Randy Hall

Assigned the thankless task of teaching freshman English at a gang-infested Long Beach, CA high school, a 23-year-old teacher resorts to unconventional means of breaking through to her hardened students in director Richard LaGravenese's adaptation of Erin Gruwell's best-seller The Freedom Writer's Diaries: How a Teacher and 150 Teens Used Writing to Change Themselves and the World Around Them. Her students had been written off, and her chances of succeeding scoffed at, but Erin Gruwell (Hilary Swank) wasn't about to go down without a fight. Long Beach is a place where a new war is waged with each passing day, and when the hardened students who walk those dangerous hallways sense an outsider attempting to understand their plight, their cynical resentment threatens to keep a deadly cycle in motion. Despite the initially hostile reaction she receives in the classroom, Gruwell uses the writings of Anne Frank and Zlata's Diary: A Child's Life in Sarajevo to teach her students not only the basis of the English language, but compassion and tolerance as well. Later, when the time comes to tell their own tales in a project specially designed to explore the daily violence that the majority of students have grown numb to, the barriers that had once stood so strong gradually begin to crumble. When the only chance for survival is to befriend the person who was once your mortal enemy, the world is opened to a whole new realm of possibilities. ~ Jason Buchanan, All Movie Guide

An inept cop suddenly gets a new partner in the person of a cabbie with attitude in this high-rolling comedy. Washburn (Jimmy Fallon) is a police officer who becomes the laughingstock of the department after a series of traffic accidents cause him to lose his driver's license. One day, Washburn gets an urgent call to head out to the location of a bank robbery; unable to drive himself there, he hails a cab. As it happens, the taxi is being driven by Belle (Queen Latifah), a single mom who, after making a name for herself as the fastest pizza delivery person in New York, has moved up to driving a hack. What begins as a wild ride to the scene of the crime gets even wilder as Washburn and Belle become unexpected allies while following the trail of a team of beautiful but reckless female bank robbers led by Vanessa (Gisele Bundchen). Adapted from a popular French action comedy with the same name, Taxi was Jimmy Fallon's first big-screen vehicle after leaving the cast of the popular sketch comedy series Saturday Night Live. ~ Mark Deming, All Movie Guide

This teen psychological thriller marks the feature film debut of respected television producer and director Daniel Sackheim. Leelee Sobieski stars as Ruby Baker, a high school student who is devastated when her parents Grace and Dave (Rita Wilson and Michael O'Keefe) are killed in a tragic car accident. With her younger brother Rhett (Trevor Morgan), Ruby is sent to live with the legal guardians chosen by her parents, their best friends Terry (Stellan Skarsgård) and Erin Glass (Diane Lane). The Glasses live in an opulent Malibu mansion where Ruby and Rhett are promised all of the finest luxuries money can buy and a lavish new rich-kid lifestyle. Before long, however, Ruby begins to suspect that her new caretakers are not what they appear on the surface and that the couple's financial woes may force them to harm her or Rhett in order to cash in on their sizable life insurance policies. The Glass House was written by Wesley Strick, screenwriter of Cape Fear (1991), Wolf (1994), and The Saint (1997). ~ Karl Williams, All Movie Guide

Penny Marshall's feel-good comedy, invoking parts of Dead Poet's Society, Sister Act, and Private Benjamin, features Danny DeVito as Bill Rago, a divorced advertising man who is fired from his job. During an appointment at the unemployment office, a counselor finds him a job as a civilian instructor at the local Army base. At the base, he is assigned a group of eight army hardcases. Rago is supposed to increase this group's "basic comprehension." Sweating it out and unable to interest his students in anything, he finally latches onto Shakespeare. He turns the lecture into a master class on Hamlet with the students converting the Shakespeare tragedy into a rap musical. Looking askance at all this is drill sergeant Cass (Gregory Hines), who feels that the whole class is a waste of time. Finally winning the respect of his students, Rago now has to win the hearts and minds of the contemptuous Cass and his staff. ~ Paul Brenner, All Movie Guide

