Lukas Haas Movies
Born April 16, 1976, to a painter father and singer/screenwriter mother, actor
Lukas Haas was discovered at age four in his West Hollywood, CA, elementary school. Haas' kindergarten principal spotted acting potential in the young student and encouraged his parents to set their sights on a movie career for the boy. They did so and Haas got his first film role in 1983's
Testament, in which he played the youngest of the doomed children of post-apocalyptic housewife
Jane Alexander. In 1985, Haas got his big break in the title role of
Witness (1985), playing an Amish boy who witnesses a murder and must accept the protection of cop
Harrison Ford. Haas received positive reviews for his performance in the widely lauded film and went on to further raves -- and an Emmy nomination -- four years later for his TV portrayal of AIDS victim Ryan White in
The Ryan White Story. In-between came roles in such high-grade, sensitive teen fare as The Lady in White and The Wizard of Loneliness (both 1988).
Haas then disappeared for awhile, making occasional appearances in films such as
Rambling Rose (1991), which cast him as a sweet, sexually inquisitive adolescent. 1996 marked the beginning of a new stage in his career, when he appeared in four very different films. No longer the cute little Amish boy in
Witness, the now tall, gawky actor showcased his talents in
Woody Allen's musical comedy
Everyone Says I Love You,
Tim Burton's
Mars Attacks!, the coming-of-age
Boys (in which he co-starred with
Winona Ryder), and Johns, in which he and
David Arquette played down-and-out prostitutes in Los Angeles.
In 1998, the indignity of having his scenes deleted from
Terrence Malick's
The Thin Red Line was partially allayed by the praise Haas received for his lead role in
David and Lisa, a made-for-TV movie co-produced by
Oprah Winfrey. He went on to star as Bunny Hoover in the screen adaptation of
Kurt Vonnegut's
Breakfast of Champions, a role which put him in the company of such actors as
Albert Finney,
Bruce Willis,
Nick Nolte, and
Barbara Hershey.
After a smattering of minor roles -- and a stint in a band with Vincent Gallo -- Haas was very much in demand as an edgy supporting player as he approached his 30th birthday. Festival audiences got a double-dose of the actor in two high-profile 2005 indies: First as the gang kingpin known simply as Pin in the high-school noir Brick, then in a minor but memorable part as a friend to Michael Pitt's doomed rock star in Gus Van Sant's Last Days. Two higher-profile films of wildly different stripes followed: 2006's gritty crime drama Alpha Dog and the Duff sisters' bubblegum flop Material Girls. ~ Rebecca Flint Marx, Rovi

- 1984
-
See if you can predict the ending of this one. John Ritter and Cassie Yates are the next-door neighbors of Penny Marshall and Bert Convy. Ritter and Marshall can't stand each other. But presto! Ritters' wife Yates runs off with Marshall's husband Convy. The two spurned spouses meet to bemoan their individual fates. Love Thy Neighbor is a TV-movie comedy with a TV-movie cast and a TV-movie denouement. The only surprise is the absence of a laugh track. ~ Hal Erickson, Rovi
Read More

- 1983
- PG
- Add Testament to Queue
Add Testament to top of Queue
Director Lynne Littman has created an effective, understated portrayal of the cost of a nuclear war in human terms, in a film as far removed from the fake hyperbole of action and disaster movies as the natural world is from cartoons. Set in the small California town of Hamlin, the Wetherly family and their everyday concerns open the story. The trivia that fills their secure, ordinary existence disappears when a TV show is interrupted with the announcement that nuclear bombs have exploded in the major cities on the East Coast, and then the entire scene is erased in an increasingly white, blank movie screen -- meant to show that nuclear blasts have been detonated in California as well. Over 1000 people die in the first month from radiation sickness, but the mother in the Wetherly family (Jane Alexander) displays great inner strength as she cares for orphaned children the family has taken under its wing and goes on sustaining those that remain in her own family. At one point, she quietly conveys to her daughter the happiness of intimacy between two adults, knowing her daughter will not live to experience adult love. As these individuals and the children cope with day-to-day existence, there is never any intrusion of overt horrors, the focus remains on the individuals and the way in which they adjust to the inevitable. ~ Eleanor Mannikka, Rovi
Read More
- Starring:
- Jane Alexander, William Devane, (more)