John Hamilton Movies

Lorna Gray, shortly before changing her professional name to Adrian Booth, plays the title character in Republic's The Girl Who Dared. Gray is one of several vacationers who makes a side trip to a remote island in Georgia. It isn't long before one of the tourists is murdered. As an act of self-preservation (she is both a suspect and a likely future victim), Gray decides to play detective and solve the mystery. Clocking in at a neat 54 minutes, The Girl Who Dared was based on Medora Field's short story "Blood on Her Shoe." ~ Hal Erickson, All Movie Guide

In this western, brave Red Ryder and his sidekick save a murdered judge's son from going to jail by proving that someone else killed his father. ~ Sandra Brennan, All Movie Guide

Judging by such films as Shadows of Suspicion, it's too bad that leading man Peter Cookson eventually elected to leave the movies in favor of the Broadway stage. Cookson is cast as Jimmy, an enterprising private detective who hits upon a most unusual method of solving a jewel robbery. With the help of his partner Northrup (Tim Ryan), Jimmy frames himself as the primary suspect, so that he can operate undetected to expose the genuine thief. Needless to say, the plan backfires by mid-film. But with pretty Marjorie Weaver as the unwitting courier of the stolen jewels, it's a safe bet that the truth will out before the film's 68 minutes have expended themselves. ~ Hal Erickson, All Movie Guide

Bob Crosby, bandleader brother of Bing, heads the cast of Columbia's Meet Miss Bobby Socks. The thin-as-cheesecloth plot concerns WW2 veteran Don Collins (Crosby), who becomes the idols of teenaged girls everywhere when he pursues a singing career. Obviously intended as a takeoff of the "Sinatra craze", the film's comedy is rather dated, especially the story angle wherein Collins' fans, rather than cagey promoters, find a series of jobs for their idol. It's hard to tell who the titular "Miss Bobby Socks" is since the film is virtually wall-to-wall girls; apparently, the title refers to Susan Tyler (Louise Erickson), kid sister of nominal heroine Helen Tyler (Lynn Merrick). Guest stars include Louis Jordan and his Tympany Five and the Kim Loo Sisters, though they're seen but briefly in the course of events. ~ Hal Erickson, All Movie Guide

It is said that producer Sam Goldwyn had a habit of addressing his new star of the 1940s, Danny Kaye, as "Eddie", confusing Kaye with Eddie Cantor. If true, it may be because Kaye's first starring film for Goldwyn, Up in Arms, was a remake of Cantor's Whoopee--which in turn was a musical version of that old theatrical chestnut The Nervous Wreck. Kaye plays Danny Weems, a hopeless hypochondriac who finds himself drafted into the army. While a passenger on an overseas transport ship, Danny is obliged to hide his girl friend Mary Morgan (Constance Dowling), who has stowed away on board, from the authorities. The plot (what there is of it) contrives to have Danny and Mary, together with Virginia (Dinah Shore), who's in love with Danny, and Joe (Dana Andrews), who's in love with Mary, arrive simultaneously on the same South Sea island. After numerous comic and romantic complications, Danny emerges as the hero of the hour by capturing a whole bunch of Japanese soldiers. The film shows signs of post-production tampering-an offscreen narration, an abrupt ending-indicating that, as yet, Sam Goldwyn wasn't quite sure how to package Danny Kaye for the screen. Despite its erratic editing and uneven scenario, Up in Arms contains some priceless moments, including Kaye's rapid-patter songs "The Lobby Number" and "Melody in 4F", both written by Sylvia Fine (Mrs. Kaye) and Max Liebman. There are also a few cute "inside" jokes referring to the illogical nature of the plotline and such esoterica as the out-of-nowhere appearances of the Goldwyn Girls (one of whom was Kaye's future leading lady Virginia Mayo). ~ Hal Erickson, All Movie Guide

One can't deny that Monogram's Spy Train never stops moving; after all, it is set on a speeding train. Richard Travis and Catherine Craig are the not-what-they-seem hero and heroine, who get mixed up with enemy agents, a myserious travel bag, and a time bomb. The Travis-Craig banter is incredibly sexist (he even gets away with gently slapping her face!), which in way is oddly endearing. Naturally, the Nazis are foiled in a spectacular and very final fashion. One question: this being a Monogram picture, why didn't their resident funster Mantan Moreland play the comedy-relief pullman porter, instead of Fred "Snowflake" Toones. ~ Hal Erickson, All Movie Guide

In this musical, the vocalist and her chamber music quintet lose their job when a conniving manager of a rival orchestra manages to con the nightclub owner to book his group instead by telling him that his vocalist is heir to a fortune and that the owner can get a share of the inheritance by allowing them to play. To expose his deception, the quintet's singer poses as a chambermaid. Soon all wrongs are righted and peace is restored. ~ Sandra Brennan, All Movie Guide

Olivia De Havilland hadn't wanted to star in RKO's Government Girl, but was forced to do so by her home studio Warner Bros. Perhaps in retaliation, De Havilland delivers a strident, overbaked performance, which serves only to make this so-so wartime comedy something of an endurance test for modern viewers. The actress plays "Smokey", the Washington DC-based secretary of Detroit automobile expert Browne (Sonny Tufts, who's actually pretty good in this one!) Aware that Browne is a babe in the woods so far as Washington lobbying, politicking and backstabbing are concerned, Smokey takes the poor boy by the hand and shows him the ropes. Despite the derivative nature of Adela Rogers St. John's screenplay-the film seems like a hybrid of Mr. Smith Goes to Washington and The More the Merrier--Government Girl was an enormous hit, posting a profit of $700,000. The film represents the film directorial debut of producer-screenwriter Dudley Nichols. ~ Hal Erickson, All Movie Guide

