Porter Hall Movies

After working his way through the University of Cincinnati, Porter Hall slaved away as a Pennsylvania steel worker, then turned to acting, spending nearly 20 years building a solid reputation as a touring Shakespearean actor. Hall was 43 when he made his first film, Secrets of a Secretary. Never entertaining thoughts of playing romantic leads, Hall was content to parlay his weak chin and shifty eyes into dozens of roles calling for such unattractive character traits as cowardice, duplicity and plain old mean-spiritedness. Cast as a murder suspect in The Thin Man (1934), Hall's guilt was so transparent that it effectively ended the mystery even before it began. In DeMille's The Plainsman (1936), Hall played Jack McCall, the rattlesnake who shot Wild Bill Hickok in the back (his performance won Hall a Screen Actors Guild award). In the rollicking Murder He Says (1944), Hall portrays the whacked-out patriarch of a family of hillbilly murderers. And in Miracle on 34th Street (1947), Hall is at his most odious as the neurosis-driven psychiatrist who endeavors to commit jolly old Kris Kringle (Edmund Gwenn) to the booby hatch. Even with only one scene in Going My Way (1944), Hall manages to pack five reels' worth of venom into his role of a loudmouthed atheist. In real life, Hall was the exact opposite of his screen image: a loyal friend, a tireless charity worker, and a deacon at Hollywood's First Presbyterian Church. Porter Hall died at age 65 in 1953; his last film, released posthumously, was Return to Treasure Island (1954). ~ Hal Erickson, All Movie Guide
1954  
 
Famed German filmmaker E. A. Dupont, who in his peak years was responsible for such classics as Variety, merely goes through the motions in this updated sequel to Robert Louis Stevenson's Treasure Island. Instead of Jim Hawkins, the film offers Jim's beautiful female descendant Jamesina (Dawn Addams), who manages to get her hands on Captain Flint's fabled treasure map. This makes Jamesina the target of a variety of scurrilous fortune-hunters, including phony archeologist Harris (Porter Hall) and the malevolent, sightless Newman (James Seay). It is handsome archeological student Clive Stone (Tab Hunter) who helps Jamesina locate the treasure and elude the villains. At least Return to Treasure Island wasn't intended to be taken seriously. ~ Hal Erickson, All Movie Guide

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Starring:
Tab HunterDawn Addams, (more)
1953  
 
Though both Edward G. Robinson and Paulette Goddard were at career low points when they filmed Vice Squad, both actors were too professional to give anything less than their very best. Robinson plays Captain Barnaby of the titular squad, who during a routine day at the station takes charge of a case involving the killing of a patrolman. Barnaby holds Jack Hartrampf (Porter Hall), a witness to the murder, in protective custody. Hartrampf had been making a clandestine meeting with a pretty young lady, and is afraid to tell the police what he knows for fear of losing his reputation and getting the girl involved in the mess. With the help of Mona (Goddard), head of the so-called escort bureau who arranged the tryst, Barnaby is able to follow the trail of clues to bank robbers Barkis (Edward Binns) and Pete (Lee van Cleef). There's many an additional complication -- including a kidnapping and a false arrest -- before Barnaby is able to call it a day. ~ Hal Erickson, All Movie Guide

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Starring:
Edward G. RobinsonPaulette Goddard, (more)
1953  
 
The action in this loose adaptation of a popular 1925 silent tells the galloping (and largely untrue) tale if the formation of the U.S. rapid transcontinental mail system with a focus on the adventures of Buffalo Bill Cody (Charlton Heston) and Wild Bill Hickock (Forrest Tucker). ~ Sandra Brennan, All Movie Guide

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Starring:
Charlton HestonRhonda Fleming, (more)
1952  
 
This minor MGM feature stars Gig Young, Janice Rule, Keenan Wynn and Richard Anderson as diverse individuals caught up in New Orleans' Mardi Gras celebration. Young is cast in the leading role as a doctor, whose plans for the celebration are altered when punch drunk prizefighter Wynn commits murder. The killing completely changes the course of Young's life, and effects the lives of those closest to him. Though it didn't cost much, Holiday for Sinners suffered the fate of many second features produced during the early TV years and failed to make back its budget. Gig Young would have to wait several years for full stardom--and then usually as comedy relief for bigger stars. ~ Hal Erickson, All Movie Guide

