Murray Hamilton Movies

Arthur Kennedy stars as a blinded war veteran struggling to adjust to his affliction in peacetime. He must overcome his pugnacious attitude towards any problem he can't think his way out of--and he must learn to temper his inbred racial prejudices. Peggy Dow plays the woman who loves Kennedy enough to be cruel to him during his bouts of self-pity. Refusing to lapse into sentimentality, Bright Victory, based on the novel by Bayard Kendrick, is one of the best of the "against all odds" films of the 1950s. Arthur Kennedy's performance won him the New York Critics' Circle award, but not the Oscar he so richly deserved. Trivia note: new Universal contractee Rock Hudson receives 18th billing for his bit role as a soldier in this film. ~ Hal Erickson, All Movie Guide

This high-flying thriller utilizes exciting footage of the USAF Thunderbirds in action--an interesting and authentic look into the world of Air Force test pilots. Set at Edwards Air Force base in California, the story centers on a dishonored pilot who is no longer allowed to fly. It seems that as a Korean POW he was brutally tortured and brainwashed until he could bear no more and he eventually cracked. Though it has been many years, he wants to clear his name and fly again. Unfortunately a general fears the pilot could again lose it during the testing of a highly experimental plan. Fortunately, the general's secretary is the former girl friend of the pilot and she convinces the general that he is rock solid. The pilot then sets out to prove it for himself. James Garner made his big screen debut in this film. ~ Sandra Brennan, All Movie Guide

Kim Novak is clearly out of her depth as legendary Broadway actress Jeanne Eagels, but one can't fault her for trying very hard. As this filmed biography gets under way, wide-eyed Eagels finds herself stranded in a tank town by a smooth-talking traveling salesman. Carnival operator Sal Satori hires Eagels as a kootch dancer, but her ambition is to become a serious dramatic actress. When she and Sal reach New York, she signs up for acting lessons under the tutelage of a Mme. Neilson (Agnes Moorehead). Before long, Jeanne is understudying on Broadway, and in 1922 she takes audiences and critics by storm with her unforgettable portrayal of Sadie Thompson in Rain, a role she landed by ruthlessly double-crossing the actress originally slated for the part (Virginia Grey). When her rival commits suicide, the chastened Jeanne turns to booze and drugs to assuage her conscience. The real-life Jeanne Eagels died of narcotics addiction in 1929, a fact that the Hollywood version skims over. Eagels' family sued Columbia Pictures over the "distortions" offered in Jeanne Eagels. ~ Hal Erickson, All Movie Guide

The only person who can clear Perry's client Robert Crane (Denver Pyle) of a murder charge is his sister Helen (Constance Ford), the wife of the murder victim. But Helen suffers from schizophrenia: by day, she is "herself" and by night she is her wild-and-reckless alter ego Joyce Martel. Unfortunately, it was "Joyce" who witnessed the murder, so Perry (Perry Mason) must figure out a way to put "Joyce", rather than Helen, on the witness stand! Though not based on an Erle Stanley Gardner original, this episode would seem to have been inspired by such multiple personality-themed films as Three Faces of Eve and Lizzie. ~ Hal Erickson, All Movie Guide

Cary Grant scored still another box-office smash with his 1958 vehicle Houseboat. Grant plays a widowed father who packs himself and his spoiled kiddies off to a ramshackle houseboat. Enter Sophia Loren, who is attempting to break loose from her tyrannical father's (Eduardo Cianelli) iron grip. She hires on as Grant's housekeeper and his children's governess. Though Grant struggles valiantly to maintain a "hands off" policy, he and Loren are billing and cooing by fadeout time--but not before plenty of reversals, recriminations and sitcom-style mishaps. As a bonus, the kids end up behaving like little angels (not surprising, since Loren has threatened from time to time to turn them into genuine angels if they don't toe the line). According to most sources, the on-screen romance between Cary Grant and Sophia Loren in Houseboat spilled over into their private lives as well, though Sophia put an end to this dalliance when she married Italian movie mogul Carlo Ponti. ~ Hal Erickson, All Movie Guide

Mac Hyman's hilarious barracks novel No Time for Sergeants was adapted for TV by Ira Levin in 1955, with newcomer Andy Griffith as bumptious Air Force draftee Will Stockdale. This TV version was soon afterward transformed into a Broadway play, and then a movie, again with Griffith in the lead. Brought to the Air Force base in handcuffs because his farmer father has been hiding his draft notices, good-natured Will becomes the target of ridicule for the other transcripts. Especially nasty is Private Irvin (Murray Hamilton), but Will is able to forgive him because he knows that Irvin is suffering from some mysterious disease called ROTC. Will's best pal is hot-headed private Ben (Nick Adams), who wants to be transferred to the Infantry and convinces Will to try for the same goal. Slowly becoming aware that the trusting, naïve Will may prove to be a troublemaker, career sergeant King (Myron McCormick), who wants nothing more out of life than a little peace and quiet, tries to keep Stockdale out of mischief by appointing him "PLO" -- Permanent Latrine Orderly, a dubious distinction in which Will takes enormous pride. Later on, King tries to pull strings to get Will transferred, succeeding only in losing his sergeant's stripes. The story goes off on a zany tangent when Will and Ben find themselves on a crippled plane in flight. They manage to escape with their lives, but all evidence suggests that they've been killed in the plane's crash. Imagine the dismay of newly reinstated Sergeant King when Will and Ben show up in his office -- just as the entire base is gathered for a memorial service for the two "fallen heroes." Featured in a minor role as a "coordination officer" is Griffth's future TV cohort Don Knotts, while Sammy Jackson, who played Stockdale in a 1964 sitcom version of No Time for Sergeants, shows up in an unbilled bit. ~ Hal Erickson, All Movie Guide

