Murray Hamilton Movies
Murray Hamilton first stepped on a Broadway stage in 1945; among his subsequent theatrical credits was the original production of Mister Roberts and his Tony-winning stint in 1964's Absence of a Cello. Hamilton's film career began with a minor role in Bright Victory (1951). He often played abrasive, cynical characters, such as the "feller sufferin' from R.O.T.C" in 1958's No Time for Sergeants, but he occasionally essayed good-guy roles, notably as James Stewart's foredoomed partner in The FBI Story (1959). Murray Hamilton is best known to many moviegoers for his role as the bombastic mayor in 1975's Jaws, a role which he won, according to the film's scenarist Carl Gottlieb, thanks to his acute ability "to portray weakness disguised as strength." ~ Hal Erickson, All Movie Guide- 1973
Die, Darling, Die stars Jimmy Stewart as countrified lawyer/sleuth Hawkins. Julie Harris costars as a recent widow, the heir to a $2 million estate. Not surprisingly, Ms. Harris is suspected of facilitating her husband's death--especially since she was seen throwing away his medication. It's Hawkin's job to find out if she really "done it". Die, Darling, Die premiered as the October 23, 1973 episode of the TV series Hawkins. ~ Hal Erickson, All Movie Guide
- 1972
This TV movie was the pilot for a series that would have been titled The Prosecutors...had it sold. David Canary and Robert Pine play two green law school graduates, sent to work at the Department of Justice's office in Manhattan. The standard-issue "gruff but lovable" father figure is US attorney James Olson (who would have been the star of the subsequent series). The first case-load: Getting the goods on a mafia boss, while simultaneously exposing City Hall corruption and tracking down a narcotics operation. Richard Castellano, late of The Godfather, shows up as a minor mafioso. ~ Hal Erickson, All Movie Guide
- 1972
Richard Boone stars as Anton Solca, an Iron Curtain defector living contentedly in California's Napa Valley. Now a successful wine grower, Solca finds himself targetted by a mysterious assailant. Someone from his East European past wants him dead, and by mid-film we find out why. Patty Duke, Michael Constantine, Jack Kruschen and Murray Hamilton costar in this TV-movie adaptation of Geoffrey Household's novel Watcher in the Shadows. Deadly Harvest debuted September 26, 1972. ~ Hal Erickson, All Movie Guide
- 1972
Murray Hamilton guest-stars as deranged nuclear scientist Dr. Jerome Cooper, who threatens to destroy an unspecified American city with a hydrogen bomb unless the President capitulates to his demands. Normally, the IMF would have no trouble defusing such a bomb; the problem here is to find out where the bomb has been planted--and the agents have only 15 hours to do so. Barbara Anderson again subs for series regular Lynda Day George as the resident female IMF agent. Scripted by Harold Livingston from a story by Livingston and Sheyrl Hendrix, "Ulitmatum" was originally broadcast on November 18, 1972. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Graves, Greg Morris, (more)
- 1971
A Tattered Web starts out at a high level of tension which seldom flags during its lean 74 minutes. Lloyd Bridges stars as a police detective who finds out that his son-in-law Frank Converse is cheating on his daughter Sallie Shockley. Catching up with the "other woman," Bridges accidentally kills her. After his initial panic has subsided, the detective rearranges the evidence, pinning the murder on a harmless drunk. Avoiding two-dimensionality, A Tattered Web is told largely from the murderer's point of view; we don't like the man, but we can understand him. Made for television, the film first aired September 24, 1971. ~ Hal Erickson, All Movie Guide
- 1971
William Conrad stars as corpulent private eye Frank Cannon in this 2-hour pilot for the subsequent Cannon series. He responds to a plea for assistance from ex-flame Vera Miles (an actress who was in practically every pilot film made between 1965 and 1975). She is the prime suspect in the murder of her husband, and has also become the target of vicious anonymous phone calls. Cannon's investigation unearths a hotbed of small-town corruption. Cannon was first telecast March 26, 1971. ~ Hal Erickson, All Movie Guide
- Starring:
- William Conrad
- 1971
Made for television, The Harness was "suggested" by a John Steinbeck short story. Lorne Greene stars as an aging California farmer, long under the thumb of his domineering wife. Much against his better judgment, Greene becomes fascinated with young Julie Sommars, a free-spirited unwed mother. When his wife dies, Greene begins to spend time with Sommars, causing an avalanche of malicious gossip. The Harness was filmed near Salinas, California, site of many a John Steinbeck tale. ~ Hal Erickson, All Movie Guide
- 1971
Jane Wyman makes her TV-movie debut in The Failing of Raymond. She plays a middle-aged schoolteacher on the verge of retirement. Just before packing up and heading out, she is terrorized by former student Dean Stockwell. Having flunked out of her class ten years earlier, the demented man intends to kill his ex-teacher unless she changes his grade. Talk about your "permanent record"! The Failing of Raymond debuted November 27, 1971. ~ Hal Erickson, All Movie Guide
