Charles Halton Movies
American actor Charles Halton was forced to quit school at age 14 to help support his family. When his boss learned that young Halton was interested in the arts, he financed the boy's training at the New York Academy of Dramatic Arts. For the next three decades, Halton appeared in every aspect of "live" performing; in the '20s, he became a special favorite of playwright George S. Kaufman, who cast Halton in one of his most famous roles as movie mogul Herman Glogauer in Once in a Lifetime. Appearing in Dodsworth on Broadway with Walter Huston, Halton was brought to Hollywood to recreate his role in the film version. Though he'd occasionally return to the stage, Halton put down roots in Hollywood, where his rimless spectacles and snapping-turtle features enabled him to play innumerable "nemesis" roles. He could usually be seen as a grasping attorney, a rent-increasing landlord or a dictatorial office manager. While many of these characterizations were two-dimensional, Halton was capable of portraying believable human beings with the help of the right director; such a director was Ernst Lubitsch, who cast Halton as the long-suffered Polish stage manager in To Be or Not to Be (1942). Alfred Hitchcock likewise drew a flesh and blood portrayal from Halton, casting the actor as the small-town court clerk who reveals that Robert Montgomery and Carole Lombard are not legally married in Mr. and Mrs. Smith (1942). Charles Halton retired from Hollywood after completing his work on Friendly Persuasion in 1956; he died three years later of hepatitis. ~ Hal Erickson, All Movie Guide
In Hitchcock's rare foray into comedy (courtesy of a wittily risque script by Norman Krasna), Mr. Smith (Robert Montgomery) makes the mistake of telling Mrs. Smith (Carole Lombard) that if he had it to do all over again, he might not have married her. Shortly thereafter, Mr. Smith discovers that his marriage is invalid. Rather than say goodbye, the newly aroused Mr. Smith attempts to entice Mrs. Smith into the bedroom, thrilled at the prospect of an "illicit" romance. But Mrs. Smith has also been apprised that her marriage is no more--and, remembering Mr. Smith's "second thoughts", she kicks him out of the house. This comedy of misunderstanding rolls merrily along from this point onward, accommodating an uproarious scene at a fancy restaurant, a near-liaison between Mrs. Smith and new beau Gene Raymond on the World's Fair parachute jump, and a farcical denouement at a ski lodge, with Mrs. Smith's conjugally crossed skis symbolizing the carnal pleasures ahead for both Mr. and Mrs. Smith. ~ Hal Erickson, All Movie Guide
- Starring:
- Carole Lombard, Robert Montgomery, (more)
The Shop Around the Corner is adapted from the Hungarian play by Nikolaus (Miklos) Laszlo. Budapest gift-shop clerk Alfred Kralik (James Stewart) and newly hired shopgirl Klara Novak (Margaret Sullavan) hate each other almost at first sight. Kralik would prefer the company of the woman with whom he is corresponding by mail but has never met. Novak likewise carries a torch for her male pen pal, whom she also has never laid eyes on. It doesn't take a PhD degree to figure out that Kralik and Novak have been writing letters to each other. The film's many subplots are carried by Frank Morgan as the kindhearted shopkeeper and by Joseph Schildkraut as a backstabbing employee whose comeuppance is sure to result in spontaneous applause from the audience. Directed with comic delicacy by Ernst Lubitsch, this was later remade in 1949 as In the Good Old Summertime, and in 1998 as You've Got Mail. It was also musicalized as the 1963 Broadway production She Loves Me. ~ Hal Erickson, All Movie Guide
- Starring:
- Margaret Sullavan, James Stewart, (more)
- 1940
Though he doesn't speak his first line of dialogue until the film's final ten minutes, Peter Lorre spiritually dominates the fascinating RKO melodrama Stranger on the Third Floor. The plotline is carried by John McGuire, playing Ward, a newspaper reporter whose courtroom testimony sends the hapless Briggs (Elisha Cook Jr). to the death house. Ward is certain that he saw Briggs leaving the scene of a murder, but as the days pass, he is tortured by guilt and doubt -- especially during the film's surrealistic knockout of a nightmare sequence. When another murder is committed, Ward finds himself as much a victim of circumstantial evidence as the unfortunate Briggs. The reporter's girlfriend (Margaret Tallichet) tries to clear Ward....and that's when she first makes the acquaintance of Lorre, who is heard ordering a pound of raw meat! Stranger on the Third Floor was a "film noir" long prior to the genesis of that cinematic movement. Long ignored or trivialized by film historians, this 7-reel quickie has in recent years graduated to classic status. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Lorre, John McGuire, (more)
