Moses Gunn

Music bridges a gap between two cultures in this made-for-TV drama. In 1957, Derek Sanders (Peter Scolari) is hired to teach music and direct the choir at Blanton Academy, a private school in South Carolina. Integration has not yet come to Blanton, and a number of students display an open hostility towards African-American in the community, most notably Taylor Bradshaw (Justin Whalin), one of the school bullies who makes no secret of his dislike of people of color. As Sanders tries to impress a more open-minded attitude upon the boys in his choir, he introduces a new vocalist to the group -- Landy Allen (Eugene Byrd), the teenaged son of Zeke (Moses Gunn), the school's black caretaker. Despite his initial enmity, Bradshaw strikes up a friendship with Allen based on their shared love for music, and as Allen teaches Bradshaw about the blues, he also finds himself learning about a people and a community he previously know almost nothing about. Noted folk-blues Richie Havens also appears in the film's supporting cast. ~ Mark Deming, All Movie Guide

This drama was a "Wonderworks Family Movie," and tells the tale of a self-centered, rebellious African- American youth who gets a new outlook on life after he is hit by a car and finds himself awakening in South Carolina during the early 19th century. Soon he is captured and auctioned off to the owner of a cotton plantation. While working under brutal conditions, he sees other slaves working together and quietly conspiring to revolt, and when he finally awakens in the 20th century, he realizes that he must think of others and begin working to help his ghetto-bound neighbors. ~ Sandra Brennan, All Movie Guide

Based on the novel by Gloria Naylor, The Women of Brewster Place was produced by and stars Oprah Winfrey. The film concerns a variety of women who live in the housing project located on Brewster Place, and tells about their lives as they struggle in the face of racism, poverty, and troublesome men. Winfrey portrays Mattie Michael who was kicked out of her parent's (Paul Winfield and Mary Alice) house after refusing to reveal the name of her soon-to-be-born child's father. She eventually inherits a house, but loses it after her son skips bail. Robin Givens plays Kiswana, a focused woman who does her best to improve the situations of those around her. During a conversation with her mother (Cicely Tyson), Kiswana learns how her decision to change her name from Melanie is a betrayal of her family history. Cora Lee (Phyllis Stickney) craves being needed by babies and continues to have children, although she becomes neglectful as her children age. Miss Sophie (Olivia Cole) traffics in neighborhood gossip. Theresa and Lorraine (Paula Kelly and Lonette McKee) are a lesbian couple who live on Brewster Place because they believe the people in the neighborhood might let them live in peace. The Women of Brewster Place aired March 18-19, 1989, on the ABC television network. ~ Perry Seibert, All Movie Guide

Even though it was his idea that he and Justine (Michelle Thomas) should start dating other people, Theo (Malcolm-Jamal Warner) is riled when he sees Justine in the company of a guy named Scott (Harold Perrineau Jr.)--so much so that he makes a fool of himself in public. Seeking a paranormal method of getting rid of Scott, Theo solicits the aid of a "spiritual scientist" named Dr. Lotus (Moses Gunn). The good doctor is more than willing to place a hex on the troublesome Scott--provided that Theo can come up with an 800-dollar fee! ~ Hal Erickson, All Movie Guide

This gentle comedy hearkens back to 1945, just after the war's end where a crazy small-town family awaits the return of one of their own. ~ Sandra Brennan, All Movie Guide

CIA director Snyderburn (Joe Don Baker) talks former agent Leonard (Bill Cosby) into returning to the job in this failed Bond-style spy comedy. Leonard's mission is to stop the evil Medusa (Gloria Foster) from taking over the planet by controlling the behavior of the world's animals. The highlight of the film is when lobsters, fish, and frogs begin to attack the humans in a reversal of the food chain. Jane Fonda makes a brief appearance as she talks to Leonard while filming one of her exercise videos. ~ Dan Pavlides, All Movie Guide

