Georgina Hale Movies

An elderly widow and a young would-be author strike up an unlikely friendship in this comedy drama. Mrs. Palfrey (Joan Plowright) has been uneasy since the death of her husband, and she decides to move from her long-time home in Scotland to London so she can be closer to her grandson Desmond (Lorcan O'Toole). Mrs. Palfrey settles into the Claremont Hotel, a shabby residential inn for senior citizens that has seen better days. She tries to contact Desmond, but isn't able to get in touch with him, and at first she has a hard time relating to the other folks at the Claremont, especially friendly busybody Mrs. Arbuthnot (Anna Massey). Lonely and out of sorts, Mrs. Palfrey goes out for a walk one day and takes a nasty spill after losing her balance. Ludovic Meyer (Rupert Friend), a struggling writer in his mid-twenties, finds Mrs. Palfrey on the pavement and helps her, taking her back to her room and making sure she's OK. The two strike up a conversation and discover they have a surprisingly amount in common. A friendship grows between them, even though Mrs. Palfrey asks Ludovic to pose as her absent grandson so her neighbors will stop asking questions about him. Mrs. Palfrey even gives her new friend romantic advice, encouraging Ludovic to ask a pretty girl he meets at the video store out on a date. Based on a novel by the British author Elizabeth Taylor, Mrs. Palfrey at the Claremont was directed by Dan Ireland. ~ Mark Deming, All Movie Guide

Beyond Bedlam is an ambitious British horror shocker, incorporating elements familiar from Nightmare On Elm Street and the work of such authors as Thomas Harris and Clive Barker. Terry Hamilton (Craig Fairbrass) is a detective haunted by the maniac he captured seven years ago, known as the Bone Man (Keith Allen). The Bone Man, whose real name is Gilmour, is the top patient of a scientist (Elizabeth Hurley), who has been using Gilmour in experiments to test a new mind-calming drug called BFND. But the drug also enables Gilmour to bring his hallucinations to life, and his monstrous creations menace Hamilton and the doctor during the film's second half as they attempt to put Gilmour down for good. Shot mostly in an abandoned sanitarium, the film puts its eerie location to good effect and has a lot of visual style, but the initially promising premise breaks down as the long final pursuit kicks in. ~ Don Kaye, All Movie Guide

The Doctor (Sylvester McCoy) and Ace (Sophie Aldred) arrive on Terra Alpha, an earth colony ruled by the Happiness Patrol. Strictly forbidding anyone to express sadness, the Patrol metes out horrible punishments for violation of the rules. David John Pope guest-stars as the robotic Kandyman, who dispenses those punishments on behalf of dictator Helen A (atypically played by gifted comic actress Sheila Hancock). The first episode of the three-part "The Happiness Patrol" was written by Graeme Curry, and originally aired on November 2, 1988. ~ Hal Erickson, All Movie Guide

In the conclusion of the three-part story "The Happiness Patrol," the Doctor (Sylvester McCoy) sparks a revolution against Helen A (Sheila Hancock), dictator of Terra, where the punishment for not expressing constant happiness is death. Once he has neutralized Helen A's robotic henchman, Kandyman (David John Pope), the Doctor goes to work on the dictator herself -- and he doesn't intend to resort to violence. A poignant ending caps Graeme Curry's teleplay for "The Happiness Patrol, Episode 3," which first aired on November 16, 1988. ~ Hal Erickson, All Movie Guide

This Disney Studios attempt at entering the horror genre is a British production based on the chilling novel by Florence Engel Randall. An American family, headed by composer Paul Curtis (David McCallum) and his wife Helen (Carroll Baker), is renting an old mansion in England. The mansion's owner is Mrs. Aylwood (Bette Davis), who lives in a small guest house on the property. The mansion is surrounded by dense, forbidding woods. The Curtis children, Jan (Lynn-Holly Johnson) and Ellie (Kyle Richards), explore the forest. Mrs. Aylwood is continually searching the woods for her daughter -- whom she lost there 30 years ago. Over time, the children come to be haunted by the spirit of the daughter, Karen (Katherine Levy). The film was originally released in 1980 with an ending that included a huge alien from another planet. The studio pulled back the film after test audiences laughed at the special effects, and re-released the movie in 1982 with a new ending that circumvented the alien. ~ Michael Betzold, All Movie Guide

The autobiography of British prison-escapee John McVicar is given a no-frills screen treatment herein. Roger Daltrey, lead singer of the Who, plays McVicar, who after breaking out of prison reestablishes himself in London's seamy underworld. Another British singing star, Adam Faith, is second-billed as Probyn. Needless to say, McVicar contains quite a few songs--more than your usual gangster meller, anyway. In addition to starring, Roger Daltrey was one of the film's three producers. ~ Hal Erickson, All Movie Guide

