Dean Winters Movies

Tommy Gavin (Denis Leary) is a lifesaver. Whether he is pulling survivors from fiery high-rise infernos or the twisted steel of a subway collision, Gavin takes great pride in leading the heroic but often overwhelmed firefighters of New York City's Truck Company 62. Gavin is also a man drifting between sorrow and anger over a recent separation from his wife (Andrea Roth) and three kids, and recurring memories of comrades and New Yorkers fallen victim. Leary and multiple Emmy Award-winning writer-producer Peter Tolan ("The Larry Sanders Show, Murphy Brown"), the team behind the critically-acclaimed cop drama "The Job", have re-teamed as creators, writers and executive producers of RESCUE ME.

In this streetwise independent drama, Sean (Tommy Guiffre) is a drug dealer who seems to have enjoyed more than his share of good luck -- he's managed to avoid the law, he makes good money, and he has a handful of business associates he can trust. However, Sean's luck seems to run out all at once -- his girlfriend (Nicole Arlyn) breaks off their long-term relationship, his schizophrenic mother (Christie Sanford) becomes seriously ill, his best friend (Christopher Amitrano) is deep in debt to loan sharks, and his younger brother (David Ley) runs afoul of the cops as he tries to follow in Sean's footsteps by selling weed. It doesn't take Sean long to realize his chosen profession is not only setting a bad example for his loved ones, but making it harder for him to help them, so he decides to get out of the game, but not before mapping out a final major score that will give him some retirement income. The first feature film from director Rich Devaney, Brooklyn Bound was screened at the 2004 Tribeca Film Festival. ~ Mark Deming, All Movie Guide

Although Oz's longtime narrator, wheelchair-bound prison inmate Augustus Hill (Harold Perrineau Jr.), was killed at the end of the series' fifth season, he is still very much in attendance at the beginning of season six -- albeit from beyond the grave. Hill is, in fact, one of several ghostly prisoners, all of them victims of past tragedies occurring at the experimental "Emerald City" unit at Oswald Correction Facility, who show up to narrate the eight episodes in this, the series' final season on the air. Undaunted by previous failures and setbacks, unit manager Tim McManus (Terry Kinney) remains steadfast in his belief that the prisoners living within "Emerald City" can be rehabilitated if given freedom of movement, extra privileges, and a sense of responsibility and self-worth. Unfortunately, he may not get the chance to carry out his reforms this season, inasmuch as several prisoners have become violently ill due to faulty building substances used to renovate the unit. In another disturbing development, Emerald City's most famous "resident," charismatic Muslim leader Said (Eamonn Walker), is murdered. On a more satisfying note, the ruthlessly ambitious Governor Devlin (Zeljko Ivanek), who for six years has opposed the efforts by McManus and Warden Glynn (Ernie Hudson) to improve prison conditions, may finally be called to account for all of his crooked and underhanded dealings in the past. Oz's climactic episode, running 100 minutes, not only serves up just desserts for Devlin, but also charts the ultimate destinies of two other long-term series regulars, convicts Miguel Alvarez (Kirk Acevedo) and Tobias Beecher (Lee Tergesen). "There's no place like home." ~ All Movie Guide

