Brian Avery Movies

Pinned down by heavy shelling, Saunders (Vic Morrow) is unable to move his men out of their hiding place, even though the Enemy is rapidly descending upon them. Making the situation worse is the fact that Pvt. Billy Nelson (Tom Lowell) has been seriously wounded and is lying near death. The rest of the episode is an unbearably tense game of cat-and-mouse between Americans and Germans, punctuated by horrendous screams. Milwaukee Braves pitcher Warren Spahn appears in an unbilled cameo as a German soldier. ~ Hal Erickson, All Movie Guide

Stunt man Corey Michael Eubanks plays a repo man in Forced to Kill. While claiming a Jaguar, Johnny (Eubanks) is captured by a strange family. Before long, he's in the thick of a subrosa boxing tournament, where bare fists are de rigeur and the participants are obliged to kill one another. A question: if Eubanks is such a crackerjack stunt man, how'd he allow himself to get into this mess? (and he wrote the script, too!) Check your brains at the door: the action is terrific. The supporting cast of Forced to Kill includes filmmaker Ron Howard's father Rance and brother Clint. ~ Hal Erickson, All Movie Guide

Produced by Dan "Dark Shadows" Curtis, this TV adaptation of Mary Shelley's classic spine-chiller Frankenstein remains fairly faithful to its source. Robert Foxworth stars as Dr. Victor Frankenstein, who comes to grief when he "plays God" by creating a human being from spare body parts. The monster, played by Bo Svenson, is doomed from the start, not only by fate but by his inherited homicidal nature. Susan Strasberg and Heidi Vaughn co-star as the two unfortunate women in Dr. Frankenstein's life. Originally telecast in two parts on ABC's late-night Wide World of Mystery anthology, Frankenstein debuted January 16 and 17, 1973. It was later pared down to a traditional two-hour, single-part TV movie. ~ Hal Erickson, All Movie Guide

An uneven but entertaining blend of graphic horror and black comedy from John Landis, very much in the mode of the director's successful An American Werewolf in London. French actress Anne Parillaud -- star of Luc Besson's acclaimed thriller La Femme Nikita -- plays Marie, a lithe and lovely vampire with a conscience who will not take "innocent blood" and maintains a low profile by dining exclusively on criminals and lowlifes. She finds a virtual smorgasbord in Pittsburgh's criminal underworld, arriving in the thick of a bloody mob war sparked by ruthless kingpin Sal Macelli (Robert Loggia). After preying on one of Macelli's hoods (Chazz Palminteri), Marie fumbles her attack on the boss himself and he manages to escape, eventually transforming into a vampire himself. Macelli soon comes to appreciate his new superhuman condition and hatches a diabolical scheme to control the syndicates by turning his underlings into vampires -- including his beleaguered lawyer, Emmanuel Bergman (Don Rickles). Marie, faced with a new and powerful undead enemy, is forced to take matters into her own claws. To this end she enlists the reluctant aid (and eventual affection) of undercover cop Joe Gennaro (Anthony LaPaglia), whose cover has just been leaked to the press, making him a target for Macelli and his growing army of blood drinkers. Landis has crafted a dark and brooding film, pumped up with bouts of extreme gore and gangland violence -- but where American Werewolf's occasional comic touches helped to ground the story and give the "straight" horror scenes more punch, most attempts at humor here seem jarring and out of place. The film's highlights come from numerous horror in-jokes, including cameos from Sam Raimi, Clive Barker, Dario Argento and Linnea Quigley; Rickles' explosive death scene ranks among the weirdest in cinema history. ~ Cavett Binion, All Movie Guide

In this adventure, seven young west Texans ride out to volunteer for the Confederate army during the mid-point of the Civil War. The Concho County Comanches, as they call themselves, find that it is truly a long way to Shiloh, Tennessee where a major battle is about to occur. En route they encounter a variety of perilous adventures. As the story progresses, each of the Comanches suffers a different fate. Their leader endures the great battle, is wounded and awakens to find his arm cut off. He then learns that the only other survivor ran off in the middle of battle and is being hunted. The leader finds his mortally wounded friend huddled up in a barn. Later the amputee tells General Bragg the story of the Concho Comanches, and the compassionate General orders that the leader ride home to Texas. ~ Sandra Brennan, All Movie Guide

After bringing the story of the American soldiers who fought in the battle of Iwo Jima to the screen in his film Flags of Our Fathers, Clint Eastwood offers an equally thoughtful portrait of the Japanese forces who held the island for 36 days in this military drama. In 1945, World War II was in its last stages, and U.S. forces were planning to take on the Japanese on a small island known as Iwo Jima. While the island was mostly rock and volcanoes, it was of key strategic value and Japan's leaders saw the island as the final opportunity to prevent an Allied invasion. Lt. General Tadamichi Kuribayashi (Ken Watanabe) was put in charge of the forces on Iwo Jima; Kuribayashi had spent time in the United States and was not eager to take on the American army, but he also understood his opponents in a way his superiors did not, and devised an unusual strategy of digging tunnels and deep foxholes that allowed his troops a tactical advantage over the invading soldiers. While Kuribayashi's strategy alienated some older officers, it impressed Baron Nishi (Tsuyoshi Ihara), the son of a wealthy family who had also studied America firsthand as an athlete at the 1932 Olympics. As Kuribayashi and his men dig in for a battle they are not certain they can win -- and most have been told they will not survive -- their story is told both by watching their actions and through the letters they write home to their loved ones, letters that in many cases would not be delivered until long after they were dead. Among the soldiers manning Japan's last line of defense are Saigo (Kazunari Ninomiya), a baker sent to Iwo Jima only days before his wife was to give birth; Shimizu (Ryo Kase), who was sent to Iwo Jima after washing out in the military police; and Lieutenant Ito (Shidou Nakamura), who has embraced the notion of "Death Before Surrender" with particular ferocity. Filmed in Japanese with a primarily Japanese cast, Letters From Iwo Jima was shot in tandem with Flags of Our Fathers, and the two films were released within two months of one another. ~ Mark Deming, All Movie Guide

