Josh Hamilton Movies

Director and writer Marissa Silver debuted with this captivating film on the friendship of two young girls from opposite sides of the economic tracks but same side of town. Twelve-year-old Lonnie Sloan (Sarah Boyd) is a well-to-do New York rich kid and Karen Bruckner (Rainbow Harvest) is the more ordinary, impoverished New York kid. They happen to meet one day on the street in their neighborhood and hit it off just because each is fascinated with unknown quantities. As they learn that they were taught to perceive and react to the world differently, their relationship becomes one of unfolding adventure -- even for the grown-up viewers. ~ Eleanor Mannikka, All Movie Guide

The endurance of an upper-middle-class family is put to the test in this well-made television drama about drug abuse. Based on the book of the same name by Beth Polson, Viveka Davis (Shoot The Moon) stars as Susan Bowers, the teenage daughter of a successful surgeon (George Segal) and homemaker (Stockard Channing). When innocent-looking Susan's secret life as a druggie comes to light, her parents try anything and everything to get her clean. Unable to make any headway, they turn to a strict drug-treatment center, where streetwise counselors deal with tough kids on their own terms. The Bowers soon learn that their daughter's rehabilitation will not only be a long haul but also an exercise in family dynamic exploration. Young Davis is compelling as the rebellious daughter, and Channing and Segal are wholly believable as the bewildered parents. ~ Bernadette McCallion, All Movie Guide

Grad-school administrative head Marion Post (Gena Rowlands) is in the midst of writing a book. The walls are thin in the apartment she's taken for work purposes, and soon Marion begins listening to the sessions conducted by her neighbor, an analyst. One of the patients is Hope (Mia Farrow), whose marriage is in tatters. As Hope prattles on, Marion begins flashing back to highlights (and lowlights) of her own marriage. Her musings are constantly interrupted by the memory of the man (Gene Hackman) she'd once ardently loved. Later on, chance encounters with old friends force Marion to face the fact that she has lived her life sheltering herself from her true emotions. Director Woody Allen's career-long indebtedness to Ingmar Bergman is underlined in Another Woman via Bergman's frequent cinematographer Sven Nykvist. ~ Hal Erickson, All Movie Guide

This is the first mainstream film to deal with the harrowing true story of a Uruguayan rugby team whose plane crashed in the Andes mountains in October of 1972 and who were forced to resort to cannibalism to survive more than two months of isolation. (The only other film to tackle the subject, Rene Cardona's Survive! was a seedy little mess that delighted in exploiting the cannibalism aspect.) The events depicted are primarily based on the novel of the same name by Piers Paul Read. The interview-style prologue features an uncredited John Malkovich as one of the survivors, whose spiritual ruminations on the disaster kick off the film's main action. We are briefly introduced to the characters before disaster strikes, in the film's most horrifying set-piece -- the depiction of the crash in grueling detail. The handful of survivors who manage to extricate themselves from the twisted wreckage seem incapable of working through their panic as they hope against all odds that a rescue party will locate them. One of the survivors, Nando (Ethan Hawke), awakens from a coma and makes a remarkable recovery -- enough to demonstrate level-headed leadership after team captain Antonio (Vincent Spano) begins to lose his nerve. As the weeks wear on and rations are depleted, the survivors are forced into a moral dilemma: the only remaining source of food seems to be the bodies of the dead. Those who choose for religious reasons not to consume their former companions must face the realization that they will soon starve or freeze to death. In the end, three men who choose survival above all else find the strength to set out on a treacherous mission to a ridge, where hopefully one of them will make it to civilization. Director Frank Marshall infuses the proceedings with sufficient intensity to keep the story moving, but the film fails to fully explore the often-recounted spiritual aspects of the ordeal as established in the opening monologue. Ironically, the writers' apparent attempts to remain true to Read's account of events -- resulting in some rather odd stretches of dialogue -- impede the drama even more than the Hollywood glamorization of the story's nominal "heroes," who remain rugged and handsome despite months of malnutrition and severe frostbite. ~ Cavett Binion, All Movie Guide