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Starring:
Gig YoungJanice Rule, (more)
1951  
 
One of only five films directed by Academy Award-nominated editor Stuart Gilmore, this 1951 Western stars Robert Young as Dan Craig, a gambler who may be the only man who can stop a war between a tribe of Native Americans and a group of white settlers. Shortly after the U.S. Civil War, Frank Crawford (Reed Hadley), a crooked politician, concocts a scheme to pillage the vast quantities of gold present on Apache tribal land. If Crawford can incite a war, he can clear the Apaches from the area and the gold will be his. Luckily Craig steps in, and with the help of Charlie Wolf (Jack Buetel), a half-Apache, helps prevent the tribe members from playing into Crawford's plan. But when Wolf's sister is murdered, he can no longer resist the urge to rise up, leaving Craig as the only one to avert a disastrous battle. ~ Matthew Tobey, All Movie Guide

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Starring:
Robert YoungJanis Carter, (more)
1951  
 
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Billy Winder directed and co-wrote this bitterly satiric comedy-drama which turns a jaundiced eye towards both the news media and its consumers. Chuck Tatum (Kirk Douglas) is a talented but short-tempered reporter whose fondness for booze and unwillingness to bow to authority has cost him jobs at some of America's most prestigious newspapers. When Tatum's car breaks down in Albuquerque, New Mexico, Tatum persuades the editor of the local paper (Porter Hall) to give him a job until he can make enough to get his jalopy running and find a story that will put him back in the good graces of the Big City journals. After a year in Albuquerque, Tatum begins to wonder if a big scoop will ever cross his path, but when he's sent to Los Barios to cover the annual rattlesnake hunt, he lucks into a great human interest story -- Leo Minosa (Richard Benedict), who runs a local diner, motel and curio emporium, is caught in an abandoned mine shaft after a rockslide, which some superstitious locals attribute to an Indian curse. Tatum writes up the story with all the flourish he can muster, and portrays Leo's wife Lorraine (Jan Sterling) as a devoted spouse fearful for her husband's life, even though she can barely stand Leo and is planning to leave him. Tatum's story is picked up by the wire services and he makes friends with local sheriff Kretzer (Ray Teal) to insure he has an inside line on updates on Leo's rescue. When Tatum learns that Leo can be freed in a mere twelve hours, he persuades Kretzer and his men to adopt another rescue method that will take several days, which will generate more copy for Tatum, more press attention for Ketzer's re-election campaign, and more business for Lorraine's diner. Soon Los Barios is the biggest tourist attraction in the state, but as the media circus mounts, Leo begins to fall seriously ill. Also released as The Big Carnival, Ace In The Hole was a major box-office disappointment upon its original release in 1951, even though it was sandwiched between two of Wilder's biggest hits, Sunset Boulevard and Stalag 17. Despite never being released in home video until 2007, Ace In The Hole's bitter tone earned it an enthusiastic cult following, and it's now regarded as one of Wilder's best films of the Fifties. ~ Mark Deming, All Movie Guide

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Starring:
Kirk DouglasJan Sterling, (more)
1949  
 
Preston Sturges' final American film was generally conceded to be a disaster in 1949; even star Betty Grable publicly bad-mouthed the finished product. When seen today, Beautiful Blonde from Bashful Bend, while no classic, seems a lot better than it did five decades ago. Grable plays a western dancehall girl named Freddie, who is forced to take it on the lam after accidentally shooting a judge (she'd been aiming at her faithless boyfriend Blackie Jobero, played by Cesar Romero). Arriving in the tiny burg of Bashful Bend, Freddie is mistaken for the schoolmarm whom the town elders have recently hired. Taking advantage of this mistaken-identity situation, Freddie puts the make on wealthy banker Charles Hingelman (Rudy Vallee, a Sturges "regular"), who owns a valuable gold mine. Before the film's 77 minutes are over, Freddie finds herself smack dab in the middle of a shootout between the Good Guys and a family of dimwitted outlaws. As was always the case in a Preston Sturges production, Beautiful Blonde of Bashful Bend is chock full of colorful supporting players, including Hugh Herbert (hilarious as a myopic dentist), El Brendel, Sterling Holloway, and Margaret Hamilton. Also on hand are stalwart Sturges stock company players Porter Hall, Alan Bridge, J. Farrell McDonald, Georgia Caine, Esther Howard, Torben Meyer, Dewey Robinson, and Harry Hayden--many of whom, in keeping with 20th Century-Fox's curious billing policy, are denied on-screen credit. ~ Hal Erickson, All Movie Guide

