Archie Hahn III

Christopher Lloyd, Kelly Ripa, Nicollette Sheridan, and Tim Curry lend their voices to director Ben Stassen's (Haunted Castle and Encounter in the Third Dimension) animatedchildren's fantasy about three preteen flies who hitch a ride into space on the Apollo 11 moon mission. The year is 1969, and Americans all across the country are buzzing about the first manned mission to the moon. Even the insects aren't immune to the excitement, as evidenced by the enthusiasm of adolescent flies Nat (voice of Trevor Gagnon), IQ (voice of Philip Daniel Bolden), and Scooter (voice of David Gore). Over the years, Nat's grandpa (voice of Lloyd) has often recalled the time he hitched a ride on Amelia Earhart's airplane during the famed aviator's cross-Atlantic flight, and now Nat's dreams of recreating that feat on a much larger scale are finally set to come true. But while the three young flies only believe that they'll be gone for a few minutes, the fact is that they'll be drifting through space for almost an entire week. Just as they're about to sneak aboard the ship, the flies are spotted by a keen-eyed NASA ground control official and stored in a test tube for future study. Later in the flight, when the ship's engine malfunctions, the only ones capable of fixing the problem are the three tiny stowaways. But their mission isn't accomplished just yet, because grandpa's old flame Nadia (voice of Sheridan) has just arrived from Russia to warn him that a tiny fly-spy named Yegor (voice of Curry) has been assigned the task of traveling to Cape Canaveral and sabotaging the computer flight plans. Should Nat, IQ, and Scooter fail to act in time, Yegor's mission could spell disaster not only for the three thrill-seeking flies, but the entire U.S. space program. ~ Jason Buchanan, All Movie Guide

A cow learns to walk like a man, both literally and figuratively, in this computer-animated comedy written and directed by Steve Oedekerk, the creator of Jimmy Neutron: Boy Genius. Ben (voice of Sam Elliott) is a cow who for years has been the leader and sober voice of reason among the animals at a farm where the critters are a bit unusual -- they can walk on two legs, talk, swim, and act like humans, though they have the good sense to avoid doing these things while humans are around. Ben has long dreamed that his son Otis (voice of Kevin James) would someday take over his duties on the farm, but Otis is a carefree and irresponsible type who would rather party with his friends and hang out with his girlfriend, Daisy (voice of Courteney Cox). Ben and his friend Miles (voice of Danny Glover), a wise and patient mule, wonder if Otis will ever make anything of himself, while Dasiy's best friend, Bessy (voice of Wanda Sykes), is convinced she can do better. However, one night Otis decides to do something about an obnoxious kid who enjoys tipping his fellow cows, and for the first time in his life he gets a taste of leadership -- and he likes it. Barnyard also features the voice talents of Andie MacDowell, Maria Bamford, and Maurice LaMarche. ~ Mark Deming, All Movie Guide

The brain-child of director and executive producer Straw Weisman, Man of the Year is billed as a reality/surveillance/improv/drama. In fact, the film was shot in one night, with no script and a cast of about 20 being followed around by an equal number of cameras. The story centers on Bill, a successful oil company executive played by John Ritter. At a party in honor of Bill, the audience is introduced to a number of people in Bill's life, including his wife, Carol (Heidi Mark); his bookie, Mickey (Dan Ponce); and his mistress, Vanessa (Khrystyne Haje). As the evening progresses, the mood of the party goes from festive to angry as all of the secrets in Bill's life become exposed, and his life begins to crumble around him. Suddenly, a gunshot is heard, someone is dead, and no one knows who the killer is. Completely improvised based on a loose story outline and a set of predetermined motivations for each character, Man of the Year premiered at the 2002 Method Film Festival in Pasadena, CA. ~ Matthew Tobey, All Movie Guide

The Brady Bunch Movie pays tribute to the 1970s TV show while poking gentle fun at it. The Brady family, led by father Mike (Gary Cole), still live in their suburban, split-level home and are still throwbacks to the era that spawned them. Eternally perky wife Carol (Shelley Long) is the perfect homemaker, while the kids' behavior is as wholesome as their loud, time-warp pastel clothes. Meanwhile, the greedy, selfish modern era swirls dangerously around them, embodied in next-door neighbor and real estate agent Ditmeyer (Michael McKean), who wants to buy the Bradys' property and turn the neighborhood into a giant mall. But no amount of money or prodding can persuade the Bradys to give up their home. Director Betty Thomas contrasts the overlit sitcom look of the Brady house interiors (faithfully recreated from the series) with real locations and natural grit for the modern L.A. scenes. The result is a satire that deftly spoofs the idea of staying true to old-fashioned values without ever passing judgment on those values. ~ Don Kaye, All Movie Guide