- 1940
As suggested by its title, Behind the News was a "stop the presses!" yarn set in a big-city newsroom. Lloyd Nolan is top-billed as a cynical reporter with a penchant for sticking his neck out too far. Frank Albertson costars as a cub reporter fresh out of journalism school, whose presence is resented by Nolan and his fellow workers. But it is Albertson who, after running afoul of the law, is instrumental in breaking up a ring of racketeers. Behind the News was remade by Republic as Headline Hunters (55). ~ Hal Erickson, All Movie Guide
- Starring:
- Lloyd Nolan, Doris Davenport, (more)
- 1940
Edward G. Robinson portrays real-life German medical researcher Paul Erlich, the man who discovered and perfected "Formula 606," the cure for syphilis. The world at large would prefer to treat the disease as though it does not exist, so Erlich spends most of his life underfunded and frustrated. A no-nonsense dowager (Maria Ouspenskaya) has faith in Erlich, however, and thus provides the necessary funds to develop Formula 606. Once the serum is released to the public, Erlich's reputation is threatened when a handful of syphilitics die, ostensibly as a result of the "cure." Brought up on criminal charges, Erlich is exonerated by his old colleague Dr. Von Behring (Otto Kruger). Considered daring in its time for its exploration of a "taboo" subject, Dr. Erlich's Magic Bullet holds up as one of Warner Bros.' most solid biopics, with a convincing performance from a nearly unrecognizable Edward G. Robinson. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Ruth Gordon, (more)
Lillian Russell is the sanitized musical biopic of the legendary (and much-married) 19th century musical comedy star. Discovered in 1880 by bandleader Tony Pastor (Leo Carrillo), Lillian Russell (Alice Faye) wastes no time rising to fame and fortune on the Broadway stage. Along the way, she curries the favor of such eligible bachelors as newspaperman Alexander Moore (Henry Fonda), composer Edward Solomon (Don Ameche), and railroad tycoon Diamond Jim Brady (Edward Arnold). She marries the first two, and has a high old time (albeit chastely) with the third. The story ends with Russell's retirement in 1912, and her reunion with the one true love of her life. The film's hands-down highlight is a timeworn but classic routine involving those two Broadway comedy giants Joe Weber and Lew Fields, both of whom had appeared on-stage with the real Lillian Russell. ~ Hal Erickson, All Movie Guide
- Starring:
- Alice Faye, Don Ameche, (more)
- 1940
As indicated by the title, 20 Mule Team is all about pioneering borax miners in territorial Arizona. Wallace Beery goes through his usual paces as Skinner Bill Bragg, a fugitive from justice who forms an uneasy alliance with slick outlaw Stag Roper (Douglas Fowley). The two scoundrels plot to jump a valuable borax claim in Death Valley, but Bragg changes his minds when Roper begins to have unsavory designs on virginal heroine Jean Johnson (Anne Baxter, in her film debut). Ever on the prowl for a new Wallace Beery-Marie Dressler screen team, MGM pairs up Beery with Marjorie Rambeau this time out, with mixed results. 20 Mule Team was originally released in Sepiatone, a tinting process MGM had previously utilized in the "Kansas" scenes of The Wizard of Oz. ~ Hal Erickson, All Movie Guide
- Starring:
- Wallace Beery, Leo Carrillo, (more)
Inspired by the true story of the leader of the Mormon Church, this film features Dean Jagger in the title role. The members of the Church of Latter Day Saints are subjected to religious persecution by the people of Nauvoo, Illinois, where they've settled; so under the leadership of Brigham Young, the Mormons head west, facing tremendous adversity along the way. However, a gravely ill Young has a prophetic dream in which he sees what he believes is his people's promised land, where they will be allowed to live and worship as they see fit. Soon they discover the land Young saw in his dream -- Salt Lake City, Utah. Young and his followers settle there, but their hardship does not end soon. The first winter in Utah is cruel, and while the spring brings the promises of a bountiful planting season, soon a plague of locusts appears, threatening to devour the crops the settlers have just planted. A huge flock of seagulls arrives to save the day by consuming the insects. Tyrone Power and Linda Darnell play a pair of settlers who fall in love in the course of the journey. Brigham Young downplays the more controversial aspects of the Mormon church (particularly polygamy) in favor of portraying Young as a trail-blazing man of the land; in some markets, the film was shown as Brigham Young, Frontiersman. ~ Mark Deming, All Movie Guide