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Starring:
Betty GrableCesar Romero, (more)
1948  
 
George Seaton's 1948 comedy Chicken Every Sunday was based on the play by Julius J. Epstein and Philip G. Epstein as well as the original memoirs of Rosemary Taylor. Set during the turn of the century on the American frontier, Emily Heffernan (eleste Holm) is the practical wife of foolish would-be businessman Jim Heffernan (Dan Dailey). While Emily struggles to keep the household together by renting out rooms to boarders, Jim wastes the family's earnings on get-rich-quick schemes. Told in flashback, Emily recalls her 20-year marriage before filing for divorce. Emily has had enough and wants to leave, but their friends try to get them back together. Also starring Colleen Townsend, Alan Young, and a ten-year-old Natalie Wood. ~ Andrea LeVasseur, All Movie Guide

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Starring:
Dan DaileyCeleste Holm, (more)
1948  
 
That Wonderful Urge is the second remake of Love is News (37), and is much closer to the original than the first remake (the Betty Grable musical Sweet Rosie O'Grady). Tyrone Power repeats his role from the 1937 film as a handsome reporter who targets a flighty heiress (Gene Tierney, taking over from Loretta Young) for ridicule. Sick of unwanted public attention, the heiress announces that she has secretly married Power, forcing him to endure the spotlight for a change. Several crosses and double-crosses later, Power and Tierney find that they're really in love after all. Personal item: This writer's favorite version of Love is News is the 1940 radio adaptation, which starred a wildly adlibbing Bob Hope. ~ Hal Erickson, All Movie Guide

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Starring:
Tyrone PowerGene Tierney, (more)
1948  
 
In this romantic comedy, a wealthy heiress marries hastily and realizes her mistake on her honeymoon in New York. Though it is her wedding night, she decides not to consummate the union and so ends up hiding in the room of a fellow whose airplane cargo company is facing financial ruin. He assumes that the frightened girl is poor and homeless and so takes her in. She then overdoses on sleeping pills and cannot wake up. The fellow is forced to take her back to California. The flight back is tumultuous as she, a fugitive criminal, two enamored newlyweds, a cigar smoking chimp, a corpse, and a shipment of lobsters are aboard the plane. Mayhem really ensues when the plane crashes in a farmer's field. By this time, the woman and the fellow have fallen in love. ~ Sandra Brennan, All Movie Guide

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Starring:
Joan FontaineJames Stewart, (more)
1947  
 
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Cecil B. DeMille's first postwar production, the $5 million Technicolor historical spectacular Unconquered lacks only the kitchen sink. The story begins in England in the 1760s, as Abigail Martha Hale (Paulette Goddard), unjustly accused of a crime against the Crown, is sentenced by the Lord Chief Justice (C. Aubrey Smith) to 14 years' forced servitude in North America. Carted off to the auction block, Abigail is highly coveted by slavemaster Martin Garth (Howard da Silva), but the highest bidder turns out to be Virginia militiaman Captain Christopher Holden (Gary Cooper). Having been jilted by his aristocratic fiancee Diana (Virginia Grey), Holden harbors no romantic feelings for Abigail, but he's determined not to let her fall into Garth's grimy clutches. The patriotic Holden also knows that Garth, who is married to the daughter (Katherine de Mille) of Indian chief Pontiac (Robert Warwick), has been trading firearms to the Ottawas. The treacherous Garth later participates in the "Pontiac Conspiracy," an allegiance of 18 Indian nations forsworn to wipe out every colonist on the East Coast. To put Holden out of the way, Garth arranges for him to be court-martialed and sentenced to death on a trumped-up desertion charge. But Abigail, partly in repayment for her rescue from Seneca chief Guyasuta (Boris Karloff) and partly because she's fallen in love with Holden, helps him escape, just in time to save a nearby military fort from an Indian massacre -- a feat accomplished by a subterfuge straight out of Beau Geste, which also starred Gary Cooper! As historically suspect as any Cecil B. DeMille epic, Unconquered is still marvelous escapist entertainment, especially during the time-honored bathtub scene involving a bare-shouldered Paulette Goddard (who spends most of the film in either a state of dishabille or bondage, or both!) Once again, however, Mr. "Spare No Expense" DeMille cuts corners by filming most of his major exterior scenes within the artificial confines of the Paramount sound stages. ~ Hal Erickson, All Movie Guide