Ed Wynn guest stars as Lew Bookman, an aging and not altogether successful sidewalk salesman. When Mr. Death (Murray Hamilton) shows up to "collect" Lew, the latter refuses to go. This leaves Mr. Death no other choice but to claim an alternate soul in Lew's place -- a little girl named Maggie (Dana Dillaway). Adapted from a script he'd written during his days in Cincinnati television, Rod Serling's "One for the Angels" made its Twilight Zone bow on October 9, 1959. ~ Hal Erickson, All Movie Guide

Based on the best-selling novel by Robert Traver (the pseudonym for Michigan Supreme Court justice John D. Voelker), Anatomy of a Murder stars James Stewart as seat-of-the-pants Michigan lawyer Paul Biegler. Through the intervention of his alcoholic mentor, Parnell McCarthy (Arthur O'Connell), Biegler accepts the case of one Lt. Manion (Ben Gazzara), an unlovable lout who has murdered a local bar owner. Manion admits that he committed the crime, citing as his motive the victim's rape of the alluring Mrs. Manion (Lee Remick). Faced with the formidable opposition of big-city prosecutor Claude Dancer (George C. Scott), Biegler hopes to win freedom for his client by using as his defense the argument of "irresistible impulse." Also featured in the cast is Eve Arden as Biegler's sardonic secretary, Katherine Grant as the woman who inherits the dead man's business, and Joseph N. Welch -- who in real life was the defense attorney in the Army-McCarthy hearings -- as the ever-patient judge. The progressive-jazz musical score is provided by Duke Ellington, who also appears in a brief scene. Producer/director Otto Preminger once more pushed the envelope in Anatomy of a Murder by utilizing technical terminology referring to sexual penetration, which up until 1959 was a cinematic no-no. Contrary to popular belief, Preminger was not merely being faithful to the novel; most of the banter about "panties" and "semen," not to mention the 11-hour courtroom revelation, was invented for the film. Anatomy of a Murder was filmed on location in Michigan's Upper Peninsula. ~ Hal Erickson, All Movie Guide

Burt Reynolds appears in this episode as truck driver Bill Davis, who with his brother Andy is piloting a huge tanker through the desert. When the road is blocked by a stalled car, Bill and Andy climb out of their truck to offer assistance. The disabled auto turns out to be owned by a pair of kidnappers (Murray Hamilton, Robert Karnes) who are escaping with their female victim (Venetia Stevenson). Getting the drop on the Davis brothers, the kidnappers steal their tanker, leaving Bill, Andy and the girl to roast under the desert sun. Fortunately, good is rewarded and evil punished by episode's end -- with the fate of the villains proving most ironic in light of the "cargo" being hauled by the Davis boys. ~ Hal Erickson, All Movie Guide

As The Hustler's "Fast" Eddie Felson, Paul Newman created a classic antihero, charismatic but fundamentally flawed, and nobody's role model. A pool player from Oakland, CA, as good as anyone who ever picked up a cue, Eddie has an Achilles' heel: arrogance. It's not enough for him to win: he must force his opponent to acknowledge his superiority. The movie follows Eddie from his match against billiards champ Minnesota Fats (Jackie Gleason) as he falls in love with Sarah (Piper Laurie), an alcoholic would-be writer and sometime prostitute, and falls under the spell of Bert Gordon (George C. Scott), a successful gambler who offers to take Eddie under his wing and teach him how to play in the big time. However, when Sarah joins Eddie and Bert on a trip to Louisville for a high-stakes match with a dandy named Findlay (Murray Hamilton), the consequences prove tragic. Along with a classic performance by Newman, The Hustler also features turns by Scott, Laurie, and Gleason, in a rare dramatic role. Cameos from pool champ Willie Mosconi and boxer Jake LaMotta add to the atmosphere of Harry Horner's grubby production design and Eugen Schüfftan's camerawork. Director Robert Rossen, who had been working in films since 1937, was to direct only one more film, Lilith (1964), before his death in 1966. In 1986, Newman returned to the role of "Fast" Eddie in Martin Scorsese's The Color of Money, for which he finally earned an Academy Award as Best Actor. ~ Mark Deming, All Movie Guide

Elliot Ness (Robert Stack) heads to Boston to locate the source for the bootleg champagne that is flooding into Chicago's speakeasies. Ness is convinced that Ira Bauer (Richard Conte), a blind fishing magnate who enjoys such "exercises of the mind" as reading, playing chess, and outwitting the Feds, is the mastermind behind the illegal booze. But how does Bauer manage to ship out his product without arousing suspicion? The answer turns out to be a chilling one--in every sense of the word. This Season Four episode was originally filmed for Untouchables' third season. ~ Hal Erickson, All Movie Guide

This charming tale is about a young girl's father and his slightly erratic behavior after sampling a refreshing alcoholic beverage. Although Papa Jack Griffith (Jackie Gleason) never appears to be drunk, his "delicate condition" is well known to his family. His wife is definitely unhappy over his penchant but loves him just the same. He is adored by his youngest daughter, six year old Corinne (Linda Bruhl). When he tries to buy a pony for Corinne, he not only gets the pony but the entire broken down, debt ridden circus as well. This is too much for wife Ambolyn (Glynis Johns), who packs up the kids and heads for her father's house in Texarkana. Jack follows with the entire circus in pursuit to take his loving family back home. He also hoodwinks some local investors to put money into a proposed drug store, thereby circumventing a blue law that forbids the sale of alcohol. Gleason's performance contain many fine moments that run the full spectrum of human emotions and clearly illustrates why he has deservedly been referred to as "The Great One." ~ Dan Pavlides, All Movie Guide