Rick Rosenberg Movies

At a time when American manufacturing jobs have become a distant memory, documentary filmmaker Peter Navarro focuses his attentions on the turbulent economic trade relationship between the U.S. and China, and the troubling fact that the western superpower now owes over $3 trillion to communist nation. ~ Jason Buchanan, Rovi

This made-for-TV melodrama is based on an actual event that had been so thoroughly documented by the news services of the day that one is amazed that any suspense could possibly be engendered. In Dade County, Florida, disgruntled taxpayer Harry Kee (Michael Paul Chan) angrily protests a huge IRS bill by wiring up a box of explosives and hijacking a school bus full of special-needs children. Although the kids are terrified, Marta Caldwell (Maria Conchita Alonso), the bus' Cuban-born driver, remains calm and collected throughout the ordeal, not only helping her charges survive the crisis, but also providing comfort and support to a teacher's aide on the verge of a diabetic seizure. But while Marta keeps her head about her, the kidnapper grows more and more unhinged, and the police surround the hijacked bus, ready to shoot to kill if necessary. Though slightly weighed down by a subplot involving the courageous driver's home life, Sudden Terror: The Hijacking of School Bus #17 manages to pack a wallop,even for those who are aware of the outcome. The film made its first network appearance on September 13, 1996. ~ Hal Erickson, Rovi

Kids Don't Tell stars Michael Ontkean as a free-lance documentary filmmaker. Concerned over the increasing sexual abuse of children, Ontkean hopes to make a film on the subject, with the cooperation of the local police and social services. For reasons unknown, Ontkean's wife JoBeth Williams becomes surly and distant as he continues work on his film. It turns out that JoBeth is far more intimately familiar with the subject of sexual abuse than she's ever let on (hence the film's title). Made for television, Kids Don't Tell handles its subject matter with an admirable absence of sensationalism, thanks to the low-key script by Peter Silverman and Maurice Hurley. ~ Hal Erickson, Rovi

Queen of the Stardust Ballroom stars Maureen Stapleton as Bea Asher, a woman faced with many new challenges since becoming a widow. She has been afraid for herself and her future since her husband's death, and friends concerned for her well-being take her to the Stardust Ballroom in the hopes that, for one night, she might dance her troubles away. While there, she meets Alvin Green (Charles Durning). They spend the evening dancing and talking and, thanks to his charm and goodness, Bea begins to come out of her sheltered existence. This story was directed for television by Sam O'Steen, who was Mike Nichols' only editor for almost 30 years. ~ Perry Seibert, Rovi

Incorporating themes from horror films of both the '50s and the '70s, this suspenseful TV movie stars Cornel Wilde and Jennifer Salt as an archaeologist and his daughter, who discover a strange skull on display at a roadside tourist trap. After the museum owner is killed during an attack from an unseen foe, the pair are subsequently pursued across the American Southwest by a tribe of humanoid creatures that bear a striking resemblance to the gargoyles of myth, leading to a manic game of cat-and-mouse across the desert. This enjoyably spooky film essentially riffs on this one-note premise for over 70 minutes -- sort of an inversion of Night of the Living Dead's claustrophobic scenario -- and fortunately comes off quite well thanks to superb use of the desert locations, an eerie score, uniformly good performances, and Emmy award-winning monster costumes from Stan Winston. A young Scott Glenn appears as a roguish biker who throws in with the good guys after taking a shine to the professor's daughter. ~ Cavett Binion, Rovi