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Starring:
Gary CooperPaulette Goddard, (more)
1947  
 
Returning to Singapore after a five-year absence, WWII veteran Matt Gordon (Fred MacMurray) mournfully recalls his romance with, and marriage to, a girl named Linda (Ava Gardner), whom he assumes was killed in a bombing raid on their wedding night. Resuming his prewar profession as a pearl smuggler, Matt gets mixed up with gangsters who are seeking a cache of pearls that he hid somewhere in Singapore during the war. He also meets wealthy Michael Van Leyden (Roland Culver), who is married to a woman who closely resembles the lamented Linda. In point of fact, she is Linda, but has been suffering from amnesia ever since the wartime bombing. Upon being reunited with his lost love, Matt does his best to ditch his unsavory companions and to rescue Linda from her "new" life. Clearly inspired by Casablanca, Singapore was remade as the 1957 Errol Flynn vehicle Istanbul. ~ Hal Erickson, All Movie Guide

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Starring:
Ava GardnerFred MacMurray, (more)
1945  
 
Weekend at the Waldorf is an unabashed remake of MGM's 1932 Oscar-winner Grand Hotel: in fact, at several points in the story, the cast makes pointed references to the earlier film. The posh Waldorf Hotel in the heart of New York is the setting for several plots and subplots. Ginger Rogers plays the Garbo counterpart, a successful but severely depressed movie star who wants to be alone. Walter Pigeon steps into John Barrymore's role, sort of; whereas Barrymore was a thief posing as nobility, Pigeon is a war correspondent posing as a thief. Hotel stenographer Lana Turner (originally Joan Crawford) latches onto tycoon Edward Arnold (originally Wallace Beery) in hopes of a life of luxury. And, in the film's biggest adaptation stretch, Van Johnson is cast as a war hero who, about to undergo life-threatening surgery, wants to thoroughly enjoy what may be his last days on earth. It takes a while to figure this out, but Johnson is supposed to be the character played in Grand Hotel by Lionel Barrymore: the meek clerk who, upon discovering that he's dying, blows his life savings on one last fling. On the whole, Weekend at the Waldorf is a lot more light-hearted than Grand Hotel, as indicated by the expository character played by humorist Robert Benchley, not to mention the presence of Xavier Cugat as the Waldorf's orchestra leader. ~ Hal Erickson, All Movie Guide

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Starring:
Ginger RogersLana Turner, (more)
1945  
 
If there were any doubts that little Shirley Temple was all grown up by 1945, those doubts were disippated by her appearance in Columbia's Kiss and Tell. Based on the mildly risque stage comedy by F. Hugh Herbert, the film casts Temple as impulsive teenager Corliss Archer, who is the only person in on the secret marriage between her GI brother and local girl Mildred Pringle (Virginia Welles). When Mildred becomes pregnant, Corliss can't reveal the marriage, since the Archers and the Pringles aren't overly fond of one another. Thus it is that Corliss herself pretends to be expecting, intending to claim Mildred's baby as her own. She further identifies her next-door boyfriend Dexter Franklin (Jerome Courtland) as the father, opening yet another can of worms. Somehow this mess straightens itself out, but not before several "chancy" scenes and lines of dialogue that must have given the Hollywood censors headaches aplenty. Kiss and Tell (the original play, that is) not only spawned a 1949 movie sequel, A Kiss for Corliss, but also inspired the popular radio and TV sitcom Meet Corliss Archer. ~ Hal Erickson, All Movie Guide

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Starring:
Shirley TempleJerome Courtland, (more)
1945  
 
