Val Avery Movies

Bigotry and values are questioned when a Black West Point cadet is singled out and harassed by fellow cadets and senior officers. ~ All Movie Guide

A doctor is murdered, and the chief suspect is a grieving young father who held the victim responsible for his son's death. Placed in custody, the perpetrator escapes, embarking upon a seemingly senseless murder spree. In his efforts to nab the rampaging killer, undercover detective Tony Baretta (Robert Blake) tries to figure out his quarry's motives -- and his next move. ~ Hal Erickson, All Movie Guide

Bloodsport began life under the less alluring title Poetry in Motion. Gary Busey and Ben Johnson star as, respectively, a high-school football quarterback and his "winning is the only thing" father. The more his dad pushes him, the less Busey truly wants to be an athlete. The inter-family hostility comes to a head during an excitingly filmed climactic gridiron battle. Made for TV, Bloodsport was initially telecast on December 5, 1973. ~ Hal Erickson, All Movie Guide

Fact-based drama starring Robert Redford as Henry Brubaker, the new inmate at a run-down Southern prison that's become notorious for corruption and violence. After he witnesses several instances of gross misconduct and defuses a tense confrontation with a crazed inmate (Morgan Freeman), Brubaker reveals to the guards and administrators that he's not a criminal at all, but the new warden, assigned by the governor to infiltrate the facility undercover. His identity confirmed, Brubaker takes office and sets about shaping up policies and procedures, despite resistance from, incredibly, even some of the more entitled convicts. With the help of the prison's chief trustee (Yaphet Kotto) and a compassionate ally (Jane Alexander), the warden effects some positive change, but powerful business interests line up against him when his ideas threaten their financial bottom line. A reform-minded, socially conscious, and politically liberal picture of the type usually associated with director Norman Jewison, this fact-based prison drama was the result of a troubled production that saw original director Bob Rafelson replaced with Cool Hand Luke (1967) and The Amityville Horror (1979) helmsman Stuart Rosenberg. Despite the backstage turmoil, Brubaker was an acclaimed release and an Oscar-nominated, career-finale triumph for co-screenwriter Arthur A. Ross, creator of Creature From the Black Lagoon (1954) and father of successful writer/director Gary Ross. ~ Karl Williams, All Movie Guide

Crime is the disease and Sylvester Stallone is the cure in Cobra, a high-octane rehash of the Clint Eastwood/Dirty Harry films, burnished to a 1980s action sheen. Stallone is Marion Cobretti, a cop called in when regular police methods have failed. Cobra is sent to get a cult of Charles Manson-like serial killers and to protect Ingrid (Brigitte Nielsen), a beautiful, statuesque witness who is set to testify against them. Cobra deposits Ingrid in an out-of-the-way town for safe-keeping, but a mole in the police department tips off the killers. The gang comes racing into town to get Ingrid, but Cobra is there waiting for them, ready to spring into action. ~ Paul Brenner, All Movie Guide

This three-hour TV movie stars Sophia Loren as New Yorker Marianna Miraldo. Hurt and angered by her son's cocaine addiction, Marianna discovers that a close friend also has ties with the drug scene. After several of her imprisoned friend's associates try to contact him through her, the DEA persuades Marianna to aid them in an undercover operation headed by cop Bobby Jay (Billy Dee Williams). Despite the "don't get involved" admonitions of her husband (Hector Elizondo), Marianna agrees to cooperate with the DEA, if only for the sake of her son. This fact-based film, which first aired September 24, 1986, concludes with the feds closing in on a $3.5 billion cocaine ring. ~ Hal Erickson, All Movie Guide

Ideally tailored to the talents of Rodney Dangerfield, Easy Money casts Rapid Rodney as Monty Capoletti, the black sheep of a prominent family. Nothing can curb Monty's drinking, gluttony, gambling, smoking, or general carousing. Nothing, that is, except the possibility of inheriting millions from mother-in-law Mrs. Monahan (Geraldine Fitzgerald). For one whole year, Monty must toe the line and clean up his act. Can he do it? And will viewers laugh uproariously? The answer to the second question: Yes, they will! ~ Hal Erickson, All Movie Guide