As season four of Oz begins, the experimental unit at Oswald State Correctional Facility known as "Emerald City" is not living up to manager Tim McManus' (Terry Kinney) hopes. Ever since he set up the unit, wherein convicts are given more freedom of movement, extra privileges, and the opportunity for advancement, McManus has been frustrated that his good intentions have not paid off in wholesale rehabilitation. In fact, things seem to have gotten worse, with too many murders and suicides occurring within the unit. Hoping to alleviate the situation, McManus' head guard, Murphy (Robert Clohessy), suggests that all the cons -- including those in solitary -- spend an hour each day indulging in healthy recreation. Again, however, the plan fails when a killing takes place during that special hour. With more episodes this season than in previous years (16, compared to the usual eight), Oz is able to devote extra time to a plethora of subplots. One of these involves convicted murderer Shirley Bellinger (Kathryn Erbe), who after losing her unborn baby under suspicious circumstances is sent back to death row. Also, a group of illegal aliens sequestered in Emerald City is the catalyst for a rash of violence; Warden Glynn (Ernie Hudson) runs for lieutenant governor; an attempt to film a documentary in Oz ends in disaster; Busmalis (aka "The Mole") (Tom Mardirosian), manages to break out of prison, only to be recaptured as he stands outside the home of his favorite TV star; crooked evangelist Rev. Cloutier (Luke Perry) is tossed into the unit; and infirmary doctor Gloria Nathan (Lauren Velez) is raped. Tensions continue to mount as McManus is fired and convict Miguel Alvarez (Kirk Acevedo) escapes (these plot twists were designed to allow Acevedo and his co-star Terry Kinney to take leaves of absence to appear in other projects); new unit manager Martin Querns (Reg E. Cathey) cuts a sinister deal with drug-dealing con Adebisi (Adewale Akinnouye-Agbaje) to put a lid on the violence; fired guard Clayton Hughes (Seth Gilliam) tries to assassinate Governor Devlin (Zeljko Ivanek); a plot is hatched to frame wheelchair-bound convict Hill (Harold Perrineau Jr.) for a crime he hasn't committed; the children of inmate Beecher (Lee Tergesen) are placed in jeopardy thanks to orders from the "inside"; and incarcerated Muslim leader Said (Eamonn Walker) settles accounts with an old enemy. The season ends with a cliffhanger, sparked -- literally -- by a deadly gas explosion. ~ Hal Erickson, All Movie Guide

A little girl plays matchmaker for two lonely adults in this romantic comedy. Harrison (Dean Winters) is a struggling freelance writer who's been working on a series of detective novels, but can't find anyone who wants to publish them. One day, Melissa (Lorraine Ansell), one of Harrison's former girlfriends whom he hasn't seen in some time, appears at his doorstep with something of a surprise -- she's going out of town for several weeks, and needs someone to look after her six-year-old daughter, Jenny (Emily Mae Young). Before Harrison has much of a chance to object, Melissa is gone, and he's stuck baby-sitting Jenny, an idea he's less than enthusiastic about. However, before long, Harrison develops a soft spot for the tyke, and precocious Jenny decides what single Harrison needs is a steady girlfriend; Jenny focuses her energies on prodding Harrison into a relationship with Holly (Yasmine Bleeth), a beautiful woman who frequents the same coffee shop. Undercover Angel also features James Earl Jones and Casey Kasem. ~ Mark Deming, All Movie Guide

Season two of Oz gets under way in the wake of the bloody riot at "Emerald City," the experimental unit set up on Cell Block 5 of Oswald Maximum Security Penitentiary, in which eight are killed and 34 wounded. Though it is obvious to many observers that the ruthlessly ambitious Governor Devlin (Zeljko Ivanek) has used the riot as an excuse to violently smash Warden Glynn's (Ernie Hudson) efforts to rehabilitate the prisoners via more freedom of movement and extra privileges, Devlin's questionable actions in the incident are condoned by the prison board. Ten months later, the convicts are herded into Emerald City's new facilities -- whereupon the old power struggles and drug trading resumes as if nothing had happened. The unit's still-idealistic manager, Tim McManus (Terry Kinney), hopes to mollify the prisoners and mold them into useful citizens worthy of rehabilitation by reinstating many of their privileges, and by attempting to bring the various factional subgroups -- the Latinos, the Italians, the Muslims -- into a homogenous "whole" in which everyone is equal and no one is mad at anyone. McManus has also convinced himself that the cons would benefit from an education program. Before long, alas, most of McManus' New Age notions are flattened beneath the juggernaut of reality. New to the Em City prisoner population this season are Chris Keller (Christopher Meloni), Agamemnon "The Mole" Busmalis, (Tom Mardirosian), and Cyril O'Reily (Scott William Winters). Events crucial to the action include the rape of Gov. Glynn's daughter by members of the Latinos; the publication of a "true" interpretation of the riot by inmate Kareem Said (Eamonn Walker), the powerful and nationally famous leader of the Muslims; the governor's announcement that prisoner Shirley Bellinger (Kathryn Erbe) is to be the first woman executed by the state since 1841; and a "foolproof" escape attempt that ends in a double tragedy. ~ Hal Erickson, All Movie Guide