A lively espionage drama that reunited the stars and director of the previous year's The Maltese Falcon, Across the Pacific was originally envisioned as the story of a Japanese invasion of Hawaii. Real-life events of December of 1941, however, precluded such a scenario and the location was changed to the Panama Canal. For reasons known only to Warner Bros., the title was retained despite the fact that none of the action takes place in the Pacific. Humphrey Bogart plays Rick Leland, a disgraced ex-army man, who, after being turned down by the Canadian military, jumps a Japanese steamer bound for the Panama Canal Zone. Also onboard are Alberta Marlow (Mary Astor), a small-town girl claiming to be en route to Los Angeles; Dr. Lorenz (Sydney Greenstreet), a corpulent sociologist with a suspiciously friendly regard for all things Japanese; and Joe Totsuiko (Victor Sen Yung), a happy-go-lucky second generation Japanese-American on his way to visit the old country. But no one is exactly who he or she claims to be and the voyage from Halifax via New York City to Panama becomes a matter of life and death for the passengers in general, and for the future of the United States in particular. Director John Huston was forced to leave the film three weeks into the four-week shooting schedule when summoned to report to the Department of Special Services. According to Huston, he purposefully placed Humphrey Bogart's character in a highly precarious situation and left it up to his replacement, Vincent Sherman, to come up with the solution -- which Sherman did in an especially fiery climax. ~ Hans J. Wollstein, All Movie Guide

Thanks to the canny production team of Maurice and Franklin King, I Killed That Man is superior to the general run of Monogram Studio films. Ricardo Cortez stars in this whodunit, set in a prison full of suspects. A confession is made, and that seems to be that--but is it? B-picture stalwarts Joan Woodbury and Iris Adrian add a welcome dash of pulchritude to the otherwise all-male proceedings. Watch for John Hamilton, aka "Perry White" on the TV series Adventures of Superman, as a district attorney. ~ Hal Erickson, All Movie Guide

Escape from Crime is a pared-down (51 minute) remake of 1933's Picture Snatcher, with Richard Travis in the old James Cagney role. Recently paroled from jail, Red O'Hara (Travis) manages to wangle a photographer's job at the tabloid newspaper managed by hard-drinking Cornell (Frank Wilcox). Flamboyantly "grabbing" photos where no one else can, Red is able to support his wife Molly (Julie Bishop) and child, but the stigma of his prison sentence still hangs over him. Only by rounding up his former gang is Red able to square himself with police lieutenant "Biff" Malone. Though billed third, Jackie "C" Gleason has a very minor role as an overfed convict. ~ Hal Erickson, All Movie Guide

Yankee Doodle Dandy is no more the true-life story of George M. Cohan than The Jolson Story was the unvarnished truth about Al Jolson -- but who the heck cares? Dandy has song, dance, pathos, pageantry, uproarious comedy, and, best of all, James Cagney at his Oscar-winning best. After several failed attempts to bring the life of legendary, flag-waving song-and-dance man Cohan to the screen, Warners scenarist Robert Buckner opted for the anecdotal approach, unifying the film's largely unrelated episodes with a flashback framework. Summoned to the White House by President Roosevelt, the aging Cohan is encouraged to relate the events leading up to this momentous occasion. He recalls his birth on the Fourth of July, 1878; his early years as a cocky child performer in his family's vaudeville act; his decision to go out as a "single"; his sealed-with-a-handshake partnership with writer/producer Sam Harris (Richard Whorf); his first Broadway success, 1903's Little Johnny Jones; his blissful marriage to winsome wife Mary (a fictional amalgam of Cohan's two wives, played by Joan Leslie -- who, incredibly, was only 17 at the time); his patriotic civilian activities during World War I, culminating with his writing of that conflict's unofficial anthem "Over There" (performed by Nora Bayes, as played by Frances Langford); the deaths of his sister, Josie (played by Cagney's real-life sister Jeanne), his mother, Nellie (Rosemary DeCamp), and his father, Jerry (Walter Huston); his abortive attempt to retire; and his triumphant return to Broadway in Rodgers & Hart's I'd Rather Be Right.

His story told, Cohan is surprised -- and profoundly moved -- when FDR presents him with the Congressional Medal of Honor, the first such honor bestowed upon an entertainer. His eyes welling up with tears, Cohan expresses his gratitude by invoking his old vaudeville curtain speech: "My mother thanks you, my father thanks you, my sister thanks you, and I thank you." Glossing over such unsavory moments in Cohan's life as his bitter opposition of the formation of Actor's Equity -- not to mention George M.'s intense hatred of FDR! -- Yankee Doodle Dandy offers the George M. Cohan that people in 1942 wanted to see (proof of the pudding was the film's five-million-dollar gross). And besides, the plot and its fabrications were secondary to those marvelous Cohan melodies -- "Give My Regards to Broadway," "Harrigan," "Mary," "You're a Grand Old Flag," "45 Minutes from Broadway," and the title tune -- performed with brio by Cagney (who modifies his own loose-limbed dancing style in order to imitate Cohan's inimitable stiff-legged technique) and the rest of the spirited cast. Beyond its leading players, movie buffs will have a ball spotting the myriad of familiar character actors parading before the screen: S.Z. Sakall, George Tobias, Walter Catlett, George Barbier, Eddie Foy Jr. (playing his own father), Frank Faylen, Minor Watson, Tom Dugan, John Hamilton, and on and on and on. In addition to Cagney, music directors Ray Heindorf and Heinz Roemheld also won Oscars for their efforts. ~ Hal Erickson, All Movie Guide