Juanita Hall Movies
The only Rodgers and Hammerstein cinemadaptation to be produced by Universal Pictures, Flower Drum Song was, alas, also the only Rogers and Hammerstein film to lose money at the box office. It looks far better now than it did back in 1961, if only because of the paucity of musical films in the 1990s. Essentially a comedy about the culture clash between old-world Chinese and assimilated Chinese-Americans, the film begins when Mei Li (Miyoshi Umeki) and her grandfather (Kam Tong) smuggle themselves into San Francisco. It seems that Mei Li has arrived to honor an arranged marriage between herself and Runyonesque nightclub owner Sammy Fong (the incomparable Jack Soo). This might prove delicate, since Sammy is in love with flashy cabaret entertainer Linda Low (Nancy Kwan). Meanwhile, Linda is romancing Wang Ta (James Shigeta), the son of a wealthy Chinatown merchant (Benson Fong). Soon, however, Mei Li and Wang Ta have fallen in love.......It's a complex plot, to be sure, but comedy and music manage to predominate. The songs include "I Enjoy Being a Girl" (a tour de force for the special effects department, and for Nancy Kwan), "A Hundred Million Miracles," "The Other Generation," "Love Look Away," "I Am Going to Like It Here," "Don't Marry Me," "You Are Beautiful," "Grant Avenue" and "Chop Suey." Flower Drum Song is attractively produced and consummately acted; while no classic along the lines of King and I or Sound of Music, it deserves a second look. ~ Hal Erickson, Rovi
- Starring:
- Nancy Kwan, James Shigeta, (more)
Producer/director Joshua Logan's long-awaited filmization of Rodgers & Hammerstein's Pulitzer Prize winning musical South Pacific was not the classic that everyone hoped it would be, principally because of some curious creative choices made by the production personnel. Adapted from James A. Michener's best-selling novel Tales of the South Pacific, the film stars Mitzi Gaynor as WAVE officer Nellie Forbush, who while stationed overseas during World War II falls in love with wealthy French planter Emile De Becque (Rosanno Brazzi). The Navy would like DeBecque to help them in a reconnaissance mission against the Japanese, but he refuses; having run away from the outside world after killing a man in his home town, De Becque sees no reason to become involved in a war which he did not start and in which he has no interest. But when Nellie, her inbred bigotry aroused when she discovers that Emile has two mixed-race children, refuses his proposal of marriage, DeBecque, having nothing to lose, agrees to go on the mission. His partner in this venture is Lt. Joseph Cable (John Kerr), who like Nellie is a victim of prejudicial feelings; Cable has previously thrown away a chance at lasting happiness by refusing to marry Liat (France Nuyen), the dark-skinned daughter of Tokinese trader Bloody Mary (Juanita Hall). When Cable is killed and DeBecque is seemingly lost in battle, Nellie, realizing the stupidity of her racism, prays for Emile's safe return. The dramatic elements of South Pacific are offset by the low-comedy antics of "Big Dealer" seabee Luther Billis (Ray Walston). Outside of Walston and Hall, both repeating their stage characterizations, South Pacific suffers from a largely noncharismatic cast. Mitzi Gaynor never rises above cuteness in the difficult role of Nellie Forbush, while Rosanno Brazzi (whose singing is dubbed by Giorgio Tozzi) seems to be striking poses rather than acting as Emile DeBecque. These casting deficiencies might have been ignored had not South Pacific been laboring under an additional handicap: director Joshua Logan's decision to use colored filters in several key scenes, representing the emotions experienced by the actors. The constant color shift is more unsettling than attractive, drawing attention to Logan's technique and thereby taking the audience "out" of the picture. With all this going against it, however, South Pacific has much to be treasured. For one thing, all of Rodgers & Hammerstein's immortal songs--"Some Enchanted Evening," "Bali H'ai," "There is Nothing Like a Dame," "I'm in Love With a Wonderful Guy," "Younger Than Springtime" etc.--are retained, and, as a bonus, a song cut from the original stage production, "My Girl Back Home," is revived herein. In addition, the film is a bonanza for movie buffs who enjoy playing "spot the bit player:" among the supporting-cast ranks are Tom McLaughlin, Ron Ely, Doug McClure, John Gabriel and James Stacy (rumors persist that Joan Fontaine shows up unbilled as a nurse, but we've yet to spot her). Though artistically disappointing, South Pacific ended up one of the biggest box-office gold mines of the 1950s. ~ Hal Erickson, Rovi
- Starring:
- Rossano Brazzi, Mitzi Gaynor, (more)
Its many production flaws aside, Miracle in Harlem is a pretty good example of the "all-black" films prevalent in the segregated 1940s. The story concerns a Harlem candy store that is taken over by a gang of crooks. Julie Weston (Sheila Guyse), stepdaughter of the store's elderly owner (Hilda Ofley), resists not only the takeover, but the amorous advances of the head crook's delinquent son (Lawrence Criner). When the ringleader Kenneth Freeman turns up dead, Julie finds herself the main suspect, but a series of unbelievable plot contrivances come to her rescue. Miracle in Harlem is worth seeing for the presence in the cast of Jack Carter, who 10 years earlier had starred in Orson Welles' all-black MacBeth, and Stepin Fetchit, who, after being banned from mainstream Hollywood productions for his stereotypical performances, goes through his time-tested "lazy" routines once more. Musical highlights include a number by the Juanita Hall Choir, led by the woman who'd later gain Broadway fame as Bloody Mary in South Pacific. ~ Hal Erickson, Rovi
- Starring:
- Sheila Guyse, Stepin Fetchit, (more)
Featuring an all African-American cast, this gritty crime drama is set in Harlem and centers on a club singer who suffers great tragedy after he accidentally witnesses a gangland hit. ~ Sandra Brennan, Rovi
- Starring:
- Juanita Hall, Mamie Smith, (more)





