H.B. Haggerty Movies

A government worker (Tom Bosley) informs several diner patrons of a $4 million treasure he stole from a group of Libyans and then hid, but dies before uttering more than a few clues. What follows is a mad dash for the cash. As part of the film's promotion, the sponsors offered $1 million to the first person to correctly guess the location of the loot. (The winner, Alesia Jones, was selected from over 300,00 entries.) ~ John Bush, Rovi

This film's for the BMX bike racers of the world. A small town is out to raise funds by building a BMX racetrack and sponsoring a major race. They sponsor their own small-town hero Cru (Bill Allen) who's up against the big-monied sponsor's champion Bart Taylor (played by Olympic gymnast-turned-actor, Bart Thomas). Bart's the bad guy here, who doesn't play by the rules. The film's highlights are found in the stunt-filled race sequences, where the two duel it out on their high-flying two wheelers. ~ Rovi

Micki (Ann Reinking) is the wife of Rob (Dudley Moore), an airheaded TV talk show host. Maude (Amy Irving) is an attractive musician who is unaware of Micki's existence, and with whom Rob falls in love. Rob is a guy who can't say no, thus when Maude announces that she's pregnant, Rob obligingly marries her. Trouble is, he's still married to Micki who is also pregnant. To make matters worse, Rob's wives are due to give birth on the same day, forcing the double dealer to work doubly hard to keep both demanding women happy. Matters reach their comical climax when the Big Day arrives and Rob is expected to attend both births at the same time. ~ Hal Erickson, Rovi

After the death of Bruce Lee in 1973, writer/director Robert Clouse made several attempts to reproduce the success of his Enter the Dragon, which belatedly made Lee a household name in America. Clouse felt (with good reason) that Jackie Chan could be the next big martial arts star in America, and he crafted this feature with him in mind. Jerry Kwan (Chan) is a Korean immigrant trying to make good in Chicago in the 1930s. Work isn't easy to find for an Asian immigrant. Jerry is forced by Domenici (Jose Ferrer), a well-connected mobster, to represent him in a no-holds-barred, winner-take-all battle in Texas. But can Jerry handle the pressure? The Big Brawl was Jackie Chan's first starring role in an American film, but Chan wouldn't break through in the United States until the 1996 U.S. release of Rumble in the Bronx. ~ Mark Deming, Rovi

Kermit the Frog and Fozzie Bear, from of the large crew of loveably fuzzy characters created by puppetmaster Jim Henson, have embarked on a quest for stardom. They take a trip to Hollywood, riding in or on a wide variety of vehicles along the way. They begin their journey on a bicycle pedalled by Kermit, but friends accumulate along the way, and they change vehicles to accomodate them. They have the additional challenge of fending off the entreaties of the heartless Doc Hopper (Charles Durning), who wants Kermit to make some advertisements promoting fried frog legs. Kermit must also cope with his amorous feelings for Miss Piggy, and hers for him. This appealing children's adventure movie has numerous scenes which do homage to classic films, and features a huge cast of Hollywood greats, from Edgar Bergen to Orson Welles, in cameo roles. A great box-office success, this movie paved the way for a number of sequels. One of the film's many songs, The Rainbow Connection, was nominated for an Oscar. ~ Clarke Fountain, Rovi

Brash young Andy Schmidt (Henry Winkler) can't make a go of it as an actor in the early 1950s. Still, he wins the hand of Mary Crawford (Kim Darby), and the two of them try to make ends meet in New York City. Andy is on the verge of starvation when he befriends wrestling-promoter Sidney Seltzer (Gene Saks). At last, Andy has found the perfect outlet for his overbaked performing style: he becomes "The One and Only," a Gorgeous George-like professional wrestler. Though his ring career skyrockets, Andy's private life suffers until his wife Mary lets him know (with a mean uppercut!) who's going to be boss. Like many of director Carl Reiner's directorial efforts, the real strength in The One and Only lies in its impeccable supporting cast, ranging from Polly Holliday as Darby's mother to Herve Villechaize as a horny midget "rassler." ~ Hal Erickson, Rovi

Rated R for violence, this is another of the promises broken to us by the movie industry. When they promise that we won't have to see something again, why can't they make it happen? Although this, like the Jason movies (Friday the 13th ad nauseam), is followed by a made for TV movie and a series, they really have to be prequels to this "final chapter," as dictated by the fiery conclusion of the movie. The story of a sheriff who just isn't going to take it anymore, it is based on a true story but, as with all Hollywood fare, made larger than life. ~ Tana Hobart, Rovi