Comedian John Candy, who died during the making of this poorly received comic western, plays James Harlow, a 19th century wagon master who is heading back east with a wagon train full of oddball characters who have had their fill of Western life. They include ex-doctor Phil Taylor (Richard Lewis), kind-hearted prostitute Belle (Ellen Greene), and a bookseller, Julian (John C. McGinley). Harlow is a drunken, washed-up leader who frequently gets lost. The travelers eventually discover that he was a member of the famous Donner party, which resorted to cannibalism when stranded in the mountains. Railroad magnates try to turn back the party, figuring it's bad publicity for people out East to learn that the West is not really a paradise. The tycoons hire gunfighters and villains to stop the expedition, but local Indians protect the wagons, because they are glad to see disgruntled white settlers leaving their lands. This "backwards" western was based on a story by Jerry Abrahamson. ~ Michael Betzold, All Movie Guide

This exercise in patriotic, high-tech action centers on a select group of Navy commandos and their battles against a Middle East terrorist group. This particular squadron is led by a pair of rivals: cocky, fiery Hawkins (Charlie Sheen) and stoic, unflappable Curran (Michael Biehn). When an anti-terrorist mission goes awry, allowing an enemy leader to escape with a supply of stolen American missiles, both men are certain that, given another chance, they can redeem themselves and the squad. Their rivalry plays out against a background of high-powered amphibious battles, allowing the film to revel in dangerous stunts and advanced weaponry. Joanne Whalley-Kilmer provides brief romantic relief as a journalist with important information, but the focus remains on the macho interplay between Hawkins and Curran. Co-written by former Navy Seal Chuck Pfarrer (with Gary Goldman), the film presents authentic details about the elite unit, but the bulk of Navy Seals tends to rely on familiar combat film conventions. Viewers seeking rapidly paced action sequences will not be disappointed, though other viewers may be less likely to overlook the predictable storyline and routine characters. ~ Judd Blaise, All Movie Guide

In this hit '80s hybrid of the horror movie and the teen flick, a single mom and her two sons become involved with a pack of vampires when they move into an offbeat Northern California town. Lucy (Dianne Wiest) and her sons, Michael (Jason Patric) and Sam (Corey Haim), move to Santa Carla to live with Lucy's lovable but curmudgeonly father (Barnard Hughes). Lucy gets a job from video store-owner Max (Edward Herrmann), then begins dating him, while Sam hangs out with Edward and Alan Frog (Corey Feldman and Jamison Newlander), a pair of vampire-obsessed comic-shop clerks. Soon Michael falls in with some actual vampires after becoming enamored of one of their victims: Star (Jami Gertz), a gypsy-like vixen who is trying to hold onto her humanity even though vampire leader David (Kiefer Sutherland) wants to play Peter Pan to her Wendy. When Michael visits the cavernous hangout of David and his cronies and unwittingly drinks from a wine bottle full of vampiric blood, he becomes an unwilling member of the bloodsucker biker gang. Soon, it's up to Sam and the Frog brothers to destroy David and his ilk without killing Michael and Star. Shot on location in the coastal California town of Santa Cruz and directed by Hollywood pro Joel Schumacher, The Lost Boys became a pop-culture phenomenon thanks to its attractive young stars, offbeat soundtrack, and hip, clever marketing campaign; the film's tagline -- "Sleep all day. Party all night. Never grow old. Never die. It's fun to be a vampire." -- perfectly captured its knowing mixture of attitude and gore. The effects team who transformed Sutherland and company into snarling blood-suckers would go on to provide equally gruesome effects for Blade, another revisionist vampire flick, more than a decade later. ~ Brian J. Dillard, All Movie Guide

While visiting his former partner in an Arizona border town, LA cop Jack Lucarelli witnesses a murder. The killer is white slaver Gerald McRaney-who turns out to be one of local sheriff Wilford Brimley's most trusted deputies. Nobody believes Lucarelli's eyewitness account, not even his ex-partner Jameson Parker, another of Brimley's deputies. Eventually, it dawns on Parker that his department is seething with corruption. He and Lucarelli work secretly to put an end to McRaney's activities, leading inexorably to the film's climactic bloodbath. The otherwise eminently forgettable American Justice is interesting for its reteaming of onetime Simon and Simon costars Jameson Parker and Gerald McRaney, this time on opposite sides of the law. Parker coproduced the film with costar Lucarelli, while one of the film's supporting actors, Dennis A. Pratt, wrote the script . ~ Hal Erickson, All Movie Guide