Nancy Hale Movies
- 1994
This documentary profiles the life and work of famed 20th-century photographer and early feminist Dorothea Lange. Much of Lange's work has been highly influential; her powerful images evoke the turmoil and passion of the social times she chronicled. Her Depression Era pictures are particularly evocative. She was also noted for her politically charged photographs of American Japanese incarcerated in U.S. concentration camps during WWI. Included in the film are interviews with her sons. Lange herself, narrates part of the film. ~ Sandra Brennan, Rovi
- 1969
Family Affairmoved from Monday to Thursday on the CBS prime time schedule for this first episode of its fourth season. When Bill (Brian Keith) comes back to New York after a long and difficult assignment, Buffy (Anissa Jones), Jody (Johnnie Whitaker), Cissy (Kathy Garver) and Mr. French (Sebastian Cabot) decide to give him the best of all homecoming presents: a quiet weekend alone. Alas, despite everyone's best intentions, things don't work out as planned for poor Bill, thanks to a never-ending parade of intrusive friends, neighbors, and kids. ~ Hal Erickson, Rovi
- 1961
Flight that Disappeared sugars its Vital Message with a sci-fi/fantasy coating. Three nuclear scientists prepare to deliver their report on the potentials of atomic weaponry to the President. En route to Washington, the scientists' plane disappears from view. They awaken to find themselves in the presence of benign aliens, possibly residents of the Afterworld. Before the scientists are permitted to leave, they have been persuaded that their nuclear report will need a healthy dose of anti-bomb rhetoric. ~ Hal Erickson, Rovi
- Starring:
- Craig Hill, Paula Raymond, (more)
- 1956
The White Squaw offers an interesting twist on a standard western plot device. Instead of attempting to force an Indian tribe off their land, the government is trying to reclaim the property of white settler Sigrod Swanson (David Brian) and then give it back to the Indians. The title character, Eelay-O-Wahnee (May Wynn) is a half-breed Sioux, whom Swanson has singled out for persecution. Bob Garth (William Bishop) rushes to the "white squaw"'s defense, sparking a violent climactic clash in which Swanson brings about his own demise. The White Squaw was adapted from a novel by Larabie Sutter. ~ Hal Erickson, Rovi
- Starring:
- David Brian, May Wynn, (more)
- 1955
This jungle adventure is the final entry in the "Bomba the Jungle Boy" series. This time Bomba (played by 24-year-old Johnny Sheffield who felt he was getting a tad old for the role) must slaughter a destructive herd of rogue elephants. He is heartsick at the prospect and so devises an ingenious compromise. ~ Sandra Brennan, Rovi
H.G. Wells's War of the Worlds had been on the Paramount Pictures docket since the silent era, when it was optioned as a potential Cecil B. DeMille production. When Paramount finally got around to a filming the Wells novel, the property was firmly in the hands of special-effects maestro George Pal. Like Orson Welles's infamous 1938 radio adaptation, the film eschews Wells's original Victorian England setting for a contemporary American locale, in this case Southern California. A meteorlike object crash-lands near the small town of Linda Rosa. Among the crowd of curious onlookers is Pacific Tech scientist Gene Barry, who strikes up a friendship with Ann Robinson, the niece of local minister Lewis Martin. Because the meteor is too hot to approach at present, Barry decides to wait a few days to investigate, leaving three townsmen to guard the strange, glowing object. Left alone, the three men decide to approach the meterorite, and are evaporated for their trouble. It turns out that this is no meteorite, but an invading spaceship from the planet Mars. The hideous-looking Martians utilize huge, mushroomlike flying ships, equipped with heat rays, to pursue the helpless earthlings. When the military is called in, the Martians demonstrate their ruthlessness by "zapping" Ann's minister uncle, who'd hoped to negotiate a peaceful resolution to the standoff. As Barry and Ann seek shelter, the Martians go on a destructive rampage. Nothing-not even an atom-bomb blast-can halt the Martian death machines. The film's climax occurs in a besieged Los Angeles, where Barry fights through a crowd of refugees and looters so that he may be reunited with Ann in Earth's last moments of existence. In the end, the Martians are defeated not by science or the military, but by bacteria germs-or, to quote H.G. Wells, "the humblest things that God in his wisdom has put upon the earth." Forty years' worth of progressively improving special effects have not dimmed the brilliance of George Pal's War of the Worlds. Even on television, Pal's Oscar-winning camera trickery is awesome to behold. So indelible an impression has this film made on modern-day sci-fi mavens that, when a 1988 TV version of War of the Worlds was put together, it was conceived as a direct sequel to the 1953 film, rather than a derivation of the Wells novel or the Welles radio production. ~ Hal Erickson, Rovi
- Starring:
- Gene Barry, Ann Robinson, (more)
- 1952
Filled with the kind of Red Scare propaganda that must have delighted members of McCarthy's House Un-American Activities Committee, this drama chronicles the attempts of two All-American parents to save their son from the temptations of Communism. Unfortunately, they are too late. The arrogant and intellectual young man, a worker in a federal agency, returns home from a long absence spouting pro-Ruskie doctrine and deriding the beliefs of capitalism and US at every opportunity. Enraged at his son's mocking ways, he beans him with the family bible. Things get worse when an FBI agent shows up to tell the horrified parents that their son is an enemy spy. The mother blows a gasket and flies to Washington, DC where her son works to make him swear on the same book that the FBI agent is wrong. The son does so, but its a lie. The mother soon finds this out. She also learns that her treacherous son's girlfriend is a Commie. What's a mother to do? Fortunately, before it is too late, her son realizes the error of his ways and tries to double-cross his Pinko superiors. Unfortunately, it is too late and they shoot him and just before he gaspingly dies upon the steps of the Lincoln Memorial, he tapes his final confession and gives American youth everywhere a potent message about honor. The star of the film, Walker, best remembered for his gripping portrayal of a psychopath in Hitchcock's Strangers on a Train, died before production finished and so scenes from that film were spliced into My Son, John. ~ Sandra Brennan, Rovi
- Starring:
- Helen Hayes, Van Heflin, (more)
- 1952
Just for You is based very loosely on Stephen Vincent Benet's Famous. Widowed Broadway producer Jordan Blake (Bing Crosby) is too busy with work to pay much attention to his teenaged kids Jerry (Robert Arthur) and Barbara (Natalie Wood). One thing he hasn't noticed is that Jerry isn't really a kid any more. This point is driven home when Jerry develops a crush on Blake's latest leading lady--and erstwhile sweetheart--Carolina Hill (Jane Wyman). Only Allida de Bronkhart (Ethel Barrymore), owner of the girl's school attended by Barbara, is wise enough to figure out a satisfactory solution to everyone's dilemmas. Capitalizing on their previous successful musical teaming in Here Comes the Groom, Bing Crosby and Jane Wyman perform several sprightly tunes, both solo and in tandem. ~ Hal Erickson, Rovi
- Starring:
- Bing Crosby, Jane Wyman, (more)
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