Nancy Guild Movies
"Nancy Guild rhymes with Wild." So proclaimed 20th Century-Fox's publicity hacks when Guild was signed to a contract in 1946. Curiously, in most of her film appearances, Guild wasn't wild at all, but a demure, ladylike screen presence. After starring in three Fox features, she began free-lancing, delivering a worthwhile dramatic performance opposite Orson Welles in Black Magic (1949) before going through the requisite leading-lady motions in Abbott and Costello Meet the Invisible Man (1951) and Francis Covers the Big Town (1953). Nancy Guild dropped out of films in 1953 upon marrying Broadway producer Ernest Martin, returning only for a fleeting cameo in Otto Preminger's Such Good Friends (1971). ~ Hal Erickson, All Movie Guide- 1971
- R
Based upon the novel by Lois Gould and adapted (under the pseudonym Esther Dale) by Elaine May, Such Good Friends focuses on Julie Messinger (played by Dyan Cannon), a woman with intense, often wild emotions that are held in check beneath a rather conventional façade. After her chauvinistic and self-centered husband Richard checks into the hospital for a simple mole removal that goes seriously wrong, Julie discovers that he has been titanically unfaithful to her. This is the straw that breaks the camel's back, and Julie decides it is time for her to break out of her shell, no matter what the consequences. She begins to exhibit a sexual interest in other men (sometimes indiscriminately, as when she seduces her family doctor, played by James Coco), and speaks her mind to others, including her egocentric mother (Nina Foch) and her hypocritical best friend (ennifer O'Neill). At the end, Julie wanders into Central Park and, presumably, a new life. ~ Craig Butler, All Movie Guide
- 1953
In this fourth of the "Francis" series, former Army officer Peter Stirling (Donald O'Connor) becomes a reporter for a big city newspaper. His greatest source of news tips is his talking mule Francis (voice by Chill Wills), who has become friendly with all the police horses. When asked how he manages to stay abreast of the news, Peter tries to explain about Francis, and is not unexpectedly labelled a looney-tune. But when Peter is brought to court on a homicide charge, Francis breaks his self-imposed rule of talking only to Peter and testifies on his master's behalf. With Francis' aid, Peter cracks the murder case and is graduated to star reporter. At fadeout time, Francis is seen wooing a female zebra, explaining "Don't let the striped pajamas fool ya." Francis Covers Big Town is harmless fun, bolstered by an expert supporting cast, including the always reliable Gene Lockhart (as Peter's editor) and Gale Gordon (as a flustered D.A.). ~ Hal Erickson, All Movie Guide
- Starring:
- Donald O'Connor, Yvette Dugay, (more)
- 1951
The best of Universal-International's followups to Abbott & Costello Meet Frankenstein, Abbott & Costello Meet the Invisible Man casts Bud and Lou as mail-order private eyes. The boys champion the cause of boxer Arthur Franz, who has been framed for murder. Utilizing the formula created by Claude Rains in the original Invisible Man (1933), Franz vanishes before Dr. Gavin Muir's astonished eyes. Cloaked by invisibility, Franz talks Bud and Lou into helping him nab the real murderer, gangster Sheldon Leonard. A string of uproarious gags and comic setpieces is highlighted by a boxing-ring finale, wherein Lou, backed up by the invisible Franz, dukes it out with a behemoth prizefighter. A clever special-effects closing gag caps this delightful A&C vehicle. ~ Hal Erickson, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
- 1951
Little Egypt is a lighthearted "biopic" all about the hootchie-kootchie dancer who created a sensation at the 1893 Chicago World's Fair. An incongruously redheaded Rhonda Fleming plays Izora, a cabaret dancer in old Cairo. American impresario Cyrus Graydon (Minor Watson) hopes to re-create an authentic Cairo street at the World's Fair, and to that end he ties up with fast-buck promoter Wayne Cravat (Mark Stevens) and a self-styled Pasha (Steven Geray). Graydon's plan is fulfilled, with one slight alteration; along for the ride is Izora, posing as an Egyptian princess. At Cravat's behest, Izora performs a belly dance at the World's Fair to draw in customers, resulting in a tempest of outrage stirred up by local blue-noses. Amusingly, while Little Egypt--aka Izora--is arrested for indecent exposure, by 1990s standards she is most modestly garbed; in fact, the audience never sees her famous bejeweled belly button. Perhaps realizing that no one could take this concoction seriously, the producers of Little Egypt wisely opted to play for laughs--and got them. ~ Hal Erickson, All Movie Guide
