Margaret Hamilton Movies

Texas, Brooklyn and Heaven deserves a historical footnote as director William Castle's only comedy western. Future Wild Bill Hickok star Guy Madison plays Eddie Taylor, a lonesome cowboy who falls in love with city-gal Perry Dunkin (Diana Lynn). The couple "meets cute" in Brooklyn, where the two have migrated to seek their fortunes. The plot veers into Runyonesque territory as Eddie tries to write the Great American Play, while Perry "adopts" pickpocket Mandy (Florence Bates) to pose as her mother. The loosely structured storyline permits several entertaining diversions, including a trip to Coney Island and a wild episode at a Brooklyn riding academy which hero and heroine have been conned into purchasing. Audie Murphy makes his second film appearance in a near-microscopic role. Based on a Saturday Evening Post story by Barry Benefield, Texas, Brooklyn and Heaven was released in England as The Girl From Texas. ~ Hal Erickson, All Movie Guide

Absent from films since 1938 (except as producer of a brace of RKO Radio features), silent-screen comedy favorite Harold Lloyd returned before the cameras in The Sin of Harold Diddlebock. The project began as a labor of love between Lloyd and the brilliant, innovative producer/writer/director Preston Sturges. Though these two comedy geniuses eventually had a stylistic falling out, resulting in an uneven, spasmodically dreary film, on the whole Harold Diddlebock is well worth having. Sturges cleverly opens the picture with the final reel of Lloyd's silent classic The Freshman(1925), in which the drudge of the college football team makes good and scores the winning touchdown. The story proper begins in the locker room, where football hero Harold Diddlebock (Lloyd, looking three decades younger than his 53 years) is impulsively offered a job by banker J.E. Wagglebury (Raymond Walburn). Taking his place at his new desk and festooning his walls with inspirational homilies, Harold starts to work, supremely confident that he's poised on the brink of bigger things. Twenty-three years pass: In 1946, a weary, stoop-shouldered Harold is still at the same desk at the same job, his dreams of success but a dim memory. Summarily fired by the pompous Wagglebury ("You have not only ceased to go forward, you have gone backward"), Harold collects his final paycheck, cleans out his desk, and bids farewell to office girl Miss Otis (Frances Ramsden), all of whose older sisters had previously been Harold's sweethearts. Wandering aimlessly on the street with his severance pay in hand, Harold is spotted by a dessicated street hustler named Wormy (Jimmy Conlin), who inveigles the newly fired clerk to join him at a nearby bar. Informed that Harold has never taken a drink in his life, the bartender (Edgar Kennedy) lights up and declares, "Sir, you rouse the artist in me!" With great ceremonial flourish, the bartender concocts a potent beverage called the Diddlebock. Harold takes one sip of the brew, lets out a yell, and immediately loses all the inhibitions that have kept him from advancing himself in the past two decades. With Wormy in tow, Harold goes on a wild spending and carousing spree, totally losing track of an entire day-and-a-half.

At the end of his revelry, the hung-over Harold is awakened by his sister (Margaret Hamilton), who informs him that he's bought a garish new wardrobe, a ten-gallon hat, and goodness knows what else. He soon finds out what else when he ventures into the street and is informed that he's bought a horse-drawn cab (with driver!) -- and a circus, complete with hungry lions. Quickly formulating a plan to get rid of the circus at a substantial profit, Harold decides to elicit bids from the town's various bankers, bringing Jackie the Lion along with him so that the bank guards won't stop him at the door. All of this leads to a wild recreation of Lloyd's skyscraper-teetering gags from his silent days, a noisy episode at the local jail, and a romantic tête-à-tête with Miss Otis, who reveals at the very end how Harold really spent his "missing" Wednesday! Though it tested well upon its first release, Sin of Harold Diddlebock was abruptly withdrawn from circulation by its co-producer Howard R. Hughes, who spent four years reediting and sometimes reshooting the film before finally releasing it through RKO as Mad Wednesday. Both this version and the original Sin of Harold Diddlebock still exist; while the earlier version is undeniably richer in comic invention and characterization, the shortened Mad Wednesday works better in front of an audience. Neither version completely fulfills the potential of its premise, however. Though not to be missed, this final Harold Lloyd vehicle pales in comparison with his vintage silent comedies. ~ Hal Erickson, All Movie Guide

