Jonathan Hale Movies
Once Canadian-born actor Jonathan Hale became well known for his portrayal of well-to-do businessmen, he was fond of telling the story of how he'd almost been a man of wealth in real life--except for an improvident financial decision by his father. A minor diplomat before he turned to acting, Hale began appearing in minor film roles in 1934, showing up fleetingly in such well-remembered films as the Karloff/Lugosi film The Raven (1935), the Marx Brothers' A Night at the Opera (1935) and the first version of A Star is Born (1937).In 1938, Hale was cast as construction executive J. C. Dithers in Blondie, the first of 28 "B"-pictures based on Chic Young's popular comic strip. Though taller and more distinguished-looking than the gnomelike Dithers of the comics, Hale became instantly synonymous with the role, continuing to portray the character until 1946's Blondie's Lucky Day (his voice was heard in the final film of the series, Beware of Blondie, though that film's on-camera Dithers was Edward Earle). During this same period, Hale also appeared regularly as Irish-brogued Inspector Fernack in RKO's "The Saint" series. After 1946, Hale alternated between supporting roles and bits, frequently unbilled (e.g. Angel on My Shoulder, Call Northside 777 and Son of Paleface); he had a pivotal role as Robert Walker's hated father in Hitchcock's Strangers on a Train (1951), though the part was confined to a smidgen of dialogue and a single long-shot. Hale worked prolifically in television in the '50s, with substantial guest roles in such series as Disneyland and The Adventures of Superman. In 1966, after a long illness, Jonathan Hale committed suicide at the age of 75, just months before the TV release of the Blondie films that had won him prominence in the '30s and '40s. ~ Hal Erickson, All Movie Guide
- 1953
Joseph Cotten stars in A Blueprint for Murder as Whitney Cameron, a man who harbors a deep and abiding affection for his pretty sister-in-law Lynne Cameron (Jean Peters). When one of Lynne's stepchildren dies, the autopsy indicates that the child was poisoned. Despite his feelings for Lynne, Whitney can't help but feel that she was responsible for the child's death--and that she intends to go on killing until she becomes sole heir of her late husband's estate. The "moment of truth" occurs during a climactic ocean voyage which consumes nearly a third of the film. A Blueprint for Murder was written and directed by Andrew L. Stone, whose legendary insistence upon "realism" at all costs was such that it's a wonder he didn't persuade Peters to commit a real murder. ~ Hal Erickson, All Movie Guide
- Starring:
- Joseph Cotten, Jean Peters, (more)
- 1949
The Dangerous Profession of the title is the bail-bond business. George Raft stars as Kane, a former cop turned professional bail-raiser. When one of his customers, robbery suspect Brackett (Bill Williams), is mysteriously murdered, Kane wants to know why. His reasons are twofold: he has an insatiable curiosity, and he's fallen in love with Brackett's widow Lucy (Ella Raines). As his business partner Farley (Pat O'Brien) looks on in mute bewilderment, Kane risks life and limb to solve the mystery. The plot doesn't always make sense, but in 1949 it was reassuring to see George Raft and Pat O'Brien harking back to their cinematic halcyon days of the 1930s. ~ Hal Erickson, All Movie Guide
- Starring:
- George Raft, Ella Raines, (more)
A master blend of high comedy and tense emotional drama, A Letter of Introduction reteams Adolphe Menjou, Andrea Leeds, and Edgar Bergen & Charlie McCarthy, who'd previously costarred in the negligible Goldwyn Follies. Menjou plays John Mannering, a Barrymoresque actor who years earlier had divorced his wife and severed his relationship with his daughter Kay (Andrea Leeds). Now a grown woman, Kay aspires to an acting career, fully determined to make it on her own without her father's help. She goes so far as to change her last name to Martin, and to keep her actual relationship to Mannering a secret from the public. This set-up leads to a dizzying series of complications, including the breakup of Mannering's romance with a tootsie named Lydia Hoyt (Anne Sheridan), who falsely assumes that Kay is Mannering's mistress, and Kay's own romantic travails with vaudeville hoofer Barry Paige (George Murphy). Meanwhile, Kay's ventriloquist friend Bergen and his dummy McCarthy rise to superstardom on radio. It is, in fact, Bergen and Charlie who are instrumental in reuniting the estranged Mannering and Kay, paving the way for the film's tear-stained conclusion. Unavailable for many years, A Letter of Introduction re-emerged on the Public Domain circuit in 1975. ~ Hal Erickson, All Movie Guide
