Allen Hamilton Movies

This entry in the perennially popular teen horror genre is from writer/director Steve Carpenter and the producers of I Know What You Did Last Summer (1997) and Urban Legend (1998). Melissa Sagemiller stars as Cassie, a college freshman trying to get over the death of her boyfriend Sean (Casey Affleck) in an auto accident. Making matters worse is that ever since the car crash, which also nearly claimed her own life, Cassie has seemed to hover in a netherworld between the living and the dead, where she believes she's hallucinating some spooky, emotional visitations from Sean. In the meantime, she's also coming under the sway of her mysterious friends Matt (Wes Bentley) and Annabel (Eliza Dushku) as well as an androgynous acquaintance (Angela Featherstone) of theirs. Unsure whom she can trust, Cassie turns for aid to an enigmatic young priest, Father Jude (Luke Wilson), but the ultimate truth about her condition and state of mind may come as a shocking revelation. ~ Karl Williams, Rovi

Just as the university research team is about to prove that their new technique will permit water to be used as a fuel, their laboratory is sabotaged and the lab manager is killed. Eddie Kasalivich (Keanu Reeves) stumbles onto the scene and manages not only to witness the sabotage, but to escape from it. When he tries to talk about it to authorities, he discovers that they think he and the other project survivors committed the crime. In reality, a group of energy companies have conspired with interested parties in the government to completely erase all notion of the existence of a way to use water as fuel. The project sponsor (Morgan Freeman) wants Eddie to turn himself in, but before he can do that, he must find enough evidence to clear himself and his friends. But in order to succeed, Eddie must avoid assassination attempts by the real perpetrators. ~ Clarke Fountain, Rovi

This 1993 box-office smash partly adheres to the 1960s TV series on which it is based and partly goes off on several tangents of its own. Harrison Ford stars as Dr. Richard Kimble, convicted of murdering his wife. While being transferred to prison by bus, Kimble is involved in a spectacular bus-train collision (one of the best of its kind ever filmed). Surviving the disaster, Kimble escapes, vowing to track down the elusive professional criminal whom he holds responsible for the murder. Dogging the fugitive every foot of the way is U.S. marshal Sam Gerard (an Oscar-winning turn by Tommy Lee Jones), who announces his intention to search "every whorehouse, doghouse, and outhouse" to bring Kimble to justice. Unlike his dour TV-series counterpart Barry Morse, Jones plays the role with a sardonic sense of humor: when a cornered Kimble screams, "I didn't kill my wife," Gerard shrugs and famously replies, "I don't care." Once the premise has been established, scripters Jeb Stuart and David Twohy and director Andrew Davis pull off several audacious plot twists, ranging from Kimble's rendezvous with a sympathetic lab technician to a jaw-dropping dive into a huge waterfall. The second half of the film offers one surprise after another (including the true identity of the murderer), brilliantly avoiding the letdown that plagues many movie adaptations of old TV series. ~ Hal Erickson, Rovi

Writer-director Chris Columbus mines Paddy Chaveysky's Marty for this bittersweet comedy about a lonely 38-year old Chicago cop dominated by his harridan mother. Danny Muldoon (John Candy), in spite of being well known and well liked in his neighborhood, still lives at home with his mother Rose (Maureen O'Hara, returning to the screen after a twenty year absence) and spends most of his time worrying about her. One night at the local Irish bar, he meets the shy Theresa Luna (Ally Sheedy), whose father is the local funeral director, and both Danny and Theresa immediately fall in love. The only obstacle to their happiness is the jaded opinions of Danny's friends. Rose, in particular, launches into a bigoted Italian salvo that intimidates Danny, making it difficult for him to continue the relationship. ~ Paul Brenner, Rovi

The Package, a thriller involving political assassination and intrigue, is an excellent action feature using a familiar theme and providing good performances by the cast. Boyette (Tommy Lee Jones) is a prisoner entrusted to Gallagher (Gene Hackman) for transportation back to the United States. Boyette escapes and Gallagher must find him. In doing so, Gallagher finds himself getting into far more than he had bargained for as he becomes involved in a political assignation plot that he must stop. Both Hackman and Jones are excellent in reprising familiar roles. Hackman is never better than when portraying the decent man in a precarious position, and Jones plays Boyette with the same cunning and intelligence that he brought to The Executioner's Song. ~ Linda Rasmussen, Rovi

Not to be confused with the 1960 film of the same name, this fast-paced karate action flick stars Chuck Norris, still riding high on his karate film successes of the early '80s, and several years away from starting his popular Walker: Texas Ranger TV series. In this story he plays Eddie Cusak, a painfully honest police sergeant who just misses pulling off a drug bust -- it seems another gang got there before him, wiped out the competition, and made off with a fortune in white powder. A bad move -- this means nothing less than all-out war between the two rival gangs, with the police caught in the middle. Cusak has other problems as well, one of his team killed an innocent bystander during the raid and he is duty-bound to squelch any cover-up. With enemies on both sides of the law, he then has to take on the drug cartel with nothing more than cannons, machine guns, shotguns, pistols, a robot car, and other sundry artillery to help him out. ~ Eleanor Mannikka, Rovi

Based on a true story, Dummy stars LeVar Burton as Donald Lang, a deaf-mute teenager accused of killing a prostitute. Paul Sorvino co-stars as Lowell Myers, the hearing-impaired public defender who takes Burton's case. The court, deciding that Lang is incompetent to stand trial, orders the boy to be shunted away to a mental institution. Doggedly following the evidence trail, Myers argues for "due process" in the treatment of his client. While the film's ending is upbeat, real life does not always turn out so well, as the ironic closing title (which details what has happened to Burton's character since this case was resolved) demonstrates. Initially telecast May 27, 1979, Dummy was adapted by Ernest Tidyman from his own book. ~ Hal Erickson, Rovi