Don't pass up The Killing Floor on the mistaken notion that the film is a western shoot-em-up or cop drama. The title refers to that special area in the Chicago stockyards where the cattle are slaughtered (yes, we know: yeccch. But it happens). The story relates the true-life attempts to set up an interracial union at the stockyards during World War II. Nothing happens in the film that is not logical or understandable, so don't expect a last minute mano-y-mano duel fought with meat cleavers or some such. Well (and sometimes graphically) produced for PBS' American Playhouse, The Killing Floor stars Damien Leake as a southern black sharecropper seeking a better life in Chicago. ~ Hal Erickson, All Movie Guide

This Canadian exploitational actioner offers a remake of the Defiant Ones with a contemporary twist: this time the fugitives are women. The Caucasian girl is a prostitute who was picked up for vagrancy, while the other is a wealthy African-American woman who, with her boyfriend, is arrested for riding in a stolen Jaguar. While both girls are awaiting their incarceration, they get a chance to escape when two gun-toting hookers create a diversion. The two heroines flee and later find that they have been accused of the shootings. Now they must escape from both the cops and drug dealers. ~ Sandra Brennan, All Movie Guide

The House of Dies Drear is a spooky old mansion where several strange events have occurred of late. An out-of-town family moves into the home, only to be confronted by an odd recluse (Joe Seneca) and by a neighbor warning them to get out "while you got the chance." The youngest members of the family (Howard Rollins Jr. and Shavar Ross) suspect that a human agent is causing the so-called "supernatural" events, and set out to investigate. House of Dies Drear originated as a two-part episode of the PBS series Wonderworks. It was first shown November 5 and 12, 1984. ~ Hal Erickson, All Movie Guide

Delving into the horrific history of the infamous Long Island haunted house, this prequel to 1979's popular chiller The Amityville Horror is loosely based on the DeFeo murders but is at heart a straightforward horror-exploitation film with an Exorcist twist. When the violently dysfunctional Montelli family moves into the rustic abode (claimed to have been built on an Indian burial ground), the standard haunted-house clichés (bleeding walls, swarms of flies, bubbling black goop) give way to a more direct demonic attack on the eldest son -- who develops an unhealthy interest in his nubile younger sister, followed by a much more lethal attraction to dad's shotgun. In a desperate attempt to purge the evil, the local priest tries to perform an exorcism...with unexpected results. ~ Cavett Binion, All Movie Guide

E. L. Doctorow's novel Ragtime was a sprawling fictional account of American manners and mores in the years between 1900 and 1913. Among the mosaic of colorful factual and fictional characters in the novel were escape artist Harry Houdini and radical Emma Goldman. Both characters are all but eliminated in the film version, which only concentrates on three of Doctorow's many plot threads: The story of an immigrant artist (Mandy Patinkin) who becomes a movie director; the saga of "Gibson Girl" Evelyn Nesbit Shaw (Elizabeth McGovern), for whose sake playboy Harry K. Thaw (Robert Joy); kills architect Stanford White (Norman Mailer) and a lone black man's (Howard Rollins Jr.) quest for justice when his car is destroyed by a racist fire chief (Kenneth McMillan). This last subplot consumes most of the film's running time, to the overall detriment of the pacing. There are also several scenes involving an unnamed upper-middle-class family (headed by James Olson and Mary Steenburgen) who are evidently meant to be the audience's eyes and ears, but are frankly not terribly interesting. Back in 1981, Ragtime was given plenty of press coverage as the "comeback" picture for James Cagney, after twenty years in retirement. The problem is that Cagney's character (a police commissioner) isn't in the book, and his inclusion not only throws the story off balance, but necessitates the removal of several potentially interesting characters and events. Another detriment is the gratuitous (and illogical) nudity in the Evelyn Nesbit scenes, which earned the film its "R" rating. An ornate misfire, Ragtime is of interest today only for its remarkable cast of veterans and stars-to-be, including Pat O'Brien and Eloise O'Brien, Donald O'Connor, Debbie Allen, Moses Gunn, Jeff Daniels and Fran Drescher. ~ Hal Erickson, All Movie Guide