- Starring:
- Adolphe Menjou, Andrea Leeds, (more)
- 1934
This is the second movie version of Willa Cather's Pulitzer Prize winning novel that tells the story of a bride-to-be whose fiance is near-fatally injured by the jealous husband of a woman he had an affair with. The poor young woman is so upset by the situation that she swears she will never love another and takes off to live in an isolated mountain retreat. There she feels terribly sorry for herself. One day she is moping along a rough trail, falls and hurts herself. Fortunately, she is rescued by an elderly lawyer who helps her heal both physically and psychologically. The grateful girl ends up marrying him. Unfortunately she meets a handsome young man with whom she falls passionately, but chastely in love. Now she regrets marrying the old attorney. She decides to tell the lawyer her true feelings. When she is finished he promptly keels over with a heart attack. It might be noted that after Cather saw this film, she forbade the further sale of her works to Hollywood. ~ Sandra Brennan, All Movie Guide
- Starring:
- Barbara Stanwyck, Frank Morgan, (more)
Although some purists hold out for Duck Soup (1933), many Marx Brothers fans consider A Night at the Opera the team's best film. Immediately after the credits roll, we are introduced to Groucho Marx as penny-ante promoter Otis B. Driftwood. After a sumptuous dinner with a beautiful blonde at a fancy Milan restaurant, Driftwood tries to cadge another free meal from his wealthy patroness, Mrs. Claypool (Margaret Dumont). The dignified dowager complains that Driftwood had promised to get her into high society, but has done nothing so far. Otis B. counters by introducing Mrs. C to pompous opera entrepreneur Gottleib (Sig Rumann); all Mrs. Claypool has to do is invest several hundred thousand dollars in Gottleib's opera company, and her entree into society is in the bag. Contingent upon this plan is Driftwood's signing of Rodolfo Lassparri (Walter Woolf King), a self-important tenor. Backstage at the opera, Driftwood meets Fiorello (Chico Marx), who poses as a manager and offers to sell Driftwood the "world's greatest tenor"-not Lassparri, as Driftwood assumes, but Fiorello's pal Ricardo Baroni (Allan Jones). Instantly the two sharpsters try to draw up a contract ("The party of the first part shall hereafter be known as the party of the first part..."), which they proceed to tear up piece by piece whenever coming across a clause that displeases them (Driftwood: "That's a sanity clause"; Fiorello: "You no foola me. There ain't no Sanity Claus"). Having lost Lassparri to Gottleib, Driftwood sails back to America with Mrs. Claypool and the opera company. Gottleib arranges for Driftwood to get the tiniest, least accessible stateroom on the ship. Unpacking his trunk, Driftwood discovers that he's got to share his postage-stamp quarters with Ricardo Baroni, who has stowed away because he's in love with the opera troupe's leading lady Rosa (Kitty Carlisle). Also hiding out in Driftwood's trunk is Fiorello, who's come along because he's still Ricardo's manager, and the wacky Tomasso (Harpo Marx), Lassparri's former dresser, who has come along for the hell of it. Anxious to arrange a tete-a-tete with Mrs. Claypool in his stateroom, Otis finds out that his unwelcome guests won't leave until they're fed ("Do you have any stewed prunes? Well, give them some black coffee, that'll sober 'em up"). After ordering a huge dinner, Otis and his new friends are crowded even farther by a steady stream of intruders, including an engineer and his assistant, a cleaning lady, a manicurist, a girl looking for her Aunt Minnie, and a dozen waiters. The celebrated "stateroom scene" comes to a rollicking conclusion when