The feature film directing debut of actress Betty Thomas, this romantic farce attempts to mimic the screwball comedies of the 1930s. Andrew McCarthy stars as Cliff Godfrey, a doll house designer and perpetual loser in love who is dumped by his fiancee on the eve of their pre-nuptial vacation to Mexico. Informed by pretty travel agent Claire Enfield (Helen Hunt) that his tickets are non-refundable, the depressed Cliff goes to a bar, where he picks up a drunk party girl, Amanda Hughes (Kelly Preston), who agrees to accompany him on the trip south of the border. Once she sobers up, however, Amanda proceeds to make Cliff's vacation a nightmare, alternately flirting with and teasing him, then rejecting him for more studly prospects. But Cliff runs into Claire, who's staying at the same hotel while photographing a travel brochure, and the two begin spending time together, as Cliff helps her on the project by modeling for her pictures. Though Cliff and Claire are discovering that they are each other's soul mate, the flighty Amanda threatens to destroy their nascent romance. ~ Karl Williams, All Movie Guide

This is the series' fourth and final "Day in the Life" episode, in which the Night Court staff must process a huge number of cases before a predetermined deadline. On this occasion, the staffers must try a record 242 cases before midnight as workmen attempt to repair a hole in the courtroom ceiling. Judge Harry (Harry Anderson) is especially anxious to rush through one particular case, this one involving a nice young man (Andrew Hill Newman) who hopes to save his girlfriend (Eileen Seeley) from a forced marriage to a "pre-lab preppie" (Jonathan Emerson). ~ Hal Erickson, All Movie Guide

America's most inept law enforcement team mixes business with pleasure as they head to sunny Florida in this comedy. The aging and often-confused head of the Police Academy, Commandant Lassard (George Gaynes), has reached mandatory retirement age, much to the pleasure of the devious Capt. Harris (G.W. Bailey), who is still scheming to take over his job. Lassard, Harris, and a handful of the Academy's "distinguished" graduates (including Bubba Smith, Michael Winslow, Leslie Easterbrook, and Marion Ramsey) travel to Miami Beach for a special ceremony to commemorate Lassard's years of service as he leaves the force; however, a luggage mix-up puts the clumsy cops in the middle of a massive illegal arms deal. Police Academy 5: Assignment Miami Beach was the first film in the long-running series that did not star Steve Guttenberg (Bob Goldthwait also left the franchise at this point), but most of the other regulars bravely soldiered on without him. ~ Mark Deming, All Movie Guide

Director Joe Dante infuses this science fiction comedy with the visual razzle-dazzle and manic, goofball performances typical of his cartoon-inspired sensibilities. Navy test pilot Lt. Tuck Pendleton (Dennis Quaid) has volunteered for a highly dangerous medical experiment. A submersible craft, with Tuck at the controls, is to be shrunk down to molecular size and inserted into the body of a living rabbit. If successful, the test could result in radical breakthroughs in surgical techniques, but some high-tech thieves attempt to steal Tuck and his ship while both are in miniature form. Enter Jack Putter (Martin Short), a mild-mannered, hypochondriac retail store clerk, a nerd who suddenly finds himself injected with Tuck and his tiny ship. Now poor Jack's got to rise above his mundane existence to help an American hero get back to safety, while also trying to reunite Tuck with his beautiful estranged girlfriend Lydia (Meg Ryan). Innerspace (1987) won an Academy Award for Best Visual Effects. ~ Karl Williams, All Movie Guide

This comedy is set 15 years after the final nuclear holocaust and centers upon two fellows who have been stuck in their fathers' elaborate bomb shelter since the bombs began to fall. They had plenty of food, clothing (from the 1940s), and necessities, but their only entertainment was a huge set of pulp mystery novels by such writers as Dashiel Hammett and Raymond Chandler. By the time the two young men, Phillip and Marlowe finally emerge from the shelter in 2010, they have become "hard-boiled" detectives. They manage to find an old car and head off down the ruined roads looking for action. Along the way, they see beautiful, but hard-as-nails blonde Miles Archer and pick her up. She ends up robbing them and abandoning them. In her haste, she drops a set of keys--the keys to the last nuclear warhead. Whoever holds them, holds the world in their hands and suddenly the young men find themselves pursued by assorted weirdos, including man-eating hippies, looking for the ultimate power. ~ Sandra Brennan, All Movie Guide

