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Fred Gwynne Movies

The son of a Wall Street broker, towering (6'5") actor Fred Gwynne was born sucking on the proverbial silver spoon. Gwynne attended the prestigious Groton prep school, where he made his acting bow in a student production of Henry V. He then attended Harvard, where he studying drawing with artist R.S. Merryman and was active in dramatics and as a staffer of the Harvard Crimson. Upon graduation, Gwynne played Shakespeare with the Cambridge repertory before heading to New York City. He appeared in such Broadway plays as Mrs. McThing and was cast in a bit role in the Oscar-winning film On the Waterfront, but for many years his principal source of income was as a book illustrator and commercial artist (his first published work was titled The Best in Show). In 1961, Gwynne was co-starring in the Broadway musical Irma La Douce when TV producer/writer Nat Hiken, who'd cast Gwynne in a handful of guest roles on the 1950s sitcom Sgt. Bilko, hired the actor to play NYPD officer Francis Muldoon on the weekly comedy Car 54, Where are You? A year after the series' cancellation, Gwynne was starred in his most famous TV role: bolt-necked, soft-hearted Herman Munster in The Munsters (1964-66). Afterwards, Gwynne distanced himself from television for the most part. In the 1970s and 1980s, he distinguished himself on Broadway in powerful dramatic roles, often playing autocratic Southerners (e.g. Big Daddy in Cat on a Hot Tin Roof and an elderly Klansman in Texas Trilogy). Fred Gwynne also returned to films during this period, playing key roles in such major productions as The Cotton Club (1984) and Shadows and Fog (1992); he died of pancreatic cancer shortly after completing his critically acclaimed role of the judge in My Cousin Vinny (1993). ~ Hal Erickson, Rovi
2005  
 
Add The Untold Secrets of Television's Greatest Hits to Queue Add The Untold Secrets of Television's Greatest Hits to top of Queue  
The Untold Secrets of Television's Greatest Hits offers stories about the productions of eight famous programs. Among the shows discussed are Cheers, L.A. Law, Hill Street Blues, The Mary Tyler Moore Show, The Bob Newhart Show, he Addams Family, The Munsters, and I Love Lucy. ~ Perry Seibert, Rovi

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1993  
 
Produced by Monterey Home Video, Poetry Hall of Fame 3 is the third volume of a four-part video series hosted by actress Valerie Harper. Verse written by some of the world's most famous poets are recited by well-known performers who eloquently bring alive the poets' words of wisdom, joy, hope, humor and fear. The video presents a wide selection of poems including Edward Lear's "The Owl and the Pussycat," W.H. Auden's "Carry Her Over the Water," "The Rubaiyat" by Omar Khayyham, "To Helen" by Edgar Allan Poe and more. ~ Kristin Alynn Hussein, Rovi

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1992  
R  
Add My Cousin Vinny to Queue Add My Cousin Vinny to top of Queue  
When sweet Northern college kid Bill (Ralph Macchio) and his buddy Stan (Mitchell Whitfield) are picked up and thrown into the slammer in a hick Southern town, at first it looks like no big deal. Then they are informed that they are accused of murder. Penniless and without a single friend in the area, Bill decides to call his goofy cousin Vinny (Joe Pesci), who has somehow recently become a lawyer. Full of family feeling and bravado, Vinny, who has never tried a criminal case in his short life as a lawyer, rides south to defend his trusting relative. He's an expert motormouth and street-level logician from the wilder reaches of metropolitan New York, complete with a thick accent and the attitude to go with it. Otherwise, he's much less well qualified than your average public defender. When he arrives on the scene with his equally brassy girlfriend Lisa (Marisa Tomei), Bill is fairly sure he's going to be sentenced to death. His buddy Stan is even less confident of his legal representative, if that's possible, and the first thing Vinny has to do is to regain the consent of his clients to represent them. The local judge doesn't seem any too sympathetic to Vinny's verbal shenanigans either, and even the most optimistic supporter of the boys would begin to have doubts at this point -- and Vinny's no exception. With the insistent moral encouragement of his girlfriend, Vinny somehow accomplishes the impossible and wins grudging (if very irritated) respect from all concerned, for once studying as if his life depended on it. ~ Clarke Fountain, Rovi

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Starring:
Joe PesciRalph Macchio, (more)
 
