David Gulpilil Movies

Set against the scenic backdrop of pre-World War II Australia, Baz Luhrmann's romantic period adventure stars Nicole Kidman as an English aristocrat who inherits a sprawling ranch, and Hugh Jackman as the rough-and-tumble cattle driver who helps protect her property from greedy English cattle barons. As the pair attempt to herd 2,000 head of cattle hundreds of miles across the treacherous Australian outback, they are stunned to bear witness to the bombing of Darwin by Japanese forces -- who just a few months prior launched a devastating attack on Pearl Harbor. ~ Jason Buchanan, All Movie Guide

An outlaw is goaded into taking on justice at its most brutal in this hard-edged Western set in rural Australia in the 1880s. Charlie Burns (Guy Pearce) is a criminal living in the outback. He and his two brothers, Arthur (Danny Huston) and Mikey (Richard Wilson), are on the run from the law for rape and murder. Arthur is a violent and dangerous sociopath with a much longer rap sheet than his siblings and a reputation for hiding out in villages so lawless the police are afraid to visit them, while Mikey is a much younger and more impressionable chap.

The authorities capture Charlie and Mikey after a bloody shootout, and the brothers are handed over to Capt. Stanley (Ray Winstone), a British lawman sent to Australia to help bring order to the colonies. Stanley proposes a deal to Charlie, explaining that it's Arthur he really wants, and that he's willing to spare the childlike and terrified Mikey if Charlie can find Arthur and murder him. Charlie, realizing that this is his only hope to save his simpleton younger brother (who is scheduled to be hanged on Christmas Day), agrees and sets out to find and execute his other brother, who he believes has gone too far into the world of crime. As Charlie scours the backwaters of Australia, he encounters Jellon Lamb (John Hurt), an educated yet thoroughly menacing bounty hunter. In time, Charlie finds his brother, but isn't certain if he can carry out his mission. Meanwhile, Stanley struggles to bring a European sense of civility to the rough and tumble land he now calls home, while his wife Martha (Emily Watson) becomes the focus of the lustful appetites of the men in town. The Proposition was written by rock star and novelist Nick Cave; he previously collaborated with director John Hillcoat on the film Ghosts... of the Civil Dead. ~ Mark Deming, All Movie Guide

After directing a number of major motion pictures in the United States, Australian-born filmmaker Phillip Noyce returned home to make this remarkable adventure-drama, based on a true story as well as a lamentable period in his nation's history. When European settlers first arrived in Australia, there was an almost immediate conflict between the recent arrivals and the nation's indigenous people, whose rich cultural heritage which bore little resemblance to that of the Europeans. By the mid-19th century, when white settlers had gained political control of the continent, many aborigines found themselves removed from their lands and their children taken from them, under the belief that the youngsters would be better off in a more "civilized" environment. Through most of the 20th century, it was official government policy that half- or quarter-caste indigenous children were to be taken from their families and raised as "white" children in orphanages, where they would be trained to work as domestic servants or laborers. In 1931, Molly (Everlyn Sampi) and her younger sister Daisy (Tianna Sansbury) and cousin Gracie (Laura Monaghan) were three half-caste children from Western Australia who were taken from their parents under government edict and sent to an institution, where they were subject to physical and emotional abuse as they were taught to forget their families, their culture, and their lives up to that point and re-invent themselves as members of "white" Australian society. Gracie and Daisy cling to Molly for support, and Molly decides they need to return to their parents. Molly plans a daring escape, and the three girls begin an epic journey back to Western Australia, travelling 1,500 miles on foot with no food or water, and navigating by following the fence that has been build across the nation to stem an over-population of rabbits. A.O. Neville (Kenneth Branagh), the government functionary in charge of relocating Western Australia's aborigines, takes a special interest in the case of the three girls, and brings in a veteran tracker, Moodoo (David Gulpilil) to help find them, secure in the belief he's acting in their best interest. Rabbit-Proof Fence was based on the acclaimed book by Doris Pilkington Garimara, whose Aunt Daisy was one of the three children who made the extraordinary journey and helped her with the research for the book. ~ Mark Deming, All Movie Guide

