Hale Hamilton Movies

Obviously filmed several years before its 1938 release, Meet the Mayor serves as a vehicle for popular Broadway comedian Frank Fay. Unfortunately, Fay's smug, self-satisfied line deliveries had never played well on screen, and didn't here. The star is cast as Spencer Brown, elevator operator in a backwoods hotel. As the community's resident philosopher, Brown's support is highly coveted in the upcoming mayoral race. The outcome of the plot is decided by a hidden recording device developed by Brown's friend and confidante Harry Bayliss (George Meeker in a rare sympathetic role). Fulfilling the film's leading-lady obligations is Ruth Hall, who by the time Meet the Mayor hit the screens had retired to become the wife of cinematographer Lee Garmes. ~ Hal Erickson, Rovi

In this romantic drama, a horsewoman is forced to work in a society dame's stable. There she meets and falls in love with a destitute polo-player who has curried the favor of his lovely employer. The matron gets jealous of the budding relationship between the horsewoman and the player. A wealthy man, who wants the stable girl, also gets jealous. Fortunately, the young lovers are able to withstand the ensuing turmoil and they elope. A while later, the other man attends a lively party aboard a yacht. There a drunken chorine falls overboard and drowns. One of the ship's officers blames the wealthy man and says he saw him leaving with a mysterious "woman in red." During the ensuing trial, the horsewoman clears his name by admitting that he was with her. It is a difficult admission because she knows she is risking her marriage. Fortunately, her husband and his family support her all the way and the marriage is strengthened. ~ Sandra Brennan, Rovi

Based on a story by Damon Runyon, Hold 'Em Yale is also more than a little beholden to O. Henry's Ransom of Red Chief. Spoiled-rotten heiress Clarice Van Cleve (Patricia Ellis) is enticed to New York by fortune-hunter Gigolo Georgie (Cesar Romero), who dumps her in the apartment owned by Runyonesque hoodlums Sunshine Joe (William Frawley), Liverlips (Andy Devine), Sam the Goniff (Warren Hymer) and Benny Southstreet (George E. Stone). Plotting to hold Clarice for ransom, the four hooligans figure that this "dame" will be easy to handle. Boy, are they wrong! Like the proverbial babysitter from hell, the temperamental Clarice is soon ruling the roost in the foursome's hideout. The beleaguered crooks offer to ship the girl back to her father, Mr. Van Cleve (George Barbier), only to find out that he won't take her back -- not even for free! In desperation, the four hoods try to marry Clarice off to college football-hero Hector Wilmot (Buster Crabbe), and to that end they try their best (?) to "fix" the annual Yale-Harvard game so that Hector will prove worthy of the hoydenish heroine -- which, as it turns out, was Mr. Van Cleve's plan all along. ~ Hal Erickson, Rovi

Society girl Constance Bennett goes to work as a reporter for a big-city newspaper. Harried editor Clark Gable fires the flighty socialite, but rehires her when Bennett starts dating the co-respondent (Harvey Stephens) in a major divorce case. Things get sticky when the wife in the case is murdered and Bennett's beau is accused of the crime. More interested in the well-being of Bennett than in making headlines, Gable tracks down the killer and springs the boy friend. The freed man sizes up the situation and courteously steps out of the picture, allowing Gable and Bennett--who of course have been in love all along--to head for the altar. ~ Hal Erickson, Rovi

