Bill Hale Movies

Onetime juvenile star Bobby Diamond (remember him in Fury?) produced and starred in this patriotic quickie. Diamond plays a rural youth who joins the paratrooper training school at Fort Bragg. His city-bred colleagues have a great deal of fun at Bobby's expense during training. But when the trainees actually get into the air, it is Our Hero who shows everyone else up. James Landis produced and wrote Airborne, which is highlighted by the expertly lensed parachute-drop photography of Larry Raimond. ~ Hal Erickson, Rovi

While messing around in Ward's car, Beaver (Jerry Mathers) accidentally releases the emergency brake. The car rolls into the street, immediately tying up traffic. Happening upon the scene, Wally (Tony Dow) dutifully gets behind the wheel and moves the car back into the driveway. Unfortunately, it is at this point that a policeman happens along and demands that Wally show him his driver's license -- a license that Wally does not yet have! ~ Hal Erickson, Rovi

Snowfire is a family picture in more ways than one. Its producer-directors were brothers Dorrell and Stuart McGowan, the same sibling duo responsible for TV's Death Valley Days; most of the characters are named McGowan; and one of the supporting players is Dorrell McGowan's daughter Melody. The title character is a wild horse who is tamed by young Molly, the daughter of rancher Don Megowan (no relation). The villains try to capture Snowfire for their own nefarious purposes, but Molly manages to outwit the bad guys. Filmed on location at Bryce Canyon, Utah, Snowfire was later re-edited into a 60-minute TV pilot. ~ Hal Erickson, Rovi

George Stevens' sprawling adaptation of Edna Ferber's best-selling novel successfully walks a fine line between potboiler and serious drama for its 210-minute running time, making it one of the few epics of its era that continues to hold up as engrossing entertainment across the decades. Giant opens circa 1922 in Maryland, where Texas rancher Jordan "Bick" Benedict (Rock Hudson) has arrived to buy a stallion called War Winds from its owner, Dr. Horace Lynnton (Paul Fix). But much as Bick loves and knows horses, he finds himself even more transfixed by the doctor's daughter, Leslie Lynnton (Elizabeth Taylor), and after some awkward moments, she has to admit that she's equally drawn to the shy, laconic Texan. They get married and Leslie spends her honeymoon traveling with Jordan to his ranch, Reata, which covers nearly a million acres of Texas. Once there, however, she finds that she has to push her way into her rightful role as mistress of the house, past Bick's sister, Luz (Mercedes McCambridge), who can't accept her brother's marriage or the changes it means in the home they share. Also working around Reata is the laconic ranch hand Jett Rink (James Dean) -- from a family as rooted in Texas as the Benedicts but not nearly as lucky (or "foxy"), Jett is dirt-poor and barely educated at all, and he fairly oozes resentment at Bick for his arrogance, although Luz likes him and for that reason alone Bick is obliged to keep him on. One thing Jett does have in common with his employer is that he is in awe of Leslie's beauty; another is his nearly total contempt for the Mexican-Americans who work for them -- Jett and Bick may have contempt for each other, but either one is just as likely to dismiss the Mexican-Americans around them as a bunch of shiftless "wetbacks." Luz feels so threatened with a loss of power and control that she decides to assert herself with War Winds, yet another "prize" that Bick brought back from Maryland that resists her authority -- then decides to ride the stallion despite being warned that no one but Leslie is wholly safe on him, and spurs him brutally in an effort to break him, which ends up destroying them both in the battle of wills she starts.