1992  
 
President Abraham Lincoln leads the Union in the fight to end the awful bloodshed of the Civil War. The year is 1863. The president had a continuous struggle with the commanders of his army, and the bloodshed from the fighting at Antietam and Fredericksburg distressed him greatly. 1863 was the year of his Emancipation Proclamation and Gettysburg Address. Listen to the story of the events that led to the amazing address at Gettysburg. Actor Jason Robards brings to life the voice of President Lincoln. PBS originally aired this program, the second of a four-volume set narrated by actor James Earl Jones. ~ Linda J. Shriver, Rovi

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1992  
 
A shrewd politician, Abraham Lincoln had the intelligence, ambition, and principles to grow into his job as president. This is the first of four videos in the Lincoln series, which originally aired on PBS. Produced and directed by Peter W. Kunhardt, this program is narrated by renowned actor James Earl Jones, and features award-winning actor Jason Robards reading from letters, speeches, and diaries. Highlights include period photographs. The other three programs in the series are titled Lincoln: The Pivotal Year, 1863, Lincoln: I Want to Finish This Job, 1864, and Lincoln: Now He Belongs to the Ages, 1865. ~ Steve Blackburn, Rovi

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1992  
 
This video is the fourth installment of the Lincoln series, originally aired on PBS. This volume focuses on the last days and hours of Abraham Lincoln's life. Viewers watch as Lincoln's enemies plot their final revenge on the man they believed had dishonored their heritage. The video also reveals how Lincoln's own dreams foreshadowed his murder and how the series of public funerals, following his death, helped fuel his legendary status that has only grown with time. ~ Karla Baker, Rovi

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1992  
 
By the third year of the Civil War, personal and national tragedy had worn down President Lincoln. However, he focused on his job tenaciously, having a strong sense of history. This is the third of four programs in the Lincoln series, which originally aired on PBS. Produced and directed by Peter W. Kunhardt, this program is narrated by renowned actor James Earl Jones and features award-winning actor Jason Robards reading from letters, speeches, and diaries. Highlights include period photographs. The other three programs in the series are titled Lincoln: The Making of a President, 1860-1862, Lincoln: The Pivotal Year, 1863, and Lincoln: Now He Belongs to the Ages, 1865. ~ Steve Blackburn, Rovi

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1991  
PG13  
Add Shadows and Fog to Queue Add Shadows and Fog to top of Queue  
Woody Allen's black-and-white curiosity piece is a mixture of influences -- from German silent film expressionism to Franz Kafka's nightmare worlds to the contemporary fables of Wim Wenders. Woody Allen plays the nebbish clerk Kleinman (in a throwback to his characters from Sleeper and Love and Death), who is awakened in the middle of the night by a vigilante group who want him to help capture a serial killer on the loose. Kleinman reluctantly agrees, but when he gets to the street, the vigilantes are gone and Kleinmen spends most of the film wandering the shadowy back alleys in search of the citizen's brigade. Meanwhile, a circus is in town. When sword-swallower Irmy (Mia Farrow) catches her creepy clown husband (John Malkovich) getting familiar with trapeze artist Marie (Madonna), she packs her bags and heads for town, where she meets up with Kleinman. This meeting sets up a number of plot lines that has Irmy befriending a trio of prostitutes (Jodie Foster, Lily Tomlin and Kathy Bates) at the local brothel and accepting $700 from a university student (John Cusack) who wants to sleep with her. She finally meets up with her husband, and they then find an abandoned baby which they decide to raise as their own. ~ Paul Brenner, Rovi

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Starring:
Woody AllenMia Farrow, (more)
 
1990  
 
Richard Crenna returns as Lt. Frank Janek of the NYPD in the TV movie Murder in Black and White. As in his previous appearances in Doubletake (85) and Internal Affairs (89), Janek is called upon to solve a bizarre and baffling murder. This time the victim is Janek's own boss, the new commissioner of police. The lieutenant deduces that this murder is tied in with the killing of a physician, which occurred only a few hours earlier. Diahann Carroll plays the commissioner's widow, who may or may not be privy to a departmental cover-up. Murder in Black and White was the first made-for-TV movie to be telecast in 1990. ~ Hal Erickson, Rovi

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1990  
 
Enjoy this selection of light verse created by authors including e.e. cummings and read by Jack Lemmon, Fred Gwynne and George Plimpton. ~ Rovi

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1989  
R  
Add Disorganized Crime to Queue Add Disorganized Crime to top of Queue  
When a conniving Montana thief (Corbin Bernsen) decides to rob the local bank, he organizes a gang of four to meet at a remote cabin to initiate the crime. The ringleader is delayed, however, by a pair of ineffective cops. ~ John Bush, Rovi

