Jonathan Powell Movies

The fascinating story of King George VI and Queen Elizabeth is recounted in this British made-for-TV effort. It all begins in 1920, when the then-Duke of York Albert (James Wilby), known affectionately as Bertie, meets and falls in love with the aristocratic, 19-year-old Elizabeth Bowes-Lytton (Juliet Aubrey). Although their marriage makes international headlines, the mild, unprepossessing Bertie knows that he will always play second fiddle to his dashing older brother, the Prince of Wales, in the hearts and minds of the British people. This is never more true than when Bertie's brother ascends to the throne as King Edward VIII in 1936. That same year, however, the new King abdicates so that he may marry the woman of his choice, thereby thrusting the reluctant Bertie into the limelight as Monarch of the British Isles. Spurred on by the love and devotion of his lifelong helpmate Elizabeth, Bertie -- now King George -- proves more than worthy of his new burdens and responsibilities, especially during the darkest days of WWII. Although the King passes on in 1952 (a death hastened by his fondness for tobacco), Elizabeth lives well past the century mark, beloved by her subjects as the mother of the future Queen Elizabeth II and the impulsive Princess Margaret. A co-production of Carlton Television and PBS, Bertie and Elizabeth was telecast in America as part of the Masterpiece Theater anthology on February 4, 2002. ~ Hal Erickson, Rovi

An innocent dinner invitation and a dogged inspector's murder investigation upend the easy life of a charming but roguish Oxford tutor (Martin Clunes). ~ TV Guide, Rovi

Set during WWI, the three-part British miniseries The Unknown Soldier focused on a shell-shocked British private known only as Angel. Rendered mute and amnesiac, Angel had no idea who he really was, a fact that aroused the maternal (and other) instincts of attractive, aristocratic nurse Sophia Carey (Juliet Aubrey). In her efforts to help Angel determine his true identity, Sophia opened a veritable Pandora's box of mystery and intrigue. The Unknown Soldier aired over Carlton Television in 1998. ~ Hal Erickson, Rovi

Along a dark country road in Cumberland, England, a ghoulish woman in white steps from the shadows to confront a foot traveler, Walter Hartright (Andrew Lincoln), bound for Limmeridge House three miles off. She asks senseless questions: "You don't suspect me of wrong, do you, Sir? Why do you suspect me of wrong?" Hartright assures her he suspects her of no wrong, but she gibbers on. When a carriage happens by, the woman dissolves into the darkness and Hartright accepts the offer of a ride the rest of the way to Limmeridge House, a mansion where eccentric esquire Frederick Fairlie (Ian Richardson) has arranged for Hartright to tutor his nieces -- half-sisters Marian and Laura Fairlie -- in the art of drawing. Soon, Hartright falls in love with Laura, a wealthy heiress. Strangely, she is the near mirror image of the woman in white. Laura, in turn, falls in love with him. Marian, who wants only the best for Laura, approves of the romance. Unfortunately, Hartright loses his job when falsely accused of bad conduct. Before he leaves Limmeridge House, he warns Laura that she and her sister are in grave danger. Deeply disappointed in him, Laura ignores his caveat and fulfills a pledge to marry Sir Percival Gylde (James Wilby). He seems amiable and even invites Marian to live with him and Laura after the wedding. But when Laura returns from the honeymoon, she is melancholy and morose, hardly speaking a word to Marian. Glyde and a sinister visitor named Count Fosco (Simon Callow) are the reasons. Apparently, they are plotting to seize her inheritance using the tidiest of stratagems: murder. Meanwhile, dark secrets unravel involving Glyde's family background and the mysterious woman in white, and Hartright returns in an attempt to save the sisters and exorcise the evil possessing Limmeridge House. ~ Mike Cummings, Rovi

John Hurt plays the British jockey Bob Champion in this true story of how Champion overcame cancer and the rigors of chemotherapy for an impressive personal and professional comeback. Just as Champion is in the middle of a vacation in Kentucky, he finds out he has cancer, and, like others before him, submits to the full, painful treatments of multiple injections and radiation, suffering as much or more from the cure as from the illness (these treatments are graphic). Gaunt and nauseous, Champion also endures realistic meetings with his doctors that hold forth no guarantee of a cure. His eventual remission leads to yet another grueling physical schedule to get him back into shape for the Grand National Steeplechase -- a 30-fence, well-publicized race that offers difficult hurdles for both the horses and their jockeys. If the 115-minutes running time of this film were cut in places, it would create a better, trim and slim, fast-paced telling of an even more focused tale. ~ Eleanor Mannikka, Rovi

