Billy Halop Movies

Charles Starrett once more dons the mask of mysterious do-gooder "The Durango Kid" in Columbia's Challenge of the Range. Wandering cowboy Steve Roper (Starrett) is hired by the Farmers Association to stem the activities of a group of gunmen who are driving ranchers off their land. The most likely suspect turns out to be innocent: the real culprits are within the Association itself. With the help of the chief suspect's son, Roper brings the crooks to justice. Cast as the son is onetime "Dead End Kid" Billy Halop, whose previous western credentials included the radio series Bobby Benson of the B Bar V Ranch. ~ Hal Erickson, Rovi

A scrappy gang of street kids, living in New York's lower East Side put aside their juvenile delinquent activities to help a disabled war vet start a chicken ranch in this, the first episode in a trio of low-budget knock-offs of the successful "The Dead End Kids" series. ~ Sandra Brennan, Rovi

Several veterans of the "Dead End Kids" series are prominently featured in the Columbia programmer Junior Army. Grown-up child star Freddie Bartholomew acquits himself nicely as Freddy Hewlitt, newly arrived at a strict military academy. Freddy tries to set a good example for hell-raising cadet Jimmy Fletcher (Billy Halop), but Jimmy soons alienates everyone around him-even his old pals Cowboy (Bobby Jordan) and Bushy (Huntz Hall). Eventually, however, Jimmy comes through with flying colors when he helps Freddy and his buddies smash a gang of saboteurs. While Billy Halop, Bobby Jordan and Huntz Hall would continue appearing in films well into the next decade, Freddy Bartholomew eventually abandoned acting to become a successful advertising executive. ~ Hal Erickson, Rovi

The Dead End Kids take on a sinister gang of Japanese terrorists in this 12-chapter followup to the 1940 Universal serial Junior G-Men. When Eddie Holden (Gene Reynolds), the inventor brother of street-gang leader Billy Holden (Billy Halop), is kidnapped by minions of the Black Dragon society, Billy refuses to go to the police for help. Instead, he and his pals-Bolts Larson (Huntz Hall), Stick Munsey (Gabe Dell) and Greaseball Plunkett (Bernard Punsly)-decide to take on the villains themselves. Over the course of twelve weeks, the kids are pitted against the worst kinds of villains and pluguglies, but by the final chapter our heroes have thwarted the Black Dragons' plans to sabotage the American defense program. Despite the serial's title, however, the "Junior G-Men" hardly spend any time at all in the air. ~ Hal Erickson, Rovi

The big-band mystique of the 1940s was explored by Blues in the Night. Future directors Richard Whorf and Elia Kazan star as, respectively, a neurotic band-leader and a carefree clarinettist. Their jazz band travels from one small-time gig to another, always hoping for their big break but always denied fame thanks to their own personal demons. Priscilla Lane and Betty Field portray (again respectively) the good and bad girls in the musicians' lives. While we're never treated to a full rendition of the title song, Blues in the Night scores with its melodramatic set pieces, including a gutsy climactic murder/suicide sequence involving Betty Field and escaped convict Lloyd Nolan. ~ Hal Erickson, Rovi

This 12-chapter Universal serial is one of several that Universal made featuring the Dead End Kids (also known as The East Side Kids and The Bowery Boys). In this entry, the Dead End Kids go after a Nazi gang that operates a ship called the "Sea Raider" that has been sinking Allied shipping. ~ Brian Gusse, Rovi

In this entry in the long running saga of the "Dead End Kids," the East Side boys leave the Big Apple and go to California to seek their fortunes. They'd rather not have to work for their money, but end up working on the ranch of an aged Italian woman who treats her employees kindly (unlike other farmers of the era, who often treated their migrant workers worse than animals). Her son disappeared as a baby and one of the boy's decides to convince her that he is the long lost child in hopes of getting an inheritance. After a while, he is so moved by her kindness that he changes his mind and tries to help her for real when the truckers team up with a union to keep her harvest from reaching the market. ~ Sandra Brennan, Rovi

The Dead End Kids fight alongside the government to find a famed scientist who has been abducted by wartime traitors. ~ Jason Ankeny, Rovi

In this entry in the long-running series, the Dead End Kids are freshly out of reform school when they find themselves victimized by the tough, corrupt head of the Hell's Kitchen Shelter. A reformed racketeer tries to help out, but he winds up violating his parole and getting sent back to prison. As he goes, he gets some satisfaction out of seeing the crooked superintendent sent up the river too. ~ Sandra Brennan, Rovi

In this entry in the long-running series, one of the Kids goes to military school and learns, with the help of his late father's friend who promised to watch over the lad, to be a real man. The kid is initially, quite rebellious. One boy tries to help him, but the kid throws him out a second story window. Eventually the kid grows up and becomes a hero by saving another boy's life during a dangerous fire. This was the final entry in the series. ~ Sandra Brennan, Rovi