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Starring:
Hoyt AxtonCorbin Bernsen, (more)
 
1989  
R  
Add Pet Sematary to Queue Add Pet Sematary to top of Queue  
A doctor dabbles in magical resurrection with horrific consequences in this supernatural thriller adapted from the novel by Stephen King. When Dr. Louis Creed (Dale Midkiff) and his family move from Chicago to an old farmhouse in rural Maine, their only concern is the busy highway that flanks their new home. Louis' family -- wife Rachel (Denise Crosby), daughter Ellie (Blaze Berdahl), and toddler Gage (Miko Hughes) -- soon meet kindly old duffer Jud Crandall (Fred Gwynne), who introduces them all to the local attractions, including a pet cemetary built on the remains of a Native American burial ground. When Rachel and the kids head off to visit Louis' in-laws, Ellie's cat gets flattened by a truck. Jud counsels Louis to bury it in the old Indian portion of the cemetary; the next day, it returns from the dead, carrying with it the stink of the earth and a decidedly bad attitude. Shortly thereafter, Louis is tempted to use the cemetary's magical powers again when his son suffers a tragic accident. A snarling kitty, it turns out, is nothing compared to the horror of a little boy with no soul and a taste for scalpels. In addition to adapting his own novel for the screen, writer King appeared in a brief cameo as the minister presiding over Gage's funeral. Director Mary Lambert would return with Pet Sematary Two. ~ Brian J. Dillard, Rovi

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Starring:
Dale MidkiffFred Gwynne, (more)
 
1988  
 
Someone in the upper echelons of network television must have been enamored of or obsessed with French playwright Robert Thomas' Trap for a Lonely Man, since the property was adapted to television no fewer than three times. The 1986 version, Vanishing Act, stars Mike Farrell as a honeymooning husband. When his new bride turns up missing, Farrell angrily demands that the authorities drop everything to find her. Imagine his surprise when Margot Kidder, a total stranger, arrives on the scene, insisting that she is Farrell's wife. Earlier versions of Trap for a Lonely Man included Honeymoon with a Stranger (1969) and One of My Wives is Missing (1976). Originally telecast May 4, 1986, Vanishing Act was cleverly adapted by Richard Levinson and William Link, who slavishly retained Robert Thomas' by-now-familiar final plot twist. ~ Hal Erickson, Rovi

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1988  
G  
Add The Land Before Time to Queue Add The Land Before Time to top of Queue  
Animation producer Don Bluth's fondness for overly cutesy characters and muddy color compositions work to the benefit of his feature-length cartoon The Land Before Time. Littlefoot, a brontosaurus child, must fend for himself when his mother is killed (shades of Bambi). With several other orphaned dinosaurs, Littlefoot seeks out the fabled Great Valley, where food and shelter is plentiful. Along the way, the kiddie dinos learn several vital (and politically correct) life lessons, all the while keeping themselves scarce whenever the fierce tyrannosauri gallumph into view. The cuteness of the characters (emphasized by the voice work) takes some of the harsh edges off the story, which makes the film eminently suitable for younger children; and the smeary color design is ideal for the time-frame of the film, which is set in the turbulent, nature-run-rampant period just before the dinosaurs died out. Apparently they didn't all die, inasmuch as a Land Before Time sequel was released on video in 1994. The earlier film inspired a 1988 Saturday morning cartoon series produced by Ruby-Spears, Dink: The Little Dinosaur. ~ Hal Erickson, Rovi

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Starring:
Gabriel DamonCandy Hutson, (more)
 
1987  
PG13  
Add The Secret of My Success to Queue Add The Secret of My Success to top of Queue  
Released at the height of his popularity on Family Ties and in the wake of Back to the Future and Teen Wolf, Michael J. Fox stars in this "country boy in the big city" comedy, directed by Herbert Ross. After making the move from Kansas to New York City, Brantley Foster (Fox) secures a job in the mailroom at his uncle's large corporation. Doffing any plans of working his way up the corporate ladder the old fashioned way, Brantley begins impersonating an executive to impress a high-ranking female co-worker, played by Helen Slater. Once his oversexed aunt enters the mix, Brantley finds himself juggling two identities, two jobs, and two women. ~ Matthew Tobey, Rovi

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Starring:
Michael J. FoxHelen Slater, (more)
 