The seventh cinema adaptation of the venerable stage farce Brewster's Millions stars Richard Pryor as Montgomery Brewster, a third-rate baseball player. Much to his amazement, Brewster discovers that he is related to deceased millionaire Rupert Horn (Hume Cronyn, who appears only in a videotaped "living will"). Even more amazing is the fact that Horn has left Brewster his entire $300 million fortune. The catch? Brewster must spend $30 million within 30 days, or he'll be left with nothing (in the earlier incarnations of Brewster's Millions, the hero was required to spend only a million, but this was, after all, the inflationary '80s). Aiding and abetting Brewster in his efforts to divest himself of his money are his catcher pal (John Candy) and an erstwhile lady friend (Lonette McKee), while his principal antagonist is a snotty attorney (Stephen Collins). ~ Hal Erickson, All Movie Guide

Largely improvised by director Rob Reiner and his cast, This Is Spinal Tap looks and sounds like a "real" documentary, with Michael McKean, Harry Shearer, and Christopher Guest as David St. Hubbins, Derek Smalls, and Nigel Tufnel, the key members of a going-nowhere British heavy metal band called Spinal Tap. The "group" started as an informal skiffle band, eventually maturing into an R&B act called the Thamesmen (their hit was "Gimme Some Money"). After going through a psychedelic period with "Listen to the Flower People," the band mutated into Spinal Tap, a hard rock outfit responsible for such albums as "Intravenous DeMilo," "The Sun Never Sweats," and "Bent for the Rent." This Is Spinal Tap finds them in the midst of their first American tour in years as they support their new LP Smell the Glove, with filmmaker Marty DiBergi (Rob Reiner), who specializes in TV commercials, on hand to document the occasion. Just about anything that can go wrong does: shows get canceled, stage props go wrong, wireless guitar pickups start broadcasting air-traffic reports, no one shows up for in-store appearances, David's girlfriend tries to take over the band, they wind up billed second to a puppet show at an amusement park, and the group teeters on the verge of breakup. After the film's initial release, McKean, Guest, and Shearer did a short club tour as Spinal Tap; the "band" reunited in 1992 for a new album, Break Like the Wind, followed by a full-fledged tour and TV special, The Return of Spinal Tap. ~ Mark Deming, All Movie Guide

Richard Benjamin's directorial debut is an engaging slice of nostalgia, purportedly based on an incident in life of Mel Brooks. Mark Linn-Baker stars as Benjy Stone, junior writer on the popular 1950s TV comedy/variety series The King Kaiser Show. Kaiser (Joseph Bologna)'s guest star this week is Hollywood matinee idol Alan Swann (Peter O'Toole), a swashbuckling Errol Flynn type, right down to his indiscriminate womanizing and fondness for mass quantities of booze. Stone is assigned to keep the actor out of trouble during rehearsals and deliver him sober to the performance. Becoming fast friends, Stone and Swann alternate baby-sitting responsibilities: Swann takes the young writer to the Stork Club and on an early-morning jaunt through Central Park with a "borrowed" police horse, while Stone takes Swann to his home in the Bronx, where the star is fawned over by Benji's mom (Lainie Kazan) and asked embarrassing questions about his love life by Uncle Morty (Lou Jacobi). Despite a few anxious moments, all goes well until Swann, panicking at the discovery that King Kaiser's show will be telecast live and not on film, walks out just before airtime. Shamed by Benjy into honoring his committment, Swann makes a spectacular, timber-smashing entrance, saving the show and rescuing Kaiser from being rubbed out by a gangster (Cameron Mitchell) whom the comedian has offended. Though it fluctuates between wistful realism and the manic exaggeration of a TV comedy sketch, My Favorite Year holds together quite well, delivering a plentitude of solid laughs. Jessica Harper, usually the star of bizarro films like Inserts and Suspiria, is quite appealing as Benjy Stone's girlfriend; that lady dancing with O'Toole at the Stork Club is 1930s film star Gloria Stuart, later an Oscar nominee for Titanic; the King Kaiser Show wardrobe mistress is played by Selma Diamond, a real-life comedy writer for Sid Caesar. My Favorite Year was converted into an unsuccessful Broadway musical in the early 1990s. ~ Hal Erickson, All Movie Guide

In this socially conscious, satirical made-for-television drama, a con-artist becomes one of the nation's top televangelists. The film is also known as K-GOD. ~ Sandra Brennan, All Movie Guide