Inspired by the advent of Seattle's grunge music sound and popular films such as Slacker (1991) and Singles (1992), the Generation X comedy-drama was born. Typified by characters in their early twenties sharing an abundance of education, a lack of career direction, stunted romantic aspirations and an obsession with popular culture, one of the better examples of the genre was Kicking and Screaming. Josh Hamilton stars as Grover, a recent college graduate and aspiring writer depressed over the departure of his girlfriend Jane (Olivia d'Abo) for a fellowship in Prague. Josh's best friends are in a similar predicament. Skippy (Jason Wiles) is a classic slacker couch potato still attending classes despite having graduated, while the philosophical Max (Chris Eigeman) and Otis (Carlos Jacott), a mechanical engineer, both remain unemployed. Tenth-year student Chet (Eric Stoltz), who works at a local bar and has still not finished his education, serves as a cautionary tale for the four unmotivated pals. Kicking and Screaming was the debut of writer and director Noah Baumbach and the first of several cinematic collaborations between him and actors Eigeman and Stoltz. ~ Karl Williams, All Movie Guide

A drug addict gets more than a quick fix in this made-for-cable thriller. Eric Stoltz stars as Jesse Parish, a musician and druggie who leads a mobster to his old stomping grounds after stealing a case of cash and going on the lam. Oscar-winner Billy Bob Thorton co-stars and co-wrote the script. ~ Bernadette McCallion, All Movie Guide

A wealthy young man wants to wed a painfully ordinary girl, and a few hours with his family will convince anyone why he's doing so in this black comedy. Marty Pascal (Josh Hamilton) is engaged to marry Lesly (Tori Spelling), a dizzy blonde he met when she was working at a doughnut shop, and he bravely decides that it's time she met his family, so he brings her along for Thanksgiving dinner at his mother's house in West Virginia. Bravery is necessary because the Pascals are not an especially healthy or wholesome family. Mother (Genevieve Bujold) explains her philosophy about parenting like so: "You raise cattle; children just happen." In this environment, where refusing your child anything is all but unknown, her youngest son Anthony (Freddie Prinze, Jr.) has grown up to be an overanxious virgin eager to seduce Lesly while Marty's not paying attention. And Marty's twin sister Jackie (Parker Posey), malignily obsessed with Jacqueline Kennedy Onassis, often re-enacts the murder of JFK using spaghetti sauce for blood (when she can't get ahold of real bullets) and enjoys incestuously seducing Marty (which hardly bothers Mother, who notes that "Jackie's hand was holding Marty's penis when they came out the womb"). The House of Yes was based on the play by Wendy MacLeod; first time director Mark S. Waters (brother of screenwriter Daniel Waters) also adapted the screenplay. ~ Mark Deming, All Movie Guide

Originally aired as a two-part miniseries on NBC, The 60's follows two families whose lives mirror much of the political and social tumult of that decade. The Herlihys are a working class family from Chicago whose three children take wildly divergent paths: Brian (Jerry O'Connell) joins the Marines right out of High School and goes to Vietnam, Michael (Josh Hamilton) becomes involved in the civil rights movement and after campaigning for Bobby Kennedy and Eugene McCarthy becomes involved in radical politics, and Katie (Julia Stiles) gets pregnant, moves to San Francisco and joins a hippie commune. Meanwhile, the Taylors are an African-American family living in the deep South. When Willie Taylor (Charles S. Dutton), a minister and civil rights organizer, is shot to death, his son Emmet (Leonard Roberts) moves to the city and eventually joins the Black Panthers, serving as a bodyguard for Fred Hampton (David Alan Grier). The 60's incorporates much newsreel footage from the era in an attempt to give the proceedings a greater realism, as well as a soundtrack of many popular songs of the era, including a new recording of Bob Dylan's Chimes Of Freedom by Dylan and Joan Osborne. ~ Mark Deming, All Movie Guide

