Nicola Giuliano Movies

Fifty-year-old retired goth rocker Cheyenne (Sean Penn) travels from London to New York to visit his dying father, and then journeys across the United States on a mission to seek revenge against the elusive ex-Nazi war criminal who persecuted his dad in Auschwitz. Despondent after two of his young fans commit suicide, Cheyenne retreats to his Dublin mansion and begins living off of his royalties alongside his down-to-earth wife Jane (Frances McDormand). Later, he receives word that his father is dying in New York City. Although they haven't spoken in 30 years, he boards the first available flight to bid his dad farewell. Unfortunately, Cheyenne arrives too late. Upon reconnecting with his cousin Richard (Liron Levo), however, the morose musician learns that his father, a Holocaust survivor, had been tracking Auschwitz guard Aloise Lange (Heinz Lieven) around America for decades. Filled with ennui yet determined not to let Lange escape unpunished, Cheyenne vows to pick up the mission his father left uncompleted. ~ Jason Buchanan, Rovi

Award-winning filmmaker Paolo Sorrentino (The Family Friend) writes and directs this cinematic portrait of seven-time Italian prime minister Giulio Andreotti, whose controversial legacy peaked when he was tried for Mafia ties and subsequently acquitted. A leader with close ties to the Vatican, Andreotti was also tried and acquitted for the murder of an Italian journalist, and remains a senator for life. ~ Jason Buchanan, Rovi

In writer/director Paolo Sorrentino's second feature, The Family Friend (L'Amico di Famiglia), Giacomo Rizzo stars as Geremia de Geremei, a sixtysomething tailor who lives with his mother in a disgusting and decrepit flat. Though wealthy from the money that he has culled via loan-sharking, Geremia is a thoroughly miserable wretch, driven into the throes of destruction by his own incredible selfishness and his obsessive infatuation with a beautiful local girl, Rosalba (Laura Chiatta), whom he meets when asked to assist with her wedding. Geremia agrees, but takes the bride off alone and pressures her into sex, little realizing that he's sowing the seeds of his own downfall. Meanwhile, a bidet supplier attempts to goad Geremia into giving him a massive loan -- an amount that Geremia could never possibly fork over. Throughout the film, Sorrentino packs in numerous surrealistic touches, from the sight of a nun buried up to her neck in sand (accompanied by an aural assault on the soundtrack) to a grotesque glimpse of Rizzo with a potato poultice around his head to the jarring sight of Geremia's village, built by Mussolini on an Italian swampland. In the process, Sorrentino manages to create his own distinct world and thoroughly unforgettable characters. He also pulls off an incredibly difficult feat, by enabling the audience to care about a markedly unpleasant central figure. ~ Nathan Southern, Rovi

Two men learn firsthand about the cruel twists of fame and fortune in a drama from Italian filmmaker Paolo Sorrentino. In the early '80s, Tony Pisapia (Toni Servillo) and his younger brother, Antonio (Andrea Renzi), have each risen to the peak of their chosen professions. Tony is a nightclub singer who after years of struggle has achieved nationwide fame, and Antonio is a soccer player who becomes a star after scoring the game-winning goal in the European championship match. However, a few years down the line both men are experiencing a sharp reversal of their good fortune. Tony has developed a devastating cocaine addiction, and after it's revealed he's become sexually involved with an underage girl, it doesn't seem likely that the public will ever forgive him. Meanwhile, a leg injury has put an end to Antonio's career as an athlete, and he finds himself starting from zero as he tries to launch a new career in coaching; he faces another personal crisis when his wife, frustrated by Antonio's career decline, leaves him. L'Uomo in Piu was loosely based on the true stories of two Italian celebrities, musician Franco Califano and football star Agostino Di Bartolomei. ~ Mark Deming, Rovi