John Hamilton Movies

In this murder mystery, a re-working of The Sphinx, a distract attorney is determined to prove that the community's most respected member, a deaf-mute philanthropist, is a cold-blooded killer. When the prominent fellow is acquitted, the disgusted DA quits his job and begins investigating the murder himself. His investigation takes an unexpected turn when he learns the truth about the killing--the suspect is both guilty and not guilty. ~ Sandra Brennan, All Movie Guide

If MGM's Red Skelton could make the mystery/comedy Whistling in the Dark, 20th Century-Fox's Milton Berle could show up in the mystery/comedy Over My Dead Body (Berle's reputation for lifting gags from other comics now extended to lifting plot material). Berle plays a mystery writer who forever writes himself into corners and is never able to finish a story. While visiting his wife (Mary Beth Hughes) at the office where she works, Berle overhears several men discussing the suicide of a coworker. Struck with a brilliant notion, Berle decides to confess to the murder of the dead man, certain that he'll be able to wriggle out of the situation and thereby have plenty of material for a story. Alas, it turns out that the deceased gentleman was murdered, and Berle is nearly sent to the chair. In emulation of the Bob Hope/Willie Best combination in The Ghost Breakers Milton Berle is teamed with a "scared" black elevator operator, played by a superb African-American radio and vaudeville comedian named Wonderful Smith. ~ Hal Erickson, All Movie Guide

Though history is distorted almost beyond recognition in Warner Bros.' They Died With Their Boots On, audiences in 1941 ate it up like cotton candy. In the gospel according to Warners, General George Armstrong Custer (Errol Flynn) is neither an arrogant fool nor a rabid Indian hater. Instead, he is a flamboyant but brilliant cavalry officer, who during the Civil War defies his superiors' orders and becomes a hero as a result. After a period of forced retirement in the postwar years, Custer is put in charge of the 7th Cavalry in the Dakota Territory. Here he whips this ragtag group into spit-and-polish shape, and also does his best to extend a neighborly hand to the local Indian tribes. Custer even goes so far as to promise Chief Crazy Horse (Anthony Quinn) that the white man will never set foot in the sacred Black Hills. Alas, Custer is betrayed by greedy gold prospectors, whipped into a frenzy by scheming (and fictional) land speculator Ned Sharp (Arthur Kennedy). Forced by circumstances to do battle against Crazy Horse to prevent tribal retaliation, Custer and his command ride towards a rendezvous with destiny at the Little Big Horn on June 25, 1876. Though some of the historical inaccuracies in the film are real howlers, blame cannot be laid solely at the feet of Warner Bros.; the Custer legend had previously been perpetrated by the general's loyal widow Elizabeth Bacon (played herein by Olivia de Havilland), then eagerly elaborated upon by Eastern news journalists and dime novels. This film represented the final screen pairing of Errol Flynn and Olivia de Havilland, a fact that lends poignancy to their classic parting scene. Though an extremely long film, They Died With Their Boots On is never dull, especially during the spectacular Custer's Last Stand finale. ~ Hal Erickson, All Movie Guide

The first of director Frank Capra's independent productions (in partnership with Robert Riskin), Meet John Doe begins with the end of reporter Ann Mitchell's (Barbara Stanwyck) job. Fired as part of a downsizing move, she ends her last column with an imaginary letter written by "John Doe." Angered at the ill treatment of America's little people, the fabricated Doe announces that he's going to jump off City Hall on Christmas Eve. When the phony letter goes to press, it causes a public sensation. Seeking to secure her job, Mitchell talks her managing editor (James Gleason) into playing up the John Doe letter for all it's worth; but to ward off accusations from rival papers that the letter was bogus, they decide to hire someone to pose as John Doe: a ballplayer-turned-hobo (Gary Cooper), who'll do anything for three squares and a place to sleep. "John Doe" and his traveling companion The Colonel (Walter Brennan) are ensconced in a luxury hotel while Mitchell continues churning out chunks of John Doe philosophy. When newspaper publisher D.B. Norton (Edward Arnold), a fascistic type with presidential aspirations, decides to use Doe as his ticket to the White House, he puts Doe on the radio to deliver inspirational speeches to the masses -- ghost-written by Mitchell, who, it is implied, has become the publisher's mistress. The central message of the Doe speeches is "Love Thy Neighbor," though, conceived in cynicism, the speeches strike so responsive a chord with the public that John Doe clubs pop up all over the country. Believing he is working for the good of America, Cooper agrees to front the National John Doe Movement -- until he discovers that Norton plans to exploit Doe in order to create a third political party and impose a virtual dictatorship on the country. The last of Capra's "social statement" films, Meet John Doe posted a profit, although Capra and Riskin were forced to dissolve their corporation due to excessive taxes. ~ Hal Erickson, All Movie Guide