Though it comes on much too strong at times, Murder, He Says fully justifies its present "cult" status. Professional pollster Pete Marshall (Fred MacMurray) gets more than he bargained for when he heads to hillbilly country to investigate the disappearances of several of his colleagues. Poor Pete stumbles across the Fleagle family, who have a quaint habit of murdering anyone they consider to be a nuisance. Whip-wielding Mamie (Marjorie Main), her deceptively meek husband Mr. Johnson (Porter Hall) and her hulking, lamebrained twin sons (both played by Peter Whitney) are searching for $70,000 hidden by Bonnie Parker-like desperado Bonnie Fleagle, and they don't intend to be disturbed by any outsiders like Pete. Having previously poisoned their troublesome grandma (Mabel Paige) with a curious substance that causes its victims to glow in the dark, Mamie and her brood try to dispatch Pete in the same manner, leading to an uproarious slapstick setpiece involving an elaborate "Lazy Susan" table. Complicating matters is the arrival of two different women (Helen Walker, Barbara Pepper) claiming to be the long-lost Bonnie Fleagle. Jean Heather costars as Elany Fleegle, the only sympathetic (but no less crack-brained) member of the killer brood. Its comedy content aside, Murder, He Says would be memorable for its eye-popping split-screen photography, thoroughly convincing the audience that Peter Whitney is indeed two different people. ~ Hal Erickson, All Movie Guide

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Starring:
Fred MacMurrayHelen Walker, (more)
1945  
 
In this high-spirited musical comedy, J. Newport Bates (Eddie Bracken) is a millionaire who finds women are only interested in him for his money. When he becomes infatuated with Teddy Collins (Veronica Lake), a cigarette girl, he tries to hide his true identity from her, hoping she'll be interested in him for himself rather than his bank account. However, once Teddy figures out who he is, Bates drops her, and he is about to give up on women entirely when he meets Sue Thomas (Marjorie Reynolds), a nice girl who isn't interested in his money (or at least not yet). Musical satirists Spike Jones and his City Slickers also appear, though most prints are missing a bit from one of their musical numbers: a verse from a song that made fun of Eleanor Roosevelt was clipped after the film's initial engagements. ~ Mark Deming, All Movie Guide

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Starring:
Veronica LakeSonny Tufts, (more)
1944  
 
It took some doing to persuade the staunchly Catholic Bing Crosby to play a happy-go-lucky priest in Going My Way; luckily he acquiesced, winning an Academy Award in the process. Crosby is cast as Father Chuck O'Malley, newly arrived at rundown, heavily in debt St. Dominic's Church. Father Fitzgibbon (Barry Fitzgerald), the cranky, set-in-his-ways curate of St. Dominic's, is none too pleased with O'Malley's breezy, "modernistic" methods. Fitzgibbon is content to adhere to the policies he has followed for nearly 45 years. Without overtly challenging Fitzgibbon's authority (he likes the old buzzard, and the feeling is mutual), O'Malley sets about to win the confidence of the local street toughs, organizing the boys into an angelic church choir. He also forestalls the plans of St. Dominic's mortgage holder Ted Haines (Gene Lockhart) to evict Fitzgibbons by arranging a fundraising choir tour, to be headlined by O'Malley's childhood friend, opera star Genevieve Linden (Rise Stevens). When he's not coming to the rescue of St. Dominic's, O'Malley is smoothing the path of romance for Haines' son (James Brown) and orphaned Carol James (Jean Heather), and arranging for a reunion between Fitzgibbons and his nonagenarian Irish mother. There is sentiment by the bucketful in Going My Way, but director Leo McCarey sagaciously tempers the treacle with moments of genuine hilarity and several delightful (and seemingly spontaneous) musical interludes. In addition to Crosby, Oscars went to Barry Fitzgerald, Leo McCarey, screenwriters Frank Butler and Frank Cavett, and Burke and Van Heusen's song hit "Swingin' On a Star." Bing Crosby repeated his father O'Malley characterization in McCarey's 1945 sequel The Bells of St. Mary's. ~ Hal Erickson, All Movie Guide

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Starring:
Bing CrosbyRise Stevens, (more)
1944  
 