Mrs. Claypool has the misfortune of opening the door. On the last night of the voyage, Fiorello, Tomasso and Ricardo sneak out of their stateroom to enjoy an impromptu ethnic festival in steerage. Ricardo sings, Fiorello "shoots the keys" on the piano, and Tomasso plays the film's theme song Alone on the harp. The stowaways are caught and thrown in the brig, but with Driftwood's help they escape. To avoid recapture, the stowaways don heavy beards and pose as three famed Russian aviators. After making a shambles of a public reception, the three reprobates hide out in Driftwood's New York apartment, where everyone conspires to drive an investigating detective (Robert Emmet O'Connor) crazy. Driftwood is fired from the opera company for associating with the stowaways, while Rosa is dismissed for refusing Lassparri's affections. In order to restore Rosa's job and put the deserving Ricardo in Lassparri's place during the opening performance of La Traviata, Driftwood, Fiorello and Tomasso concoct a scheme that will reduce the opera to comic chaos. The actual night at the opera in A Night at the Opera must be seen to be believed, but the spirit of the scene can be summed up by Gottleib's anguished cry "A battleship in Il Trovatore!" Opera was the Marx Brothers' first film for MGM, and they dearly coveted a hit after the disappointing box-office showing of their final Paramount films. With the blessing of MGM production chief Irving Thalberg, the Marxes went on the road with their brilliant writing staff (including George S. Kaufman, Morrie Ryskind and Al Boasberg) to test their comedy material before live audiences. As a result of this careful preplanning, Night at the Opera was a smash-hit gigglefest, grossing over $3 million and putting the Marxes back on top in the hearts and minds of filmgoers everywhere. ~ Hal Erickson, All Movie Guide
- Starring:
- Groucho Marx, Harpo Marx, (more)
A Star is Born came into being when producer David O. Selznick decided to tell a "true behind-the-scenes" story of Hollywood. The truth, of course, was filtered a bit for box-office purposes, although Selznick and an army of screenwriters based much of their script on actual people and events. Janet Gaynor stars as Esther Blodgett, the small-town girl who dreams of Hollywood stardom, a role later played by both Judy Garland and Barbra Streisand in the 1954 and 1976 remakes. Jeered at by most of her family, Esther finds an ally in her crusty old grandma (May Robson), who admires the girl's "pioneer spirit" and bankrolls Esther's trip to Tinseltown. On arrival, Esther heads straight to Central Casting, where a world-weary receptionist (Peggy Wood), trying to let the girl down gently, tells her that her chances for stardom are about one in a thousand. "Maybe I'll be that one!" replies Esther defiantly. Months pass: through the intervention of her best friend, assistant director Danny McGuire (Andy Devine), Esther gets a waitressing job at an upscale Hollywood party. Her efforts to "audition" for the guests are met with quizzical stares, but she manages to impress Norman Maine (Fredric March), the alcoholic matinee idol later played by James Mason and Kris Kristofferson. Esther gets her first big break in Norman's next picture and a marriage proposal from the smitten Mr. Maine. It's a hit, but as Esther (now named Vicki)'s star ascends, Norman's popularity plummets due to a string of lousy pictures and an ongoing alcohol problem. The film won Academy Awards for director William Wellman and Robert Carson in the "original story" category and for W. Howard Greene's glistening Technicolor cinematography. ~ Hal Erickson, All Movie Guide
- Starring:
- Janet Gaynor, Fredric March, (more)
Katharine Hepburn stars as Booth Tarkington's would-be society belle Alice Adams. The product of a family of modest means, Alice nonetheless dreams of being accepted by the "better people." Luck of luck, she meets well-to-do young Fred MacMurray at a social gathering; he is charmed by her pathetic attempts at putting on airs and accepts her invitation to dine at the Adams home. The meal is a disaster: Alice's parents (Fred Stone and Anne Shoemaker) are obviously way out of MacMurray's league, while the servant (Hattie McDaniel) that the family hired for the occasion shows up drunk and very surly. Alice Adams was the first major directorial assignment for George Stevens, as well as one of the few Katharine Hepburn vehicles of the 1930s to score a hit with the public. ~ Hal Erickson, All Movie Guide