- Starring:
- Mark Stevens, Rhonda Fleming, (more)
- 1949
- NR
Gregory Ratoff is listed as sole director of the 1949 Orson Welles starrer Black Magic, but it is now common knowledge that Welles directed most of this lavish costumer himself. Told in flashback, the film recounts the life and times of notorious 18th-century hypnotist/magician/scam artist Cagliostro (played, but of course, by Welles). Learning the secrets of hypnosis from Dr. Mesmer (Charles Goldner), Cagliostro exploits this skill to gain wealth, prestige and, on occasion, romance. His downward slide begins when Cagliostro enters into an Anastasia-like scheme to substitute a young lass named Lorenza (Nancy Guild) for French queen Marie Antoinette. The charlatan's partners in crime are gypsies Gilbert (Akim Tamiroff, who manages to out-ham Welles in some scenes) and Zoraida (Valentina Cortese). Longer on style than substance, Black Magic is a wickedly delightful cinematic exercise, with Welles at his overbaked best. ~ Hal Erickson, All Movie Guide
- Starring:
- Orson Welles, Nancy Guild, (more)
- 1948
Charles Winninger plays the head of a vaudevillian family who, when jobs become scarce, takes a humble factory job. He dreams of sustaining a show-biz dynasty with his grown children, but none of them show any real interest in trodding the boards. Realizing that the golden days are past, Winninger allows his children to follow their own desires. Give My Regards to Broadway is a regulation 20th Century-Fox Technicolor musical, with all the story elements falling into place precisely when the audience expects them to. The film comes to life during the song and dance sequences featuring Winninger and top-billed Dan Dailey. ~ Hal Erickson, All Movie Guide
- Starring:
- Dan Dailey, Charles Winninger, (more)
- 1947
Raymond Chandler's famed detective Philip Marlowe (George Montgomery) is hired by a rich, eccentric widow, Mrs. Murdock (Florence Bates) to find and return a stolen gold coin. Marlowe quickly finds himself involved an a case which includes robbery, blackmail and murder. Just as Marlowe begins to solve the mystery, he is savagely beaten by Vannier (Fritz Kortner). Marlowe finally puts all the pieces of the puzzle together when he discovers a blackmail scheme involving Murdock's mentally-ill secretary, Merle Davis (Nancy Guild) which leads him to suspect his employer. The Brasher Doubloon, adapted from Chandler's novel, The High Window, and beautifully photographed by Lloyd Ahern captures a proper film noir sensibility with its moody, low-key images and dense, dark background shots, while failing to capture the complexity of the novel. Director John Brahm, who also directed the excellent films The Lodger and Hangover Square, is disappointing, failing to create the depth of characterization and plot which he showed in these films. The Brasher Doubloon remains bland, with undistinguished acting by the entire cast. The only exception is Fritz Kortner, a veteran character actor molded in the expressionist cinema of pre-war Berlin, who creates the grotesque character of Vannier, bringing a sense of evil vitality to an otherwise bland production. ~ Linda Rasmussen, All Movie Guide
- Starring:
- George Montgomery, Nancy Guild, (more)
George Taylor (John Hodiak) is a war veteran suffering from amnesia with only two clues to his past: the bitter letter from a woman who hates him and another mysterious letter signed "Larry Cravat." Taylor goes to Los Angeles to meet Cravat. It turns out that Cravat is wanted for murder and the robbery of $2 million. George becomes involved with a singer, Christy (Nancy Guild) and is chased by mobsters while on a search for the stolen money. There ensue a series of chases, an interesting plot twist and a surprise ending as John learns the true identity of Cravat.Somewhere in the Night is the quintessential "amnesia victim" as protagonist film, somewhat slow, but nevertheless, engrossing and suspenseful. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Charles Arnt, Richard Benedict, (more)
