Frank S. Hagney Movies

Ghost Town Gold was the second entry in Republic's long-running "Three Mesquiteers" western series. Ray "Crash" Corrigan and Robert Livingston return as Tucson Smith and Stony Brooke, while Max Terhune replaces Sid Saylor as Lullaby Joslin. Almost immediately, comic ventriloquist Terhune established a rapport with his two co-stars, though audiences could have done with a lot less of his garrulous dummy Elmer. As for the plot, our three heroes try to retrieve some stolen money before an innocent banker is blamed for the theft. Adding spice to the quest is the fact that the banker has a pretty daughter (Kay Hughes). Other highlights include a typical Republic saloon-brawl scene, in which Tucson cleans the clock of head-villain Frank S. Hagney. ~ Hal Erickson, All Movie Guide

Johnny Mack Brown goes in search of a treasure map tattooed on the chest of a man who once betrayed his father in this average western from low-budget Supreme Pictures. Bruce Reynolds happens on the scene just as his quarry, Grandpa Jenkins (George Hayes), is being attacked by one of his former partners. To preserve his secret, the dying Jenkins allows the sheriff (Jack Rockwell) to arrest Bruce for murder. Our hero, however, makes a daring escape and hightails it to the Valley of the Lawless where he easily persuades gang leader Garlow (Frank Hagney) that he, too, is a desperado. Accepted into the gang, Bruce is awarded the nickname of "Tiger" but the arrival of Grandpa Jenkins' heirs, son Amos (Frank Ball) and grandchildren Joan (Joyce Compton) and Billy (Bobby Nelson), almost blows his cover. Things go from bad to worse, especially when the sheriff's lovesick son, Cliff Graves (Denny Meadows), accuses Bruce of killing Amos for the map to the treasure, a despicable act actually committed by one of Garlow's men. The outlaws are eventually defeated but in the mistaken belief that Joan is in love with Cliff, Bruce lets himself be arrested for the murder of Amos. Joan, however, learns the truth and declares the vindicated Bruce her love. ~ Hans J. Wollstein, All Movie Guide

John Ford, whose fierce pride in his Irish heritage often manifested itself in his work, directed this historical drama which uses as its backdrop the 1916 Easter Rebellion of Irish patriots against British rule. Nora Clitheroe (Barbara Stanwyck) runs a rooming house in Dublin and tries to stay away from the political turmoil raging around her, so she becomes quite upset when she learns that her husband Jack (Preston S. Foster) has joined a militia of Irish rebels trying to drive out the British. Nora fears for Jack's safety and begs him to keep his distance from the revolutionary forces. Jack assures her that he'll step back from their activities, but it's not until it's too late that Nora learns that Jack has done just the opposite -- and has become a commander with the Irish Citizen Army as they plan an ill-fated raid on the Dublin Post Office. John Ford had several bitter disputes with RKO Pictures while making The Plough and the Stars, especially after the studio re-shot several scenes with another director to tone down the film's politics; while he distributed several independent productions through the studio, he never shot another picture for RKO. ~ Mark Deming, All Movie Guide

Based on H. Ashbrook's novel The Murder of Stephen Kester, Green Eyes gets off to a powerful start when host Stephen Kester (Claude Gillingwater) is found stabbed in a closet during a weekend masquerade party. The principal suspects are Kester's daughter Jean (Shirley Grey) and her fiancé Cliff (William Bakewell), whose planned marriage had been violently opposed by Jean's father. One of the party guests, mystery writer Bill Tracy (Charles Starrett), suggests to Inspector Crofton (John Wray) that there were others who wanted to see Kester dead, notably his business associates Pritchard (Alden Chase) and Hall (Arthur Clayton). When Hall commits suicide, leaving a note confessing to the murder, Crofton is satisfied -- but Tracy isn't. The "gimmick" in this well-crafted independent meller is its double-edged ending, in which two logical conclusions to the case are offered, each cancelling the other out. ~ Hal Erickson, All Movie Guide

This fifth film version of Robert Louis Stevenson's Treasure Island boasts an all-star MGM cast, headed by Wallace Beery as Long John Silver and Jackie Cooper as Jim Hawkins. The screenplay, by John Lee Mahin, John Howard Lawson and Leonard Praskins, remains faithful to the Stevenson original...up to a point. The story begins when drunken old sea dog Billy Bones (Lionel Barrymore) drags himself into the seaside pub managed by Jim and his mother (Dorothy Peterson). After Billy is killed by the scurrilous Blind Pew (William V. Mong) and his henchmen, Jim discovers that the deceased ex-pirate carries a treasure map on his person. Together with Dr. Livesey (Otto Kruger) and Squire Trelawny (Nigel Bruce), Jim books passage on a ship captained by Alexander Smollett (Lewis Stone); their destination is the "treasure island" depicted on the map. Smollett doesn't like the voyage nor the crew, and not without reason: ship's cook Long John Silver has rounded up the crew from the dregs of the earth, fully intending to mutiny and claim the treasure for himself. A further plot complications awaits both treasure-seekers and pirates in the person of half-mad island hermit Ben Gunn (Chic Sale) who's already found the treasure and has stashed it away for himself. Towards the end, the plot strays from the Stevenson version in detailing the ultimate fate of ruthless-but-lovable Long John Silver. While consummately produced, Treasure Island suffers from overlength and a mannered performance by Jackie Cooper. Disney's 1950 remake with Robert Newton and Bobby Driscoll is far more satisfying. ~ Hal Erickson, All Movie Guide