- Starring:
- Tyrone Power, Linda Darnell, (more)
- 1940
The first Technicolor horror film since Mystery of the Wax Museum, Dr. Cyclops was directed by Ernest Schoedsack, of King Kong fame. Albert Dekker chews the scenery as mad scientist Dr. Thorkel, who has developed a process that will shrink human beings to doll size. His first victims include mining engineers Bill Stockton (Thomas Coley) and Steve Baker (Victor Kilian) and biologists Mary Mitchell (Janice Logan) and Dr. Bullfinch (Charles Halton). At first willing to play-act the role of benevolent despot with his miniaturized captives, Thorkel reveals the more sinister side of his personality by abruptly murdering Bullfinch in cold blood (easily the film's most frightening sequence). The rest of the picture details the escape efforts of the three pint-sized protagonists as they hack their way through a jungle of gigantic foliage and do battle with oversized wildlife. Though the cheery Technicolor hues tend to dilute the "scare" quotient in Dr. Cyclops, the special effects are superbly convincing throughout. ~ Hal Erickson, All Movie Guide
- Starring:
- Albert Dekker, Thomas Coley, (more)
- 1940
Poor Mr. Trippe, a spineless spouse, finds himself brow-beaten by his overbearing nag of a wife who constantly reminds him that she should have married her dashing, successful ex-boy friend Armstrong. Fortunately, Trippe's daughter Betty understands and tries to help him cope with his battle-axe wife. Betty has fallen in love with handsome Williams. One day, Trippe finally gets sweet revenge upon his constantly nattering wife when Armstrong shows up at their back door. Impoverished and fleeing from the law, he begs Trippe for shelter and help. ~ Sandra Brennan, All Movie Guide
- Starring:
- George Tobias, Lucille Fairbanks, (more)
"Over the hill" at the tender age of 12, Shirley Temple closed out her 20th Century-Fox contract with the musical seriocomedy Young People. After years of trodding the boards in vaudeville, Wendy Ballantine (Temple) and her adoptive parents Joe (Jack Oakie) and Kit (Charlotte Greenwood retire) to a small town so that the youngster can receive a proper upbringing. Alas, the town is full of Babbitt-like bigots who disapprove of "show people", and who make no secret of their desire that Wendy and her family leave town immediately. But when a dangerous storm arises, the courage of Wendy, Joe and Kit-coupled with their rescue of several stranded children-forces the townsfolk to realign their thinking and welcome the family into their fold. The best moments in Young People occur at the very beginning, wherein Shirley Temple literally grows up before the audience's eyes via filmclips from her earlier starring vehicles (watch how Jack Oakie suddenly turns into James Dunn-from the waist down-in a musical number lifted from 1934's Stand Up and Cheer). ~ Hal Erickson, All Movie Guide
- Starring:
- Shirley Temple, Jack Oakie, (more)
- 1940
Lewis Milestone directs the lightweight romantic comedy Lucky Partners, based on a story by Sacha Guitry. David Grant (Ronald Colman) is an artist in New York's Greenwich Village. After he wishes good luck to passing ingenue Jean Newton (Ginger Rogers), she is immediately offered a beautiful dress. Thinking that David is lucky, she agrees to go in with him on a ticket for the Irish Sweepstakes. Their horse wins the race, and he asks her to accompany her to Niagara Falls to celebrate their winnings. Jean's fiancé, Freddie Harper (Jack Carson), is not pleased about the arrangement, so he follows them. Eventually Jean and David fall for each other and they end up in the courthouse, where the judge ($Harry Davenport) sorts everything out in favor of the new couple. Lucky Partners was released in 1940, the same year Rogers gave her Oscar-winning performance in Kitty Foyle: The Natural History of a Woman. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Ronald Colman, Ginger Rogers, (more)
