Georgie Billings Movies

Nice Girl? answers its own question by casting the relentlessy nice Deanna Durbin in the title role. In her first truly adult role, Durbin plays Jane Dana, the blossoming daughter of high school principal Oliver Dana (Robert Benchley). Jane is being ardently courted by longtime boyfriend Don Webb (Robert Stack) and by the more worldly Richard Calvert (Franchot Tone). A series of misunderstandings leads to the demure Jane earning an unsavory (and wholly unjustified) "reputation", but it all turns out okay by fadeout time. It is not only unfair to reveal the ending, but also quite difficult, since the current video version of Nice Girl includes the film's "alternate" ending, which is rather different than the denoument in the officially released version. Ms. Durbin's songs on this occasion range from such standards as "Old Folks at Home" to four newly-minted tunes. ~ Hal Erickson, Rovi

The once-in-a-lifetime teaming of Mae West and W.C. Fields in My Little Chickadee had the potential for comic greatness: what emerged, though generally entertaining, was, in the words of critic Andrew Sarris, "more funny strange than funny ha-ha." Mae West dominates the film's first reel as Flowerbelle Lee, a self-reliant woman who is abducted by a mysterious masked bandit during a stagecoach holdup. Because she refuses to tell anyone what happened during her nocturnal rendezvous with the bandit, Flowerbelle is invited to leave her prudish hometown and move to Greasewood City. En route by train, Flowerbelle makes the acquaintance of con-artist Cuthbert J. Twillie (W.C. Fields), who carries a suitcase full of what seems to be large-denomination monetary notes. After a lively clash with marauding Indians, Flowerbelle tricks Twillie into a phony marriage; she does this so that she can arrive in Greasewood City with a modicum of respectability, and incidentally to get her hands on Twillie's bankroll. Once she discovers that Twillie's "fortune" consists of nothing but phony oil-well coupons, Flowerbelle refuses to allow Twillie into the bridal chamber (he unwittingly crawls into the marriage bed with a goat, muttering "Darling, have you changed your perfume?") Through a fluke, the cowardly Twillie is appointed sheriff of Greasewood City by town boss Joseph Calleila. The plot is put on hold for two reels while La West does a "schoolroom" routine with a class full of markedly overage students, and while Fields performs a bartender bit wherein he explains how he once knocked down the notorious Chicago Mollie. Jealous over the attentions paid to his "wife" by Calleila and honest newspaper-editor Dick Foran, Twillie decides to gain entry into his wife's boudoir by posing as the still-at-large masked bandit. His ruse is soon discovered by Flowerbelle, but the townsfolk capture Twillie as he makes his escape. They are about to lynch the hapless Twillie when Flowerbelle discovers that Calleia is the genuine masked bandit. She urges Calleia to save Twillie's life by making a surprise appearance at the lynching and by returning the money he's stolen. When all plot lines are ironed out, Flowerbelle and Twillie bid goodbye to one another. Borrowing a device utilized by ZaSu Pitts and Hugh Herbert in 1939's The Lady's From Kentucky, W.C. Fields invites Mae West to "come up and see me sometime," whereupon West appropriates Fields' tagline and calls him "My Little Chickadee." The script for this uneven comedy western was credited to Mae West and W.C. Fields, though in fact West was responsible for most of it. Fields willingly conceded this, noting that West had captured his character better than any other writer he'd ever met. Despite this seeming gallantry, it was no secret that West and Fields disliked each other intensely, a fact that had an injurious effect on their scenes together. My Little Chickadee has assumed legendary status thanks to its stars, and it certainly does deliver the laughs when necessary: still, it is hardly the best-ever vehicle for either Fields or West, two uniquely individual performers who should never have been required to duke it out for the same spotlight. ~ Hal Erickson, Rovi

This harmless Universal musical comedy is worth having as one of the few filmed records of legendary Broadway comedian Jimmy Savo (his previous starrer, Once in a Blue Moon, is among the rarest of collector's item). The story proper is carried by Robert Wilcox and Nan Grey, cast as a pair of mismatched lovers who share a common interest in horse racing. Hero and heroine get mixed up in a shady get-rich-quick scheme, which threatens to turns disastrous but which ends up solving everyone's problems. Harry Davenport adds a touch of gentle pathos as a blind horseplayer. Jimmy Savo's pantomime turns and musical numbers were not up to his usual standard (at least that's what the critics said), but they play rather well when seen today, even though Savo's patented streak of healthy vulgarity had to be soft-pedalled for the screen. ~ Hal Erickson, Rovi

The first of three remakes of the 1933 Paul Muni picture Hi, Nellie, Love is on the Air is historically important as the screen debut of Ronald Reagan. In the original Hi, Nellie, a Winchellesque newspaper reporter is demoted to writing the "advice to the lovelorn" column when he steps on too many important toes. In the remake, reckless radio commentator Andy McLeod (Reagan) gets into hot water when he attacks a corrupt city government (a portent for the future, perhaps?), whereupon his boss disciplines McLeod by forcing him to host an innocuous kiddie program. While advising his youthful audience to eat their spinach and drink their milk, our hero manages to dig up enough dirt to expose the crooks once and for all. In his maiden film effort, Ronald Reagan is pretty good, though some distance removed from The Great Communicator. ~ Hal Erickson, Rovi