This episode would seem to be the precursor to producer Tom Fontana's gritty cable TV series Oz. Most of the homicide detectives are dispatched to a maximum security prison, where two inmates have been killed in a riot. Surrounded by several of the criminals whom they put away in earlier episodes, the detectives follow a lead to the possible murderer -- but it turns out to be the wrong man, and more blood ends up being shed. Left behind at the precinct station is Frank Pembleton (Andre Braugher), who insists upon hurting his chances to fully recover from his stroke by practicing on the police firing range. ~ Hal Erickson, All Movie Guide

Not all is what it seems as the detectives investigate a hate crime perpetrated by skinheads in a gay community. In other developments, Howard (Melissa Leo) displays an unattractive case of envy when Lewis (Clark Johnson) begins to make headway in an unsolved case left behind by the late Steve Crosetti. And actor Max Perlich takes his first steps toward becoming a full-fledged series regular when his recurring character, J.H. Brodie, is hired by Homicide to videotape recent crime scenes. ~ Hal Erickson, All Movie Guide

Music video director Richard Murray makes his feature debut with this hip-hop crime thriller about an ambitious kid caught in the shady underworld of the recording industry. Sam Jones III (Erik Triggs) is a wannabe rap artist working menial jobs at Ill Wax Records by day and sneaking into the studio and laying down some tracks by night. His activities have already attracted the welcome attention of Cheryl (Zo Saldana), a bodacious marketing executive. Meanwhile, the company's villainous president Bobby Starr (Dean Winters) is bullying rap phoneme Prolifik (Nelly) into doing his debut record Bobby's way. On the same night that Sam and his buddy Malik sneak into the studios, Prolifik and his master tapes are abducted and soon the prime suspect appears to be none other than Sam. With the wrathful Starr on his tail and the cops closing in, Sam is forced to find the crook responsible the crime and fast. This film played at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

A grieving widow finds her husband's warmth radiating from the afterlife when she discovers that he left her a series of tasks to be revealed in ten monthly messages and designed to help her overcome her sorrow while gradually making the transition into a new life. Holly Kennedy (Hilary Swank) is a New York real estate broker whose good-humored husband, Irishman Gerry (Gerard Butler), always stood by her side. Suddenly, and seemingly out of nowhere, Gerry succumbs to a brain tumor and Holly is left to face an uncertain future. No one in the world knows Holly better than Gerry, not even her mother (Kathy Bates) or her best friends, Sharon (Gina Gershon) and Denise (Lisa Kudrow). But while Holly remains unsure if she can go on without the love of her life to help guide her, Gerry has planned ahead. On Holly's 30th birthday, she receives a cake and a special tape recording from Gerry that implores her to get out and celebrate instead of staying in and mourning. Later, as the months wear on, a series of additional messages arrive from Gerry -- always delivered in the most remarkable and surprising of ways. With each new message comes a new adventure, and each letter signs off in the same familiar way: "P.S. I love you." Despite the fact that Holly's mother and friends think these humorous, posthumous messages are keeping Holly bound to the past, the truth is that they are lovingly guiding her into the future while proving that sometimes death isn't just the end, but a new beginning as well. Director Richard LaGravenese teams with screenwriter Steve Rogers to adapt author Cecelia Ahern's best-selling novel. ~ Jason Buchanan, All Movie Guide