After Luz's death, Jett learns that she left him a tiny piece of land for his own, on Reata, which he refuses to sell back to Bick, preferring to keep it for his own and maybe prospect for oil on it. Meanwhile, Leslie and Bick have their own problems -- Leslie can't abide the wretched conditions in which the Mexican families who work on Reata are allowed to live, taking a special interest in Mr. and Mrs. Obregon and their baby, Angel; but Bick doesn't want his wife, or any member of his family, concerning themselves with "those people." Leslie's humanity and her independence push their marriage to the limit, but Bick comes to accept this in his wife, and in four years of marriage they have three handsome children, a boy and two girls, and a loving if occasionally awkward home life. Meanwhile, Jett strikes oil on his land -- which he's named Little Reata -- and in a couple of years he's on his way to becoming the richest man in Texas, getting drilling contracts on all of the land in the area (except Reata) and making more money than the Benedicts ever saw from raising cattle. Bick is almost oblivious to the way Jett grows in power and influence across the years and the state, mostly because he's got his own family to worry about, including a son, Jordan III (Dennis Hopper), who doesn't want to take over the ranch from him, but wants instead to be a doctor; an older daughter, Judy (Fran Bennett), who wants to study animal husbandry and marry a local rancher (Earl Holliman) and start a tiny spread of her own; and a younger daughter, Luz (Carroll Baker), who's just a bit man-crazy and star-struck by the movies.

The American entry into the Second World War and the resulting need for oil forces Bick to go into business with Jett and allow him to drill on Reata, and suddenly the Benedicts are wealthy enough to be part of Jett Rink's circle, which includes the governor of the state and at least one United States senator at his beck and call -- and Luz develops a serious crush on Jett, who likes his women young and is especially attracted to her, as Bick's and Leslie's daughter. Young Jordan marries Juana, a Mexican-American nursing student (Elsa Cardenas), and his father accepts it begrudgingly, with help from Leslie. The war kills Angel Obregon (Sal Mineo), a death that even affects Bick, but the Benedict family gets through it wealthier than ever and grows some more with the birth of Jordan IV to Jordie and Juana. When the family attends a gala opening of Jett Rink Airport, which concludes with a dinner honoring Jett's success, however, young Jordan's wife is humiliated by Jett's racist edicts, and he is beaten up by Jett's men after punching the oil baron. Seeing this, Bick challenges his old rival to the fight that's been brewing for a quarter of a century and wins by default, Jett being too drunk to defend himself or to hit; he's also too drunk to make the grand speech that was to climax the celebration, and he ends up alone in the ballroom. The Benedicts have it out with each other, young Jordan accusing his father of being as much a racist as Jett, and Leslie caught in the middle between her husband and her son. It looks like the Benedicts may lose each other, until an encounter with a racist diner owner forces Bick to stand up and get knocked down (more than once) defending his daughter-in-law and his grandson.

Seen today, Giant seems the least dated of any of James Dean's three starring films, in part because it addresses issues that remain relevant more than 50 years later, and also because it has the best all-around acting and the best script of any of the three. Taken in broader terms, it's even better, with two of the best performances that Elizabeth Taylor and Rock Hudson ever gave, and perhaps the second best of Hudson's whole career (after Seconds) -- the only unfortunate element at modern theatrical screenings is the tendency of younger viewers, who only know him in terms of the revelations late in his life of his being gay, to laugh and snicker at elements of Hudson's characterization; but his work is so good that the titters usually fade after the first 30 minutes or so. ~ Bruce Eder, Rovi

Highway Dragnet is best known to modern movie buffs as the first film to carry Roger Corman's name in the credits. Corman was one of six screenwriters contributing to this location-filmed suspense melodrama, which stars Richard Conte as an ex-Marine on the lam from a murder charge. Conte hitches a ride from glamour-magazine photographer Joan Bennett, who is travelling cross-country with her principal model, Wanda Hendrix. True to audience expectations, the murderer will at one time or another be an occupant of Bennett's car, though it won't be the person whom the police are looking for. The tense climax takes place in a flooded tract house, with the killer stalking the next potential victim. Criticized for its low production values at the time of its release, Highway Dragnet actually stands up pretty well when seen today. ~ Hal Erickson, Rovi

Action star Phil Carey once more dons Cavalry Blue in Columbia's Massacre Canyon. This time, Carey plays the unsavory role of an alcoholic Cavalry lieutenent who fancies himself an expert on Indians. In truth, only his sergeant, Douglas Kennedy, possesses enough knowhow for the task at hand: To transport a wagon train full of weapons into Indian territory without arousing suspicion. Thanks to a stupid blunder, Native American chief Steve Ritch discovers that the army is trying to ship guns through his land, and the chase is on. Evidently as a means to enhance the film's box office, Massacre Canyon costars two attractive but totally unnecessary leading ladies, Audrey Totter and Miss Jeff Donnell (as she was often billed). ~ Hal Erickson, Rovi

