Eddie Marsan Movies

Also (and more pointedly) entitled The Headsman, Simon Aeby's scope period drama Shadow of the Sword uses its narrative to explore conflicts and tensions during the notorious 16th century Inquisition. Nikolaj Coster Waldau and Peter McDonald play Martin and Georg, two men who meet and bond as youths in a European monastery, then part ways and diverge paths; Georg becomes a cleric at a nearby abbey, Martin a soldier in the Army. The adult men reconnect following a fifteen year absence, and not long after, Martin (in the face of overwhelming dissuasion from Georg) falls head over heels in love with Anna - a social outcast because of her father's role as executioner. Martin and Anna marry, and - in a beat that recalls Berlanga's El Verdugo - Martin is forced to enter his father's line of work as a decapitator - a role he performs fluidly and effectively. Trouble brews, however, on two fronts: from Fabio, a handicapped local who covets Martin's new job, and from an Inquisitor (legendary playwright Steven Berkoff) who arrives to oversee George's execution when the local archbishop grows dissatisfied with him - forcing Martin to step in and act as George's salvation. Meanwhile, Brother Bernhard schemes to rob the church of stability. ~ Nathan Southern, Rovi

Written and directed by Academy Award-nominee Mike Leigh and set in England during the 1950s, this movie revolves around Vera Drake (Imelda Staunton), whose unrelenting dedication to her family is well known throughout her blue-collar town. However, there are more people than her rapidly aging mother and ill neighbor who depend on Vera's care. Though abortion was illegal and, of course, widely frowned upon in the '50s, Vera sees women going through unwanted pregnancies the same as she would anyone else -- human beings deserving of treatment. With this in mind, she regularly induces miscarriages for those who need them, and her patients are consistently grateful for her gentleness and understanding. Unfortunately for Vera, the law doesn't see her as aiding those in need; they interpret the abortions as murder, as do most of the other people in her life. When Vera's activities are revealed, her family life and relationships with those around her -- including the ones she helped nurse back to health -- are put in jeopardy. Vera Drake also features performances from Jim Broadbent, Heather Craney, and Philip Davis. ~ Tracie Cooper, Rovi

The violent rise of gangland power in New York City at a time of massive political corruption and the city's evolution into a cultural melting pot set the stage for this lavish historical epic, which director Martin Scorsese finally brought to the screen almost 30 years after he first began to plan the project. In 1846, as waves of Irish immigrants poured into the New York neighborhood of Five Points, a number of citizens of British and Dutch heritage who were born in the United States began making an open display of their resentment toward the new arrivals. William Cutting (Daniel Day-Lewis), better known as "Bill the Butcher" for his deadly skill with a knife, bands his fellow "Native Americans" into a gang to take on the Irish immigrants; the immigrants in turn form a gang of their own, "The Dead Rabbits," organized by Priest Vallon (Liam Neeson). After an especially bloody clash between the Natives and the Rabbits leaves Vallon dead, his son goes missing; the boy ends up in a brutal reform school before returning to the Five Points in 1862 as Amsterdam (Leonardo DiCaprio). Now a strapping adult who has learned how to fight, Amsterdam has come to seek vengeance against Bill the Butcher, whose underworld control of the Five Points through violence and intimidation dovetails with the open corruption of New York politician "Boss" Tweed (Jim Broadbent). Amsterdam gradually penetrates Bill the Butcher's inner circle, and he soon becomes his trusted assistant. Amsterdam also finds himself falling for Jenny Everdeane (Cameron Diaz), a beautiful but street-smart thief who was once involved with Bill. Amsterdam is learning a great deal from Bill, but before he can turn the tables on the man who killed his father, Amsterdam's true identity is exposed, even though he has concealed it from nearly everyone, including Jenny. Gangs Of New York was the first film in two years from actor Leonardo DiCaprio; ironically, it was at one time scheduled to open on the same day as Catch Me if You Can, the Steven Spielberg project that DiCaprio began filming immediately after Gangs wrapped. ~ Mark Deming, Rovi

The two-part TV miniseries The Lost Empire was loosely based upon Chang-En Wu's classic 16th century Chinese novel, His Yu Chi (Journey to the West). Updated to the present, the series was set in motion when American journalist Nick Orton (Thomas Gibson) agreed to track down the lost manuscript of Chang-En Wu's masterpiece, which had fallen into the proverbial wrong hands. Accompanied by a curious collection of mythical creatures, including the Monkey King (Russell Wong), a piglike human and a former cannibal, Nick found himself fighting evil and sorcery at every turn, secure in the knowledge that he would win the love of Kwan Ying (Bai Ling), the Goddess of Mercy, if he successfully completed his mission. Filmed partially in Prague by Hallmark Entertainment, The Lost Empire (later released to video as a 132-minute feature titled The Monkey King) was broadcast by NBC on March 11 and 12, 2001. ~ Hal Erickson, Rovi

John Thaw of Inspector Morse fame starred in this two-part British miniseries as renowned plastic surgeon Joe MacConnell. His torrid affair with his client Louise Ferman (Frances Barber) ended up having disastrous consequences on his wife and grown children. The story came to a head when McConnell's son James (Stuart Piper), a doctor in training, was involved with a crime that was inexorably linked to McConnell's infidelity. The first episode of Plastic Man, running 90 minutes, was seen in the U.K. on May 12, 1999; the concluding hour-long installment aired the following week. ~ Hal Erickson, Rovi