Val Avery Movies

Then professional potheads Cheech Marin and Tommy Chong teamed up for Cheech & Chong: Up In Smoke, which features the drug-addled duo on a road trip throughout California; that is to say, a road-trip they hope will culminate in finding some quality weed. Instead, a series of mishaps result in their respective deportations to Mexico. Desperate to get back to the states so they can perform in their band's gig later that night, Cheech and Chong unwittingly agree to drive a very unique car across the border -- rather than steel and various metal bits, the vehicle is constructed entirely out of marijuana. Back in the States and accompanied by two extraordinarily out-of-it female hitchhikers, the stoned group meanders about in an attempt to get their musical performance together, and narrowly escapes from local law enforcement agencies on numerous occasions despite their complete inability to realize they were being tailed to begin with. The incredibly low-budget movie surprised critics, grossed millions, spawned a series of lesser follow-up films, and cemented Cheech & Chong's cult-status among potheads across the globe. ~ Tracie Cooper, All Movie Guide

Heroes is an old-fashioned social problem movie concerning a troubled Vietnam veteran and the loving woman who helps him to work out his problems. Henry Winkler plays Jack Dunne, a veteran who has a history of mental problems. Jack fools the hospital doctor Elias (Hector Elias) and escapes from the hospital with the intention of starting a worm farm with money collected from his fellow inmates. Jack hops aboard a bus, where he meets up with Carol Bell (Sally Field), who, invites Jack to join up with her on a trip to California. ~ Paul Brenner, All Movie Guide

In the conclusion of Quincy, M.E.'s two-part Season Two opener (originally telecast as a single two-hour episode), Quincy (Jack Klugman) continues to look for the source of a mysterious epidemic that has caused several deaths at a pathologist's convention in a Lake Tahoe casino. The casino's customers and employees have now been quarantined, and panic has started to spread. This places Quincy in the unenviable position of preventing a riot--to say nothing of halting the epidemic before it expands into the rest of Nevada. Also, there's a strong possibility that the rampaging illness was far from "natural", and that there's a criminal conspiracy afoot. ~ Hal Erickson, All Movie Guide

Harry and Walter Go to New York was born of the theory that, the more stars and money that you throw into a film, the better the film will be. The theory has seldom been proven true, and it certainly wasn't in this case. Harry (James Caan) and Walter (Elliot Gould) are a third-rate vaudeville team, playing tank towns in turn-of-the-century USA. Thrown into the hoosegow on a petty-theft charge, our heroes make the acquaintance of big-time crook Adam Worth (Michael Caine). Once they're sprung, Harry and Walter follow Worth to New York, with the intention of pulling off a huge bank robbery. Lissa Chestnut (Diane Keaton), a bird-brained suffragette, is also mixed up in the proceedings though she never seems certain of who or what her character is from one scene to the next. The film's one tangible asset is its meticulous re-creation of 1890s New York, courtesy of art director Harry Horner. ~ Hal Erickson, All Movie Guide

During the Prohibition era, Walker (Burt Reynolds) and Kibby (Gene Hackman) run a liquor smuggling operation in Mexico; they team up with Claire (Liza Minnelli), a cabaret entertainer who has an "in" with several big-time nightclub owners. Complications ensue when both men fall in love with Claire, and she can't make up her mind between them. Escaping both the law and a murderous gang of rival crooks, the threesome set sail on a small boat called the "Lucky Lady." ~ Hal Erickson, All Movie Guide

A pair of blue-collar buddies use hypnosis to turn a wimpy boxer into a champ in this crime comedy, which reunites actor/director Sidney Poitier and comedian Bill Cosby, stars of the similarly themed Uptown Saturday Night. Clyde Williams (Poitier) and Billy Foster (Cosby) want to help raise funds to sustain the Sons and Daughters of Shaka Lodge, their local community group. Given that Clyde was trained as a hypnotist while in the military, the pair decide to con mobster Biggie Smalls (Calvin Lockhart) by placing a high-stakes bet on a boxing match and then using hocus-pocus to transform skinny underdog Bootney Farnsworth (Jimmie Walker) into a bruiser. When Biggie finds out about their ruse, he and his thugs move in to reclaim their money, setting the stage for further laughs and sleight-of-hand. With a supporting cast that includes Denise Nicholas and Lee Chamberlin as the protagonists' wives and Ossie Davis as an elder at their lodge, Let's Do It Again also reunited Good Times stars Walker and John Amos to the silver screen. Cosby and Poitier would return two years later with A Piece of the Action, though Lockhart, another veteran of Uptown Saturday Night, would sit out the final team-up. Hip-hop fans will note that Lockhart's character provided one of the aliases for slain '90s rap star Christopher Wallace, also known as the Notorious B.I.G. The soundtrack for Let's Do It Again featured Curtis Mayfield songs performed by the the Staple Singers. ~ Brian J. Dillard, All Movie Guide

