Michael Hall Movies

A monk and a pickpocket become unlikely allies in this action adventure story. Sixty years ago, a nameless monk (Chow Yun-Fat) was appointed the guardian of a mysterious scroll that grants remarkable powers to those who possess it. After six decades of traveling the world to protect the scroll, the monk must find someone new to assume the responsibility, but as fate would have it, the new caretaker turns out to be Kar (Seann William Scott), a scruffy and distinctly non-enlightened petty thief living in San Francisco. As the monk attempts to educate Kar in the powers and responsibilities of the scroll and the ways of a monk's life, they discover they have a rival for the possession of the valuable scroll. As Kar and the monk fend off their mysterious adversary, they are aided by Bad Girl (Jaime King), a beautiful Russian mob affiliate with amazing martial arts skills and a vested interest in keeping the scroll in virtuous hands. Bulletproof Monk was based a comic book series published in 1999; Chow Yun-Fat's frequent collaborators John Woo and Terence Chang produced. ~ Mark Deming, All Movie Guide

Though he doesn't wield a sword nor wear a plumed hat, singing cowboy Rex Allen qualifies as The Last Musketeer in this Republic western. Allen is called upon to stem the underhanded activities of land baron Russ Tasker (James Anderson). It is Tasker's intention to buy up all the local farmland dirt cheap, so that he can reap all the revenue engendered by an upcoming dam project. The villain is none too particular about his methods, going so far as to cut off all water supplies so that the ranchers' cattle will die off. But Allen finds a method to thwart Tasker's scheme--and without resorting to firearms or fisticuffs. Rex Allen's singing talents are spotlighted during two musical sequences, in which he is backed up by comic sidekick Slim Pickens and The Republic Rhythm Riders. ~ Hal Erickson, All Movie Guide

The postwar classic The Best Years of Our Lives, based on a novel in verse by MacKinlay Kantor about the difficult readjustments of returning World War II veterans, tells the intertwined homecoming stories of ex-sergeant Al Stephenson (Fredric March), former bombadier Fred Derry (Dana Andrews), and sailor Homer Parrish (Harold Russell). Having rubbed shoulders with blue-collar Joes for the first time in his life, Al finds it difficult to return to a banker's high-finance mindset, and he shocks his co-workers with a plan to provide no-collateral loans to veterans. Meanwhile, Al's children (Teresa Wright and Michael Hall) have virtually grown up in his absence. Fred discovers that his wartime heroics don't count for much in the postwar marketplace, and he finds himself unwillingly returning to his prewar job as a soda jerk. His wife (Virginia Mayo), expecting a thrilling marriage to a glamorous flyboy, is bored and embittered by her husband's inability to advance himself, and she begins living irresponsibly, like a showgirl. Homer has lost both of his hands in combat and has been fitted with hooks; although his family and his fiancée (Cathy O'Donnell) adjust to his wartime handicap, he finds it more difficult. Profoundly relevant in 1946, the film still offers a surprisingly intricate and ambivalent exploration of American daily life; and it features landmark deep-focus cinematography from Gregg Toland, who also shot Citizen Kane. The film won Oscars for, among others, Best Picture, Best Director for the legendary William Wyler, Best Actor for March, and Best Supporting Actor for Harold Russell, a real-life double amputee whose hands had been blown off in a training accident. ~ Hal Erickson, All Movie Guide