The Nitwits are Johnny (Bert Wheeler) and Newt (Robert Woolsey), cigar-counter proprietors in the building owned by music publisher Lake (Hale Hamilton). Johnny spends his spare time spooning with his sweetheart, Lake's secretary Mary (Betty Grable), while Newt tinkers with his inventions, the latest of which is an electric chair which compels the occupant to tell the truth. A none too lovable man, Lake has made enemies of several people, including his shifty assistant Lurch (Arthur Aylesworth) and disgruntled songwriter Clark (Erik Rhodes); he is also on the outs with Mrs. Lake (Evelyn Brent), who caught her husband "coming on" to the reluctant Mary. Thus it is that practically anyone could be the dreaded "Black Widow," a mysterious blackmailer-murderer who's been trying to extort money from Lake. Hired at a substantial fee to protect the publisher from the Black Widow is private detective Darrell (Fred Keating), but Lake is murdered in his office all the same. Suspicion immediately falls upon Mary, the last person to see Lake alive. Johnny gallantly takes the blame for the killing to protect Mary, while Newt, believing Johnny to be guilty, does his best to protect his pal from the cops. All of this seems rather heavy going for a Wheeler & Woolsey vehicle, but be assured that The Nitwits is definitely a comedy, with the stars at their peak under the direction of George Stevens. The beauty of the film is that it sustains its momentum even after Newt's "truth chair" reveals the identity of the killer to the audience (but not to our rather dense heroes); especially hilarious is a nocturnal chase through a costume warehouse, utilizing several gags lifted from Stevens' "Boy Friends" 2-reelers of the early 1930s. Nineteen-year-old Betty Grable doesn't have too much to do, though she proves a charming subject for the film's best song, Dorothy Fields and Jimmy McHugh's "Music in My Heart". Co-written by Stuart Palmer, of "Hildegarde Withers" fame, The Nitwits was the last of Wheeler & Woolsey's truly worthwhile films. ~ Hal Erickson, Rovi

Produced independently by Edward Small, this surprisingly realistic gangster yarn stars stalwart Richard Arlen as Mal Stevens, an attorney recruited by the newly organized Federal Bureau of Investigation. After Mal and a couple of fellow recruits, Van Rensseler (Harvey Stephens) and Tex Logan (Gordon Jones), foil a plot by Joe Keefer (Bruce Cabot) to kidnap Eleanor Spencer (Virginia Bruce), the trusting debutante foolishly secures Joe's parole. From the outside, Keefer then masterminds a prison break for some of his pals and together they begin a reign of terror. Eleanor's brother Buddy (Eric Linden) goes undercover on behalf of Stevens and is killed by Keefer, but Eleanor, still denying that Keefer, her former chauffeur, is a gangster, blames Stevens. To avoid detection, Keefer kidnaps Dr. Hoffman (George Pauncefort), a noted plastic surgeon, who goes to work altering his appearance. His usefulness over, the good doctor is summarily executed but Hoffman manages to avenge himself from beyond the grave: when the bandages are removed, Keefer's features have been mutilated and his initials carved into the scarred face. Led to the hideout by Keefer's jilted moll Lola (Dorothy Appleby), Stevens confronts the disfigured gangster and there is a final struggle. ~ Hans J. Wollstein, Rovi

Feeling stifled by her wealthy existence, flighty heiress Kay (Joan Crawford) falls in love with poor archaeologist Terry (Brian Aherne). The couple seems happiest when they're yelling at one another, indicating perhaps that screenwriter Joseph L. Mankiewicz was none too fond of either character. Anyway, Terry decides that a marriage to Kay would be a big mistake, so he talks her into jilting him at the altar, thereby making a public declaration that their romance is through. But Kay "double-crosses" Terry by showing up at the wedding anyway, allowing the couple to live scrappily ever after. It's hard to tell if this is supposed to be a rip-off of It Happened One Night, but it sure plays that way in the first few reels. ~ Hal Erickson, Rovi

Guy Kibbee trots out his small-town blowhard routine in the title role of Big Hearted Herbert. He plays a former plumber who strikes it rich in the bathroom-fixture manufacturing business (guess which fixture we don't see in this Post-Code film). A stingy soul, Kibbee prefers the company of pinchpennies like himself. Though it's fun to see him tweak the noses of the local big spenders, Kibbee learns the error of his strict parsimony when his wife requires an emergency operation. Based on a play by Sophie Kerr and Anna Steese Richardson, Big Hearted Herbert was remade in 1940 as Father is a Prince. ~ Hal Erickson, Rovi

