Lloyd Hamilton Movies
American actor Lloyd Hamilton was half of the successful "Bud and Ham," two comedians who made close to 200 short silent comedies at Kalem. Hamilton started out as a vaudevillian and musical comedy performer. He eventually moved to Fox to star in their Sunshine Comedies. He founded his own production company in 1924 and starred in many more popular two-reelers and occasionally in a few feature films. ~ Sandra Brennan, RoviAlthough Lloyd Hamilton's career had slowed down considerably by the time talkies came in, this two-reel Educational comedy shows he was capable of being as funny as ever. The story -- what there is of it -- is completely nonsensical. A couple who runs an auto repair shop is having trouble making ends meet. Hamilton happens in on the situation (he actually runs a flea circus, but his charges escape and take up residence on a nearby dog), and when he sees the couple have a young child, he becomes determined to help them out. He spends the rest of the film involving various motorists in fender-benders, breaking windshields, and doing other bits of damage, while of course telling all the victims, "There's a garage just around the corner." Naturally, the police get involved and eventually Hamilton is distracted when he chases after the dog that is giving a home to his star flea. Very silly stuff, but amusing nevertheless. ~ Janiss Garza, Rovi
- Starring:
- Lloyd Hamilton, Lige Conley, (more)
Are You There? is a characteristically lumpy but enjoyable early-talkie musical from Fox Studios. Broadway luminary Beatrice Lillie stars as a looney lady detective with a penchant for disguises. This plot device allows her to parade her astonishing versatility in a wide array of characterizations, including a dotty nurse in a hospital where a criminal gang is encamped. Are You There? came at the tail end of the first movie-musical cycle; Fox, fearing that musicals were on the way out, removed four of Ms. Lillie's seven musical numbers. This butchery resulted in the negative reputation Are You There? has earned among Bea Lillie's staunchest fans, though even in its truncated form the film is extremely entertaining. ~ Hal Erickson, Rovi
- Starring:
- Beatrice Lillie, Olga Baclanova, (more)
Produced in Hollywood by Herbert Wilcox, who had been unable to obtain sound equipment in London, this "haunted house" (actually "haunted houseboat") mystery-thriller was nevertheless Great Britain's first "all-talkie." John Loder, the only Englishman involved besides Wilcox, and Mary Brian find themselves invited on board a mysterious, fog-bound houseboat. Soon, several of their fellow passengers fall victim to a disguised madman, who proves to be none other than their host, the Reverend Eph Kelly (veteran matinee idol James Kirkwood). Written by John Willard, the author of the classic The Cat and the Canary, and featuring innovative dialogue scenes, Black Waters ultimately suffered in comparison with Alfred Hitchcock's Blackmail (1930), the first "all-talkie" filmed entirely in England. ~ Hans J. Wollstein, Rovi
- Starring:
- James Kirkwood, Mary Brian, (more)
Basically a filmed vaudeville presentation, The Show of Shows was Warner Bros.' entry in the "all star, all talking, all singing and all dancing" sweepstakes of 1929. Though slightly better than MGM's Hollywood Revue of 1929, the Warners entry pales in comparison to Fox Movietone Follies of 1929 and Paramount on Parade, due mainly to the film's master of ceremonies, the insufferable Frank Fay. Some of the individual acts seen in Show of Shows were pretty good, notably Winnie Lightner's delightful Singing in the Bathtub (a spoof of Hollywood Revue of 1929's Singin' in the Rain) and John Barrymore's brilliant rendition of Richard III's soliloquy from Shakespeare's Henry VI. Also easy to take was "Floradora Sextette," featuring such luminaries as Myrna Loy, Patsy Ruth Miller and cross-eyed comedian Ben Turpin, and "Eight Sister Acts," including such Hollywood siblings as Dolores and Helene Costello, Sally Blane and Loretta Young and Shirley Mason and Viola Dana (also teamed in this number are Ann Sothern and Marion Byron, who were not sisters). But for the most part, the acts are on a par with "Skull and Crossbones," a boring production number showcasing entertainer Ted Lewis, and "Recitations," a one-joke affair in which three different anecdotes (related by Frank Fay, Louis Fazenda, Lloyd Hamilton and Bea Lillie) are melded into one. Show of Shows was originally released in two-color Technicolor but now exists only in black in white, save for the "Chinese Fantasy" number featuring crooner Nick Lucas and Warner Bros. contractee Myrna Loy. ~ Hal Erickson, Rovi
The aforementioned appendages appear aplenty in this musical comedy that centers on a husband and wife seeking to recapture their youth by wooing younger partners. More mayhem ensues when their eldest daughter falls in love with the con artist who is involved with her father's new girl friend. The younger daughter is in love and wants to marry, but before she does, she wants to help her family get back together. Amidst the merriment and music, many bathing-suit clad beauties appear. Songs include: "You're Responsible," "How Lovely Everything Could Be," "With You, With Me" (Oscar Levant, Sidney Clare). ~ Sandra Brennan, Rovi