1987  
R  
Add Ironweed to Queue Add Ironweed to top of Queue  
Based on the William Kennedy novel of the same name Ironweed is set in the waning years of the Depression. Jack Nicholson plays Francis Phelan, a washed-up ballplayer (a onetime infielder for the Washington Senators) who deserted his family back in the 1910s when he accidentally killed his infant son by dropping him. Since that time, Phelan has been a shabby barfly, living from drink to drink; he spends his days palling around with Rudy (Tom Waits), with whom he works a motley series of jobs in exchange for a place to lay his head and an occasional jug of wine. Wandering into his hometown of Albany, New York, Phelan blearily seeks out his girlfriend and erstwhile drinking companion of nine years, Helen Archer (Meryl Streep), who has begun prostituting herself for drink and lodging. The two derelicts touch base in a mission managed by minister James Gammon, and later in Fred Gwynne's squalid gin mill. Over the next few days, Phelan takes a few minor jobs to support his habit, while his mind wavers between past and present. Eventually, a chance for a reconciliation with his wife (Carroll Baker) emerges. Directed by Hector Babenco following his enormous success with Kiss of the Spider Woman , Ironweed netted Oscar nominations for Nicholson and Streep. ~ Hal Erickson, Rovi

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Starring:
Jack NicholsonMeryl Streep, (more)
 
1987  
R  
Add Fatal Attraction to Queue Add Fatal Attraction to top of Queue  
"Fatal attraction" has become a household term for love turned to murderous obsession, thanks to the success of Adrian Lyne's 1987 movie. Dan (Michael Douglas) is a family man whose one-night affair with Alex (Glenn Close) turns into a nightmare when she insists on continuing the relationship, claiming to be carrying his baby. Alex systematically terrorizes Dan, even temporarily kidnapping his daughter, in her attempts to win back his affection. Douglas' besieged family man guiltily tries to preserve his marriage and family from the consequences of his own indiscretion. Close's performance as the love-struck psycho-siren remains her signature role: She conveys the buried feminist message of the film in her challenge to Dan to take responsibility for his sexual behavior. Though many critics acknowlegded the film's striking similarities to Clint Eastwood's 1971 film Play Misty for Me, Fatal Attraction spawned numerous other movies about middle-class families besieged by a lone psychotic intent on infiltrating and destroying the fabric of the family unit, including The Stepfather (1987), Pacific Heights (1990), The Hand That Rocks the Cradle (1992), and Fear (1996). ~ Laura Abraham, Rovi

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Starring:
Michael DouglasGlenn Close, (more)
 
1987  
 
Robert Hays stars in Murder by the Book in the dual role of mild-mannered mystery writer D. H. Mercer and his creation, hard-boiled private eye Biff Deegan. While writing his latest book, Mercer becomes so immersed in his material that he inadvertently causes Biff to come to life. Mercer teams up with his Chandleresque doppelganger to solve a genuine mystery involving art fraud, murder, and a beautiful lady in peril (Catherine Mary Stewart). Made for television, Murder By the Book was based on a novel by Mel Arrighi, titled (what else?) Alter Ego. It was filmed late in 1985 and first telecast on March 17, 1987. ~ Hal Erickson, Rovi

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1986  
PG  
Add The Boy Who Could Fly to Queue Add The Boy Who Could Fly to top of Queue  
Jay Underwood plays an autistic boy who provides a source of fascination to a new family in town. Never uttering a sound, Underwood spends hours in his backyard, attempting to fly like the birds. Lucy Deakins, the daughter of the new family, befriends Underwood; she is encouraged by teacher Colleen Dewhurst to try to draw the boy out of his shell, and to keep a journal on the subject. Rendered unconscious in a fall, Deakins dreams that Underwood can fly. The boy is suddenly whisked away to an institution, and Deakins despairs that she'll never see him again. ~ Hal Erickson, Rovi

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Starring:
Lucy DeakinsJay Underwood, (more)
 
1986  
 
Add The Christmas Star to Queue Add The Christmas Star to top of Queue  
Christmas Star is a two-hour whimsy assault, originally telecast December 14, 1986 on The Disney Sunday Movie. Ed Asner plays an escaped convict who adopts a stolen Santa Claus suit as a disguise. Several impressionable youngsters, believing Asner to be the genuine Santa, latch onto him. He decides to use these moppets to help him find his ill-gotten loot, which his partner has hidden in department store Christmas decorations. The ending is as misty-eyed as it is predictable. ~ Hal Erickson, Rovi