Written in 1860 and previously filmed in 1912, 1914, 1917, 1929, and 1948, Wilkie Collins' gothic novel The Woman in White eventually resurfaced in miniseries form for British television. The plot was set in motion by the diabolical Count Fosco (Alan Badel), who tried to get his grubby mitts on a fortune by marrying off the twin sister of an heiress to an unscrupulous squire (Ian Richardson) while the actual heiress languished in an insane asylum. Ultimately, handsome tutor Walter Hartright (Daniel Gerroll) came to the rescue of the imperiled bride-to-be. Debuting in the U.K. on April 14, 1982, the five-part The Woman in White was seen in America beginning on December 12 of that same year. ~ Hal Erickson, Rovi

A sequel to 1980's Tinker, Tailor, Soldier, Spy, this BBC miniseries once again focuses on British spy George Smiley (Sir Alec Guinness), once again called out of retirement, this time by the fussy Oliver Lacon Anthony Bate, to deal with a scandal in the British spy establishment. An ex-Russian general and British spy (Curt Jurgens) is found brutally murdered in a London park after frantically contacting the British Secret Service. His cryptic message: "Tell Max it concerns the Sandman." It seems that the general and his crony Otto Leipzig (Vladek Sheybal) were cooking up a scheme to blackmail the head of the Russian secret service, Karla (Patrick Stewart), when they were murdered. Smiley gathers his old associates (almost all the actors reprising roles from the first miniseries) and picks up the general's harrowing trail. He finds that Karla has been secretly supporting a daughter in the West through almost comically inept intermediaries such as Grigoriov (Michael Lonsdale). This information allows him to face off against his old adversary and avenge the humiliation he and his agency suffered with the double agent Karla had in Tinker, Tailor, Soldier, Spy. Made in 1982, the sequel has one major casting substitution: Michael Byrne instead of Michael Jayston as Peter Guillam, Smiley's faithful lieutenant. ~ Nick Sambides, Jr., Rovi

Fay Weldon wrote the teleplay for this 5-part BBC TV adaptation of Jane Austen's 1812 novel Pride and Prejudice. Class-obsessed Mrs. Bennett (Priscilla Morgan) is dead set upon marrying off her five daughters to wealthy and influential young men. Headstrong Elizabeth Bennett (Elizabeth Garvie), the family's second daughter, resists her mother's plan. She is the "pride" that is "prejudiced" against snobbery and pomposity. Elizabeth is particularly incensed by the vain, aristocratic Fitzwilliam Darcy (David Rintoul)--at least until she realizes that Darcy is as prejudiced against high-toned class distinctions as she is. Telecast in the US on PBS' Masterpiece Theatre in the fall of 1980, Pride and Prejudice was later released to video in an uninterrupted, 226-minute single serving. ~ Hal Erickson, Rovi

Living a premature and somewhat humbling retirement, elderly British spy George Smiley (Alec Guinness) is abruptly resurrected by his former boss Lacon (Anthony Bate) with an ultra-secret mission: find the double agent in the ranks of the British Secret Service. Is it the pompous head of service, Percy Alleline (Michael Aldridge)? The blowsy Bland (Terence Rigby)? The shifty Toby Esterhase (Bernard Hepdon)? Or perhaps the urbane Bill Haydon (Ian Richardson)? Pushed into retirement by a scandal caused by the now-deceased head of service, Control (Alexander Knox), and because he suspected that there was a spy, Smiley journeys through the labyrinthine world of the British spy service layer by layer as he hunts the mole controlled by the mysterious Russian spymaster Karla (Patrick Stewart). Taken from a best-selling novel by internationally famed novelist John Le Carré, this nearly five-hour miniseries was first broadcast by the BBC. The story is loosely based on the infamous Kim Philby spy scandal of the early '60s. ~ Nick Sambides, Jr., Rovi

Although there have been several British TV adaptations of Emily Bronte's gothic romance Wuthering Heights, this five-part 1978 version is the one regarded as being the most faithful to the original novel. In covering the star-crossed romance between the headstrong Cathy (Kay Adshead) and wild gypsy boy Heathcliff (Ken Hutchinson), this adaptation did not (as have so many others) end with Cathy's death, but instead carried over the story into the next generation, wherein the vengeful Heathcliff continued to wage his private war of retribution against the people whom he felt had wronged him. Irish playwright Hugh Leonard handled the adaptation, deftly juggling the many characters and subplots without the slightest sense of strain. Wuthering Heights was originally beamed out to the British Isles from September 24 to October 22, 1978. ~ Hal Erickson, Rovi