Chesterfield's City Park is dominated by the strong performances of venerable character actors Henry B. Walthall, Wilson Benge and Lafe McKee. When impoverished Rose Wentworth (Sally Blane) poses as a streetwalker in order to get arrested and secure herself food and shelter, she is paroled in the custody of eccentric-but-lovable Colonel Ransome (Walthall). The Colonel brings Rose into his own home as part of her reformation process, which displeases his wife (Judith Voselli) and son Raymond (Matty Kemp). The Ransome family responds to this "outrage" by cutting off the Colonel's funds and throwing him out of the house. Undaunted, the Colonel and his two park-bench chums (Benge and McKee) move into a boarding house, bringing Rose along as housekeeper. Having at long last proven her worthiness and virtue (which the Colonel never doubted for a minute), Rose finds happiness in the arms of handsome Charlie Hooper (Johnny Harron). ~ Hal Erickson, Rovi

The second of three Kay Francis films in which the star was cast as a dedicated lady physician, Doctor Monica was adapted from a Polish play by Marja Morozowicz Szezepkowska. Francis plays obstetrician Dr. Monica, whose husband John (Warren William) cheats on her with young Mary (Jean Muir). When Mary becomes pregnant, the selfless Monica befriends her, provides her with advice, and delivers the baby. The good doctor even offers to give up John so that the child will have a father. But after giving birth, Mary calmly tells John to go back to Monica -- even though there's every indication that he'll never give up his philandering ways! ~ Hal Erickson, Rovi

The Quitters was typical of the curiously uninviting titles frequently bestowed upon the Chesterfield-Invincible productions of the mid-1930s (other examples include Cross Streets, Stolen Sweets and Fugitive Road). The grand old trouper Charles Grapewin heads the cast as vagabond journalist Ed Tilford, who leaves his wife Cordelia (Emma Dunn) behind to manage his newspaper when he's seized once more by Wanderlust. The Tilford sons, Russell (William Bakewell) and Eddie (Glen Boles), are raised to believe that their father died in WW I. Lacking most of Ed's business acumen, college-educated Russell suggests that his mother convert her weekly newspaper to a daily, resulting in a financial disaster. It's up to the prodigal Ed, returned from the nowhere and into the now, to save the day with the help of his nouveau riche old crony Zack (Lafe McKee). ~ Hal Erickson, Rovi

Lionel Barrymore plays one of those selfless general practitioners that seem to exist exclusively in the movies in One Man's Journey. Though his efforts go unappreciated by his patients and even by his own family, the far-from-wealthy Dr. Eli Watt (Barrymore) continues to dedicate his life to medicine, ultimately inspiring his son Jimmy (Buster Phelps as a child, Joel McCrea as an adult) to follow in his footsteps. As a result of his tireless efforts to pull his community through a deadly epidemic, Dr. Watt is at last honored at a testimonial dinner, where his richer and more famous colleagues lift their glasses in praise of our hero. Of course, Watt also finds time to patch up the romance between his son Jimmy and Jimmy's sweetheart Joan (Frances Dee, Mrs. Joel Crea in real life). One Man's Journey was remade by director Garson Kanin as A Man to Remember (1938) -- a rare instance in which a remake was actually better than the original. ~ Hal Erickson, Rovi

In this romantic drama, a woman inadvertently assists a con artist in his scheme to rob a store manager and ends up in prison. After helping to put out the very fire she herself started in the prison shop, the woman receives early parole and heads back to the con-artist. She then returns to the store manager to make peace, but finds herself falling in love with him. Unfortunately their affair is interrupted when the manager's wife is also sprung from prison. The girl immediately bows out, but when the wife tells him that she divorced him in prison, the girl comes running back, and happiness ensues. ~ Sandra Brennan, Rovi