- Starring:
- Katharine Hepburn, Fred MacMurray, (more)
- 1943
In her final film appearance, Kay Francis plays Sheila, the slinky, seductive mastermind of a marriage racket preying on ex-servicemen. Sheila's stable of "brides" marry homecoming GIs for their military allotment pay, then dump their hubbies and abscond with the dough. Trouble brews when Sheila's grown daughter Connie (Teala Loring), unaware of her mother's criminal activities, pays a visit. Justice triumphs in the end, though Sheila is afforded a terrific exit line before receiving her comeuppance. Filmed with full cooperation of the Office of Dependency Benefits, Allotment Wives Inc (retitled Allotment Wives for TV) was coproduced by Kay Francis and released by Monogram. ~ Hal Erickson, All Movie Guide
- Starring:
- Kay Francis, Paul Kelly, (more)
- 1944
In this melodrama, a doctor returns to his home town to set out his shingle. He was born on the poor side of town and so has had a life-long anger towards the town's wealthiest family. When the daughter of this family comes in for treatment, he finds himself faced with a dilemma. A bout with meningitis has left her deaf. He has a new drug that can cure deafness. Will he use it, or will he let his anger prevent him from helping her? ~ Sandra Brennan, All Movie Guide
- Starring:
- Loretta Young, Alan Ladd, (more)
In this comedy, Paul Muni plays a recently murdered gangster who finds himself roasting in Hell. Muni can't believe that he's in for All Eternity and keeps trying to "bust out," which brings him to the attention of the Head Man (Claude Rains), who calls himself Nick. Nick strikes a bargain with Muni: There's a troublesome honest judge on Earth who's been shipping too many souls to Hell; if Muni will take over the judge's body and begin performing bad deeds, Nick will set him free. Muni readily agrees, eager to settle the score with the ex-partner (Hardie Albright) who bumped him off. Once he "becomes" the judge, however, Muni discovers that he is utterly incapable of performing any misdeeds--and when he falls in love with the judge's fiancee (Anne Baxter), Muni becomes determined to wriggle out of his agreement. Angel on My Shoulder is based on a story by Harry Segall, whose previous play Heaven Can Wait was filmed as Here Comes Mr. Jordan, also with Claude Rains. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Muni, Anne Baxter, (more)
- 1938
This follow-up to MGM's 1932 John Barrymore vehicle Arsene Lupin stars the ineluctable Melvyn Douglas. Reported to be dead, suave gentleman jewel thief Arsene Lupin (Douglas) resurfaces under the assumed name of Rene Farrand. Intending to follow the straight and narrow path, Lupin/Farrand reverts to his old larcenous ways when the opportunity to pilfer $250,000 in gems presents itself. Slowing down our hero somewhat is the presence of hotshot American private eye Steve Emerson (Warren William) and glamorous adventuress Lorraine de Grissac (Virginia Bruce). Ironically, both Melvyn Douglas and Warren William also played thief-turned-sleuth Michael Lanyard, aka "The Lone Wolf", over at Columbia. ~ Hal Erickson, All Movie Guide
- Starring:
- Melvyn Douglas, Virginia Bruce, (more)
- 1939
The gathering war clouds in the late 1930s prompted a number of Hollywood films about recent political upheavals, one of which was 20th Century-Fox's Barricade. While fleeing war-torn China by train, two Americans-singer Emmy Jordan (Alice Faye) and journalist Hank Topping (Warner Baxter)-are attacked by Mongol bandits. United in danger, Faye and Baxter fall in love as they attempt to escape the American embassy where they're holed up. More than one reviewer noted that Barricade resembled a modern-dress western, with the Mongol hordes substituting for American Indians. Also noted was the fact that the film had been completed as a nine-reel "A" picture in 1938, undergoing drastic cutting and script revisions before it finally emerged in its present truncated 71-minute form. ~ Hal Erickson, All Movie Guide