Something of a distaff Mr. Chips, schoolteacher Ella Bishop (Martha Scott) devotes her life to her work, ageing 50 years (from 19 to 69) in the course of the film. At a testimonial dinner on the occasion of her retirement, Miss Bishop's former students wonder why their beloved teacher never married. In flashback, the audience learns that town grocer Sam (William Gargan) has carried a torch for her for five decades, while she obliviously pursued unfortunate romantic relationships with weak-willed Delbert Thompson (Donald Douglas) and unhappily married John Stevens (Sidney Blackmer). Adapted by Stephen Vincent Benet from the melancholy novel by Bess Streeter Aldrich, Cheers for Miss Bishop was not only a tour de force for Scott, but also represented the screen debut of another young character actress, Rosemary De Camp. ~ Hal Erickson, All Movie Guide

A man trying to make his dying father happy makes his love life very complicated indeed in this musical comedy starring Deanna Durbin. Jonathan Reynolds Jr. (Robert Cummings) is the playboy son of multi-millionaire business magnate Jonathan Reynolds, Sr. (Charles Laughton). Junior has told his father that he's finally met the woman he's going to marry while on a recent trip to Mexico, and Father, who has been given a very short time to live by his doctors, wants to meet her right away. However, the woman in question is not available, so Junior persuades Anne Terry (Durbin), a hat-check girl and aspiring singer, to pose as his fiancée for the sake of his father's peace of mind. Father takes quite a liking to Anne, which is fine and good until he defies all the expectations of his doctors and makes a complete recovery. Now Father is spending a great deal of time with the woman he thinks is going to be his future daughter-in-law, and Junior isn't sure how to tell him that Anne isn't really the woman he wants to marry. As usual, Durbin sings several songs, including "Clavelitos" by Valverde and "Going Home," adapted from Symphony for the New World by Dvorak. ~ Mark Deming, All Movie Guide

Invisible Stripes is a cookie-cutter Warners prison drama which rounds up the usual suspects. George Raft and Humphrey Bogart are top-billed, and as is often the case in such a circumstance, it is Raft who is given the larger (albeit less interesting) role. Raft plays Cliff Taylor, an ex-convict who finds that his "invisible stripes" prevent him from getting a decent job. Cliff's younger brother (William Holden) shows unfortunate signs of following his older sibling's footsteps when he is pressured into crime to support himself and his girl friend (Jane Bryan). To save his brother, Cliff joins Humphrey Bogart's gang and earns enough dishonest money to set his brother up in business. But movie censorship prevails, and all of the miscreants in Invisible Stripes--even those motivated by good intentions--must pay the penalty. Side note: The prankish Humphrey Bogart spent so much time needling newcomer William Holden that Holden nearly came to blows with the older actor; the animosity persisted into the Bogart-Holden costarring feature Sabrina, made fourteen years later. ~ Hal Erickson, All Movie Guide