In this drama, Madeleine Damien (Hedy Lamarr) is a successful magazine editor with a free-spirited private life, but a number of failed relationships and years of burning the candle at both ends have taken their toll and Madeleine is suicidal and on the verge of a nervous breakdown. Her psychiatrist, Dr. Caieb (Morris Carnovsky), advises her to find a less stressful and more personally satisfying line of work, so Madeleine leaves the publishing industry and moves to a flat in Greenwich Village, where she pursues a long-standing dream of becoming an artist. Madeleine falls in love with a scientist living in her building, Dr. David Cousins (Dennis O'Keefe), and they plan to marry. However, shortly before they are to wed, David is called out of town and Madeleine decides to visit a nightclub, where she runs into Felix Courtland (John Loder), a jeweler with whom she once had an affair. Felix invites Madeleine back to his apartment, but before long she begins to think better of it and tries to slip out the back before he gets the wrong idea; however, at the same time Jack Garet (William Lundigan), a former employee of Felix, arrives at the front door. Jack stole some jewels from Felix but begs him not to turn him in to the police; a fight breaks out, and Jack kills Felix. Since Madeleine was the last person to be seen with Felix, she is accused of murdering him, and David, not knowing of her stormy personal life before he met her, refuses to have anything to do with her. Hedy Lamarr and John Loder were married when they made this film, though perhaps appropriately given their contentious relationship in Dishonored Lady, they divorced before the year was out. ~ Mark Deming, All Movie Guide

In this sequel to the 1944 teenage comedy Janie, Joan Leslie replaces Joyce Reynolds in the title role, playing the virtuous but amorous daughter of Edward Arnold and Ann Harding. Janie marries the soldier (Robert Hutton) she'd met in the earlier film, hoping to help him set the course of a successful civilian life. Robert Benchley (who'd died the year before this film was released) is a delight as the husband's dry-witted stepfather, doing his best to help the young couple in spite of themselves. Complications ensue when hubby's former girl friend (Dorothy Malone) shows up. Janie Gets Married ends with the old flame extinguished and Janie and her husband in each other's arms. ~ Hal Erickson, All Movie Guide

Like the same-named 1934 and 1935 films, RKO Radio's 1945 musical George White's Scandals uses the eponymous Broadway revue as a framework for a fabricated plotline. The main story concerns the romance between stage comedienne Joan Mason (Joan Davis) and back-bay Bostonite Jack Williams (Jack Haley), which is staunchly opposed by Jack's spinsterish sister Clarabelle (Margaret Hamilton, who of course had previously costarred with Haley in The Wizard of Oz) A secondary romance involves the hot-and-cold relationship between British socialite Jill Martin (Martha Holliday) and Tony McGrath (Philip Terry), the assistant to Broadway impresario George White (played not by the real White but by Glenn Tryon). Musical specialties are provided by Gene Krupa and his band, organ virtuoso Ethel Smith and pianist Rose Murphy. The film's highlight is "Who Killed Vaudeville?", a tour-de-force for Joan Davis and Jack Haley which was later excerpted in the RKO musical pastiche Make Mine Laughs (prompting a lawsuit from Haley!) ~ Hal Erickson, All Movie Guide

For his first independently-produced starring effort, James Cagney chose the sentimental drama Johnny Come Lately. Cagney plays itinerant newspaperman Tom Richards, who wanders into a small corruption-ridden town. Striking up a friendship with elderly Vinnie McLeod (Grace George in her only movie appearance), the editor of the local newspaper, Tom tries to help Vinnie exposed the community's crooked politicians. He is thwarted in his efforts until Gashouse Mary (Marjorie Main), a wealthy dowager with a shady past, exposes the machinations behind a phony Orphan's Fund. At the insistence of star Cagney, the cast of Johnny Come Lately was filled with familiar character actors (Hattie McDaniel, Edward McNamara, George Cleveland, Margaret Hamilton, Lucien Littlefield) who are herein offered a lot more screen time than was customary. Based on the Louis Bromfield novel McLeod's Folly, Johnny Come Lately was produced by Cagney's brother William; the film garnered an Oscar nomination for Leigh Harline's nostalgic musical score. ~ Hal Erickson, All Movie Guide