- Starring:
- Alice Faye, Warner Baxter, (more)
- 1937
Big Town Girl is 20th-Century Fox's spin on Paramount's Carole Lombard vehicle The Princess Comes Across. Whereas Lombard played a Brooklyn girl posing as a Swedish princess, Big Town Girl's Claire Trevor plays a department store song plugger who becomes a radio singing sensation by posing as the mysterious "Masked Countess." This publicity ploy serves a double purpose: Trevor is the estranged wife of gangster Alan Baxter, and she doesn't want Baxter to know her whereabouts. Reporter Donald Woods tumbles to Trevor's deception, but he falls in love with her and determines to keep her secret. ~ Hal Erickson, All Movie Guide
- Starring:
- Claire Trevor, Donald Woods, (more)
- 1938
When Columbia Pictures secured the movie rights to Chic Young's popular comic strip Blondie, the studio executives probably never imagined that the ensuing "Blondie" series would last for 12 years and 28 episodes! Part of the series' charm was Columbia's wisdom in casting the ideal actors for the leading roles. Penny Singleton dyed her hair blonde to step into the role of Blondie Bumstead (after Shirley Deane bowed out due to prior committments); Arthur Lake landed the role of a lifetime as sensible Blondie's bumbling hubby Dagwood (in the original strip, of course, it was Dagwood who was sensible and Blondie who was scatterbrained); and 5-year-old Larry Simms did a masterful job as the Bumstead's son Baby Dumpling (aka Alexander), literally growing up before our eyes over the next dozen years. Not as farcical as later entries, the initial Blondie film is a gentle, even-keeled situation comedy, aiming for chuckles rather than bellylaughs. It doesn't take long for poor Dagwood to get into trouble with his apoplectic boss J. C. Dithers (wonderfully played by Jonathan Hale), who fires our hero halfway through the second reel. Ruminating over his troubles in a hotel lobby, Dagwood strikes up a friendship with affable C. P. Hazlip (Gene Lockhart), never realizing that this is the same Hazlip whose account the Dithers Construction Company has been trying to land for the past several weeks! But before a happy ending can be realized, Blondie and Dagwood undergo a series of misunderstandings, culminating with Blondie tearfully storming out of the house (which has already been stripped of its furniture by the finance company!) Blondie was an immediate hit with filmgoers and fans of the strip alike, convincing Columbia that it had a winning property on its hands and spawning sequel after sequel after sequel. Available for years only in its TV version, which obliterated the opening credits in favor of a jazzier "sitcom" opening and tacked on a few minutes of "coming attractions", Blondie has recently been restored to its original form on videotape and cable TV. ~ Hal Erickson, All Movie Guide
- Starring:
- Penny Singleton, Arthur Lake, (more)
- 1939
Columbia's new "Blondie" series continued its winning streak with its fourth entry, Blondie Brings Up Baby. So much happens within the film's 67 minutes that it's best to boil things down to the central storyline. Baby Dumpling (Larry Simms), the six-year-old son of Blondie and Dagwood Bumstead (Penny Singleton and Arthur Lake) disappears from sight during his first day at school. While Dagwood frantically combs the city in search of the boy, Baby Dumpling spents a nice, safe afternoon with poor little rich girl Melinda Mason (Peggy Ann Garner), who with her new playmate's help arises from her sickbed to walk across the room for the first time in months. Other plot threads include Dagwood's disastrous confrontation with an important business client (Robert Middlemass), and Daisy the Dog's ongoing battle of wits with the local dog-catcher. Like many of the "Blondie" films, Blondie Brings Up Baby serves as a showcase for young talent on the way up: Robert Sterling is seen as one of Dagwood's office buddies, while Bruce Bennett plays a uniformed chauffeur. ~ Hal Erickson, All Movie Guide
- Starring:
- Penny Singleton, Arthur Lake, (more)
- 1941