Faces is right: this definitive John Cassavetes film consists almost exclusively of tight, uncomfortable close-ups. It takes place in the fourteenth year of the marriage of Richard (John Marley) and Maria (Lynn Carlin). Neither husband nor wife is content with the conditions that prevail; Maria joins her friends looking for romantic satisfaction elsewhere, while Richard secures the services of a prostitute (Gena Rowlands). Maria herself has a one-night stand with a hippie (Seymour Cassel), but this is no more satisfying than her dead-end marriage. If you think that Faces is an exhausting experience in its current 130-minute length, imagine what it looked like in Cassavetes' original six-hour cut. Alternately clumsy and profound, it is nonetheless a work of deep sincerity, as recognized by the Venice Film Festival, which bestowed no fewer than five awards on the film, and it perfectly exemplifies Cassavetes' improvisational, cinéma vérité style and searching explorations of modern relationships. ~ Hal Erickson, All Movie Guide

Gloria (Gena Rowlands), a self-involved woman in her forties who was once a mobster's mistress, is asked to look after Philip (Juan Adames), the son of her Mafia-connected Puerto Rican neighbors. This temporary set-up becomes permanent when the neighbors are killed in a mob hit. Philip has in his possession a diary containing a record of illegal Mafia activities; thus the boy is as good as dead unless Gloria takes decisive action. With Philip in tow, Gloria leads the hit men on a frantic chase around Manhattan, and during the various gunfire exchanges, more than holds her own. Offering to exchange the diary for the boy's life, Gloria is rebuffed by the vendetta-driven assassins. Where once she was content squirreling herself away in her lonely apartment, Gloria now must face a lifetime on the run. Directed on a more commercial level than was customary for John Cassavetes (with a subversive streak of self-parody in the bargain), Gloria served as an excellent showcase for Cassavetes' wife Gena Rowlands. The film won the Golden Lion Award at the 1980 Berlin Film Festival. ~ Hal Erickson, All Movie Guide

Harry and Walter Go to New York was born of the theory that, the more stars and money that you throw into a film, the better the film will be. The theory has seldom been proven true, and it certainly wasn't in this case. Harry (James Caan) and Walter (Elliot Gould) are a third-rate vaudeville team, playing tank towns in turn-of-the-century USA. Thrown into the hoosegow on a petty-theft charge, our heroes make the acquaintance of big-time crook Adam Worth (Michael Caine). Once they're sprung, Harry and Walter follow Worth to New York, with the intention of pulling off a huge bank robbery. Lissa Chestnut (Diane Keaton), a bird-brained suffragette, is also mixed up in the proceedings though she never seems certain of who or what her character is from one scene to the next. The film's one tangible asset is its meticulous re-creation of 1890s New York, courtesy of art director Harry Horner. ~ Hal Erickson, All Movie Guide

Heroes is an old-fashioned social problem movie concerning a troubled Vietnam veteran and the loving woman who helps him to work out his problems. Henry Winkler plays Jack Dunne, a veteran who has a history of mental problems. Jack fools the hospital doctor Elias (Hector Elias) and escapes from the hospital with the intention of starting a worm farm with money collected from his fellow inmates. Jack hops aboard a bus, where he meets up with Carol Bell (Sally Field), who, invites Jack to join up with her on a trip to California. ~ Paul Brenner, All Movie Guide

Having been burned by compromises to censors on his earlier films Cat on a Hot Tin Roof and Sweet Bird of Youth, Paul Newman decided to star in as uncompromising a property as he could find. That property was Hud, inspired by a portion of Larry McMurtry's novel, Horseman Pass By. Hud Bannon (Newman) is a young Texas rancher who lives with his cattleman father Homer (Melvyn Douglas) and his hero-worshipping nephew Lon (Brandon DeWilde). Hud is an amoral, cold-hearted creature; his father, who holds Hud responsible for the death of his other son, tries to imbue Lon with a sense of decency and responsibility to others, but Lon is devoted to Hud and isn't inclined to listen. When hoof and mouth disease shows up in one of the elder Bannon's cows, Hud is all for selling the herd before the government inspectors find out. But Homer orders the cattle destroyed (the film's most harrowing sequence), driving an even deeper wedge between himself and Hud. Finally, Hud steps over the line by attempting to rape Alma (Patricia Neal), the earthy but warm-hearted housekeeper. Paul Newman was so repellantly brilliant as an unregenerate heel that his Oscar nomination for Hud was a foregone conclusion. Although Newman lost the Oscar to Sidney Poitier in Lilies of the Field, Oscars did go to Neal for Best Actress, Douglas for Best Supporting Actor, and cinematographer James Wong Howe. ~ Hal Erickson, All Movie Guide