Rudolph Valentino, born in Italy in 1895 as Alfonzo Raffaele Pierre Philibert Guglielmi, emigrated to the U.S. and became for a time the reigning male romantic lead of the silent-film era. He died in 1926, having led a short, troubled and tempestuous life which included several stints in prison. The crowds surrounding his coffin before and during his funeral were among the largest ever seen in the U.S. In this film, Ken Russell has used events from the famous actor's life as the basis for an extended meditation on the nature of stardom, and especially on what it means to be a sex idol. Beginning and ending with the funeral of Valentino (Rudolf Nureyev), the story chronicles his rise to Hollywood stardom from life as an Italian emigrant dishwasher and show-dancer. Often embroiled in controversies about his manliness (or perceived lack of ), in the film he dies as a result of internal injuries suffered in a boxing match he fought in to defend his honor. ~ Clarke Fountain, All Movie Guide

This audacious, vulgar, freewheeling fantasia on the life of pianist Franz Liszt ranks among director Ken Russell's most outrageous efforts. Roger Daltrey, lead singer for The Who, is awkward yet likeable as the flamboyant piano performer with a bevy of fetching mistresses and groupies, while Paul Nicholas is completely outlandish as the scheming opera composer Richard Wagner. There's no nod to reality here: Liszt and Wagner were in fact friends, and Liszt, who became Wagner's father-in-law, actually assisted in the production of Wagner's opulent productions. Russell, on the other hand, presents Wagner as Liszt's jealous rival ready to wreak havoc on the world by unleashing a cryogenic Viking (Yes keyboardist Rick Wakeman) and a horde of machine-gun wielding robot Nazis. In a finale out of Flash Gordon serials, Liszt saves the day after surviving a guillotine designed for phallic dismemberment. The film is fast and loud and wildly undisciplined, much like one of Liszt's Hungarian Rhapsodies. Look fast and you'll see Ringo Starr as the pope. ~ Les Stone, All Movie Guide

Director Ken Russell made a number of biographical films of composers' lives including The Music Lovers, (about Tchaikovsky) and Lisztomania. Russell embellished the other films with certain characteristic flourishes, which include a focus on the composers' sexual obsessions, poetically telling anachronisms, and scenes which show Richard Wagner in a bad light. The story of Mahler is recounted in a much less complex and flamboyant manner and is a relatively reverent study of the life and work of Austrian composer Gustav Mahler, here played by Robert Powell. The film tackles the touchy dilemma of Mahler's Jewishness in the anti-Semitic atmosphere of 19th-century Vienna. He converts to Christianity, which has no effect on his brilliant musical output but which eats away at his physical and mental well-being. Gustav Mahler (1860-1911) was a conductor and composer of the late Romantic era and specialized in huge symphonic works. Though his works were performed widely during his lifetime, they were less and less-often played until Leonard Bernstein's active campaign on their behalf brought him renewed recognition as a composer of the first rank, every bit the peer of Brahms or Stravinsky. ~ Clarke Fountain, All Movie Guide

The Devils was the Ken Russell film version of the controversial play by John Whiting. The story, based on Aldous Huxley's The Devils of Loudun, concerns controversial 17th century French priest Urbain Grandier, whose radical political and religious notions and profligate sex life earn him many enemies. When a group of nuns appears to have been "bewitched" by Grandier, his rivals feed on the resulting mass hysteria, using this incident as an excuse to have the priest arrested. Refusing to confess to being in league with Satan and to renounce his "heretical" views, Grandier undergoes appalling tortures, and is finally burned at the stake. Vanessa Redgrave co-stars as the head nun. Due to censorship issues in virtually every country in which The Devils has been released, running times vary greatly. ~ Hal Erickson, All Movie Guide

The Boy Friend began life as Sandy Wilson's small-scale pastiche of British musical comedies of the 1920s. When the play was brought to America in 1954, its star was the
teenage Julie Andrews. Because The Boy Friend requires a minimum of sets, props, and costumes, it has become a favorite of amateur theater groups throughout the world. But director Ken Russell, notorious for his onscreen excesses, abandoned the film's simplicity. He fashioned a humongous parody of the Busby Berkeley film musicals of the 1930s, staged on a scale that made Berkeley seem stylistically modest. Fashion model Twiggy plays Polly Browne, an aspiring musical comedy star, working as stage manager of a production of The Boy Friend. She is transformed into a star when she replaces leading lady Rita Monroe (Glenda Jackson, unbilled), who twists her ankle seconds before the curtain goes up. Before the evening is over, Polly is scampering over outsized sets, and ducking around seemingly thousands of chorus girls and boys. Christopher Gable, who plays Polly's on-stage leading man, also choreographed the lavish musical numbers. ~ Hal Erickson, All Movie Guide