Having supped full of success with the multi-storied O. Henry's Full House, 20th Century-Fox assembled another all-star "omnibus" film, We're Not Married. The unifying factor of this enjoyable seriocomedy is provided by justice-of-the-peace Melvin Bush (Victor Moore), who learns to his horror that his license is invalid. Bush and his wife (Jane Darwell) feverishly track down the five couples whom he has married "illegally" to inform them of the fact and invite them to renew their vows. Couple #1 is Fred Allen and Ginger Rogers, a husband-and-wife radio team whose huggy-kissy behavior on the air conceals the fact that they'd dearly love to cut each other's throats. Couple #2 consists of David Wayne and his contest-happy spouse Marilyn Monroe, who's just won the "Mrs. Mississippi" pageant. Couple #3, Paul Douglas and Eve Arden, ran out of things to say to each other long ago. Couple #4 is millionaire Louis Calhern and his avaricious young bride Eva Gabor, who intends to jilt the old coot and make off with his millions. And Couple #5 is young GI Eddie Bracken and his pregnant wife Mitzi Gaynor. When Bush delivers the news that these unions aren't legal in the eyes of the state, the results range from poignant to hilarious: particularly satisfying is Calhern's puckish revenge on his gold-digging wife. And yes, that is Lee Marvin as Eddie Bracken's army buddy. ~ Hal Erickson, Rovi

Lorna Doone is based on the oft-filmed novel by Richard D. Blackmore. Set in 17th century Scotland during the reign of Britain's Charles II, the story concerns young Lorna (Barbara Hale), a member of a much-hated landowning family. Lorna falls in love with a humble villager (Richard Greene), who like the rest of community has suffered under the rule of the despotic Doones. The villagers revolt against their oppressors, but when it is revealed that Lorna is not a genuine Doone, she is able to marry her low-born swain. Star Barbara Hale was pregnant throughout the filming of Lorna Doone; thus it can be said that the film "co-starred" her son, future actor William Katt. ~ Hal Erickson, Rovi

Monogram's Johnny Mack Brown western series galloped ever onward in Hidden Danger. This time, Johnny and his saddle pal Banty (Raymond Hatton) come in contact with a cattlemen's protective organization. Ostensibly an honest venture, the association is the front for an extortion racket, headed by a gent named Carson (Myron Healey). The action highlights are complemented by the comic antics of Max Terhune and his dummy Elmer. Aging star Brown relinquishes the romantic responsibilities to Marshall Reed, who spends his screen time wooing heroine Christine Larson. ~ Hal Erickson, Rovi

Monogram's four-year-old Jimmy Wakely western series began to wind down with Courtin' Trouble. As was customary, Jimmy does more singin' than fightin' or shootin' in this leisurely entry. The plot concerns an ongoing feud between cattlemen and frontier merchants. Adding fuel to the fire is an outlaw gang, masterminded by saloon owner Leonard Penn (the real-life father of actors Sean and Christopher Penn). Virginia Belmont plays a lady attorney who is determined to bring things to a peaceful conclusion, while Dub "Cannonball" Taylor is the all-around comedy relief. Star Wakely manages to squeeze three musical numbers into the film's 56-minute timespan. ~ Hal Erickson, Rovi

A rather corpulent Johnny Mack Brown more than fills the title role of Frontier Agent. Once more, Brown plays a government man, sent to the badlands to round up an elusive outlaw gang. And once more, he is aided and abetted by Raymond Hatton, an old codger who has a lot more on the ball than people suspect. Director Lambert Hillyer keeps things moving even when nothing much is happening. Though it usually adheres to The Expected, Frontier Agent has a few offbeat touches, just to keep the non-western fans awake. ~ Hal Erickson, Rovi