- 1970
Don Grady of My Three Sons fame guest stars as John McElroy, the irresponsible son of business executive Douglas McElroy (Murray Hamilton). After John inadvertently commits a crime on a government reservation, a mobster who witnessed the incident strongarms the boy's father into allowing his company to be taken over by the Mafia. Inspector Erskine (Efrem Zimbalist Jr.) must not only bring John to justice for his crime, but also save the boy from becoming yet another Mob casualty. ~ Hal Erickson, All Movie Guide
- 1970
Vanished earned a niche in video history as the first two-part TV movie. Based on Fletcher Knebel's novel, the story concerns the sudden disappearance of a top Presidential adviser. Grilled by the media, the President's press secretary (James Farentino) reveals very little, simply because he knows very little. But the chief executive himself (Richard Widmark) has more information than he's willing to make public; the FBI has proof that the vanished adviser was homosexual, and subject to blackmail. Based in part on the Lyndon Johnson/Walter Jenkins imbroglio of 1964, Vanished is given an aura of credibility via cameo appearances by Washington newscaster/journalists Chet Huntley, Herbert Kaplow and Martin Agronsky. The film was first telecast on two consecutive evenings: March 8 and 9 of 1971. ~ Hal Erickson, All Movie Guide
- 1969
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A mid-1960s TV documentary special (and a New Yorker cartoon before that) was the inspiration for If It's Tuesday, This Must Be Belgium. The film is a likeable satire of "packaged" European tours, where the nonplused tourists are expected to rush from one landmark to another in a breathless 18 days. Ian McShane stars as the amorous tour guide, with Suzanne Pleshette as the American department store buyer he falls for; their romance ends when Pleshette decides that the supposedly worldly McShane is too immature for her. An all-star cast, including Murray Hamilton, Peggy Cass, Pamela Britton, Marty Ingels, John Cassavetes and Vittorio De Sica, pops up in comic cameo roles. Our favorite bit: an American and German tourist, simultaneously regaling their respective wives with wildly divergent accounts of the same wartime confrontation. If It's Tuesday, This Must Be Belgium was reworked in 1987 as a made-for-TV movie, cleverly title If It's Tuesday, It Still Must be Belgium. ~ Hal Erickson, All Movie Guide
- Starring:
- Suzanne Pleshette, Ian McShane, (more)
- 1969
A young James Caan heads the guest cast in this episode, wherein the heir to a plastics fortune is kidnapped. Investigating, the FBI finds blood stains at the suspected abduction site, but their labs are unable to determine whose blood it is. In order to solve this mystery--and by extension, save the kidnap victim's life--Inspector Erskine (Efrem Zimbalist Jr.) breaks from established FBI proctocol by attempting to capture the kidnappers before the ransom is paid. ~ Hal Erickson, All Movie Guide
The Boston Strangler adopts the split-screen technique then in vogue (see also The Thomas Crown Affair) to relate the true story of self-confessed mass murderer Albert DeSalvo. Adapted by Edward Anhalt from the book by Gerold Frank, the film covers the years 1962 to 1964, during which time a dozen women were raped and murdered in the Boston area. State-appointed officer John Bottomly (Henry Fonda) arrests as many known sex offenders as he can get his hands on in hopes of finding a clue as to the Boston Strangler's identity. As these things often happen, the police come across the necessary evidence through pure luck. Well-played by Tony Curtis (whose makeup is startling), DeSalvo himself does not appear until an hour into the film. When caught, the schizophrenic DeSalvo insists that he knows nothing of the murders. Under interrogation and hypnosis, his homicidal impulses are exposed. Meticulously cast, The Boston Strangler offers excellent vignettes by Sally Kellerman as the Strangler's only surviving victim and by Hurd Hatfield as an erudite sex pervert. When Boston Strangler was first shown on TV in 1974, a voice-over coda was added, noting that Albert DeSalvo was stabbed to death in prison on November 26, 1973, and that many experts were convinced that he was not the killer but that his confessions were the product of a delusional mind. ~ Hal Erickson, All Movie Guide
- Starring:
- Tony Curtis, Henry Fonda, (more)