No relation to the later Clifton Webb vehicle of the same name, Sitting Pretty is a dated but likable film about the songwriting racket. Jack Oakie and Jack Haley play a pair of would-be tunesmiths who team up with aspiring dancer Ginger Rogers. Through the kindness of a tippling director (Lew Cody), the trio is given a bid for stardom in a movie musical directed by an excitable Russian (Gregory Ratoff). The characters played by Oakie and Haley were loosely based on Paramount's real-life songwriting team Mack Gordon and Harry Revel, who show up in bit parts. Sitting Pretty is the film that introduced the sprightly tune "Did You Ever See a Dream Walking?" ~ Hal Erickson, All Movie Guide

Easily the best of Eddie Cantor's gargantuan musical comedies for producer Sam Goldwyn, Roman Scandals begins in the middle-America community of West Rome, where our hero Eddie (Cantor) is employed as a delivery boy. A self-styled authority of Ancient Roman history, Cantor bemoans the fact that the local shanty community is about to be wiped out by scheming politicians, certain that such an outrage could never have happened during Rome's Golden Days. After a blow on the head, Cantor wakes up in Imperial Rome, where he is sold on the slave auction block to good-natured tribune Josephus (David Manners). Cantor soon discovers that the evil emperor Valerius (Edward Arnold) is every bit a crook and grafter as the politicians in West Rome, and he intends to do something about it. He gets a job as food taster for Valerius -- a none-too-secure position, inasmuch as the emperor's wife Agrippa (Veree Teasdale) is constantly trying to poison her husband -- and does his best to smooth the path of romance for Josephus and recently captured princess Sylvia (Gloria Stuart). Cantor's well-intentioned interference earns him a session in the torture chamber, but he escapes and commandeers a chariot, setting the stage for a spectacular slapstick climax. On the verge of recapture, Cantor wakes to find himself in West Rome U.S.A. again, where he quickly foils the modern-day despots and brings about a happy ending for all his friends.

Co-written by George S. Kaufman, Robert E. Sherwood, George Oppenheimer and Arthur Sheekman (the soon-to-be husband of leading lady Gloria Stuart), Roman Scandals manages to get off a few clever satirical licks, but essentially it's a "lappy" lowbrow vehicle for Eddie Cantor, and in this it succeeds immensely. The Busby Berkeley-staged musical numbers, written by Harry Warren, Al Dubin and L. Wolfe Gilbert, must be seen to be believed: In "No More Love", Ruth Etting, playing the Emperor's cast-off mistress Olga, sings a plaintive torch song as dozens of enslaved Goldwyn Girls (including Lucille Ball and Barbara Pepper), wearing nothing but long, blonde wigs, are chained to a rotating pedestal; and in "Keep Young and Beautiful", these same maidens gleefully cavort around a Roman bathhouse in the near-altogether while Cantor, in blackface, hops about, rolls his eyes and claps his hands -- just before a jet of steam "shrinks" him, at which point he metamorphoses into midget Billy Barty! The quintessence of Depression-era escapism, Roman Scandals is must-see entertainment. ~ Hal Erickson, All Movie Guide

Virtually everybody except President Roosevelt was in the lavish MGM backstage musical Dancing Lady. Joan Crawford stars as Janie Barlow, an impoverished dancer reduced to working in a seedy Manhattan burlesque house. While on a slumming party with his society friend, wealthy young Tod Newton (Franchot Tone) spots Janie in the burleycue chorus line and immediately falls in love with her. When the joint is raided, Tod pays Janie's bail, but she resists his entreaties to become his mistress, promising instead to pay back every cent she owes him "honestly." With Tod's help, Janie is able to secure work in a big-time Broadway musical being staged by Patch Gallegher (Clark Gable), who is certain that the girl is an untalented opportunist and does everything he can to sabotage her audition. When he realizes that the girl "has something," he refuses to admit it but does, grudgingly, hire her for the show. Through a combination of skill and damned hard work, Janie ends up as the star of the show, whereupon Tod, worried that he'll lose the girl to the Great White Way, buys the show and promptly closes it. But Janie, who's fallen in love with Patch, teams with her new sweetheart to restage the show with their own meager savings -- and surprise of surprises, it's a smash hit. Truly an embarrassment of riches, Dancing Lady introduced Fred Astaire to the movie-going public, solidified the popularity of MGM's new tenor Nelson Eddy, and offered a wide berth for the comedy antics of Ted Healy and his Three Stooges -- Moe Howard, Curly Howard and Larry Fine (Larry, performing his role in a Jewish dialect, has a wonderful double-take bit with a jigsaw puzzle which turns out to be a portrait of Adolf Hitler). As a bonus, the film offers spectacular musical production numbers, not to mention the enduring song hit "Everything I Have is Yours." ~ Hal Erickson, All Movie Guide

