Margaret Hamilton Movies

In this courtroom drama a countrified prosecutor deliberately fails in his attempt to convict a notorious gangster so he can protect his adopted daughter, the gangster's moll. As a result the lawyer loses his job. When his troubled girl gets accused of murder, he does all he can to defend her. ~ Sandra Brennan, All Movie Guide

The 1938 version of Adventures of Tom Sawyer appears to be producer David O. Selznick's dry run for Gone with the Wind, what with its similarities in period, costumes, color scheme and production design (both films shared the services of the great Hollywood art director William Cameron Menzies). Selected from hundreds of applicants (a precursor to Selznick's upcoming search for Wind's Scarlet O'Hara), Tommy Kelly is visually perfect as Mark Twain's Tom Sawyer though his acting varies from scene to scene. Better cast is Jackie Moran as the laconic, pipe-smoking Huck Finn (Moran would show up in Wind as Dr. Meade's son). Never forcing its pace, the film manages to include most of Twain's classic sequences, including the fence-whitewashing episode, Tom's rescue of Becky Thatcher (Anne Gillis) from the wrath of their schoolmaster (Olin Howlin), Tom and Huck's "death and resurrection" after the boys briefly skipped town for an idyll on a remote island, the murder trial of town drunk Muff Potter (Walter Brennan) and ultimately unmasking of the vicious Injun Joe (Victor Jory) as the real killer, and of course the chilling climax in the cave, wherein Tom protects Becky from the fugitive Injun Joe. Originally released at 93 minutes, Adventures of Tom Sawyer was trimmed to 77 minutes for a 1959 reissue; it has since been restored to its full length on videotape. In 1960, Tom Sawyer was syndicated to television by Selznick, with accompanying commentary by the film's now-grown-up "Becky Thatcher", Anne Gillis. ~ Hal Erickson, All Movie Guide

Boy soprano Bobby Breen dons a pair of skates in the oddball musical Breaking the Ice. Escaping his super-strict Mennonite relatives, our hero gets a job singing at a Philadelphia ice-skating rink. Here he tries to earn enough money to help his beloved widowed mother (Dolores Costello) wrest herself free of those selfsame relatives. The plot requires canary-voiced Breen to share the spotlight with six-year-old skating sensation Irene Dare. Within a year, Breaking the Ice producer Sol Lesser attempted to launch another series of family musicals built around the talents of little Ms. Dare, but the first entry in this project--Everything's on Ice--was also the last. ~ Hal Erickson, All Movie Guide

Stablemates is a typically treacly vehicle for Wallace Beery, who goes through his usual slobbery paces as an eternally inebriated ex-veterinarian named Tom Terry. Aspiring jockey Mickey (Mickey Rooney) idolizes Tom, who reciprocates by passing along horsemanship advice to the boy. The film's dramatic high point is the scene in which Tom, his judgement benumbed by years of alcohol abuse, tries to pull himself long enough to perform a delicate operation on Mickey's beloved horse Lady-Q. It goes without saying perhaps that the film culminates in the standard Big Race, with Mickey and Tom pinning their hopes on the obligatory "long shot." Just as Mickey Rooney has replaced Jackie Cooper as Beery's juvenile costar in Stablemates, so too has Margaret Hamilton supplanted the late Marie Dressler as Beery's romantic sparring partner. ~ Hal Erickson, All Movie Guide

Good Old Soak was based on a story by Don Marquis, creator of the immortal "Archy and Mehitabel." Wallace Beery is well-cast as town drunk Clem Hawley, a blot on the escutcheon of a small Prohibition-era Midwestern town. When a large sum of bank money is stolen, Clem immediately falls under suspicion. His previously spineless son Clemmie (Eric Linden) rushes to his dad's defense, insisting that he, and not Clem, is the thief. But the "good old soak" manages to recover the money and expose the thief, a respectable "social" drinker and stock-market swindler whose hypocrisy is in stark contrast to Clem's bibulous honesty. In one of his last film roles, Ted Healy manages to steal quite a few scenes from Beery (no small feat) as a cheerful bootlegger. ~ Hal Erickson, All Movie Guide

Archetypal depression-era stars Henry Fonda and Sylvia Sidney are felicitously teamed in Fritz Lang's You Only Live Once. Fonda plays an ex-convict who can't get a break on the "outside". He marries Sidney, who like her husband is one of life's losers. Framed on a murder rap, Fonda is forced to take it on the lam, with his wife and baby in tow. In trying to avoid capture, Fonda becomes a murderer for real, condemning himself and Sidney to an early demise. Partly based on the legend of Bonnie and Clyde, the Gene Towne-Graham Baker screenplay stacks the deck against its protagonists to such an extent that the audience is virtually forced to hate their various antagonists. As superb as Henry Fonda is in portraying the foredoomed hero, Sylvia Sidney is even better as his wife; her reading of such lines as "We just call him...baby" are enough to shrivel the heart even after six decades. ~ Hal Erickson, All Movie Guide

The film is called Laughing at Trouble, but feisty female newspaper publisher Glory Bradford (Jane Darwell) doesn't waste much of her time laughing. Using her paper as a forum, Glory does her best to clear innocent John Campbell (Allan Lane) of a trumped-up murder charge. When John escapes from jail, he hides out in Glory's home, a circumstance she takes in her usual stride. Figuring out the identity of the actual murderer, the publisher employs a bit of unorthodox (and frankly unethical) trickery to force a confession. Laughing at Trouble puts the lie to the long-held assumption that Jane Darwell never played a movie leading role until The Grapes of Wrath. ~ Hal Erickson, All Movie Guide