This wonderfully cheesy TV movie-of-the-week stars Tony Franciosa as a detective hot on the trail of a murderer whose mutilated and predominantly male victims are found encased in silken cocoons. He eventually tracks the killer's path to Los Angeles, where he discovers her true identity -- a woman who was bitten by black widow spiders as a child, who has developed the ability to transform herself into a gigantic spider-monster (as portrayed by a not-too-convincing rubber puppet). An odd diversion for director Dan Curtis, with a 1950's monster-movie mentality incongruous with his earlier TV features. The cast -- comprised of many familiar TV faces -- try to play their roles straight, despite the overall impression that the whole thing is a silly put-on. ~ Cavett Binion, Rovi

Director Phil Karlson harks back to the no-nonsense, no-thrills directness of his 1950s "B" pictures in Framed. Joe Don Baker, Karlson's star in Walking Tall, plays Ron, a high-rolling gambler with a streak of integrity. Framed by the film's villains--including a cartel of corrupt cops--Ron is carted off to prison. Upon his release, he embarks upon a carefully calculated campaign of revenge. The film's stylistic ties to the enormously successful Walking Tall include the screenwriting contributions of Mort Briskin. ~ Hal Erickson, Rovi

Los Angeles is the natural site for a film about earthquakes: they happen there frequently, and the landscape is familiar to moviegoers from thousands of films. A huge number of ongoing vignettes which include cameos from numerous celebrities and stars are tied together by the ongoing efforts of architect Graff (Charleton Heston) to rescue his estranged spoiled-rich-girl wife (Ava Gardner), while helping out with the ongoing rescue efforts taking place around him and while trying to determine what has happened to his mistress Denise (Genvieve Bujold). The rumbling sound effect designed for this film (Sensurround) won a "Best Sound" Oscar for the film in 1975. ~ Clarke Fountain, Rovi

Also known as Cross Current, The Cable Car Murder emulates the 1971 theatrical feature Tick, Tick, Tick by teaming a black homicide lieutenant (Robert Hooks) with a white partner (Jeremy Slate). Simon Oakland costars as the team's apoplectic superior (is there any other kind?) Set in San Francisco, the story involves the cable-car murder of a shipping mogul's son, which was committed in broad daylight. Is Special Guest Star Robert Wagner the guilty party? Designed as the pilot for a TV series, Cable Car Murder received very little word of mouth when it premiered on November 19, 1971; after all, everyone was still talking about Steven Spielberg's Duel, which received its first telecast six days earlier. ~ Hal Erickson, Rovi

After a debut on Broadway in 1951, Paramount spent an estimated 17 to 20 million dollars in production costs for this Lerner and Loewe musical. With Loewe's permission, Lerner wrote five additional tunes for the film with Andre Previn. Ben Rumson (Lee Marvin) is the grizzled prospector trying his luck panning for gold in California. Pardner (Clint Eastwood) is his companion. When Ben buys a woman from a Mormon, Elizabeth (Jean Seberg) expects equal rights for her gender and chooses to live with both men. Ben and Pardner tunnel under the boomtown to gather the fallen gold dust that has filtered through the cracks of the saloon and other places. The musical comedy features 13 songs, the most recognizable being "They Call The Wind Maria". The Nitty Gritty Dirt Band helps out on the song "Hand Me Down That Can O' Beans". Both Clint Eastwood and Lee Marvin are given a chance to show their vocal ability (or lack of it) in several songs. The initial release fell far short of regaining the millions put into the production, and most critics dipped their pens in poison to pan the picture -- though the film plays better than the critics would lead anyone to believe. Many jumped on the Paint Your Wagon smear campaign after the film proved to be not nearly as successful as other musicals. ~ Dan Pavlides, Rovi

This fourth entry in MGM's Thin Man series could just as well have been titled "Nick and Nora Charles Go to the Races". Officially retired from sleuthing, Nick Charles (William Powell) does his best to be a dutiful husband to his lovely wife Nora (Myrna Loy) and a good father to his young son Nick Jr. (Dickie Hall). But when murder rears its ugly head at the local race track, Nick is called in by Major Jason I. Sculley (Henry O'Neill), head of the New York athletic commission, to help solve the case. As usual, there is no shortage of suspects: This time the "rogue's gallery" includes high-rolling gamblers Link Stevens (Loring Smith) and Fred Macy (Joseph Anthony); Link's hoity-toity girlfriend Claire Porter (played by legendary acting teacher Stella Adler); two-bit tout "Rainbow" Benny Loomis (Lou Lubin); reporters Whitey Barrow (Paul Kelly) and Paul Clarke (Barry Nelson); and Clarke's sweetheart Molly Ford (Donna Reed). Highlights include a zany episode on a department-store merry-go-round, an outsized brawl at a fancy sea-food restaurant, and the inevitable gathering together of suspects in the offices of police lieutenant Abrams (Sam Levene). The flippant nature of Shadow of the Thin Man can be attributed to screenwriters Irving Brecher and Harry Kurnitz, both longtime friends and associates of comedian Groucho Marx. ~ Hal Erickson, Rovi