Warner Bros. Tear Gas Squad manages to pack thrills, comedy, romance and songs into a neat 55-minute package. Dennis Morgan plays cocky nightclub entertainer Tommy McCabe, who gets his jollies out of making fun of the local police force. This does not prove amusing to pretty Jerry Sullivan (Gloria Dickson), the daughter of a police lieutenant (Harry Shannon), nor to Jerry's flatfoot boyfriend Bill Morrissey (John Payne). Falling in love with Jerry himself, Tommy tries to prove his worth by joining the Boys in Blue, where he is subject to the rigorous training program applied by Morrissey. Thrown off the force because of his insouciance, Tommy gets back into everyone's good graces by saving Morrisey's life. Fans of TV's Superman series will get a special kick out of seeing George (Clark Kent) Reeves and John (Perry White) Hamilton in key supporting roles. ~ Hal Erickson, All Movie Guide

Tugboat Annie Sails Again stars Marjorie Rambeau as the rambunctious female skipper created by Norman Reilly Raine. In this one, Tugboat Annie is threatened with the loss of her job as cap'n of the tacky tugboat Narcissus, much to the delight of Bullwinkle (Alan Hale), skipper of the rival Salamander. In order to raise $25000 in a hurry, Annie agrees to tow a drydock to Alaska, but this plan is scuttled when another, sleeker tug lands the contract. Annie saves the day-and her job-when the other tug gets into trouble on the high seas. The romantic subplot is handled by Jane Wyman and Ronald Reagan, both of whom are as cute as can be. Incidentally, outtake footage exists of Tugboat Annie Sails Again wherein pert Ms. Wyman cusses like a sailor while splashing around in a studio tank. ~ Hal Erickson, All Movie Guide

Edward G. Robinson portrays real-life German medical researcher Paul Erlich, the man who discovered and perfected "Formula 606," the cure for syphilis. The world at large would prefer to treat the disease as though it does not exist, so Erlich spends most of his life underfunded and frustrated. A no-nonsense dowager (Maria Ouspenskaya) has faith in Erlich, however, and thus provides the necessary funds to develop Formula 606. Once the serum is released to the public, Erlich's reputation is threatened when a handful of syphilitics die, ostensibly as a result of the "cure." Brought up on criminal charges, Erlich is exonerated by his old colleague Dr. Von Behring (Otto Kruger). Considered daring in its time for its exploration of a "taboo" subject, Dr. Erlich's Magic Bullet holds up as one of Warner Bros.' most solid biopics, with a convincing performance from a nearly unrecognizable Edward G. Robinson. ~ Hal Erickson, All Movie Guide

In this musical comedy, a traveling salesman gets mixed up with a bratty heiress after she gets in a car wreck as she heads for her elopement. The two begin traveling together and get further mixed up with a fleeing bank robber, a crazy tourist camp, and other troubles. Songs include: "Oh Johnny, How You Can Love," "Maybe I Like What You Like," "Swing Chariot Swing," and "Make Up Your Mind." ~ Sandra Brennan, All Movie Guide

Veteran movie heavy Boris Karloff plays a sympathetic role in Devil's Island. Karloff portrays a humanitarian physician, arrested for treating the wounds of a treasonous fugitive. Sent to the Devil's Island penal colony, Dr. Karloff runs afoul of sadistic commandant James Stephenson, who seems obsessed by the guillotine (an execution sequence is one of the film's longest scenes). Stephenson's wife Nedda Harrigan, fed up with her husband's cruelties, aids Karloff in turning the tables on the commandant. Participating in an escape, Karloff makes his way to freedom and clears his name. Devil's Island runs a scant 60 minutes, due to editing demands made by the French consulate in Washington, who felt that the film was detrimental to Franco-American relations. ~ Hal Erickson, All Movie Guide

Stereotypes abound in this drama that follows the attempts of a Scottish lad to marry a pretty Irish lassie and join the police force. The girl's father, a New York policeman who was forcibly retired, is not happy that his daughter desires to marry a highlander. Still, amidst the turmoil, the heavy consumption of alcohol and Gaelic witticisms, romance ensues. ~ Sandra Brennan, All Movie Guide