John Garfield once more plays a social outcast who's had nothing but lousy breaks. Released from prison for a crime he didn't commit, Garfield is promptly arrested as a vagrant and sent to a work farm. He falls in love with Priscilla Lane, stepdaughter of the farm's no-good foreman. Garfield marries Priscilla, but his happiness is short-lived when the foreman drunkenly goads him into a fight. Arrested again for killing the foreman, Garfield is defended by a compassionate attorney (Moroni Olsen), whose summation to the jury places the blame for Garfield's plight squarely on the shoulders of Society. ~ Hal Erickson, Rovi

They Made Me a Criminal opens in New York, depicting the latest victory in the ring for Johnny Bradfield (John Garfield), a young boxer who seems headed for a championship. When a reporter finds Bradfield drunk and carousing with women, and learns that the squeaky-clean image that he has cultivated is a complete lie, he threatens to blow the lid off the boxer's real life, and is beaten to death by Bradfield's manager. Bradfield, who was in a drunken stupor during the fight, is framed for the killing by his manager, who rolls him for his wallet, watch, and anything else of value, makes a run for it, and is killed in a fiery car accident. As far as the police are concerned, the case is closed, "Bradfield" having been identified in the wreck by the watch he was wearing. But Johnny Bradfield now has to disappear from New York and anyplace else he's ever been seen, in order to stay "dead." He is sent on his way by his crooked attorney with just a few dollars in his pocket, thumbing rides and walking west. Bradfield collapses one day from exhaustion and near starvation outside of a ranch in Arizona. The ranch is run by May Robson as part of a relief effort to help a group of boys from the New York slums -- Tommy (Billy Halop), Spit (Leo Gorcey), Dippy (Huntz Hall), T.B. (Gabriel Dell), Angel (Bobby Jordan), and Milty (Bernard Punsly) -- keep out of trouble. Identifying himself as "Jack Dorney," he first tries to see what he can get in the way of a free ride from the kids and Tommy's sister, Peggy (Gloria Dickson), who doesn't trust Dorney or his influence over the kids. Meanwhile, back in New York, one police detective, Phelan (Claude Rains), is convinced that the body found in the burned wreck of Johnny Bradfield's car wasn't Bradfield. Phelan is an outcast in his department for having once presented "conclusive" evidence in court against a man who was executed for murder, only to discover later that the man was innocent. He sees this as his chance to redeem himself and his career, and he is such a pariah that his chief gives him permission to follow up leads anywhere he needs to. At the ranch, Dorney takes a genuine liking to the kids, and sees Peggy as a kind of woman he's never known, who has no "angles" in her approach to life. The ranch may have to be sold, however, as there is no more money coming from the church in New York to keep it going. In order to save the ranch and set Peggy and the kids up in a roadside business pumping gas -- an idea of Tommy's -- Dorney decides to enter a prize fight for money against a barnstorming boxer. On the eve of the fight, however, Phelan shows up, drawn by a newspaper photo of Dorney, his face obscured but using the same unusual left-handed boxing stance he used as Johnny Bradfield. Dorney goes into the ring, and finds himself up against a brute who has already flattened two opponents in less than one round each, trying to hide his identity by fighting right-handed. He gets savaged, round after round, until Phelan tells him from ringside that he knows who he is. Free to use his left, Dorney saves himself. Phelan confronts him in the dressing room, and Johnny tells him he'll give him no trouble -- they're about to head back east, with Peggy and the kids trying to thank him, and it dawns on Phelan that possibly this is one case that might better be left "solved" officially the way it is already, even though it means the detective going back to his job as a laughing stock. ~ Bruce Eder, Rovi

Childhood chums Rocky Sullivan (James Cagney) and Jerry Connelly (Pat O'Brien) grow up on opposite sides of the fence: Rocky matures into a prominent gangster, while Jerry becomes a priest, tending to the needs of his old tenement neighborhood. Rocky becomes a hero to a gang of teenaged boys (played by Dead End Kids Billy Halop, Leo Gorcey, Huntz Hall, Gabriel Dell, Bobby Jordan and Bernard Punsley). Father Jerry despairs at this, asking Rocky to lay off so he can keep the kids on the straight and narrow. Then Rocky's crooked business associates George Bancroft and Humphrey Bogart attempt to end Father Jerry's radio campaign against the rackets by killing the priest. Rocky (whose cynical outlook on life has been softened by his romance with true-blue Anne Sheridan) shoots them down and takes it on the lam. Arrested and convicted of murder, Rocky sits smugly on death row, fully intending to go to the chair with a smile on his face. A few moments before the execution, Father Jerry pleads with Rocky to "turn yellow" so that the tenement kids will despise his memory. ~ Hal Erickson, Rovi