- 1940
In this crime drama, a young man becomes a criminal lawyer after witnessing the police shooting of his father, a thief. Most of his clients are criminals and he soon finds himself involved with a mob boss. Together they build a new crime syndicate. Unfortunately, the attorney's partner is secretly an FBI spy. When the agent is shot, his partner, the lawyer saves his life. He then reconsiders his life and rats on his gangster client to the cops. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lloyd Nolan, Barton MacLane, (more)
- 1940
Tugboat Annie Sails Again stars Marjorie Rambeau as the rambunctious female skipper created by Norman Reilly Raine. In this one, Tugboat Annie is threatened with the loss of her job as cap'n of the tacky tugboat Narcissus, much to the delight of Bullwinkle (Alan Hale), skipper of the rival Salamander. In order to raise $25000 in a hurry, Annie agrees to tow a drydock to Alaska, but this plan is scuttled when another, sleeker tug lands the contract. Annie saves the day-and her job-when the other tug gets into trouble on the high seas. The romantic subplot is handled by Jane Wyman and Ronald Reagan, both of whom are as cute as can be. Incidentally, outtake footage exists of Tugboat Annie Sails Again wherein pert Ms. Wyman cusses like a sailor while splashing around in a studio tank. ~ Hal Erickson, All Movie Guide
- Starring:
- Marjorie Rambeau, Alan Hale, (more)
They just don't make 'em like They Drive By Night anymore. This slam-bang Warner Bros. attraction stars George Raft and Humphrey Bogart as Joe and Paul Fabrini, owners of a small but scrappy trucking firm. The film deftly combines comedy with thrills for the first half-hour or so, as the Fabrini boys battle crooked distributors and unscrupulous rivals while establishing their transport company. Things take a potentially tragic turn when the overworked Paul Fabrini falls asleep at the wheel and cracks up, losing an arm in the accident. He's pretty bitter for a while, but, with the help of his loving wife, Pearl (Gale Page), Paul eventually snaps out of his self-pity and goes to work as a dispatcher for the Fabrinis' company. Meanwhile, Joe's on-and-off romance with wisecracking waitress Cassie Hartley (Ann Sheridan) is threatened by the presence of seductive Lana Carlsen (Ida Lupino), the wife of glad-handing trucking executive Ed Carlsen (Alan Hale). At this point, the film metamorphoses into a remake of the 1935 Paul Muni-Bette Davis vehicle Bordertown. Desperately in love with Joe, Lana murders her husband, making it look like an accident, then offers Joe half-interest in Carlsen's organization. Joe accepts the offer, but spurns Lana's romantic overtures, whereupon the scheming vixen accuses Joe of plotting Carlsen's murder. Thus, the stage is set for a spectacular courtroom finale, completely dominated by a demented Lana, whose "mad scene" rivals those of Ophelia and Lucia di Lammermoor. In addition to the full-blooded performances by the stars and the virile direction by Raoul Walsh, They Drive By Night benefits immeasurably from the nonstop brilliant dialogue by Jerry Wald and Richard Macaulay -- especially in an early lunch-counter scene between Ann Sheridan and George Raft, generously seasoned with hilarious double- and single-entendres. ~ Hal Erickson, All Movie Guide
- Starring:
- George Raft, Ann Sheridan, (more)
The town of Vinegaroon, TX, is the home to Judge Roy Bean (Walter Brennan), who calls himself "The Only Law West of the Pecos." Bean keeps a saloon, where he also conducts trials, using his office to get fat on fines and the seizure of property, and hanging most of those who get in his way, sometimes more than one a day. Cole Hardin (Gary Cooper) is a saddle-tramp brought in on a charge of stealing a horse belonging to Bean's chief stooge, Chickenfoot (Paul Hurst). Hardin's conviction by a jury made up of Bean's hangers-on (with the undertaker, played with low-key comic zeal by Charles Halton, waiting eagerly for the verdict and the hanging) seems certain, despite his contention that he bought the horse from another man, until Hardin recognizes the judge's obsession with the English actress Lily Langtry. Hardin feigns having seen, met, and known Miss Langtry intimately, and he cons the judge into delaying the death sentence until Hardin can send for a lock of the actress' hair that he supposedly has in El Paso -- that's long enough for the real horse thief (Tom Tyler) to show up and get killed.