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"Some are born great, some achieve greatness, some have greatness thrust upon 'em." Firmly in the latter category is Norval Jones (Eddie Bracken), a feckless wartime 4-F who must stand by helplessly as his sweetheart Trudy Kockenlocker (Betty Hutton) entertains every visiting GI in town. One morning after a particularly wild night, Trudy labors under the apprehension that last eve, she'd married a soldier named Ratzkywatzky or something. Evidently something had happened that night, for soon Trudy discovers that she's pregnant. Hiding this information from her bombastic policeman father (William Demarest), Trudy begs Norval to tell the world that he's the father. He agrees, but only after secretly wedding Trudy under an assumed name. Complications and disasters pile up thick and fast, and before long Norval is facing arrest on a variety of charges. Providentially, Trudy gives birth to sextuplets-and suddenly Norval is a national hero! This vintage Preston Sturges farce plays so fast and loose with the censorial restrictions of mid-1940s Hollywood that critic James Agee was moved to comment that, "the Hays office must have been raped in its sleep." As usual, Sturges populates his cast with steadfast members of his stock company-- including, in guest roles, Brian Donlevy and Akim Tamiroff, the stars of his previous film, The Great McGinty. Originally filmed in 1942, Miracle was held from release from two years, not because of censor problems but because its parent studio, Paramount, was overloaded with product. Miracle of Morgan's Creek was remade (and considerably laundered) as the 1958 Jerry Lewis vehicle Rock-a-bye Baby. ~ Hal Erickson, All Movie Guide

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Starring:
Eddie BrackenBetty Hutton, (more)
1944  
 
The Whistler, the unseen mystery-story narrator of radio fame, relates another tale that he's gleaned from "walking by night" in Mark of the Whistler. Richard Dix stars as a drifter who poses as the owner of an unclaimed bank account. Dix's new identity brings him nothing but misery as he falls victim to the actual claimant's startling secrets, lost loves and dangerous enemies--including one bent on killing for revenge. The second of Columbia's Whistler series, Mark of the Whistler was an enormous improvement on the first film, with a healthy number of unexpected plot twists within its 60-minute time frame. Mark of the Whistler was based on a story by Cornell Woolrich and directed by future horror specialist William Castle. ~ Hal Erickson, All Movie Guide

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Starring:
Richard DixJanis Carter, (more)
1944  
 
The overcrowding in WWII-era Washington, D.C., provided the concept for this comedy, as well as another film from the previous year, The More the Merrier (1943). Lee Stevens (Fred MacMurray) is an executive from a toy company owned by T.J. Todd (Edward Arnold). In hopes of landing a lucrative wartime production contract, Todd has dispatched Stevens and Jane Rogers (Paulette Goddard), a secretary, to Washington, D.C., for a meeting with a political fat cat. Once there, Jane foolishly cancels their hotel reservations, unaware that the capitol is so jammed that there is nowhere else to stay. She devises a plan -- she and Lee will pose as servants in the home of wealthy Ira Cromwell (Roland Young), where their lodging will be part of their salary. Lee is a disaster as a domestic, and when the very same politician they've come to meet arrives for a formal dinner, disaster looms. Standing Room Only (1944) was the third of five films in which MacMurray and Goddard would appear together. ~ Karl Williams, All Movie Guide

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Starring:
Fred MacMurrayPaulette Goddard, (more)
1944  
 
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Directed by Billy Wilder and adapted from a James M. Cain novel by Wilder and Raymond Chandler, Double Indemnity represents the high-water mark of 1940s film noir urban crime dramas in which a greedy, weak man is seduced and trapped by a cold, evil woman amidst the dark shadows and Expressionist lighting of modern cities. Phyllis Dietrichson (Barbara Stanwyck) seduces insurance agent Walter Neff (Fred MacMurray) into murdering her husband to collect his accident policy. The murder goes as planned, but after the couple's passion cools, each becomes suspicious of the other's motives. The plan is further complicated when Neff's boss Barton Keyes (Edward G. Robinson), a brilliant insurance investigator, takes over the investigation. Told in flashbacks from Neff's perspective, the film moves with ruthless determinism as each character meets what seems to be a preordained fate. Movie veterans Stanwyck, MacMurray, and Robinson give some of their best performances, and Wilder's cynical sensibility finds a perfect match in the story's unsentimental perspective, heightened by John Seitz's hard-edged cinematography. Double Indemnity ranks with the classics of mainstream Hollywood movie-making. ~ Linda Rasmussen, All Movie Guide

