Brett Halsey Movies

John Forsythe plays a successful television writer, Don Newell, who works on the "Crime of the Week" anthology series. Newell is being blackmailed by one of the program's actresses (Kathleen Hughes), who threatens to tell his wife of their clandestine affair. Arriving at the actress' apartment for a showdown, Newell discovers that the woman has been murdered. Though the writer is the principal suspect, the real killer is Henry Hayes (Edward G. Robinson), "Crime of the Week"'s research expert, who was also a blackmail victim. The inability of the police to solve the murder becomes the subject of the next "Crime of the Week" program. Hayes tries to deflect attention from himself by building up evidence against Newell, which the writer is compelled to use in his script. But Newelltumbles to Hayes' guilt, and includes this fatal clue in his "Crime of the Week" playlet. Hayes tries to kill Newell during the live broadcast, but the police arrive on the scene and shoot down Hayes. Although The Glass Web was originally released in 3-D, it is surprisingly light on "stereoptic" special effects. ~ Hal Erickson, All Movie Guide

Tony Curtis always seemed a little uncomfortable in costume epics, but this trait serves him well in Black Shield of Falworth. Based on the robust novel Men of Iron by Howard Pyle, the film casts Curtis as Miles, the son of a disgraced knight. Through the sponsorship of the Earl of Mackworth Herbert Marshall, Miles is trained for knighthood, an arduous process that earns him the ridicule of his fellow trainees, who regard him as little better than a peasant. Eventually, Miles proves his mettle by squelching a plan to oust King Henry IV Ian Keith from the throne of England. On a more personal level, Miles carries on a romance with Mackworth's daughter Lady Anne Janet Leigh, while Miles' sister Meg Barbara Rush finds happiness in the arms of knight-in-training Francis Gascoyne Craig Hill. The heavy of the piece is the Earl of Alban David Farrar, whom Miles must ultimately face down in a well-directed climactic set-to. Torin Thatcher, who'd previously costarred with Tony Curtis and Janet Leigh in Houdini, delivers another topnotch characterization as the no-nonsense trainer of Miles and his fellow aspirant knights. ~ Hal Erickson, All Movie Guide

Tony Curtis stars as Johnny Dark, a moody automobile designer. Rejected by a major auto firm because of his "radical" notions, Johnny sets out to prove the efficiency of his cars on the racetrack. He is aided and abetted by pretty Piper Laurie and less pretty Paul Kelly, while motor mogul Sidney Blackmer fumes and fusses until he realizes that Johnny's designs will save his company. Most of the film is devoted to a marathon race, pitting Johnny against his friendly enemy Don Taylor. Johnny Dark is a must for racing buffs, as well as a prime example of Tony Curtis in his beefcake period. ~ Hal Erickson, All Movie Guide

Revenge of the Creature is, of course, the sequel to Universal's fabulously successful The Creature from the Black Lagoon--and like its predecessor, the film was lensed in 3-D (though released "flat" in most theatres). Though the audience had seen the Gill-Man shot full of holes in the first picture, he still resides in the Black Lagoon in the sequel, apparently none the worse for wear. Two oceanographers (John Bromfield and Robert B. Williams) capture the creature and put him on display at Florida's Ocean Harbor Park (actually Marineland of the Atlantic). Here the hapless Gill-Man is taught a few words of English by compassionate icthyologists John Agar and Lori Nelson. Eventually, however, the creature reverts to type, kills one of his captors and goes on a rampage. And once again, he manages to briefly abduct the heroine and carry her off. Not nearly as good as the first Creature, this followup is saved by the underwater photography of Charles S. Welbourne--and by the effective performance by Ricou Browning as the Gill-Man. ~ Hal Erickson, All Movie Guide

Soft-hearted Kitty (Amanda Blake) is persuaded to hide handsome Steve Esler (Brett Halsey) from a lynch mob comprised of cattlemen. Steve insists he has been rustling cattle merely to avenge his father, who years earlier was brutally beaten by a trail crew. Matt (James Arness) is as sympathetic as Kitty towards Steve. But crusty old Doc suspects that the baby-faced fugitive is manipulating everyone's feelings--and that he is nowhere near the innocent lamb he makes out to be. This episode is based on the Gunsmoke radio broadcast of September 27, 1954. ~ Hal Erickson, All Movie Guide

Hot rodder Richard Hartunian storms off after a spat with girlfriend Leigh Snowden. Shortly afterward, the car in which Leigh is driving is involved in a crack-up, injuring her and killing the driver. Since the car had been run off the road by a reckless driver, Hartunian is the Number One Suspect. Only on the eve of the Big Race is our hero exonerated. Also appearing in Hot Rod Rumble are Brett Halsey (future star of the immortal Speed Crazy), Wright King (late of Johnny Jupiter), and stand-up comic Joey Forman. The film was originally released on a double bill with Allied Artists' Calypso Joe. ~ Hal Erickson, All Movie Guide

Though director William Wellman was attached to the Lafayette Flying Corps during WW1, many people believed that he was actually with the celebrated Lafayette Escadrille, and this 1958 actioner does little to dispel that belief. The film concentrates on a group of courageous young American aviators who, long before the USA's entry into the Great War, band together to fight the minions of the Kaiser in the skies of France. One of these reckless flyboys is Thad Walker (Tab Hunter), who arrives in Paris after being thrown out of his wealthy father's home. Joining the Escadrille with Walker are fellow expatriates Tom Hitchcock (Jody McCrea), Duke Sinclaire (David Janssen) and "Wild Bill" Wellman (played by the director's son, Bill Wellman Jr.). After a bit of parlez-vous with the local mademoiselles, Walker and his pals take to the air, and at this point, the film really gets off the ground (no pun intended). The spectacular aerial sequences are evocative of those in Wellman's silent classic Wings, though Lafayette Escadrille itself falls a bit short of classic status. ~ Hal Erickson, All Movie Guide