This drama focuses upon a beleaguered surgeon. He is first involved with a social-climbing fiancee who constantly puts him down. Then he suffers amnesia and wakes to find himself in Scranton, Pennsylvania. Though he cannot remember his name, his medical skills remain intact and he is able to find work as a steel mill doctor helping injured workers. There he encounters a thug who wants to destroy the mill and kill him. After the good doctor saves the life of the thug's son, the bad-guy has a change of heart and spares the doctor. ~ Sandra Brennan, Rovi

W.C. Fields plays the Great McGonigle, the manipulative manager of a large 19th century theatrical troupe. Notorious for skipping board bills and forgetting the pay his actors, McGonigle descends on a small town, where he relies on the hospitality of a wealthy widow (Jan Duggan). He secures lodging for his cast and financing for his production by promising the widow a major part in his upcoming production of The Drunkard. The play goes on as schedule, but the widow's part is cut down to one line which she's never permitted to deliver. McGonigle escapes with his hide again, but not before securing the future happiness of his daughter (Judith Allen) so that she won't have to spend the rest of her life one step ahead of the sheriff. The storyline of The Old-Fashioned Way is conveniently shunted aside as W.C. Fields does battle with Baby LeRoy, cons everyone in sight with equanimity, and offers the audience an uninterrupted display of his remarkable juggling skills. ~ Hal Erickson, Rovi

Helen Hayes reportedly turned down the opportunity to play the title role in this dreary melodrama about self-sacrificing motherhood; the opportunity, if that's the word, instead went to Viennese import Mady Christians. After killing her abusive husband (Paul Harvey) in self-defense, downtrodden Naomi Trice (Christians) dusts herself off and moves to another city with her four young children, vowing to pay for her crime when the youngsters are old enough to make their own way in life. Years later, Naomi is not only the proprietor of a successful dress designing business but is also courted by a kind newspaper editor, Pat Naylor (Charles Bickford). But when her oldest son Curtis (William Henry) is badly hurt in a fight with his sister's unsympathetic boyfriend (a very young Robert Taylor), Naomi vows to live up to her old promise if only he will pull through. The young man recovers and Naomi goes on trial for the murder of her husband but refuses to allow her children to give crucial testimony that may lead to an acquittal. ~ Hans J. Wollstein, Rovi

A superb combination of belly laughs and pathos, the "Our Gang" comedy "Birthday Blues" was originally released on November 12, 1932. When their pennypinching father (Hooper Atchley) refuses to buy a birthday gift for their long-suffering mother (Lillian Rich), brothers Dickie Moore and Spanky McFarland decide to purchase Mom a gift on their own. Unfortunately, the "late 1922 model" dress they've selected is way beyond their price range (a daunting $1.98); thus, acting upon the advice of their pal Matthew "Stymie" Beard, Dickie and Spanky decide to bake a cake with hidden prizes, then auction off the cake at ten cents a slice. This is the film in which the kids' oversized cake --- a truly frightening creation --- emits a low "woooooo-owww" sound as it cools off in the oven. It is also the film in which, responding to Spanky's suggestion that they buy their mom a shotgun, Dickie moans "Aw, what would she do with a gun?" --- whereupon Spanky replies "Shoot Papa!!!!" ~ Hal Erickson, Rovi

Originally released on May 7, 1932, the "Our Gang" comedy "Choo-Choo!" was a loose remake of the 1923 two-reeler A Pleasant Journey. Exchanging clothes with a group of mischievous orphans, the Our Gang kids end up on a train headed for Chicago. Pressed into service as the kids' supervisor, effeminate Travelers Aid attendant Mr. Henderson (Dell Henderson) suffers the torments of the darned, especially when he tries to prevent three-year old George "Spanky" McFarland from punching the nose of every adult in sight. Things to come to a head when the kids manage to get hold of some fireworks, at the same time accidentally releasing a menagerie of circus animals from the baggage car. Listen carefully and you'll hear the voice of Oliver Hardy as the fireworks salesman yells for help. ~ Hal Erickson, Rovi

In this drama, the children of a recently deceased firefighter are sent to an orphanage. Two other firefighters offered to take the brother and his older sister in, but the authorities demurred and the children are whisked away. Time passes and one day the orphanage catches fire. The fireman rush to put it out and there find their colleague's children. By this time the girl has grown into a young woman and one of the firemen marries her, while his partner also finds a suitable match at the fire station. ~ Sandra Brennan, Rovi

This three hanky melodrama follows the tragic love between a French ballerina and an Englishman during WW I. He is called to war, but before he goes, he promises his pregnant lover that he will return. Unfortunately, he loses his memory in battle and never does. Instead, he goes back to London and marries a wealthy socialite. The ballerina eventually comes to London for a performance. There she encounters her old lover. His memory slowly returns and he is delighted to learn that he has fathered a child because his new wife cannot have children. The loving ballerina takes pity on her and reluctantly gives them her child before she dies. ~ Sandra Brennan, Rovi