Joan Hackett

The pilot film for the ABC series of the same name, Paper Dolls concentrates upon two pretty teenagers: Taryn Blake (Daryl Hannah) and Laurie Caswell (Alexandra Paul). Prodded on by their ambitious mothers (played by Joan Hackett and Jennifer Warren) and further exploited by a ruthless agent (Joan Collins), the two otherwise normal girls are transformed into 2,000-dollar-per-day fashion models. Although the glamour and excitement of the modeling world is thrilling at first, both Taryn and Laurie suffer mightily at the hands of those older than themselves. To make matters worse, both girls are thoroughly ostracized by their fellow teens. First telecast May 24, 1982, Paper Dolls became a weekly series over two years later, by which time the original stars had been replaced by Nicollette Sheridan (as Taryn), Terry Farrell (as Laurie), Brenda Vaccaro (as Taryn's mother), and Morgan Fairchild (as Racine, the agent); only Jennifer Warren was carried over from the original film. ~ Hal Erickson, All Movie Guide

Playwright Neil Simon made one of his periodic forays into serious themes with the drama The Gingerbread Lady, and while this screen adaptation adds a bit more wit to the proceedings, it remains a change of pace from his usual breezy comedies. Georgia (Marsha Mason) is a successful actress who has just spent 90 days in a rehab clinic in an effort to beat her addiction to alcohol. A number of crises are waiting for Georgia upon her return; her teenage daughter Polly (Kristy McNichol), whom she neglected as a child, wants to move back in, though they still have a ways to go in repairing their relationship. And her ex-husband David (David Dukes), a writer, has just penned a new drama that he wants her to star in -- a fictionalized version of their often-combative marriage. Georgia also has to tend to her best friends, bitter socialite Toby (Joan Hackett) and Jimmy (James Coco), a gay actor who drowns his sorrows in food. Only When I Laugh garnered Oscar nominations for Mason, Coco, and Hackett, while the latter won a Golden Globe for her performance. ~ Mark Deming, All Movie Guide

The struggle of a has-been singer to work his way back up the charts is the focus of this drama by Robert M. Young with screenplay and music by Paul Simon. Simon plays Jonah, a once-popular singer who now opens for punk rock bands. In the ten years since he had a hit song, Jonah's wife has divorced him, but he still sees his young son as often as he can. With his record company on his back to come up with something that sells, Jonah begins to compromise his own talent when he listens to the advice of a trendy producer. Whether or not he can straighten out his personal life and steer his own ship may depend on his ability to trust his own judgment and adjust to the changing times. ~ Eleanor Mannikka, All Movie Guide

Pleasure Cove taps the Grand Hotel format already being worked to death in 1979 by Love Boat and Fantasy Island. Top-billed Tom Jones plays a crook in disguise who becomes involved in love and larceny at the hideaway resort of Pleasure Cove. There's an all-TV star cast, but the largest roles go to James Murtaugh and Constance Forslund as the resort managers, and Ernest Harada as the funny "gopher" desk clerk. This trio would have been the continuing characters has this TV pilot film been picked up as a weekly series. But Pleasure Cove received precisely two network showings in 1979 before going to busted-pilot purgatory. ~ Hal Erickson, All Movie Guide

One of the bigger non-cartoon moneymakers for Disney in the 1970s, The North Avenue Irregulars is predicated on the premise of the "Neighborhood Watch" system. Priest Michael Hill (Edward Herrmann), newly arrived on North Avenue, decides to buck the patriarchal notions of his superiors by delegating church responsibilities to the neighborhood women. Since the ladies include Vickie, Jane, Anne, Claire and Rose (Barbara Harris, Karen Valentine, Susan Clark, Cloris Leachman and Patsy Kelly), we're well primed for a surfeit of feistiness. Father Michael entrusts the church funds to Rose, who loses it all at the race track. In trying to retrieve the cash, he comes up against an influential bookie ring, controlled by several of the above-suspicion town officials. The wily priest responds by organizing the ladies of his congregation into the North Avenue Irregulars, a two-fisted crimefighting unit. There's slapstick aplenty within the film's 99 minutes, including the expected comic car crash. North Avenue Irregulars is based on a (drawn-from-life?) novel by the Reverend Albert Fay Hill. ~ Hal Erickson, All Movie Guide

Elvira hosts this trilogy of Richard Matheson thrillers: "Second Chance," "Bobby" and "No Such Thing as a Vampire." ~ John Bush, All Movie Guide

Barbara Eden, who's had more pilots than series to her name, goes the Police Woman route here as she plays the widow of a cop shot down while on duty. Honoring the memory of her husband, she becomes a private eye, devoted to tracking down those miscreants who've slipped through the long fingers of the Law. Her present case involves a missing porno stars, blackmail and murder. As a tip of the hat to her I Dream of Jeannie fans, Eden dons the revealing garb of an X-rated actress, then begins frequenting the adult-movie houses of LA in search of her missing quarry. Stonestreet: Who Killed the Centerfold Model? toted up impressive ratings when first shown on January 16, 1977, but a weekly series was not in the cards. ~ Hal Erickson, All Movie Guide

After sixteen years of cinematic retirement, Roy Rogers made a surprise return before the cameras in Mackintosh & T. J. Rogers plays Mackintosh, an ageing, tale-spinning ranch hand who befriends T.J., a sullen young boy (Clay O'Brien). The film is low-key, like Rogers himself, and Rogers' faithful fans were gratified to watch him thrash several younger cowpokes who goad him into a fight. Waylon Jennings provides the C&W musical score. ~ Hal Erickson, All Movie Guide

Based on a novel by Michael Crichton, Terminal Man is a sci-fi thriller about a scientist who decides to be the lab rat in an experimental surgery to control his violent tendencies. During the surgical procedure, a miniature computer is implanted in his head. Unfortunately, the mechanism malfunctions, and he becomes a vicious killer. ~ Kristie Hassen, All Movie Guide

The made-for-TV The Class of 63 is set at a ten-year college reunion. Joan Hackett and Cliff Gorman play a married couple who eagerly anticipate meeting old friends at the event. But Gorman's festive spirit dissipates when Hackett's old boy friend James Brolin makes an appearance. In fact, Gorman harbors dreams of eliminating Brolin for keeps. First telecast March 14, 1973, Class of '63 was filmed on location at Princeton University and USC. ~ Hal Erickson, All Movie Guide

Joan Hackett guest-stars as Judith, the fiancee of a young pastor named Jess (James Booth). Blessed-or, perhaps, cursed-with the gift of clairvoyance, Judith is called in to locate a missing Jamie. But her intensely religious sweetheart does not want Judith to use her "special powers." Written by Arthur Weingarten and Suzanne Clauser, this episode, coupled with the earlier Bonanza installment "The Strange One," formed the plot basis for the 1989 TV special Bonanza: The Movie. Due to the religious beliefs of certain cable-network CEOs, "Second Sight" itself has not been seen much since its original airing on January 9, 1972. ~ Hal Erickson, All Movie Guide

The Killing Affairs is comprised of two one-hour episodes from the 1970 TV series Dan August. Burt Reynolds stars as August, a detective on the San Luisa (California) police force. The two episodes included herein deal with politics, scandal and murder . The better of the two is "The Manufactured Man", featuring guest stars Mickey Rooney and Billy Dee Williams. The Killing Affairs was one of several ersatz Dan August feature films released to TV in the late 1970s to capitalize on the enormous popularity of Burt Reynolds. ~ Hal Erickson, All Movie Guide