A good girl goes bad in the face of peer pressure in this exploitation outing from the late '50s. The girl is new in town and before her first day of school is over finds herself face-to-face with a scary group of juvenile delinquent girls with dangerously conical breasts, and bad attitudes to spare. They demand she join their group, but she hesitates. Later she asks the nice college boy who jerks sodas at the local malt shop for his opinion. Of course he tells her to stay away, but soon the lure of popularity grows too strong and she joins the gang. She has great fun being a hooliganette. Unfortunately, the fun turns deadly serious when the gangs leader gets killed. Good campy fun. ~ Sandra Brennan, All Movie Guide

The highly variable Tab Hunter delivers his best film performance in the grim western Gunman's Walk. Hunter plays Ed Hackett, the son of gunslinger-turned-land baron Lee Hackett (Van Heflin). Out of respect (and fear) of his father, the hotheaded Ed is given a wide berth by the resentful townsfolk. The elder Hackett doesn't make things any better when he tacitly approves of Ed's violent behavior, all the while giving short shrift to his law-abiding younger son Davy (James Darren). Inevitably, Ed goes one step too far, forcing his father to make a devastating decision. Kathryn Grant, future wife of Bing Crosby, registers well as the half-breed girl with whom Davy falls in love. Gunman's Walk is seen at a disadvantage on television; director Phil Karlson's inventive use of the CinemaScope lens will be largely lost on a 22-inch screen. ~ Hal Erickson, All Movie Guide

Set in a small Arizona town in the 1870s, Four Fast Guns is a subpar Western about Sabin (James Craig), a man who takes on an unlikely tyrant in an effort to restore normal life to the townspeople. Sabin himself has been falsely accused of murder, though misconduct runs in the family -- his brother Johnny (Brett Halsey) is an outlaw. An invalid runs the local saloon and has parleyed his physical infirmity into an excuse to get away with a brutal hold over the town. Sabin challenges his authority, so the saloon-keeper sends one hired gun after another to kill him off. No one succeeds, but then the fourth gunman shows up -- Sabin's outlaw brother -- and the two siblings are forced into a fatal confrontation. ~ Eleanor Mannikka, All Movie Guide

This sequel to Kurt Neumann's The Fly (1958) is peculiar, to say the least. Producer/director Neumann had passed away during the summer of 1958, and the studio needed a sequel. The resulting film, Return of the Fly, was directed by Edward L. Bernds, a filmmaker (and former sound man at Columbia Pictures) most closely associated with the Three Stooges, but who had lately moved successfully into popular science fiction, with movies such as World Without End, Space Master X-7, and Queen of Outer Space to his credit -- not that this last, in particular, seemed to qualify him for anything but tongue-in-cheek satire. Curse of the Fly was shot in CinemaScope but in black-and-white, an unusual combination that is usually associated with artier movies, as a compromise for discriminating directors who can't avoid the widescreen format but want to present something serious; in this particular case, however, it was purely a budgetary decision. Vincent Price is the nominal star as Francois Delambre, the brother of Andre Delambre, who died as a result of his experiments with a matter transmitting device in The Fly. It is now a dozen years later, and Andre's son, Philippe (Brett Halsey), has just laid his mother to rest, having witnessed the final years of her life blighted by the memory of the horror of Andre's death. He convinces Francois to tell him what happened and of the device that destroyed his parents' happy life together. Philippe vows to perfect the matter transmitter, so that all of the heartache and sacrifice by his parents will not have been in vain. He employs as his assistant a scientist friend, Alan Hinds (David Frankham), who, unbeknownst to him, has shady business connections and a dark secret in his own past. Alan conspires to steal the secret of the matter transmitter, but first he must dispose of a detective who has come to arrest him for an earlier crime, and then eliminate Philippe, who doesn't know what Alan has done, only that he's hiding something. Thus, the same disaster that befell Philippe's father now occurs again, to him -- his body parts are transposed with those of a house-fly. The human-sized fly, even nastier looking than the monster in the original film, goes on a rampage, trying to catch Alan and get revenge for what has happened to him, using what faculties he has. Meanwhile, Francois gets help from the surviving detective on his brother's case, who knows the truth, and the two try to trap the monster alive and also find the fly-sized creature with Philippe's head and features, so they can try and unscramble the atoms of both. ~ Bruce Eder, All Movie Guide

In this WW II actioner, the crew of the Seahawk nearly mutinies when they discover that their new commander is a tactical instructor who has very little experience as a leader. They are quite angry because he refuses to allow them to sink the Japanese warships that are so close to them. Later they change their opinion after learning that he was only following orders. ~ Sandra Brennan, All Movie Guide

This undistinguished teen melodrama features Brett Halsey as Nick, a lowlife who is hiding out from the law because he killed a man in a mugging. He escapes to another town and starts working as a mechanic in an auto repair shop. Not one to keep a low profile for long, Nick alienates just about everyone by beating out the competition in sports-car races, beating his own drum as loudly as he can, and just plain beating up on other men. He complements those activities by hitting on any attractive female, regardless of her status. Both Nick and the viewers are clearly being set up for his ultimate just desserts. ~ Eleanor Mannikka, All Movie Guide