Linda Hamilton Movies

A sequel to the sci-fi action thriller that made him and star Arnold Schwarzenegger A-list Hollywood names, writer/director James Cameron upped the ante with this follow-up by employing a more sweeping storyline and cutting-edge special effects. Linda Hamilton returns as Sarah Connor, now a single mother to rebellious teen John Connor (Edward Furlong), during the late nineties. Having been informed by a time-traveling soldier in the first film that John will one day grow up to become humanity's savior from a computer-controlled Armageddon, Sarah has responded by becoming a muscle-bound she-warrior bent on educating John in survival tactics and battle strategies. Her ranting about humankind's future has landed Sarah in an insane asylum and John in the foster care system. The rebellious John has responded to his situation by getting into scrapes with the law. When a new and improved Terminator android called the T-1000 (Robert Patrick) arrives from the future to eliminate John, an older model T-800 (Schwarzenegger) is sent to protect the boy. The T-1000, however, has the ability to morph itself into any shape it desires, allowing it chameleon-like powers and near indestructibility. The T-800 saves John's life and helps break Sarah out of the institution. Staying only one step ahead of the dogged T-1000, Sarah leads her son and the T-800 to the headquarters of Cyberdyne Systems, the company that will invent a robotic intelligence that will eventually take over the world. There, they attempt to convince inventor Miles Dyson (Joe Morton) to help them stop the future from ever occurring by destroying his work. Dyson sacrifices himself in an explosion to save the world, leading to a final showdown between the two Terminators at a steel foundry. Terminator 2: Judgment Day (1991), which won four Oscars in technical categories for its groundbreaking effects, was followed by a short sequel filmed exclusively as an attraction for theme parks, Terminator 2: 3-D Battle Across Time (1996). ~ Karl Williams, All Movie Guide

This episode from the television fantasy series of the '80s deals with the kidnapping of the beauty Catherine by a malevolent crime boss and how her beloved beastial Vincent comes to her rescue. ~ Kristie Hassen, All Movie Guide

The Beauty and the Beast TV show was a fantasy series about a man-beast (Vincent) and his love for a beautiful assistant district attorney (Catherine Chandler). Vincent lived in an underground world beneath New York City where his gruesome looks were less important to his peers than were his caring and benevolent personality. Together, Vincent and Catherine had many adventures both above and below ground level and their love for each other continued to grow.

In Boston, Jessica agrees to serve as honorary chairperson at a charity tennis tournament where her former student Carol (Linda Hamilton) is one of the players. It so happens that Carol is the girlfriend of a much-hated tennis star, who ends up being blown to bits by a bomb planted in Carol's car. At first, it appears that Carol was the intended target of the bombing, but when a second murder occurs, she ends up accused of both crimes--and as everybody knows by now, no relative of Jessica Fletcher can ever be guilty of anything, least of all murder! ~ Hal Erickson, All Movie Guide

Pandering über-producer Dino De Laurentiis followed his unnecessary 1976 remake of King Kong with this even more pointless sequel ten years later. Though the colossal ape Kong took a half-gainer off the World Trade Center for Jessica Lange at the previous film's climax, we are told at the sequel's outset that Kong survived and is being kept alive through artificial means by a secret scientific team (headed by Linda Hamilton in her pre-action-heroine days) dedicated to designing a synthetic replacement heart. When the hilariously huge device is deemed ready for implant, the scientists seek out the only known donor for the requisite blood transfusion: a female Kong, recently captured in Borneo by adventurer Brian Kerwin. Kong's luck turns out to be twofold: not only is the implant a success, the big lug now has a potential mate who's more his type. After Kong rescues his fellow captive, the amorous behemoths eventually thunder off to the mountains to make a great big baby. Director John Guillermin (who helmed the previous film) plays the unbelievably silly premise absolutely straight, including a hilarious heart-transplant scene featuring surgical tools the size of freeway signs, leading viewers to believe that the joke's on them for sitting through this inane exercise. ~ Cavett Binion, All Movie Guide

In this exploitation film, the KGB trains a sexy young spy-trainee to become an "all-American" temptress capable of seducing the secrets out of many US officials and businessmen. She will then use the resulting information to blackmail these men into serving her government. ~ Sandra Brennan, All Movie Guide

In this tightly-wound, perceptive film, a young farm boy kills his older brother when a shotgun accidentally goes off then retreats into a shell of silence as his family seems to react against him. Arnold (Jason Presson) and his brother get up at the crack of dawn to go duck hunting, but their happy plans take a tragic turn when Arnold's shotgun gets caught in a barbed wire fence and accidentally goes off, killing his older brother. Arnold is in shock, he sits by his brother's side, he irrationally wanders in a pea patch, slowly picking the vegetables. When he finally goes home and manages to articulate what happened, his parents ignore him in their own grief. His father Joe (Robert Duvall) thinks Arnold does not have a clue about what he did because he just stands there, not speaking or communicating anything at all -- like a stone. Arnold's mother may not understand his behavior -- this is a Montana farming couple, not a pair of psychologists -- but she is not as judgmental as her husband. The family's grief causes some aberrant behavior, making the life of Arnold's next-door Aunt Lu miserable (her philandering husband is taking off after the dead boy's girlfriend), and Arnold senses a kindred spirit in the woman. But his grandfather is the only one who understands that the family should not mistreat Arnold, that he is suffering so intensely he simply cannot express it. When Arnold runs away, escaping to the city of Reno, there is some hope that the boy will find a much-needed emotional release. ~ Eleanor Mannikka, All Movie Guide