Philip Baker Hall Movies

Primarily a supporting and character actor, Philip Baker Hall has also played the occasional lead on stage, screen, and television. Hall made his film debut playing a priest in Cowards (1970). He then appeared in three television series during the mid-'70s, including Man From Atlantis (1977). He became best known during the '80s for his portrayal of Richard Nixon in Robert Altman's brilliant Secret Honor (1984), for which Hall also wrote the screenplay. Though the film garnered mixed reviews, the actor's portrayal of Nixon was hailed as a tour de force. Through the '80s and '90s, Hall continued to work steadily in films and on television; his talents were perhaps best, and most famously, utilized by director Paul Thomas Anderson, who cast Hall in substantial roles in Hard Eight (1996), Boogie Nights (1997), and Magnolia (1999), the last of which saw the actor in fine form as a game show host dying of cancer. Hall also had a memorable turn as a private investigator who is far too convinced of the infallibility of his own instincts in Anthony Minghella's The Talented Mr. Ripley (1999); that same year, he gave a strong performance as CBS producer Don Hewitt in Michael Mann's The Insider. ~ Sandra Brennan, All Movie Guide
1977  
 
Suffering a shortage of light bulbs, the 4077th sends out a requistion--an ends up with a surplus of ice cream churns and salt tablets. Elsewhere, Hawkeye (Alan Alda) is driven to distraction when he finds that the last page in a mystery novel is missing. Before long, everyone in camp has been caught up in Hawkeye's agony, prompting B.J. (Mike Farrell) to place an extremely long long-distance call to the novel's author. ~ Hal Erickson, All Movie Guide

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1977  
 
The story of "red light bandit" Caryl Chessman, previously dramatized in the 1955 film Cell 2455, Death Row (based on Chessman's own book), was adapted for television as Kill Me If You Can. In a radical departure from his usual duties as MASH's Hawkeye Pierce, Alan Alda plays Chessman, who in 1948 was found guilty of robbery, kidnapping and sexual assault. Under the laws of the era, Chessman was sentenced to die in the gas chamber. But by studying the law and publishing four books on his plight, the brilliant (albeit still repugnant) Chessman managed to forestall his execution for 12 years. Though no effort is made in the film to make the sociopathic Chessman any better than he was, John Gay's script comes out squarely in opposition of capital punishment. Kill Me If You Can first aired on September 25, 1977. ~ Hal Erickson, All Movie Guide

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Starring:
Alan AldaTalia Shire, (more)
1977  
 
In this TV pilot that spawned a brief series on NBC during 1977-78, Patrick Duffy plays the title character--an amphibian/human, equipped with gills--who washes up on shore and is taken to the hospital to recover. When the American government finds out his identity, it recruits him to help in the recovery of a secret submarine. ~ John Bush, All Movie Guide

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1976  
 
In the conclusion of a two-part story, J.J. (Jimmie Walker) and his girlfriend, Diana (Debbie Allen), override the objections of their parents and elope to Indiana. Meanwhile, the Evans family stumbles upon evidence that Diana is a drug addict. As both sets of parents search for their runaway children, the strung-out Diana takes drastic, desperate action. ~ Hal Erickson, All Movie Guide

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1970  
 
Leading man John Rose finds himself faced with a difficult moral decision when he must choose between following his draft-dodging friends to Canada and living under the stigma of cowardice or doing his patriotic duty and risking his life. Look closely and you'll spot Spalding Gray as one of the radicals. ~ Hal Erickson, All Movie Guide

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PG  
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Ghostbusters
Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson star as a quartet of Manhattan-based "paranormal investigators". When their government grants run out, the former three go into business as The Ghostbusters, later hiring Hudson on. Armed with electronic paraphernalia, the team is spectacularly successful, ridding The Big Apple of dozens of ghoulies, ghosties and long-legged beasties. Tight-lipped bureaucrat William Atherton regards the Ghostbusters as a bunch of charlatans, but is forced to eat his words when New York is besieged by an army of unfriendly spirits, conjured up by a long-dead Babylonian demon and "channelled" through beautiful cellist Sigourney Weaver and nerdish Rick Moranis. The climax is a glorious sendup of every Godzilla movie ever made-and we daresay it cost more than a year's worth of Japanese monster flicks combined. Who'd ever dream that the chubby, cheery Stay-Puft Marshmallow Man would turn out to be the most malevolent threat ever faced by New York City? When the script for Ghostbusters was forged by Dan Aykroyd and Harold Ramis, John Belushi was slated to play the Bill Murray role; Belushi's death in 1982 not only necessitated the hiring of Murray, but also an extensive rewrite. The most expensive comedy made up to 1984, Ghostbusters made money hand over fist, spawning not only a 1989 sequel but also two animated TV series (one of them partially based on an earlier live-action TV weekly, titled The Ghost Busters. ~ Hal Erickson, All Movie Guide

Ghostbusters 2
Ivan Reitman's sequel to the phenomenally successful Ghostbusters is looser and more self-assured than the original. The film opens with a title reading "Five Years Later" and finds the ghostbusters living in hard times. A restraining order has forbidden the boys to partake in paranormal warfare, and as a result they have had to seek other lines of work. Ray (Dan Aykroyd) and Winston (Ernie Hudson) spend their time performing at children's' birthday parties, and Egon (Harold Ramis) is busy conducting experiments investigating the effect of human emotions on the environment, leaving ghostbusting behind. Venkman (Bill Murray) and Dana (Sigourney Weaver) have split up. Venkman now hosts a local cable show called "The World of the Psychic." Dana, now divorced and the mother of a little baby named Oscar, works as an art restorer in a museum -- and this is where the plot kicks in. While Dana is restoring a portrait of a 16th-century tyrant by the name of Vigo the Carpathian, the portrait becomes hexed. The evil Vigo wants to return to life by taking over the body of Dana's little child. Vigo has enlisted Dana's boss, Janosz Poha (Peter MacNicol), to compel Dana to cooperate. Soon dirty sludge and slime flow through the streets of Manhattan, and the ghostbusters have to reunite to save the city from a funky paranormal evil. ~ Paul Brenner, All Movie Guide

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