This wartime weeper could just as well have been titled Stardom for Margaret, inasmuch as it solidified the popularity of that remarkable child actress Margaret O'Brien. While visiting London, American married couple Robert Young and Laraine Day are caught in the middle of the 1940 blitz. Losing her unborn child during the bombing, Day sadly heads back to the U.S., while her journalist husband stays behind to cover late-breaking events. Young makes the acquaintance of O'Brien and Clifford Severn, children orphaned by the blitz. After pulling the shell-shocked O'Brien out of her near-catatonic state, Young decides to adopt both children and take them back to his wife in the States. There are some tense moments as Young tilts at the stepped-up immigration restrictions, but he is finally able to bring his new family home. Journey for Margaret stars Robert Young and Margaret O'Brien would be reunited two decades later on an episode of Young's TV series Marcus Welby MD, in which Ms. O'Brien played a patient suffering from obesity. ~ Hal Erickson, All Movie Guide

This third film version of the hectic Margaret Mayo-Salisbury Field stage farce Twin Beds officially stars George Brent and Joan Bennett, but it's Mischa Auer's picture all the way. Newlyweds Mike and Julia Abbott (Brent and Bennett) can never be "alone at last" thanks to the unwelcome drop-ins by their friends, including flamboyant Russian musician Nicolai Cherupin (Auer) and his wife Sonya (Glenda Farrell), and by Julia's ex-beau Larky (Ernest Truex) and his wife Lydia (Una Merkel). Seeking to escape their well-meaning but intrusive chums, Mike and Julia move into a luxury apartment, only to discover that their next-door neighbors are?.you guessed it. The fun begins when the drunken Nicolai wanders into Julia's boudoir by mistake. Attempting to hide Nicolai's presence from Mike, Julia gets deeper and deeper in trouble when Sonya shows up demanding to know her husband's whereabouts. Just when it seems that things can't get any worse, who should arrive on the scene but Larky, in hot pursuit of a nonexistent burglar. Twin Beds is one of several screwball comedies (Nothing Sacred, Rage of Paris, My Man Godfrey) currently available on the Public Domain video circuit. ~ Hal Erickson, All Movie Guide

Though Republic Pictures had discontinued its "Higgins Family" series in 1940, the studio continued filming its stray "Higgins" scripts under new titles. In The Gay Vagabond, Roscoe Karns plays the "Pa Higgins" counterpart, a henpecked small-towner named Arthur Dixon. Karns also doubles up as Dixon's carefree, globetrotting twin brother Jerry. Inevitably, the two brothers' identities become confused when prodigal son Jerry returns home after a mysterious adventure in China. By being mistaken for Jerry, milquetoast Arthur is finally permitted to shed his inhibitions and assume his "proper" place as master of his domicile. Matching Roscoe Karns' performance laugh for laugh are Ruth Donnelly as Mrs. Dixon and such reliable supporting players as Ernest Truex and Margaret Hamilton. ~ Hal Erickson, All Movie Guide

In this low-budget musical, two sets of politically ambitious parents attempt to pair up their youngsters who unfortunately despise each other and only pretend to like each other to please their parents. On the nights they are to go out, they sneak out with their respective true loves. It all works well until the unwilling couple find themselves falling in love for real. songs include: "I'm Nobody's Sweetheart Now", and "Got Romance". ~ Sandra Brennan, All Movie Guide

A gold-digger facing middle-age decides to pass her special talents on to a younger woman. Her young student learns quickly and is soon raking in the dough from wealthy suckers, but when she falls in love with a handsome Texan, she abandons her golddigging ways. The older woman is appalled that she would go for mere romance when she could have glorious money. But the girl makes a good choice, especially when she discovers that her Texan is a cattle magnate worth millions. ~ Sandra Brennan, All Movie Guide

Though not a sequel to Angels with Dirty Faces, this Warner Bros. programmer does star the Dead End Kids-or, more specifically, Billy Halop, Leo Gorcey, Bobby Jordan, Huntz Hall, Gabriel Dell, and Bernard Punsley. Fresh out of reform school, Gabe Ryan (Frankie Thomas) promises his sister Joy (Ann Sheridan) that he'll go straight, and promptly joins the Beale Street Termites (the Dead Enders), a tough but basically good-hearted street gang. Local mobster William Kroner (Bernard Nedell), seeking out a fall guy for a series of arsons, frames Gabe for a fire in which helpless invalid Sleepy (Punsly) dies. With the help of the other Termites, crusading DA Pat Remson (Ronald Reagan) tries to prove Gabe's innocence, using surprisingly high-handed tactics to get results: arresting Kroner on a misdemeanor, he turns the crook over to the kids, who force a confession out of the terrified crook. In this and several other instances in the film, the gang's rowdy behavior is "purified" because the end justifies the means. ~ Hal Erickson, All Movie Guide