New York detective Moe Brummell (George Segal) is assigned to track down a serial killer who has been preying on lonely middle-aged ladies. Each of the bodies is discovered with a lipstick kiss drawn on the forehead. We know (but Brummell doesn't) that the murderer is Christopher Gill (Rod Steiger), a round-the-bend actor whose hatred for his mother has driven him to his killing spree. Gill is fond of adopting a different personality and costume with each killing (a priest, a homosexual, a plumber etc.), making him doubly difficult to trace. When Brummell comments to the media that he's up against a criminal genius, he finds himself the reluctant recipient of Gill's anonymous phone calls, wherein the killer plants cryptic clues leading to his next crime. It may not be readily apparent from the previous sentence, but No Way to Treat a Lady is a comedy-albeit a jet-black one. Moe Brummell is hampered with an archetypal Jewish mamma (Eileen Heckart), who in her own way is as deadly as the elusive Christopher Gill. Lee Remick plays Brummell's girl friend, who, as the only person who might be able to identify Gill, is placed in harm's way at the film's climax. A curious by-product of No Way to Treat a Lady is the fact that Rod Steiger was cast in the lead in the 1976 biopic W.C. Fields and Me on the basis of the third-rate Fields imitation he offers to George Segal during one of his taunting phone calls. ~ Hal Erickson, All Movie Guide
- Starring:
- Rod Steiger, Lee Remick, (more)
- 1968
Having captured seven of the nine men responsible for a two-million-dollar armored car robbery, Inspector Erskine (Efrem Zimbalist Jr.) is anxious to locate the other two men--and of course, the money. Meanwhile, Anita Hale (Anne Helm), the wife of "robber number eight" Emory Hale (Murray Hamilton), becomes convinced that she is dying, and thus wants to join her fugitive husband for a final reunion. This proves to a break for Erskine, who follows the unwitting Anita to Mexico--but what has happened to the "ninth man" who masterminded the robbery? ~ Hal Erickson, All Movie Guide
In Martin Ritt's The Brotherhood, Kirk Douglas plays Frank Ginetta, an old-line Mafioso who resents the newer policies encouraged by his younger brother Vince (Alex Cord). Frank resists all attempts at modernizing his operation, whereupon Vince cajoles his father-in-law Dominick Bertolo (Luther Adler) to spearhead an inter-mob rebellion. Summing up Bertolo as a rat and a liar, Frank has the man murdered in a graphically brutal fashion. It is up to Vince to exact retribution by killing his own brother. Lewis John Carlino's screenplay includes many of the elements that would gain legendary status upon the release of The Godfather, including the dreaded "kiss of death." Star Kirk Douglas also served as producer. ~ Hal Erickson, All Movie Guide
- Starring:
- Kirk Douglas, Alex Cord, (more)
- 1968
It's 1951 in Korea, a time that the United States Army doesn't like to remember. The Communists, led by Chinese forces, are tearing up the battlefield and overrunning American and South Korean positions, and in the midst of it, Sgt. Paul William Ryker (Lee Marvin), decorated World War II hero, with medals that would be the envy of any man in uniform, has been convicted of treason for allegedly deserting, going over to the enemy, and spending weeks behind enemy lines. He's scheduled to be executed, but Capt. David Young (Bradford Dillman), the prosecutor in the case, begins to worry that Ryker wasn't properly represented at trial -- he believes Ryker was guilty, but wants him to be convicted fairly. It hardly endears Young to the men around him when he starts pressing his doubts, and then he meets Ryker's wife, Ann (Vera Miles), who doesn't have the best of marriages but believes her husband is innocent. They start working together and, in the process, become attracted to each other. Ryker claims that a now-deceased counter-intelligence officer, Colonel Chambers, recruited him for a secret mission that would take him behind enemy lines, allegedly as an American turncoat, all to help plug a leak in his own command -- but Chambers was killed just 24 hours after Ryker's mission started, and nothing in his effects verifies Ryker's story. Young is ordered to lay off the case by his commanding officer, the new head of counter-intelligence, and General Bailey (Lloyd Nolan), commanding the sector, but Young risks his career to get Ryker a new trial. Now he's got to defend the man himself, against his own commanding officer as prosecutor, and prepare for his own court martial for conduct unbecoming an officer, for his affair with Ann Ryker. ~ Bruce Eder, All Movie Guide
"Just one word: plastic." "Are you here for an affair?" These lines and others became cultural touchstones, as 1960s youth rebellion seeped into the California upper middle-class in Mike Nichols' landmark hit. Mentally adrift the summer after graduating from college, suburbanite Benjamin Braddock (Dustin Hoffman) would rather float in his parents' pool than follow adult advice about his future. But the exhortation of family friend Mr. Robinson (Murray Hamilton) to seize every possible opportunity inspires Ben to accept an offer of sex from icily feline Mrs. Robinson (Anne Bancroft). The affair and the pool are all well and good until Ben is pushed to go out with the Robinsons' daughter Elaine (Katharine Ross) and he falls in love with her. Mrs. Robinson sabotages the relationship and an understandably disgusted Elaine runs back to college. Determined not to let Elaine get away, Ben follows her to school and then disrupts her family-sanctioned wedding. None too happy about her pre-determined destiny, Elaine flees with Ben -- but to