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1986  
PG  
In this charming comedy that lives up to its title, Judge Reinhold stars as Joe Gower, a librarian's assistant posing as a police officer and trying to win the heart of a beautiful police officer, Rachel Wareham (Meg Tilly). A complex chain of events is put in place when Joe agrees to help out a good friend who's a policeman by taking his place at an audition for the cop's annual benefit show. Once at the auditions, Joe falls for Rachel, who will be dancing in the benefit. Joe starts hanging out with the choreographer in order to spend more time with Rachel. Unfortunately, this gets him into his borrowed police uniform more than he would like, and soon he's carrying out the duties of a beat cop while wearing his disguise. ~ Eleanor Mannikka, Rovi

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Starring:
Judge ReinholdMeg Tilly, (more)
 
1985  
PG  
Add Any Friend of Nicholas Nickleby Is a Friend of Mine to Queue Add Any Friend of Nicholas Nickleby Is a Friend of Mine to top of Queue  
Mary Trimble wrote this TV adaptation of Ray Bradbury's short story. Brian Svrusis, a 12-year-old growing up in an small American town in the 1940s, comes to idolize mysterious stranger Fred Gwynne. Claiming that he's Charles Dickens, Gwynne holds Svrusis in thrall by revealing details of his "work in progress" Tale of Two Cities. The boy's fascination with Gwynne seriously erodes his relationship with his more pragmatic best friend. Any Friend of Nicholas Nickelby is a Friend of Mine was first telecast February 9, 1982, on PBS's American Playhouse. ~ Hal Erickson, Rovi

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1985  
PG13  
Add Water to Queue Add Water to top of Queue  
Meant to be a parody of the recent invasions of Grenada and the Falkland Islands, this comedy about the laid-back governor (Michael Caine) of "Cascara," a fictional British island somewhere in the Caribbean, and the international parade of characters who come through his territory is a pastiche without a clear center. Among these multinational characters are an American industrialist out to exploit the island's rich source of mineral water -- also the source of all the subsequent trouble on the island -- some inexplicable French-German visitors, a singing revolutionary with ties to Fidel Castro, and various parodies of Brit diplomats and politicians, Margaret Thatcher included. ~ Eleanor Mannikka, Rovi

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Starring:
Michael CaineValerie Perrine, (more)
 
1984  
R  
Add The Cotton Club to Queue Add The Cotton Club to top of Queue  
Combining electric song and dance performances with drama (both on and off screen), Francis Ford Coppola's The Cotton Club (1984) looks back to the 1920s-1930s peak of the legendary Harlem nightclub where only blacks performed and only whites could sit in the audience. Mixing historical figures with characters loosely based on actual people, Coppola and co-writers William Kennedy and The Godfather's Mario Puzo create a panorama of love, crime, and entertainment centered on the Club. Among them are cornet player Dixie Dwyer (Richard Gere, playing his own solos), who escapes psycho gangster "benefactor" Dutch Schultz (James Remar) for a George Raft-type Hollywood career as a gangster film star; Schultz's nubile mistress Vera Cicero (Diane Lane), who loves Dixie against her mercenary instincts; Cotton Club Mob owner Owney Madden (Bob Hoskins) and close associate Frenchy Demarge (Fred Gwynne); Vincent (Nicolas Cage), Dixie's no-good Mad Dog Coll-esque brother; Club tap star Sandman Williams (Gregory Hines), who woos ambitious light-skinned Club singer Lila Rose Oliver (Lonette McKee); and cameos by Charles "Honi" Coles and Cab Calloway impersonator Larry Marshall. Complementing the period story, Coppola evokes the style of '30s gangster movies and musicals through an array of old-fashioned devices like montages of headlines, songs and shoot-outs. Conceived by producer Robert Evans as his crowning achievement and directorial debut, Evans had to hand over the troubled production to Coppola, but the budget spiraled out of control as the script was repeatedly re-written throughout the chaotic shoot. By the time it was released, The Cotton Club's epic production story of power struggles, financial bloat, and even a murder overshadowed the "reunion" of The Godfather's creative team. Neither a Heaven's Gate-sized failure nor a wallet-saving hit like Coppola's Apocalypse Now, The Cotton Club got some favorable critical notices (although it drew fire for subordinating the African American stories). It did not, however, find a large enough audience to justify its expense and controversy, becoming another mark against 1970s "auteur" cinema in increasingly blockbuster-driven 1980s Hollywood. ~ Lucia Bozzola, Rovi

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Starring:
Richard GereGregory Hines, (more)