Director Mojgan Khadem's exotic drama draws on research conducted by Christine Stevens to tell the tale of Jalil - the daughter of an Aboriginal Australian and an Afghan cameleer. As a young girl living in Australia, Jalil was raised as an Aborigine by her grandfather. Later, Jalil's childhood beliefs begin to clash with her education during her time at a Lutheran mission run by Pastor Hoffman (David Gulpilil). Pastor Hoffman's son Johan is five years older than Jalil, and it doesn't take long for love to blossom between this unlikely couple. Eventually, Jalil's grandparents die and she is placed in the custody of her father and his new family. Now forced to abide by the rules of a Moslem household, the drifting Jalil is informed by her father that she will marry a man of his choosing. But Jalil's father had never been there for her in the past, and now she is determined to break free of the arranged marriage so that she and Johan can live happily ever after. ~ Jason Buchanan, All Movie Guide

Wim Wenders' sprawling cyberpunk noir epic -- shot in no less than nine different countries -- is set in 1999 and stars Solveig Dommartin as Claire, a young Frenchwoman who comes into contact with a large sum of money stolen during a bank heist; in her travels she picks up a mysterious American hitchhiker (William Hurt), who himself steals some of the money before parting from her company. Upon discovering the theft, Claire sets out on his trail, with both a Hammett-styled German private eye (Rudiger Vogler) as well as her former lover, a novelist portrayed by Sam Neill, in tow. The hitchhiker is really Sam Farber, the son of an underground scientist (Max Von Sydow), and his mission is to travel the globe in order to acquire the funding necessary to develop the technology which will allow his blind mother (Jeanne Moreau) to "see" visual recordings of her family members; the second half of the film takes place largely in the Farbers' compound in the Australian Outback, where Sam, Claire and the others take refuge while attempting to bring the sight project to its fruition, in the meantime pondering earth's future in the wake of a nuclear disaster in outer space. Wenders' most ambitious film to date, budgeted at $23 million, Until the End Of the World is also among his most seriously flawed efforts -- despite a keen sense of cultural perception, a fascinating sci-fi take on life in the near-future and stunning Robby Muller cinematography, the picture never quite gels. Much of the blame seems to fall upon its distributors -- upon its wide release in 1991, the movie was drastically cut to a running time of 2 1/2 hours, resulting in a disjointed narrative that doesn't shift gears so much as grind them as the action moves from country to country. Still, while a three-hour version, issued on laserdisc in Japan, comes closer to realizing the full scope of Wenders' epic vision, rumors of a five-hour director's cut -- said to have been screened to thunderous applause at a handful of film festivals -- continue to persist, suggesting that a masterpiece may well exist here after all. ~ Jason Ankeny, All Movie Guide

This well-made Australian blend of Jaws and Alligator is a tense, action-packed thriller involving a monstrous crocodile, a tough ranger (John Jarratt), and a team of aborigines who worship the monster as the god "Numunwari." This leads to lots of gory clashes with the reptile, interwoven with some interesting tribal lore surrounding the legendary croc and a subplot involving a psychic connection between the beast and one of the aborigines. The climactic battle puts a sympathetic spin on the plight of Numunwari, believed to be the last of his kind -- but his unpleasant habit of snapping people in half makes it a bit difficult to muster up enough empathy for the monster. Based on a novel by Grahame Webb. ~ Cavett Binion, All Movie Guide

Peter Weir follows up on his critically acclaimed masterpiece Picnic at Hanging Rock with this surrealist psychological drama. The film opens with a freak hailstorm in Australia's outback. Cut to David Burton (Richard Chamberlain), a well-to-do Sydney corporate lawyer plagued by visions of impending doom who is assigned to defend five accused of murdering a fellow Aborigine. The case itself proves to be mysterious -- no exact cause of death can be determined by the pathologist, and the accused remain strangely tight-lipped about the whole affair. As his visions grow increasingly weird and intense, Burton sees in his dream one of the five Aborigines, Chris (David Gulpili of Walkabout fame), who is drenched and clutching a sacred rock. Burton's interest in the case slides into complete obsession, and he comes to believe that not only was the murder related to an underground urban tribe of Aborigines but that Australia is about to be decimated by a massive, apocalyptic tidal wave. ~ Jonathan Crow, All Movie Guide

Dennis Hopper plays the title character in this true story of a 19th-century Australian gold-digger who is pressed into a life of crime. A six-year stint in jail doesn't provide reform, but does introduce him to an Aboriginal partner-in-crime (David Gulpilil). The duo then proceed to terrorize the province of New South Wales with no lack of violence. The TV version was retitled Mad Dog. ~ John Bush, All Movie Guide