Charles Cioffi and George DiCenzo are cast as brothers Vic and Dave, co-owners of a struggling trucking firm. Hoping for a quick financial turnover, the brothers make a deal with the Mob, offering to hijack their competitors' trucks for a share of the loot. Unfortunately, the Mob has a lengthy history of not playing fair. Curiously, though frequent F.B.I guest star Anthony Eisley is usually cast as Special Agent Chet Randolph, he is herein billed as "Agent Wright." ~ Hal Erickson, All Movie Guide

Based primarily on the "Silver John" tales of Manly Wade Wellman, this enthusiastically silly low-budgeter tells the story of young John (Hedge Capers), a balladeer who returns home to find that his Grandpappy (Denver Pyle) -- also named John -- has decided to do battle with the Devil by playing a special tune (penned by Hoyt Axton, no less!) on a silver-stringed guitar. Unwisely, the elder John chose silver dollars to make his strings, realizing too late that modern-day dollar coins contain no silver at all (due, of course, to an evil government conspiracy), and his soul is lost. The younger John decides to follow the old man's path -- only not quite as stupidly -- and creates his own silver strings (this time genuine). In his travels, he encounters an undertaker who made a deal with a witch (Susan Strasberg) in exchange for gold; an evil gatekeeper named O.J. and his "Big Ugly Bird" (depicted via stop-motion animation); and a cotton plantation run by a voodoo overlord. He eventually reaches Washington, D.C., presumably to do battle with the ultimate evil: the Army Corps of Engineers. Sticking to the essence of the Appalachian ghost stories on which Wellman's stories were based, director John Newland (erstwhile host of One Step Beyond) conjures some delightfully bizarre images despite the painfully low budget, but one wonders exactly where he was going with this. This film is also known as Who Fears the Devil. ~ Cavett Binion, All Movie Guide

Cult director Larry Cohen (It's Alive) directed this violent blaxploitation film. Nasty racist John McKinney cripples a black shoeshine boy, who grows up to be Tommy Gibbs (Fred Williamson), the Godfather of Harlem. The crimelord now has his tormentor McKinney (Art Lund) in his pocket, based on the cop's mob ties. Tommy's traitorous girlfriend Helen (Gloria Hendry) hands over the evidence, and McKinney moves in for the kill. But he may have underestimated the violent Tommy, who makes him shine his shoes in blackface while singing "Mammy." Rick Baker provided makeup effects, and James Brown did the music for this bloody oddity, followed the same year by Hell Up in Harlem. Cohen and Williamson got together 23 years later for an interesting (if unsuccessful) attempt at reviving the genre, Original Gangstas. ~ Robert Firsching, All Movie Guide

Bloodsport began life under the less alluring title Poetry in Motion. Gary Busey and Ben Johnson star as, respectively, a high-school football quarterback and his "winning is the only thing" father. The more his dad pushes him, the less Busey truly wants to be an athlete. The inter-family hostility comes to a head during an excitingly filmed climactic gridiron battle. Made for TV, Bloodsport was initially telecast on December 5, 1973. ~ Hal Erickson, All Movie Guide

An African American youth must deal with both many physical tests and the racism of his peers as he works to become a full-fledged fire fighter in this drama that was originally made as a television pilot. As he is the only black man in an all white unit, things are difficult, especially after he learns that the man he replaced was killed in a fire set by a black arsonist. ~ Sandra Brennan, All Movie Guide

Ironside star Raymond Burr makes his TV directorial debut in this episode, in which Chief Ironside comes to the aid of a troubled Federal judge and the judge's son. Slated to preside over a well-publicized fraud case, Judge Van Buren (William Windom) is approached by "certain parties" and told to either withdraw from the case or impose a lighter sentence than the defendant deserves. To make certain that Van Buren follows orders, the villains murder a young actress (Angel Tompkins)--then pin the blame on the judge's reckless son Larry (Rick Lenz). ~ Hal Erickson, All Movie Guide