Dagwood Bumstead (Arthur Lake) is invited by his boss Mr. Dithers (Jonathan Hale) to accompany Dithers on an ocean cruise to South America. Dagwood's whole family comes along, including wife Blondie (Penny Singleton), son Baby Dumpling (Larry Simms) and Daisy the dog and her pups. Just before sailing, Dagwood is compelled to stay behind and watch over Dithers' business. Determined to rejoin his family, Dagwood dresses up in drag and joins the ship's all-girl orchestra. The ruse continues all the way to South America, where Dagwood must fume while Blondie is serenaded by dashing Tito Guizar. Blondie Goes Latin is the eighth in the Columbia series based on the comic strip by Chic Young. ~ Hal Erickson, All Movie Guide
- Starring:
- Penny Singleton, Arthur Lake, (more)
- 1942
One of the most fondly remembered of the "Blondie" series entries, Blondie Goes to College is predicated on the notion that Dagwood Bumstead (Arthur Lake) must receive a college diploma or lose his job with the Dithers Construction Company. Not wishing to be separated from her husband, Blondie (Penny Singleton) enrolls in college as well-but the rules stipulate "no married couples", forcing our hero and heroine to pretend that they're not married. This causes quite a dilemma when coed Laura Wadsworth (Janet Blair) begins flirting with Dagwood and B.M.O.C. Rusty Bryant (Larry Parks) does same with Blondie. Making things worse-Blondie is expecting another child (who will make her first appearance in the next installment, Blondie's Blessed Event), but she daren't tell anyone lest both she and Dag be expelled. The student body at this particular seat of learning is comprised of quite a few familiar faces (most well past college age), including Lloyd Bridges, Sid Melton, and Adele Mara. The biggest laughs in Blondie Goes to College are garnered by famed double-talk expert Al Kelly, playing an uncredited cameo as a tangle-tongued professor. ~ Hal Erickson, All Movie Guide
- Starring:
- Penny Singleton, Arthur Lake, (more)
- 1940
Few of Columbia's "Blondie" films went as far off the beaten path as the bizarre Blondie Has Servant Trouble. Things get under way when Blondie Bumstead (Penny Singleton) demands that her husband Dagwood (Arthur Lake) request a raise from his boss Mr. Dithers (Jonathan Hale), so that Blondie can afford to hire a maid. But Dithers has no time for any salary disputes: his construction firm is currently stuck with an unsaleable old mansion, which is rumored to be haunted. To disprove this theory, Dithers asks the Bumstead family to spend a night in the crumbling old house, throwing a retinue of servants into the bargain. Unfortunately, the mansion's butler is waylaid and replaced by homicidal maniac Vaughn (Arthur Hohl), who spends the rest of the picture stalking Dagwood, Blondie and Baby Dumpling (Larry Simms) with a huge, gleaming knife at the ready! Placing the lovable Bumsteads in dire jeopardy worked rather well in Blondie Has Servant Trouble, but it's just as well that this formula was not repeated too often, as it was in Columbia's Three Stooges and Hugh Herbert 2-reel comedies. ~ Hal Erickson, All Movie Guide
- Starring:
- Penny Singleton, Arthur Lake, (more)
- 1946
Blondie Knows Best was writer/director Edward Bernds' first entry in the long-running "Blondie" series, and arguably his funniest. The story contrives to have Dagwood Bumstead (Arthur Lake) pose as his boss Mr. Dithers (Jonathan Hale) so that a big business deal can be consummated while Dithers avoids nearsighted process server Jim Gray (Shemp Howard). The upshot of all this is that Dagwood ends up in a lunatic asylum, forcing Blondie (Penny Singleton) to come to the rescue. Ed Bernds was a big fan of comedian Shemp Howard (whom he'd directed in several Columbia 2-reelers) and accordingly he gives Shemp free reign in his scenes, resulting in some hystericially funny moments. Blondie Knows Best represented Jonathan Hale's farewell to the series; in the next entry, Blondie's Big Moment, he would be replaced by Jerome Cowan as Mr. Radcliffe. ~ Hal Erickson, All Movie Guide
- Starring:
- Penny Singleton, Arthur Lake, (more)
- 1939