By the time the dust settles, the judge, for all of his warped sense of justice and corrupt nature, finds himself genuinely liking Hardin as something of a kindred spirit, as bold and daring as he was in his youth, and feeling something like friendship for him. But Bean also tries to shoot Hardin when he decides to cast his lot with the homesteaders, led by Jane-Ellen Mathews (Doris Davenport) and her father, Caliphet (Fred Stone), who have been fighting for survival against Bean and his cattle-rancher allies every step of the way. Hardin tries to appeal to the better nature within the judge, and also saves him from an attempted lynching, but when that fails, and a corn crop is burned and Mr. Mathews killed, he sees no choice but to take action. He gets an arrest warrant sworn out and is deputized by the county sheriff. Taking Bean in his saloon or anywhere in his town (renamed Langtry by the judge, in honor of the actress) is impossible, but then it's announced that Lily Langtry will be appearing in Texas, a long day's ride away from Bean's stronghold. The judge, dressed in his full Civil War regalia and with his men in tow, rides to see the performance while Hardin gets ready to try and arrest him. The kind of climactic shoot-out that follows has been done to death in the decades since, but it was something new and revelatory in a Western in 1940, and still plays beautifully on a dramatic level, capturing in full the complexity of the relationship between these two antagonists. ~ Bruce Eder, All Movie Guide
By the time the dust settles, the judge, for all of his warped sense of justice and corrupt nature, finds himself genuinely liking Hardin as something of a kindred spirit, as bold and daring as he was in his youth, and feeling something like friendship for him. But Bean also tries to shoot Hardin when he decides to cast his lot with the homesteaders, led by Jane-Ellen Mathews (Doris Davenport) and her father, Caliphet (Fred Stone), who have been fighting for survival against Bean and his cattle-rancher allies every step of the way. Hardin tries to appeal to the better nature within the judge, and also saves him from an attempted lynching, but when that fails, and a corn crop is burned and Mr. Mathews killed, he sees no choice but to take action. He gets an arrest warrant sworn out and is deputized by the county sheriff. Taking Bean in his saloon or anywhere in his town (renamed Langtry by the judge, in honor of the actress) is impossible, but then it's announced that Lily Langtry will be appearing in Texas, a long day's ride away from Bean's stronghold. The judge, dressed in his full Civil War regalia and with his men in tow, rides to see the performance while Hardin gets ready to try and arrest him. The kind of climactic shoot-out that follows has been done to death in the decades since, but it was something new and revelatory in a Western in 1940, and still plays beautifully on a dramatic level, capturing in full the complexity of the relationship between these two antagonists. ~ Bruce Eder, All Movie Guide
- Starring:
- Gary Cooper, Walter Brennan, (more)
Fourteen scriptwriters spent five years toiling over a movie adaptation of war correspondent Vincent Sheehan's Personal History before producer Walter Wanger brought the property to the screen as Foreign Correspondent. What emerged was approximately 2 parts Sheehan and 8 parts director Alfred Hitchcock--and what's wrong with that? Joel McCrea stars as an American journalist sent by his newspaper to cover the volatile war scene in Europe in the years 1938 to 1940. He has barely arrived in Holland before he witnesses the assassination of Dutch diplomat Albert Basserman: at least, that's what he thinks he sees. McCrea makes the acquaintance of peace-activist Herbert Marshall, his like-minded daughter Laraine Day, and cheeky British secret agent George Sanders. A wild chase through the streets of Amsterdam, with McCrea dodging bullets, leads to the classic "alternating windmills" scene, which tips Our Hero to the existence of a formidable subversive organization. McCrea returns to England, where he nearly falls victim to the machinations of jovial hired-killer Edmund Gwenn. The leader of the spy ring is revealed during the climactic plane-crash sequence--which, like the aforementioned windmill scene, is a cinematic tour