In this western, a Pony Express rider believes himself to be a Native American. The trouble begins when an Anglo outlaw begins stealing the fastest horses from the organization. The outlaw then blames the local Indians for the thefts. The gallant young rider learns of the scheme and rounds up the real culprits. Along the way he learns that he is really a white man who had been abducted and raised by the Indians. He is pretty happy because now he is free to marry the white woman he loves. The racist attitudes in this film are a reflection of its time, 1932, and of the whims of the powerful Hays Office, which censored all Hollywood films. As Hays considered miscegenation (the so-called mixing of races) immoral, the hero had to become a white man to marry a white woman. ~ Sandra Brennan, All Movie Guide

Based on a story by Robert Andrews, If I Had a Million is a multipart comedy-drama employing Paramount's top directorial and acting talents. Refusing to leave his fortune to his grasping relatives, dying millionaire Richard Bennett selects several people at random from the phone book and bestows upon each of them a check for one million dollars. The first recipient is henpecked husband Charlie Ruggles, who cheerily enters his former place of employment, a china shop, and smashes every bit of crockery in the place. Prostitute Wynne Gibson uses her money to escape from her sordid lifestyle and finally sleep in a bed all by herself. Forger George Raft finds that he can't convince anyone that his check is genuine, and ends up handing the check to a flophouse manager--who promptly burns it. Husband and wife W.C. Fields and Alison Skipworth, dismayed that their new car has been destroyed by a "road hog," utilize part of their million dollars to purchase a fleet of cars and then smash up every road hog in sight! Convicted murderer Gene Raymond hopes that his million will help finance a new trial, but the execution is carried out on schedule. Newly rich clerk Charles Laughton calmly makes his way through a series of offices, reaches his boss' desk, and delivers a loud Bronx cheer. Gary Cooper, Roscoe Karns and Jack Oakie play three brawling marines who think the check's a joke and sign it over to an illiterate lunch-counter owner. The last million-dollar recipient is May Robson, an elderly woman confined to a dismal nursing home. She spends her money to turn the home into a joyful resort for old people, forcing the formerly repressive nursing-home staffers to earn their paychecks by sitting all day in rocking chairs. The millionaire who started the plot rolling is given a new lease on life by May Robson's example, and he recovers from his "fatal" illness. ~ Hal Erickson, All Movie Guide

Drafted into the army during World War I, those muddled misfits Stan Laurel and Oliver Hardy make a shambles of Training Camp before being shipped to France. When their best pal Eddie (Donald Dillaway) is killed in battle, Stan and Ollie vow to locate the grandparents of Eddie's orphaned little daughter (Jacquie Lyn). Unfortunately, the grandparents are named Smith--and they live in New York City. With only a city directory and phone book as their guide, Stan and Ollie undergo several chucklesome misadventures as they scour the canyons of Manhattan to find Mr. and Mrs. Smith. With the orphanage officials hot on their heels, the boys take drastic action to raise enough money to get out of town with the little girl. All turns out well when Eddie's grandfather makes an appearance under the least likely circumstances. But before Laurel & Hardy can enjoy their own happy ending, they cross the path of an old enemy from their army days: a knife-wielding chef with blood in his eye. The second of Laurel & Hardy's feature-length films, Pack Up Your Troubles is, so far as we're concerned (and here we part company with most Laurel & Hardy buffs), infinitely more amusing than their first feature effort, 1931's Pardon Us. Best bit: An overtired Laurel, attempting to tell a bedtime story to the little girl, ends up snoozing away as the kid finishes the story. The powerhouse supporting cast includes such Laurel & Hardy regulars as James Finlayson, Billy Gilbert, Rychard Cramer, Charles Middleton and Charlie Hall. George Marshall, the film's director, proves a mirthsome menace in the small role of the vengeful chef. For years available only in its 62-minute reissue form, Pack Up Your Troubles was restored to its full 68-minute glory in the mid-1980s. ~ Hal Erickson, All Movie Guide

"A house divided against itself cannot stand" declared Abraham Lincoln; proof that a house divided can be repaired is provided in this early talkie effort from director William Wyler. Walter Huston plays alcoholic fisherman Seth Law, who, recently widowed, signs up for a mail-order bride. Ruth Evans (Helen Chandler), Seth's wife-to-be, is instantly attracted...to Seth's ne'er-do- well son, Matt (Kent Douglass). Father and son duke it out, leaving Seth crippled. Though he now despises Ruth, Seth aligns with his son to save the girl when a sudden storm blows up. Seth is killed, but he is satisfied that Ruth is happy and that his son is not the wastrel he thought he was. Interestingly enough, the dialogue for A House Divided was penned by Walter Huston's own son, John. ~ Hal Erickson, All Movie Guide