This second entry in Columbia's new "Blondie" series is every bit as delightful as the first. When Dagwood Bumstead (Arthur Lake) heads off for a long-awaited fishing trip, his loving wife Blondie (Penny Singleton) assumes Dag's duties at the offices of J. C. Dithers (Jonathan Hale). Unfortunately, our hero finds himself in a compromising position with pretty stranger Dottie (Dorothy Moore), endangering both his job and his marriage. The film's highlights include an energetic jitterbug contest and a terrific variation on the old "Any husband who's expected home should leave right now" gag. Blondie Meets the Boss was heralded by a specially filmed trailer in which the Bumstead's son Baby Dumpling (Larry Simms) thanked the audience for the excellent response to the first Blondie picture and inviting the viewers to come back for more (which they did-28 times!) ~ Hal Erickson, All Movie Guide
- Starring:
- Penny Singleton, Arthur Lake, (more)
- 1940
The Bumstead family-Blondie (Penny Singleton), Dagwood (Arthur Lake) and Baby Dumpling (Larry Simms)-embark on a long-delayed vacation in this series entry. While en route to their out-of-town relatives, the Bumsteads are forced to make an emergency stopover in a small town, where they get mixed up in an elopement. By the time Dagwood is through offering his well-intentioned assistance, the elopers are on the verge of a breakup, but Blondie (per the film's title) manages to smooth things out. Blondie Plays Cupid is distinguished by the appearance of Glenn Ford as flustered groom-to-be Charlie (the bride-to-be is Columbia contractee Luana Walters, who later played the title character's mother in the 1948 serial The Adventures of Superman). ~ Hal Erickson, All Movie Guide
- Starring:
- Penny Singleton, Arthur Lake, (more)
- 1942
Anxious to do her bit for the war effort, Blondie (Penny Singleton) joins the Housewives of America, a home defense league. Husband Dagwood (Arthur Lake) soon finds that Blondie is neglecting her responsibilities at home in favor of her war work; also disgruntled are Dagwood's chauvinistic boss Mr. Dithers (Jonathan Hale) and a newlywed husband (Stu Erwin) whose wife is never home thanks to the defense league. Following a slapstick denouement at a power plant, in which the husbands are shown the error of their macho attitude, Blondie promises to devote more time to Dagwood--but at the same time delivers a patriotic speech to the women in the audience, exhorting them to align with the "Home Front". Blondie for Victory was twelfth in Columbia's series of comedy films based on Chic Young's popular comic strip Blondie. ~ Hal Erickson, All Movie Guide
- Starring:
- Penny Singleton, Arthur Lake, (more)
- 1941
Blondie in Society is another delightful excursion into comic insanity for Blondie (Penny Singleton), Dagwood (Arthur Lake) and Baby Dumpling (Larry Simms). The trouble begins when Dagwood brings home a huge Great Dane as a favor to an old friend. It turns out that the gigantic hound is a pedigree, and that Waldo Pincus (William Frawley), an important client of Dag's boss Mr. Bumstead (Jonathan Hale) would like to buy the dog. Alas, Blondie has already entered her new pet in a dog show, ultimately winning a $500 prize and beating out the previous champion-which, of course, belongs to Mr. Pincus. On the verge of losing his job, Dagwood is rescued one more by the resourceful Blondie, with the help of irascible veterinarian Edgar Kennedy. Like the previous Blondie Goes Latin, Blondie In Society affords Penny Singleton the opportunity to display her musical skills, as she sings two songs with the Mitchell Boys' Choir. ~ Hal Erickson, All Movie Guide
- Starring:
- Penny Singleton, Arthur Lake, (more)
- 1942
An historical entry in Columbia's Blondie series, Blondie's Blessed Event recreates the moment in Chic Young's original comic strip wherein Blondie and Dagwood were blessed with baby daughter Cookie. The first portion of the film involves the tribulations of Dagwood Bumstead (Arthur Lake) as he tries to take his wife Blondie (Penny Singleton) and his new daughter (Norma Jean Wayne) home from the hospital. The bulk of the story concerns a get-rich-quick scheme involving Dagwood and an eccentric artist (Hans Conried). There's also a few frantic moments at a convention where Dagwood embarrasses his boss Mr. Dithers (Jonathan Hale). The eleventh of Columbia's "Blondie" B-pictures, Blondie's Blessed Event is one of the best of the batch. ~ Hal Erickson, All Movie Guide