- Starring:
- Ann Pennington, Arthur Lake, (more)
Lloyd Hamilton plays the title character in this light comedy. The failure, also known as Breezy, has been given custody of Sonny (Ben Alexander), because his dying father thought he had become a successful businessman. Breezy is actually a tramp, and he takes Sonny and his dog on his travels. They wind up in Sulphur Springs, where Cyrus (Sam DeGrasse), who runs the health resort, mistakes Breezy for the new medical advisor. Sonny stays with kindly Grandma Neal (perennial kindly old lady Mary Carr), and Breezy discovers that the resort actually belongs to her -- Cyrus is a crook who has swindled her out of it. Breezy and Sonny help Grandma Neal get her resort back. Sonny convinces Breezy to stay behind -- his dog has had puppies, so it's time to put down roots. Patsy Ruth Miller and Matt Moore play the incidental love interests. ~ Janiss Garza, Rovi
Blackface comedy may make modern day Americans cringe, but in the late 1800s up to the 1920s it was an acceptable form of humor. One of its biggest fans was director .D.W. Griffith, who originally planned to have his company produce this film with theatrical icon Al Jolson as the star. An insecure Jolson (still a couple years away from The Jazz Singer) bailed on the project at the last minute. Griffith -- who was ready to begin shooting with his brother Albert Grey as producer, and John W. Noble as director -- went ahead anyway with two-reel comedian Lloyd Hamilton as the star. Hamilton plays Claude Sappington, a mystery writer who is determined to save faithful family servant Uncle Eph (Tom O'Malley) from a trumped-up murder charge. To find the real killer, Sappington covers his face in burnt cork and heads for the dance hall run by bootlegger Bill Jackson (Tom Wilson). Discovering the truth, Sappington breaks up the African-American bootlegging ring and wins the Governor's Daughter (Sally Long). Although the racist humor was deemed acceptable in 1924, this was still not a very good film and it lost money during its brief run, prompting Griffith to sue Jolson for breach of contract in a desperate attempt to regain his losses. The filmmaker won, but only a token sum of $2,671, which did nothing to help the massive debt he had run up because of his gross overspending and mismanagement as an independent producer. ~ Janiss Garza, Rovi
- Starring:
- Lloyd Hamilton
The premise is clichéd -- it's the usual tale of a pretty girl from the sticks trying to break into movies -- but this satire gives it a number of unexpected turns. In addition, just about every star in Hollywood -- not just those at Paramount, the releasing studio -- has a cameo at one point or another during the film's eight reels. Ironically, nearly all of the lead actors are unknowns (although George K. Arthur would become a noted character comedian). Angela Whitaker (Hope Brown) of Centreville is convinced she has a chance in Hollywood -- all her friends tell her so. So she heads West with her Uncle Joel (Luke Cosgrave) in tow. But Angela has no luck in Tinseltown, while her uncle starts landing roles left and right because of his curious image. Eventually the rest of the family, including Angela's sweetheart Lem Lefferts (Arthur), her grandmother (Ruby Lafayette), and her aunt (Eleanor Lawson) come to Hollywood. All Angela's relatives get movie work because they're character types. Finally a screenwriter tries to help Angela out, but Lem winds up landing a role instead. He becomes a star, which suits Angela just fine because she has married him. The couple have twins, and the babies -- not to mention the couple's pet parrot -- wind up in films, while Angela remains at home. The most notable cameo in this picture is Roscoe "Fatty" Arbuckle, who had been shunned in motion pictures since the 1921 scandal surrounding a Labor Day party that allegedly resulted in the death of starlet Virginia Rappe. Here he returns as a man standing in a casting line. When it's his turn to come up to the window, it is shut in his face and a "closed" sign put out. Unfortunately this gag turned out to be all too true; Arbuckle was not seen in front of a camera again until 1932. ~ Janiss Garza, Rovi
- Starring:
- Luke Cosgrave, George K. Arthur, (more)
Lew Cody plays yet another "male vamp" here -- Bruce Sands (Cody) is an artist who spends more time fooling around with his models than painting them. The determined Bunny Winston (Betty Blythe) pursues Sands all the way to the home of John Woodward (J. Barney Sherry). Woodward is having Sands up for the weekend and Bunny manages to get herself an invitation, too. But Sands gets involved with Wooward's daughter, Audrey (Elinor Fair). When she is seriously injured in an accident, Sands proposes to her because he believes she is dying. With this news, Bunny gives up the pursuit and marries Woodward. Audrey, however, recovers and when she finds out that Sands' proposal was not really sincere, she breaks the engagement. So he leaves the Woodward's estate, followed by Bunny, who has casually tossed off her husband to resume the chase. But the callous Sands still won't have her, preferring to hunt out someone new. ~ Janiss Garza, Rovi