what? Directing his second feature film after Who's Afraid of Virginia Woolf?, Nichols matched the story's satire of suffocating middle-class shallowness with an anti-Hollywood style influenced by the then-voguish French New Wave. Using odd angles, jittery editing, and evocative widescreen photography, Nichols welded a hip New Wave style and a generation-gap theme to a fairly traditional screwball comedy script by Buck Henry and Calder Willingham from Charles Webb's novel. Adding to the European art film sensibility, the movie offers an unsettling and ambiguous ending with no firm closure. And rather than Robert Redford, Nichols opted for a less glamorous unknown for the pivotal role of Ben, turning Hoffman into a star and opening the door for unconventional leading men throughout the 1970s. With a pop-song score written by Paul Simon and performed by Simon & Garfunkel bolstering its contemporary appeal, The Graduate opened to rave reviews in December 1967 and surpassed all commercial expectations. It became the top-grossing film of 1968 and was nominated for seven Oscars, including Best Picture, Actor, and Actress, with Nichols winning Best Director. Together with Bonnie and Clyde, it stands as one of the most influential films of the late '60s, as its mordant dissection of the generation gap helped lead the way to the youth-oriented Hollywood artistic "renaissance" of the early '70s. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Dustin Hoffman, Anne Bancroft, (more)
- 1966
Inspector Erskine (Efrem Zimbalist Jr.) investigates a fatal plane crash that was rigged to hide the fact that someone working for defense contractor Steven Colton (Fritz Weaver) has been shipping defective equipment to Vietnam. Time is of the essence in rooting out the villain, inasmuch as the lives of thousands of a American soldiers are at stake. But Erskine's boss Arthur Ward (Philip Abbott) has a more personal stake in the matter: Steven Colton's wife Elyse (Diane Baker) is an old friend of his. ~ Hal Erickson, All Movie Guide
Arthur Hamilton (John Randolph) is a listless Manhattan businessman who lives with his wife in the New York suburbs. One day, he runs into an old friend (Murray Hamilton) whom he thought had died. The friend leads him to The Company, a secretive operation run by The Old Man (Will Geer). The Company is a high-tech service which, for a price, provides older men with plastic surgery, a beefed-up body, and a fresh start in life. To cover the "disappearance," a middle-aged male cadaver is "killed" in a hotel fire. Hamilton submits to the operation that will turn him into a "Second," and when the bandages are removed, he's shed twenty years, renamed Tony Wilson and is portrayed by Rock Hudson. The Company creates a new identity for Hamilton, relocating him in a hedonistic California beach community with an identity as a painter. Celebrating during a local wine festival, Hamilton has his revelry cut short when he learns that all his new young friends are Seconds like himself and suddenly feels trapped in these surroundings. Unfortunately, finding a way out isn't nearly as easy as it was to find a way in. ~ Hal Erickson, All Movie Guide
- Starring:
- Rock Hudson, Salome Jens, (more)
- 1966
Arriving in San Pedro Harbor, Richard Kimble (David Janssen)--alias "Tony Carter"--goes to work for two-fisted salvage boss Joe Steelman (Murray Hamilton). When one of Steelman's divers perishes beneath the waves, the locals fix the blame on the dead man's girlfriend Coralee (Antoinette Bower), who is widely regarded as a jinx. But Kimble knows that the diver's death was due to faulty equipment--and Steelman knows this as well, but doesn't intend to let anyone else find out. This is the last episode of The Fugitive's third season, and the final one filmed in black and white. ~ Hal Erickson, All Movie Guide
- 1966
In this drama, a Yankee spy begins impersonating a dead man who looks just like him. In doing so he begins a fun-filled life as a jet-setting playboy. ~ Sandra Brennan, All Movie Guide
- 1966
An American Dream is adapted from the Norman Mailer novel of the same name. Stuart Whitman plays an acerbic TV talk show host who kills his wife Eleanor Parker during an argument. Whitman exerts his influence to cover up his crime, and the official verdict is suicide. But Whitman has not reckoned with the "Hell hath no fury" intensity of his cast-aside mistress Janet Leigh. When An American Dream bombed at the box office, the desperate distributors re-titled the film See You in Hell, Darling. ~ Hal Erickson, All Movie Guide
- Starring:
- Stuart Whitman, Janet Leigh, (more)
- 1964
Now calling himself "Bill Martin", Kimble (David Janssen) arrives in a town where several women have fallen victim to a serial killer. A local vigilante committee, by nature suspicious of all outsiders, immediately assumes that Kimble is responsible for the killing spree. Joanne Mercer (June Harding), a mentally challenged girl shunned by the community, takes pity and Kimble and allows him to hide in her cellar--little imagining that the real murderer is likewise hiding only a few feet away. ~ Hal Erickson, All Movie Guide