de force for director Hitchcock and cinematographer Rudolph Mate. Producer Wanger kept abreast of breaking news events all through the filming of Foreign Correspondent, enabling him to keep the picture as "hot" as possible: the final scene, with McCrea broadcasting to a "sleeping" America from London while Nazi bombs drop all around him, was filmed only a short time after the actual London blitz. The script was co-written by Robert Benchley, who has a wonderful supporting role as an eternally tippling newsman. Foreign Correspondent was Alfred Hitchcock's second American film, and remained one of his (and his fans') personal favorites. ~ Hal Erickson, All Movie Guide
- Starring:
- Joel McCrea, Laraine Day, (more)
- 1940
Fiercely independent authoress June Cameron (Loretta Young) has no time for men in her life. Chauvinistic medical college professor Timothy Sterling (Ray Milland) has no use for women. So guess who is mistaken for June's husband, and guess who is forced by circumstances to pretend that she's married? The Doctor Takes a Wife maintains its exhausting comic pace until about five minutes before the end, when the scriptwriters are forced to take a breather to tie up all the loose plot ends. The "fantasy" closing gag went over so well that Columbia Pictures utilized variations of it in several subsequent screwball comedies. ~ Hal Erickson, All Movie Guide
- Starring:
- Loretta Young, Ray Milland, (more)
- 1940
- NR
Promoted as a follow-up to the popular 1939 western Dodge City (which, indeed, was left wide open for a sequel in its closing scenes), Virginia City bears only surface resemblance to the earlier film. Indeed, the only discerning links between the two pictures are the western setting and the presence in the cast of Errol Flynn, Frank McHugh, Alan Hale and Guinn "Big Boy" Williams. After escaping from a Confederate prison during the Civil War, Union officer Flynn vows to stop a $5,000,000 gold shipment from reaching the South. He is challenged by Southern sympathizer Randolph Scott, whose interest in the gold is patriotic, and by outlaw Humphrey Bogart (complete with a Mexican accent that wouldn't convince a cow), whose interests are purely mercenary. Adding spice to the proceedings is Miriam Hopkins as a dance hall chanteusse-cum-Confederate spy. Better in individual components than sum total, Virginia City pleased the crowds in 1940, assuring that the Tasmanian-born Errol Flynn would continue appearing in westerns in the future. ~ Hal Erickson, All Movie Guide
- Starring:
- Errol Flynn, Miriam Hopkins, (more)
- 1939
Newspaper editor Steve Drum (Preston Foster) is willing to pull any dirty trick in the book to boost his rag's circulation. Drums's latest escapade is to blame a former criminal, now a respected politician, for a series of murders. Once the damage has been done, Drum puts on his "crusader" hat and stirs up enough public sympathy to save the politician from the electric chair. Only he's been forced to eat a few heaping helpings of humble pie does Drum redeem himself in the eyes of his long-suffering star reporter Maxine Thomas (Lynn Bari). Real-life newspapermen were mildly amused with the liberties taken in this fanciful "stop the presses" seriocomedy. ~ Hal Erickson, All Movie Guide
- Starring:
- Preston S. Foster, Lynn Bari, (more)
- 1939
No Place to Go is a remake of the 1932 Chic Sale vehicle The Expert, which in turn was adapted from the George S. Kaufman-Edna Ferber play Old Man Minick. Fred Stone plays elderly retiree Andrew Plummer, who moves in with his well-to-do son Joe (Dennis Morgan) and Joe's wife Gertrude (Gloria Dickson). Before long, Andrew makes a bloody nuisance of himself with his well-intentioned interference in his son's affairs. In the original The Expert, the main character finally realizes he's just in the way and voluntarily heads to an old folk's home. No Place to Go takes a slightly different plot turn, with Andrew accepting a job with Joe's business firm, only to decide over his son's protests that he'd be better off in a retirement home-or as he puts it, "a club for gentleman". In both films, the ageing protagonist finds a kindred spirit in a pugnacious street urchin: Dickie Moore in the original, Sonny Bupp in the remake. ~ Hal Erickson, All Movie Guide
- 1939