On the whole, Joe E. Brown's vehicles for independent producer David L. Loew were distinct retrogressions from his films at Warner Bros., but When's Your Birthday? still contains some very funny moments. This time, Joe plays Douglas Willoughby, a mild-mannered astrologer who through a series of incredible plot twists becomes a prizefighter. Though he's a most unprepossessing figure in the ring, Douglas manages to box his way up to the championship -- but refuses to don gloves unless the stars are "right." This gets him mixed up with several shady characters and also plants him at the apex of a romantic triangle, with Marian Marsh and Suzanne Kaaren as his two sweeties. Original prints of When's Your Birthday include a Technical animated opening-credits sequence, courtesy of the cartoonmakers of "Termite Terrace" at Warner Brothers. ~ Hal Erickson, All Movie Guide

Stagestruck Vermont girl Jenny Yates (Anne Shirley) manages to land a job with a ragtag stock company. This she does over the objections of her grandfather (Edward Ellis), who'd disowned Jenny's mother when she became an actress. After a series of amusing and bemusing setbacks, Jenny is discovered by a big-time producer and cast in the Broadway production "Virtue's Reward." Both the girl and the show are flops, but she finds a happily-ever-after with handsome Phil Greene (Phillips Holmes). Based on a play by David Carb, Chatterbox contains some knowing insights about provincial theater and the vagaries of show business. Lucille Ball makes a brief but amusing appearance as a snobbish small-time leading lady. ~ Hal Erickson, All Movie Guide

Lillian Hellman's 1934 Broadway play The Children's Hour was such a hot potato that film producer Samuel Goldwyn was denied Production Code permission to use the play's original title. The reason was the story's lesbian theme, a factor that also blocked The Children's Hour from winning a Pulitzer Prize. In the original story, lifelong friends Martha Dobie and Karen Wright manage an exclusive girl's boarding school. Spoiled rotten student Mary Tilford, angered at being disciplined, fabricates a story that casts a questionable light on the women's friendship. In attempting to defend themselves against the accusations of the little girl's wealthy and powerful aunt, Martha and Karen lose everything in court. By the time the girl has admitted her lie and the aunt has come to apologize, it is too late. After confessing that she has harbored "unnatural" feelings towards Martha, Karen commits suicide. In adapting her play to the screen, Lillian Hellman expertly weeded out all hints of lesbianism, and also eliminated Karen's self-inflicted death ("suicide as a plot solution" was another Production Code no-no). In the revised version, Mary Tilford (played with unbridled venom by Bonita Granville) spreads a rumor that Martha (Miriam Hopkins) has been carrying on an illicit affair with doctor Joseph Cardin (Joel McCrea), the boyfriend of Karen (Merle Oberon). The end result is essentially the same -- the school is destroyed, along with Martha and Karen's reputation -- but Karen manages to survive to fade-out time. In defending the evisceration of her play, Hellman defended herself by noting that her original point was not to force a lesbian subtext down the throats of the audience, but to show how a vicious lie -- any vicious lie -- can have disastrous consequences. While it makes a good story, it is probably not true that, when informed that the leading characters in The Children's Hour were lesbians, producer Goldwyn replied, "Who cares? We'll make them Americans." These Three was refilmed in 1961 by its director William Wyler, under its original title The Children's Hour, with Hellman's original text -- lesbianism and all -- intact; ironically, the censor-ridden earlier film is the far superior version. ~ Hal Erickson, All Movie Guide

Henry Fonda made his screen debut in this filmization of his Broadway success The Farmer Takes a Wife. The story is set along the Erie Canal in the 1850s. Fonda plays a farmer who takes a river job to make ends meet. He falls in love with Janet Gaynor, daughter of a canal-boat cook, who thinks very little of farmers. Nonetheless, Fonda and Gaynor marry, much to the displeasure of canal skipper Charles Bickford, who'd assumed that Janet was his girl. When Fonda avoids a fight with Bickford, Janet believes that he's yellow, but he eventually proves otherwise. It is said that during his first day on the set, movie novice Henry Fonda, noting the camera direction "dolly with Dan and Molly" in the script, asked director Victor Fleming who Dolly was. Adapted from the play by Frank B. Elser and Marc Connelly, The Farmer Takes a Wife was remade with Betty Grable and Dale Robertson in 1955. ~ Hal Erickson, All Movie Guide

Just after completing It Happened One Night, director Frank Capra churned out a bread-and-butter picture titled Broadway Bill. Warner Baxter plays the carefree scion of a wealthy, highly-respected family. Baxter's cold but socially correct wife Helen Vinson forces her husband into the family business, but Baxter would rather spend his time at the racetrack. He buys a nag named Broadway Bill and tries to build the horse into a winner--if he doesn't bankrupt himself first. Only Baxter's sister-in-law Myrna Loy and black stable hand Clarence Muse have faith in Broadway Bill. The horse wins a crucial race, but dies suddenly at the finish line. Baxter is comforted and given encouragement by Loy, who is now his sweetheart, Vinson having long since washed her hands of her "irresponsible" husband. Broadway Bill was remade by Capra as Riding High (1950), utilizing generous portions of stock footage and even going so far as to rehire several of the original film's cast members (Douglass Dumbrille, Clarence Muse, Charles Lane, Raymond Walburn, Margaret Hamilton, Frankie Darro) to recreate their roles and match up their scenes from the earlier production. Long withheld from distribution due to Riding High, Broadway Bill was made available for videocassette in the mid-1980s. Keep an eye out for Lucille Ball as a blonde telephone operator and Alan Hale Sr. as a racetrack announcer. ~ Hal Erickson, All Movie Guide