Mason (Raymond Burr) is intrigued when he receives a $2500 check from one Lucille Allred (Anna Lee), with no explanation why. Contacting Lucille's husband Bernard (Neil Hamilton), Perry is told that the woman has run off with another man. The situation becomes even more vexing when Bernard turns up murdered, not long after being in a highly suspicious car accident which also involved his business associate Bob Fleetwood (Harry Townes). Now Perry will be able to earn that $2500 as defense councel for Lucille Allred, who has been charged with her husband's murder. In an interesting bit of casting, Yvonne Craig appears as Bernard Allred's stepdaughter, some nine years before Ms. Craig and Neil Hamilton respectively played Barbara Gordon (aka Batgirl) and her dad Commissioner Gordon on TV's Batman. This episode is based on a 1947 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, Rovi

David O. Selznick's first production since 1940's Rebecca, Since You Went Away, based on Margaret Buell Wilder's bestselling novel, is a long but rewarding paean to the World War 2 "home front". Claudette Colbert plays the wife of a businessman who, though well past draft age, volunteered to serve his country as an officer (though the husband is never seen, he is "played"-via a photograph-by Neil Hamilton). Fighting back her own fears and anxieties, Colbert does her best to maintain a normal, stable household for the sake of her growing daughters Jennifer Jones and Shirley Temple. She is offered moral support by cynical-but-kindly boarder Monty Woolley, by maid Hattie McDaniel (who willing foregoes her salary "for the duration") and by Navy man and friend-of-the-family Joseph Cotten, whose relationship with Claudette remains staunchly platonic. The harsh realities of war hit home several times throughout the film, first when it seems as though Colbert's husband is missing in action, and later when Jennifer's young boyfriend, GI Robert Walker, is killed in combat. From the vantage point of the 1990s, it is easy to see why Since You Went Away scored with its wartime audiences. Though the leading characters are slightly more financially secure than most of the moviegoers of 1944, the various vignettes presented throughout-complaints about rationing and priorities, shoulder-to-shoulder sacrifices, the weekly escape to the local movie house, tender partings, joyous reunions, the returning wounded, the dreaded wire from the war department-all had the ring of truth and topicality. Even today, the film's emotional highlights, particularly the much-imitated farewell scene at the railroad station, are sufficient to bring tears to the eyes of the most jaded viewer. Enhancing the film's heartstring tugging tenfold is Max Steiner's Oscar-winning musical score. If you can remain objective while watching Since You Went Away (it isn't easy), see if you can spot Ruth Roman, Guy Madison and John Derek, making their screen debuts in microscopic roles ~ Hal Erickson, Rovi

In this wartime espionage drama, Nazis open up a covert operation in the US. Outwardly it is a high-class dress shop, but inside it is really a counterfeiting operation in which the leader and his henchman make fake savings stamps in the hope of busting the morale of the good clients who spend their precious money to get the bonus stamps and suddenly discover they are worthless. Eventually some of the Nazi's customers begin to get suspicious. As a result they are murdered and used as mannequins in the store's window displays. Fortunately a sharp eyed reporter and a clever district attorney are able to find enough evidence to expose the evil-doers. ~ Sandra Brennan, Rovi