In this crime drama, the owner and chief editor of a newspaper gets together with two college pals and begins looking into the strange death of an old hermit who lived on the fringe of town. The official cause of death is alcoholism, but the editor thinks otherwise. Sure enough, the man's daughter admits she killed him. But they soon find that she is lying. With a little more leg-work, the three find the real culprits and bring them to justice. ~ Sandra Brennan, All Movie Guide
- Starring:
- William Lundigan, Joy Hodges, (more)
Director Rouben Mamoulian often claimed that he'd been inspired to make Golden Boy after reading a newspaper clipping about a recently deceased boxer. While Mamoulian may have genuinely believed that he was the true "auteur" of Golden Boy, he probably wouldn't have made the picture at all had not Clifford Odets started the ball rolling by writing the property for the stage in 1936. In his first starring role, William Holden plays Joe Bonaparte, a promising young boxer. While boxing promoter Tom Moody (Adolphe Menjou) and Menjou's mistress Lorna Moon (Barbara Stanwyck) urge Joe to pursue a ring career, Joe's Italian father (played with a surfeit of Chico Marx by 27-year-old Lee J. Cobb) wants his boy to become a famous violinist. Moody tells Lorna to romance the boy to get him into the ring. She does so, but regrets her callous actions when she genuinely falls in love with Joe. Having already broken his father's heart, Joe is further devastated when he accidentally kills a ring opponent. In the original play, both Joe and Lorna pay for their "sins" by dying in an auto accident. This would never do in Hollywood, so at fadeout time the chastened Joe returns to his forgiving father, with a tearful Lorna by his side. Clifford Odets' overrated purple prose seems to flow naturally from the actors, though it is obvious that William Holden had a long way to go. Still, Holden is pretty good in his first bonafide lead, a fact that he would ever after attribute to the patience and encouragement of his co-star Barbara Stanwyck; each year on the anniversary of Golden Boy's Hollywood premiere, Holden would send Stanwyck flowers as a sign of his eternal gratitude. While much of Golden Boy seems like a cliche-ridden museum piece when seen today, the film comes to life during the boxing sequences, helmed in exciting montage fashion by the always innovative Rouben Mamoulien. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbara Stanwyck, Adolphe Menjou, (more)
- 1939
In this espionage drama, a young woman enrolls in the US Army Intelligence Corps so she can avenge her brother's death. She is assisted by a rookie reporter who helps her investigate a spy ring. They think they know the leader, but things are not as they seem. The film's climax involves an exciting chase atop the Washington Monument. ~ Sandra Brennan, All Movie Guide
- Starring:
- Sally Eilers, Fritz Leiber, (more)
The real Frank and Jesse James were murderous thugs, light years away from the Robin Hood image imposed on them by revisionist dime novelists. But in 1939, 20th Century-Fox wasn't about to build an expensive Technicolor feature around the exploits of a couple of low-lives, thus Jesse James upholds the mythos, offering us the standard whitewashed version of the James boys. According to Nunally Johnson's irresistibly entertaining screenplay, Jesse (Tyrone Power) and Frank (Henry Fonda) become train and bank robbers to avenge the death of their mother (Jane Darwell), killed at the behest of greedy railroad interests. Once he feels his work is done, Jesse settles down to a life of marital domesticity--only to be shot in the back by cowardly Bob Ford (John Carradine). Frank James is left alive at film's end, paving the way for the 1941 sequel The Return of Frank James. Director Henry King stages the action sequences in glorious outsized fashion, notably the famous bank-robbery scene in which Jesse rides his horse through a plate glass window. The scenes involving both James brothers are stolen hands-down by Henry Fonda, not so much because he was a better actor than Tyrone Power but because his character had all the best lines. Jesse James was filmed largely on location in Missouri, resulting in crowd-control nightmares for the picture's beleaguered assistant directors. ~ Hal Erickson, All Movie Guide
- Starring:
- Tyrone Power, Henry Fonda, (more)