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Starring:
Fred MacMurrayBarbara Stanwyck, (more)
1944  
 
Originally, producer Harry Sherman's Woman of the Town was slated for Paramount release, but that studio was overloaded with product, so the film was deferred to United Artists. Nonetheless, the finished product has the "look" of a Paramount, right down to the presence of character actor Albert Dekker in a leading role. Dekker plays Bat Masterson, who after failing to secure a job as a newspaper reporter becomes marshal of Dodge City. Preferring socializing to peacekeeping, Masterson falls in love with Dora Hand (Claire Trevor), the obligatory golden-hearted chorus girl whose concern for the welfare of her fellow citizens at time reaches Madonna-like dimensions. When Dora is shot down cattle baron King Kennedy (Barry Sullivan), Masterson begins taking his job seriously. After taking care of Kennedy, Masterson determines to enshrine the memory of Dora, whose efforts to clean up Dodge City were largely ignored by the "decent" townsfolk. Our favorite bit in Woman of the Town has the frontier newspaper editor advising an aspiring girl reporter (Beryl Wallace) to stick to her gossip column-whereupon we're informed that the lady is Louella Parsons! ~ Hal Erickson, All Movie Guide

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1944  
 
After producing, writing and directing one hit film after another, Preston Sturges finally misfired with the biopic The Great Moment. Sturges was always fascinated with the saga of W.T.G. Morton, the 19th century Boston dentist who, after inventing the first truly effective anesthesia, was forced to give up his proprietary interest in the invention and ended up dying in poverty and obscurity. Joel McCrea stars as Morton, a young oral surgeon determined to find a painless method for exracting teeth-which he does, virtually by accident. Betty Field costars as Morton's faithful spouse Elizabeth, while Sturges regular William Demarest offers a gem of a performance as Morton's best friend-guinea pig Eben Frost (his persistence upon recalling his first meeting with Morton -- "I was in excru-ci-ating pain"-is one of the film's highlights). Completed in 1942, The Great Moment was taken out of Sturges' hands and heavily re-edited and re-arranged by the Paramount executives: as a result, the story is confusing and downright incomprehensible at times (the film's present ending, for example, originally occured in the middle of the film). The result was varying runtimes for the film of 80, 83, 87, and 90 minutes. An enormous box-office flop in 1944, the film proved to be the beginning of the end for Sturges, who was never able to completely recover from its failure. ~ Hal Erickson, All Movie Guide

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Starring:
Joel McCreaBetty Field, (more)
1943  
 
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All but forgotten today, A Stranger in Town serves as an excellent showcase for the dramatic talents of Frank Morgan. The star plays Supreme Court justice John Josephus Grant, who decides to take a break from his hectic schedule by going on a hunting vacation. Travelling incognito, Grant stops over in a small town that turns out to be a hotbed of political corruption. Taking a liking to honest young mayoral candidate Bill Adams (Richard Carlson), Grant uses his legal know-how to help thwart Adams' crooked opponents. Jean Rogers, best-known to film buffs as Dale Arden in the first two "Flash Gordon" serials, is decorative as Grant's secretary, who (of course!) falls in love with the clean-cut Bill Adams. ~ Hal Erickson, All Movie Guide

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Starring:
Frank MorganRichard Carlson, (more)
1943  
 
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In this Western drama, Steve Upton (Randolph Scott) is the sheriff of a Utah community in 1860. Upton's best friend, Cheyenne Rogers (Glenn Ford), was once an outlaw, but under Steve's guidance, he's gone straight and tries to earn an honest living. However, while Cheyenne is in town to pay Upton a visit, the local bank is robbed and Cheyenne is the prime suspect. Through Cheyenne is quickly convicted, Upton is convinced his friend is innocent, and the sheriff helps the former outlaw break out of jail; together, they hit the trail trying to find the real culprits and clean up the town. The Desperadoes had the distinction of being the first Technicolor feature released by Columbia Pictures. ~ Mark Deming, All Movie Guide

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Starring:
Randolph ScottGlenn Ford, (more)

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