One of the most talked-about movies of the 2000 Sundance Film Festival, this film, directed by Jon Shear, recalls the edgy, aggressively-political qualities of early '90s queer cinema such as Poison (1991) and Swoon (1991) -- and throws in a few nods to Martin Scorsese's late-night New York City odyssey film After Hours (1985) for good luck. Dashing young yuppie Charlie (Dan Futterman) is losing control of his life after the loss of his longtime companion Chris (Matt Keeslar). Alone in his apartment, he can hear his upstairs neighbors (Bill Sage and Megan Dodds) engage in noisy lovemaking that leaves him lonely, frustrated, and aroused. He wanders the neon-drenched streets of Manhattan at night as if he were a wraith. Later, at a bar with the amorous couple, the trio get into a loud, ugly argument about public displays of affection. Around this same time, Charlie notices a mysterious, tattooed stranger, and the two exchange looks. Intrigued, Charlie sets out looking for the man, and in the process, he launches himself on a nightmarish journey through the underside of New York. He happens upon an increasingly odd array of people, each telling progressively more bizarre tales that are purportedly true. German actress Barbara Sukowa appears in a cameo in which she tells Charlie of a sexual tryst she had in a bar's restroom. Alan Cumming appears as a friend who has a crush on Charlie, while Lothaire Bluteau plays a stammering bum. Soon reality and fiction, straight and gay all fuse and blur in Charlie's increasingly troubled psyche. ~ Jonathan Crow, All Movie Guide

Ansel Adams chronicles the life and art of one of America's best-loved photographers. Raised by a doting father who encouraged Adams' eccentricities, the young boy focused his intense energy on becoming a concert pianist. Adams discovered his life's work, however, when he visited Yosemite Valley with his family in 1916 and his father presented him with a small camera. His hobby became a vocation when he rejected the sacrifices necessary to become a professional musician. In the late 1920s, he married Virginia Best and in 1930, opened a studio for commercial work. By 1935, Adams had received wide recognition for his photographs of Yosemite, though some critics claimed his work lacked social vision. Environmentalists, however, would later embrace his images of the wilderness. Adams also played a central role in lobbying for the protection of Kings Canyon, which became a National Park in 1940. For the next 15 years, the photographer worked at the height of his powers. In 1980, Adams was presented with the country's highest honor, the Presidential Medal of Freedom. He died on April 22, 1984. ~ Ronnie D. Lankford, Jr., All Movie Guide

The best-selling suspense novel by late author Robert Ludlum comes to the screen for a second time, following a 1988 made-for-TV movie. Matt Damon stars as Jason Bourne, a barely alive amnesiac with a pair of bullet wounds in his back, pulled from the Mediterranean by Italian fishermen. Bourne's only clue to his own identity is a bank account number etched on a capsule implanted in his body. He quickly finds the Zurich bank where money, a gun, and a few identification documents await, but after he's pursued by security goons at the American consulate, Bourne realizes he can trust no one and offers a German gypsy named Marie (Franka Potente) ten thousand dollars for a ride to Paris. Encountering more professional killers bent on his destruction, Bourne discovers that he possesses a surprising degree of skill in combat, martial arts, and linguistics -- handy talents that clearly indicate his past includes work as a spy and assassin, but for whom? With Marie's reluctant help, Bourne edges closer to the truth, something CIA officials want concealed at all costs. The Bourne Identity co-stars Chris Cooper, Clive Owen, Brian Cox, and Julia Stiles. ~ Karl Williams, All Movie Guide

In the years before the Hamptons became the ultimate Long Island destination, two generations of clam diggers work the land and struggle to make sense of the changes that threaten to forever transform their simple way of life. The year is 1976, and the future Long Island vacationing hotspot is little more than a tight-knit community of hard-living folks who make their living from the sea. While the impending presidential race between Gerald Ford and Jimmy Carter has the entire country swept up in the wind of change, the local Hamptons clam diggers begin waging a losing battle against the wealthy developers who are gradually encroaching on their waters. Hunt (Paul Rudd) is a restless and imaginative digger who comes from a long line of hardworking seafarers and has a keen eye for black-and-white photography. When Hunt's father suddenly dies, Hunt and his lifelong pals Frankie (Ken Marino), Jack (Ron Eldard), and Cons (Josh Hamilton) slowly begin to take stock of their modest lives. Meanwhile, as Hunt's recently divorced older sister, Gina (Maura Tierney), struggles to get by while working as a waitress at a local diner, Hunt himself enters into a playfully flirtatious relationship with vacationing Manhattanite Zoe (Lauren Ambrose). Constantly questioning why Hunt refuses to venture out of his dead-end town in favor of pursuing his artistic talents in the big city, Zoe serves as a persistent reminder that one is not always necessarily bound by his or her roots. ~ Jason Buchanan, All Movie Guide