This week the focus is on another friend of Jessica Fletcher (Angela Lansbury), Irish-American police detective James O'Malley (Pat Hingle). When the wife of a powerful real-estate mogul (Ron Leibman) takes a fatal header out of a window, the coroner rules it a suicide. But O'Malley isn't one to tolerate such blarney: If he says it's murder, then faith-and-begorrah, it's murder! ~ Hal Erickson, All Movie Guide

The bumbling cops of Comedy Central's hit television series take a trip to Miami Beach for a national police convention. After the trip there turns out to be much more difficult than anticipated, the bumbling crew must leap into action when the convention center becomes the target of a biological terrorist attack. Lieutenant Jim Dangle (Thomas Lennon) must keep together his motley and inept crew in order to save everyone from the disaster, and keep peace on the streets of the popular Florida city. The film features the same cast from the popular Comedy Central series of the same name. ~ Perry Seibert, All Movie Guide

Alec Baldwin, Anthony Hopkins, Kim Cattrall, Dan Aykroyd, and Jennifer Love Hewitt star in this re-imagining of Walter Huston's The Devil and Daniel Webster - this time concerning a struggling writer who sells his soul to Old Scratch (Hewitt) in a desperate bid to find fame and fortune on the literary circuit. ~ Jason Buchanan, All Movie Guide

Produced in Canada, Taking Care consists of a series of short informational spots. The emphasis in on the care and treatment of pets, specifically those who have been abandoned. While the notion of tending to animal's emotional wellbeing might be the cause of derision in some circles, the series emphasizes that there's nothing really amusing about a spiritually wounded pet. Of the human participants in Taking Care, one has recently emerged as a star-in-the-making: Saul Rubinek. The project was the handiwork of producer/director Clarke Mackey, a Canadian TV stalwart since the early 1970s. ~ Hal Erickson, All Movie Guide

An aspiring astronaut who was forced to forsake his dream of exploring space in order to save the family farm begins building his own personal rocket as a means of reaching the stars in this quirky rural drama starring Billy Bob Thornton. There once was a time when Charlie Farmer (Thornton) seemed like a shoo-in for NASA's esteemed astronaut training program. An Air Force pilot who held a degree in aerospace engineering, Charlie was well on his way to blasting off when a family crisis grounded his celestial aspirations. Of course, Charlie's feet may be firmly planted on terra firma these days, but his thoughts are constantly ascending into the clouds and beyond. It's been ten long years since the man who would navigate the stars began tending to the family farm, and during that time, Charlie has dedicated every moment of his spare time to building the rocket that will one day launch him into space. Though his devoted wife, Audie (Virginia Madsen), the pair's three children, Sunshine, Stanley, and Shepard, and even his father-in-law, Hal (Bruce Dern), all support Charlie in achieving his lifelong goal of becoming the nation's first independent astronaut, a last-minute hitch on the eve before the big launch unexpectedly stalls Charlie's countdown. It seems that Charlie's quest to obtain a substantial amount of high-grade rocket fuel has attracted the attention of not only the FBI, but the CIA, the FAA, and the United States military as well. Now, as the powers that be attempt to ground Charlie, citing concerns for civilian safety, a media frenzy descends upon the once-quiet farm as the reluctant renegade hero vows to show his children just how far one's courage and willingness to pursue one's own ideals can get a person when one refuses to give up hope. Northfork writing/directing duo Mark and Michael Polish team up to tell the tale of a man considered an oddity by his neighbors, a criminal by the government, and an inspiration by the media and the people. ~ Jason Buchanan, All Movie Guide

There's a rumor that the MGM executive who thought that Glenn Ford could fill Rudolph Valentino's shoes in the 1962 remake of Valentino's Four Horsemen of the Apocalypse would have been arrested had it been sufficiently proven that he was competent to stand trial. The World War I setting of the original Blasco-Ibanez novel has been updated to World War II, but the basic plot remains the same. A well-to-do Argentinian family, rent asunder by the death of patriarch Lee J. Cobb, scatters to different European countries in the late 1930s. Before expiring, Cobb had warned his nephew Carl Boehm that the latter's allegiance to the Nazis would bring down the wrath of the titular Four Horsemen: War, Conquest, Famine and Death. Ford, Cobb's grandson, has promised to honor his grandfather's memory by thwarting the plans of Boehm. At the cost of his own life, Ford leads allied bombers to Boehm's Normandy headquarters. As unsuited as Glenn Ford was for his role, co-star Ingrid Thulin was even worse: her Swedish accent proved so impenetrable that MGM was obliged to have Angela Lansbury dub Ms. Thulin's voice. A major misfire for director Vincente Minnelli, The Four Horseman of the Apocalypse was an expensive flop, forcing MGM to hope and pray that their upcoming epic How the West Was Won would save the studio's hindquarters (it did). ~ Hal Erickson, All Movie Guide